Latest News

Ask a Scientist, Science & Technology

The causes and symptoms of allergies

Allergies always seemed so simple: Here’s a list of foods and environmental factors that you should avoid, since your body treats them like enemies.

Dr. Christine McCusker, an associate professor in the Faculty of Medicine at McGill, is the Director of the Division of Allergy & Immunology at the Montreal Children’s Hospital. She pointed out that, 30 years ago, the predominant idea to explain allergies was that the body treats allergens as enemies when they are really ‘innocent.’ However, since that time, researchers have discovered that the immune system is always responding to intruders. In the case of allergies, it activates the ‘threatening’ response for some people and the ‘non-threatening’ response for others. 

“In fact, if I eat a nut [and] I’m not allergic, my immune system [still] activates, recognizes what I’m eating, and makes an immune response,” McCusker said. “[…. The] type of immune response it makes is different from the type that you make. So instead of an on-off switch, you make [an allergic response, or] you don’t make [an allergic response], it’s actually a toggle switch [….] You go left, you go right.”

Though our typical surroundings in Canada are far cleaner and more hygienic than they were in, say, the 19th century, many allergists believe that the presence of parasites has led some bodies to create this kind of allergic response.

“If you now have a Godzilla against a human being, which is kind of the scale of difference of what a parasite will look like to the little white blood cells that is trying to fight it, your normal methods of killing or suppressing or getting rid of [it are] not going to work very well,” McCusker said. “So we actually have a system that promotes a certain population of white blood cells that […] are ‘bombers.’ And what they do is, when they’re activated properly, they run over to the microbe, and they log bombs at it. And the microbe becomes very unhappy and or dies, and it’s problem solved.”

When allergic patients trigger that immune system response, their body activates histamine, a chemical involved in immune response and physiological function. Signs and symptoms of allergic reactions include hives and swelling, both of which arise from an abundance of histamine.

McCusker and many other allergists believe that allergies develop in the first few years of life as a result of a change in environment after birth. For example, when proteins irritate a child’s skin and cause eczema, or visible irritation of the skin, the body learns to respond to these same proteins when they are ingested in foods later in life. 

Anaphylaxis is a commonly used term to describe a severe and potentially deadly allergic reaction. According to McCusker, the likelihood of death from anaphylaxis for allergic patients is around the same as a lightning strike, and it is difficult to predict. 

“Unfortunately, I can’t tell you [by] looking at you,” McCusker said. “Are you the person who’s going to walk into that restaurant, have an accidental exposure, and die? Or are you going to walk into that restaurant, have an accidental exposure, get an itchy mouth, have a few hives, feel like crap, and have to use your EpiPen?”

McCusker urges allergic patients who have been prescribed an EpiPen to always carry it with them, whether or not they plan to eat anything. EpiPens contain epinephrine, a hormone that narrows blood vessels and opens airways, helping to temporarily reverse the signs and symptoms of an allergic reaction. 

Ultimately, McCusker concluded that it is important for those with allergies to tell their friends about how serious their allergies can be.

“One of the biggest problems […] that people […] who have allergies [get wrong] is […] being nervous about disclosing their allergies [and] to talk to friends and say ‘Listen, if I’m not feeling well, you’re coming with me,’” McCusker said.

Arts & Entertainment, Film and TV

Where do I begin? The Sandman Cometh

In the middle of the 2006 film Click, audiences realized just how fascinated Adam Sandler is with the comedy of bodily functions: From farting to vomiting, he’s joked about it all. But in Click, he reassures his parents his ‘schmekel’—in a nod to Sandler’s Jewish heritage, he uses Yiddish slang for ‘penis’—has gotten bigger since he was smaller. And when they tell him it could not have gotten smaller, he kibbitzes back. He’s a little miffed.   

Sandler movies, while oft accused of being vehicles for dumb product-placement, are also silly and sweet coming-of-age stories. The Adam Sandler character is a clown, and as he runs through his emotions, he searches to prove his manhood in the only way he knows how. He bumbles around, sad, angry, and often innocently charming. While the rest of the world mourns Sandler’s Oscar snub for Uncut Gems, I want to reflect upon his roots. And, so, for two whole weeks, I watched those characters run around on screen to find the perfect Sandler flick for every mood, occasion, or whim.

Sadness

Recommendations: Punch-Drunk Love (2003), Click (2006)

Adam Sandler is a master of schmaltz. Click, which is It’s a Wonderful Life but with Sandler and mid-aughts technology, is the best example.  Released at a pivotal point in Sandler’s career, the film marks his transition toward stories of fatherhood. As Sandler speeds through his life with the help of a universal remote handed to him by the always-committed Christopher Walken, we watch music swell and tears fall. We also watch Sandler fart on David Hasselhoff and eat Twinkies. 

Anger

Recommendations:

You Don’t Mess with the Zohan (2008), Happy Gilmore (1996)

Zohan is an Israeli soldier-turned-hairdresser/sex worker comedy, and it is as stupid and silly as the premise sounds. At the core of the film, Sandler does a somehow-convincing Israeli accent, turning in a committed performance in what Sandler has professed to be his dream role. Watching him punch, kick, run, and even charm his way around New York City as his hairdresser alter-ego, Scrappy Coco, is absurdly funny and  kind of cathartic all at once.

Happy Gilmore also straddles that fine line of hilarity, rocking between angry outbursts and dopey romanticism: Sandler yells through his intercom, angry at his now ex-girlfriend, before mumbling sweet nothings in hopes she’ll return. 

“I’m sorry, babe, I didn’t mean that either,” Happy says. “I just yell sometimes because I get so scared, scared of being a nobody.”

Child-like innocence and sweetness

Recommendations: Billy Madison (1995), The Wedding Singer (1998), Big Daddy (1999) 

The nineties are quite clearly Sandler’s best period, with his films ranking high atop the list of the most childish many have ever seen. Big Daddy involves Sandler encouraging the Sprouse twins, both playing one boy à la Olsen-Full House, to essentially parent themselves in order to appear responsible and win back his ex-girlfriend.

Billy Madison is possibly the dumbest movie ever made: It’s about a grown man who speaks with a baby affect and must earn his inheritance by speeding through grade school. But, really, its idiocy is its charm.

“My friends or parents would be like, ‘I don’t know. It just seems stupid,’ Andy Samberg told Jesse David Fox of Vulture. “I would always say, ‘Yeah, but [the actors] know it’s stupid. That’s the difference.’”

The tongue-in-cheek nature of Sandler films is done on purpose, and it’s all for our amusement. I deluged my roommate with Adam Sandler movies for nearly two weeks. By the end, I figured he was ready to look at me and say the final line of the most quotable moment in Billy Madison, but he does not. Because he does not think this movie made him dumber; we agree that these movies are legitimately funny.

“Everyone in this room is now dumber for having listened to it,” the school principal tells Billy about a trivia contest answer he provided. “I award you no points, and may God have mercy on your soul.”

May God have mercy on my soul. I did watch Jack and Jill, after all.

Commentary, Opinion

Coronavirus: A case of viral xenophobia

Any sentence that begins with ‘I don’t want to sound racist but,’ will, in fact, be racist. I have heard this, and many other racist and xenophobic things, daily since the news of the coronavirus began spreading on campus. 

Not many students can claim that they have not come across tweets or memes making light of the virus and those affected in the Wuhan district of China. After overhearing a student expressing disgust toward Chinese students’ dietary patterns, I realized that the conversations around coronavirus were not rooted in its swift spread, but rather in students’ assumption that their peers from East Asia now pose a threat to their safety. Angry tweets and instagram stories spitting derogatory terms about Chinese people can make people think about how quickly safe spaces can become unsafe in today’s world.

The racist discourse about coronavirus stems from the pervasive, historical belief that immigrants pose a health risk by bringing in ‘germs.’ The panic surrounding coronavirus on campus has lead to racial profiling, which is only sensationalised by ludicrous humour. The panic villifies racialized groups on campus and equates non-white difference with danger. The grave impact of misinformed perceptions needs to be understood and such conversations need to stop. 

On Jan. 30, the World Health Organization (WHO) declared the outbreak of the novel coronavirus a global health emergency.  Since the virus spread to over 15,000 people causing 350 deaths, many countries have imposed travel restrictions on travellers from mainland China. Where travel advisories and airport screenings can be compartmentalized as measures pertinent to ensuring the health and safety of people around the world, racist discourse and derogatory memes feed into a bigger problem—sensational xenophobia. 

“The panic surrounding coronavirus on campus has lead to racial profiling, which is only sensationalised by ludicrous humour. The panic villifies racialized groups on campus and equates non-white difference with danger.”

 Thirty per cent of McGill’s student body is comprised of international students, 3171 of whom are from China. Montreal is the sixth best student city in the world, but this does not mean the city is safe for students of colour. Social media outlets have made it easier for unchecked information and myths to result in confirmation bias about certain groups being associated with the virus. One example of this is a video from 2016 which showed a YouTuber eating bat soup, and resurfaced this past week: This video has added to the sensational racism by falsely claimed to be set in Wuhan—the epicentre of the novel coronavirus outbreak

The discourse surrounding coronavirus completely overlooks the socioeconomic context of the outbreak. Like those in many countries around the world, wet markets in China do not follow health and safety regulations, or can face bureaucratic barriers in establishing firm regulatory systems. Sensationalized racism assigns blame that persists across borders and influences global narratives. Such narratives parallel the Severe Acute Respiratory Syndrome (SARS) outbreak in 2003 and Ebola in 2014—both of which were plagued with transmission myths and racism.

As we take precautionary measures and race to lay our hands on a coveted pack of surgical masks, which are currently in short supply across Canada, let us find in ourselves the courage to defend anyone who is treated unfairly and give support to anyone whose loved ones are actually highly exposed to the virus. Students can all acknowledge that, at times, they may have been bystanders in racist dialogue. Sometimes, disconcertingly, yet quietly, swiping away at the memes; other times, burying ourselves in our computers when overhearing some people make very problematic remarks; and at others, calling-out people right away when conversations steer towards the origins of the virus. 

Racism is no longer merely an uncomfortable conversation with a xenophobe, it can manifest as a meme retweeted by a member of your group project who thinks enjoying Corona beer is now funny; it is sensationalized jokes about the food one eats because it not a Western dish. People must hold themselves to a higher standard of decency when discussing the coronavirus, or any global epidemic, and hold others accountable as well.

 

(NBAE / Getty Images)
Basketball, Sports

Making space for all memories in the wake of tragedy

Content warning: Mentions of sexual assault and grief.

There is no doubt that Kobe Bryant’s death on Jan. 26 shocked the world. The immediate outpouring of praise from athletes, journalists, and fans alike is a testament to his reach as a basketball player and a person. At the same time as these posts were being shared, another story was being told. It was one that put the events of Kobe’s 2003 rape case at the centre of the plot, a point that Kobe’s character arc could never move beyond. 

When a sporting legend dies, the reaction is immediate, visceral, and global. The story that people began building when the athlete was alive suddenly becomes a myth, and everyone seems to have been told a different version. We learn all too quickly that this legacy is beyond anyone’s control, and as people begin to recount their own narratives, they stop holding space for others’. A multitude of single narratives emerge, and each author believes themselves to have written the truth. 

All humans are flawed and complicated. But a figure with the legendary status of Kobe Bryant is no longer human in the eyes of the masses. As we forget the humanity of the athlete who died, we also forget the humanity of the individuals that they affected. 

The woman who accused Kobe of raping her in 2003 became a plot point in his story. Many adoring Kobe fans treat her as everything from the one-time mistake of a hot-headed young player to the monster who attempted to ruin the career of one of the most inspirational athletes of all time. That she could be a woman, now well into her thirties, with a life full of all the trials and tribulations that human existence entails, is absent from the thoughts of many. This woman, and plenty of other survivors, have been forced to watch the flood of love and support for Kobe, who was able to leave the events of that rape case behind him in 2003, neatly packaged as a “dark period” in his life. They have likely found themselves with their own experiences at the forefront of their minds again, but what is important is that each of these survivors is human. 

Everyone who looked up to Kobe is equally human. Personal stories of being inspired by one of the greatest athletes in the world are valid, and admiration of Kobe’s devotion to his children is perfectly normal. Grief and mourning for someone who had been such a constant throughout the entirety of many young people’s lives is an entirely understandable, and human, response.

During the time of grieving, it is often difficult to talk about the less polished parts of someone’s story. People argue that the moment of death is an inappropriate time to discuss past actions of the deceased. It can also, for others, create a desire to zero in on a single decision without acknowledging that everyone has their own relationship to the now-mythic figure. Ultimately, we need to remember that there is no universal experience with someone as influential as Kobe Bryant. Now is the time to remember all of Kobe’s legacy. We may not treat him as such, but he was human and, as all humans are, he was complicated. There is no one part of Kobe’s legacy that should be lifted over others, and there is no part that should be silenced. Make space for survivors in your life to have their own feelings about his legacy, while also acknowledging that a generation lost a childhood hero. There is no single truth or correct reaction. 

McGill, News

AUS Legislative Council condemns award given to McGill professor

The Arts Undergraduate Society (AUS) Legislative Council convened on Jan. 29 to discuss several issues, including a controversial award given to a McGill professor, expanding the Arts Undergraduate Improvement Fund (AUIF) budget, and the AUS elections. 

The meeting opened with the Motion Regarding Condemnation of McGill Faculty of Arts Promotion of Turkish Academy of Sciences (TÜBA) Award. In 2019, Turkish President Erdogan presented Jamil Ragep, a professor in McGill’s Institute of Islamic Studies, with an award from the TÜBA

The World Islamic and Middle East Studies Student Association (WIMESSA) President Damla Cakmak explained that the motion would denounce the Faculty of Arts’ promotion of the award, since TÜBA is linked to a government with a history of human rights violations, such as the continued abuse of Syrian refugees by border patrol.

“We […] condemn the promotion of this award by the Faculty of Arts,” Cakmak said. “TÜBA is no longer a legitimate scientific institution, due to ties with the government […] TÜBA’s members are elected either by President Erdogan or […] other government-affiliated institutions.”

Brent Jamsa, Vice-President (VP) External of the Canadian Studies Association of Undergraduate Students (CSAUS), asked whether Ragep was aware of the human rights abuses that TÜBA is associated with. According to Cakmak, Ragep was contacted prior to his acceptance of the award. 

“Before he went to Turkey to get the award, two representatives from WIMESSA approached him and had a […] conversation with him about how problematic it would be to get an award from […] an institution with a long list of human rights abuses,” Cakmak said. “He knew very well that the students were not happy with it.”

The motion passed unanimously, with five people abstaining. 

The council also increased the Arts Undergraduate Improvement Fund (AUIF) budget for renovations in classrooms and ratified the AUS Food Sales Policy. The policy outlines the procedures and equipment that AUS departmental associations must follow in accordance with Quebec’s food health and safety protocol. It is similar to that of the Students’ Society of McGill University (SSMU), except that AUS student clubs and organizations do not need to pay a fee and can only serve food on two specific tables in the Leacock Building. 

Finally, VP Social Kimberly Yang proposed a motion to extend the AUS campaign dates to include polling period, which will be occurring from Feb. 17 to 19, so that candidates can share their platforms on campus and social media during elections. Arts Senator Henrique Mecabô remained skeptical on the matter.

“My concern is that if somehow a candidate realized that they were losing the election, as polling continues, they would be able to spend a lot of money on Facebook ads,” Mecabô said.

However, due to campaign spending limits and the inability of  candidates to see election results until after the polling period closes, the council agreed that this would not be an issue, and the motion passed.

Sound Bite

“We don’t release daily updates or anything like that, so you don’t know [the results] until [the] polling period closes, and the only person I know on campus who has run Facebook ads was SSMU President Bryan Buraga, so I don’t think it’s a common thing.” – AUS President Jamal Tarrabain, on the use of Facebook ads in AUS elections.

Flashback

Jamsa criticized democratic backsliding in Turkey but questioned why the AUS Legislative Council would condemn Ragep’s award while student government organizations at Duke University, where another professor received the same award, chose not to do so. Cakmak responded that, regardless of other student bodies’ decisions, the council could still make a difference on the McGill campus. VP Academic Ananya Nair echoed this, saying that when a department distances itself from an award, it speaks volumes.

Arts & Entertainment, Theatre

Tuesday Night Café Theatre hosts 24-Hour Playwriting Competition

The competition’s rules are straightforward: Twenty-four hours to write a play, 24 more to rehearse, followed by their performance. On Jan. 25, an eager audience filled up the Tuesday Night Café theatre, witnessing four concise and fully-realized plays.

Each performance ran about 20 minutes. Sam Katz, U0 Arts, directed the first, called The Boogie, which, from its opening moments, toed a tense line between comedy and horror. As Katz, also an actor, made his way on stage, the room was dark and silent. Seemingly setting up a creepy and uncomfortable experience, Katz stood still until “I’m so Excited” by The Pointer Sisters echoed through the speakers and he began dancing, moving awkwardly like an alien trying mimic a human boogie. The gag set a unique tone for the rest of the act, and once the laughter subsided, the piece began prodding notions of justice and punishment—once it had been revealed that the endless dancing was a punishment for murder. Despite some repetition and an extended runtime, the piece seemed to accomplish what it set out to do: Make the audience laugh, make them uncomfortable, and make them think. Each play that followed was as succinct as the first.

Selene Coiffard-D’Amico, U2 Arts, directed On Purpose, a play that captured grief, love, and family in surprising fullness, while Emma Victoria, U2 Arts, brought to life The Devil and The Wind, a fantastical story which saw the former and the latter personified and locked in a toxic relationship. Coiffard-D’Amico’s piece explored the ways in which the death of someone close to us pushes us to re-examine our relationships and ourselves—and to evaluate our lives in the face of their inevitable end. Meanwhile, Victoria’s play took that shape of a classic folk tale, standing out in contrast to the secular and modern narratives occupying the rest of the show. The folk tale was made all the more poignant through its Old Montreal setting,  grounding its supernatural elements in familiar locations. While Coiffard-D’Amico’s work contributed significantly to the night’s performances, the piece which won the competition, as voted by last year’s directors, was Riley Palanca’s Art, Business, and Coffee.

Funny, touching, and relatable, Palanca’s play focussed on the connections formed between friends and the differences which allow them to compliment one another. With some existential undertones, each scene featured characters engaged in conversation, often speaking pointlessly, revealing their neuroses as much to the audience as to themselves. The play was set up similarly to a sitcom, with each character embodying a particular trait. One character’s mantra, “just gotta keep moving,” contrasted with the laid-back, stoner vibes of another, while a third character’s preoccupation with his financial situation was paralleled by another’s artistic ambitions. It was an all-encompassing meditation on the struggles of being a young, broke student, and it succeeded largely thanks to  the cast’s charm. Art, Business, and Coffee was also genuinely funny, and didn’t force the drama as hard as the other plays tried to. It focussed on the mundanity of daily life and let those moments speak for themselves, instead of shoving quarter-life sadness down the audience’s throat.

If not for the short runtimes, one might not have known that these plays were written and rehearsed in two days or less. Each piece hit on a few specific ideas and carried them through to the end, while the few missteps and awkward moments only added to the joyful, low-stakes atmosphere that makes this festival such a draw among students. The event is set to return next year, and in the words of the Pointer Sisters: I’m so Excited!

Student Life

Starting the conversation about eating disorders

University life is filled with academic and social pressure which can give rise to increased mental health concerns. One class of mental illness that affects many students is eating disorders. According to the National Eating Disorder Association (NEDA), it is estimated that between 10 and 20 per cent of women and four to 10 per cent of men attending university suffer from an eating disorder. These illnesses are characterized by irregular eating habits and an extreme fixation with eating, food, weight, and body image. These often-undiagnosed illnesses can lead to struggles with depression, anxiety, and even substance abuse. 

The Students’ Society of McGill University’s (SSMU) Eating Disorder Resource and Support Centre (EDRSC) aims to ensure that McGill students are aware of the impact of eating disorders and disordered eating as well as the support available for them on and off campus. In doing this, the organization is hosting its second National Eating Disorder Awareness Week starting Feb. 3. 

In an interview with The McGill Tribune, Paloma Helper, Training Coordinator, and Cody

Esterle, General Coordinator, explained how the centre was created to offer peer support and a safe space for better connection, healing, and understanding of eating disorders.

“Our mission in terms of peer support is to create a financially accessible, non-judgemental, non directional space that is aware of and educated around eating disorders,” Helper and Esterle wrote. 

Learning and understanding the characteristics of different types of eating disorders can help increase awareness of these complex diseases. There are various types of eating disorders, each taking on a different form. Anorexia nervosa, bulimia nervosa, and binge eating disorder are the three most common. Anorexia occurs when an individual participates in self-starvation, bulimia is when someone engages in binge eating followed by purging, and binge eating disorder is when one has frequent occurrences of eating large quantities of food. Eating disorders are treatable illnesses; however, the symptoms and consequences can be deadly without medical attention. 

There is no known cause for the onset of these illnesses, but research suggests that a combination of factors can play a part in the development of eating disorders. Sasha Bell, Communications Coordinator for the EDRSC, described how stigma surrounding mental illnesses discourages individuals from accessing proper care. 

One of the main goals of Eating Disorder Awareness Week is to start conversations around eating disorders,” Bell wrote in an email to the Tribune. “Stigma is a huge barrier to education and accessing support, and we want to provide space for people to discuss their experiences and learn more about eating disorders.” 

With the rapid influence of social media and distorted images portrayed online, many stereotypes exist surrounding the various types of eating disorders. In society today, there is a misconception that eating disorders are exclusive to a cisheteronormative standard of womanhood. However, this assumption can be dangerous to men and members of the 2SLGBTQIA+ community. 

“Possibly the most pervasive myth about eating disorders is that they only affect white, thin young women,” Bell wrote. “In reality, eating disorders can affect anyone.”

Research suggests that disordered eating behaviour, particularly compulsive exercise, is an increasingly prominent issue among straight men. A recent study found that another group at higher risk are transgender individuals, who reported experiencing disordered eating at almost four times the rate of their cisgender peers. 

Overall awareness can lead to prevention and treatment of eating disorders. Understanding its complexity helps one practice increased consciousness and empathy for those who are struggling with disordered eating. Awareness of these health concerns can also help decrease the stigma often associated with such mental illnesses. 

“I hope students who come to our events leave with a more nuanced understanding of eating disorders, and increased knowledge of how they could go about accessing support,” Bell wrote. 

Students seeking resources and support for eating disorders should visit https://ssmu.ca/resources/eating-disorders.

McGill, News

McGill’s ROAAr unveils its fully functional 19th century printing press

Patrons of McGill’s Rare and Special Collections, Osler, Art, and Archives (ROAAr) filled the fourth floor of the McLennan Library Building on Jan. 30 for the unveiling and demonstration of the earliest surviving Columbian printing press in North America. The event also launched the library’s Book Arts Laboratory, which will use the press as an educational tool for several faculties across the university. 

McGill’s printing press, first invented by George Clymer of Philadelphia in 1813, is the earliest surviving model of a Columbian press in North America. The library’s copy was manufactured in England in 1821 and obtained by McGill in 1958: The principal and director of libraries at the time, Cyril James and Richard Pennington respectively, spearheaded the printing press’ acquisition. 

Now that it has been renovated, the reveal was the first in a series that will focus on the press itself held in the Book Arts Lab.

“The press was gathering dust in the library’s basement until [the library received a grant] a few years ago allowing the press to be restored,” Book Arts Lab librarian Lauren Williams said. 

The press operated at McGill from 1957 through 1965, and was integrated as a part of McGill’s teaching program, until the library put it in storage in the 1970s. 

“It has been almost 50 years since [the press] has been functional, [and] this is what we’re celebrating today,” ROAAr librarian Anne Marie Holland said. “It is [a part of McGill’s] William Colgate History of Printing Collection […] one of the largest subject specific collections [in North America] and a practical, rich universe for the study of the history of books and print culture in general.”

Professor Eli MacLaren of McGill’s English department, whose teaching focusses on Canadian literature and poetry, spoke next. MacLaren discussed how our understanding of the power of books can influence how we learn not only about literature, but also about other cultures.

“Seeing how books are made, preferably with a glass of red wine in hand […] is really a priceless way to begin to discover what [books] mean and what they have meant at different times and places,” MacLaren said.

Speeches were followed by a demonstration of the printing press, led by Jennifer Garland and Williams, two of the Book Arts Laboratory librarians. The hosts allowed guests to handle the press themselves and create a print with details of the event. 

“It’s so easy to use,” Garland said. “But it is literally back-breaking work!”

Restored to its black and gold gilt colours, the press was shiny and ornate, with a large sculpture of an eagle sitting atop one of the main levers, moving with the lever as it is pulled. This design was very distinctive during the 19th century, and was often known as the ‘eagle press’ by those working in the printing industry. Operating thanks to a weighted lever system, the press applies an enormous amount of pressure, making it easier for those pulling the lever to create numerous copies of a design. 

With plans to use the press for many events in the upcoming Winter 2020 semester, the lab has been equipped with a number of primary type supplies in order to truly promote the usage of the press. Through these actions, the ROAAr hopes to educate both students and staff on the importance of such historic literary tools, creating a unique interactive learning opportunity.

“Using primary sources to show and not tell is the hallmark of any great university,” MacLaren said. “Hopefully, this press will do just that.”

Basketball, Sports

2020 NBA trade deadline predictions

With the NBA trade deadline quickly approaching on Feb. 6, the window for teams to make last-minute moves is closing. While most executives and analysts predict a fairly uneventful buildup to the deadline, The McGill Tribune sees the potential for things to get spicy this season, like they did two years ago when Blake Griffin was traded from the Los Angeles Clippers to the Detroit Pistons. Here is the Tribune’s list of the most intriguing trade possibilities in the coming days.

 

Joel Embiid

At first glance, trading Joel Embiid might seem absurd. However, in light of Ben Simmons’ recent offensive explosion as a direct result of Embiid’s injury, it has become increasingly obvious that Simmons’s and Embiid’s style of play are not necessarily compatible. Because of Embiid’s inconsistent health and spotty record in the postseason, it seems ever more likely that he might be the player on the trading block in favour of building around the younger Ben Simmons. 

In exchange for Embiid, the Philadelphia 76ers would hope for an elite shooting small forward to compliment the drive-first, slash-and-kick style of play of Simmons; Jason Tatum, of the Boston Celtics, would fit that role perfectly. Jaylen Brown’s formidable improvement, Gordon Hayward’s full return, and Kemba Walker’s meteoric rise as the centre of the franchise make the Celtics a contender looking to make a move for a title. While the Celtics have previously described Tatum as “untouchable,”it seems possible that they would be motivated to sacrifice Tatum to complete their roster with a dominant centre like Embiid.

Frank Ntiklinka

Currently trapped on a dysfunctional roster with the New York Knicks, Frank Ntiklinka has had a dismal offensive performance this season, averaging 31.7 per cent from three, and 37.8 per cent overall, for only 5.9 points per game. These statistics, however, distract from his actual value as a supremely athletic 6’4” guard, capable of defending multiple positions and running a pick and roll.

With an all time low trade value, it is possible that a more savvy organization in need of his defensive prowess will acquire him. Don’t be surprised to see him bought low by the Golden State Warriors or the San Antonio Spurs, who could develop his offensive skills and plug him in to a well-run system.

Bogdan Bogdanovic

Small forward Bogdan Bogdanovic is an oftoverlooked player, but his recent promotion over Buddy Hield in the Sacramento Kings’ starting lineup has demonstrated that he’s a skilled, clutch player, who also led a Euroleague team on a deep playoff run. Additionally, Bogdanovic has the advantage of having an ownership-friendly contract at $17 million a year. 

With his playoff repertoire, versatile playstyle, and desirable price point, it is likely that championship contenders will be looking to add him to their rosters in the coming days. The Los Angeles Clippers and Lakers seem likely destinations for Bogdanovic, as they will be looking to add depth to their benches going into the postseason.

Andre Iguadala

Veteran Andre Iguodala found himself on the Memphis Grizzlies this season after an off-season trade. The Grizzlies, feeling no need to add Iguodala to their roster of young talent, came to a mutual agreement, saying they would trade him before the deadline. 

A former finals MVP and elite perimeter defender, Iguodala will be highly coveted by championship contenders. This is complicated by his burgeoning veteran contract, however, which will make him inaccessible to teams close to the salary cap. The Houston Rockets may be a destination for the accomplished veteran, as their defence is lacking, and he would fit in nicely with their catch-and-shoot style of offence.

Ask Ainsley, Student Life

Ask Ainsley: Should I be worried about the coronavirus?

Dear Ainsley,

I’m very scared of this emerging coronavirus that’s been spreading around the world and killing people. My friends tell me that I’m the type of person who thinks of the worst case scenario when it comes to my wellbeing. Whenever I am near people who cough, I get worried that I might catch something. I hear this disease started in China. Should I be avoiding eating Chinese food or going to places frequented by Chinese people? What can I do to prevent getting this virus?

Sincerely,

Worried Sick About Getting Sick (WSAGS)

 

Hi WSAGS,

It is normal to feel a sense of panic when there seems to be a constant stream of sensationalized information being flashed on our screens. The first thing to address is your fear of illness itself. It is okay to be worried about being sick, but if you or your friends are noticing that your health is causing an excessive level of anxiety, it may be time to see a doctor. Not only will a checkup with a physician give you an actual indication of any illness, they can also refer you to a mental health professional if this worry has been causing problems in your life. This type of worry is known as illness anxiety disorder and is a real issue that can become debilitating if left untreated. 

With regard to the coronavirus, it is important to know that while the World Health Organization (WHO), has described this epidemic as a global health emergency, the risk to students at McGill remains low, according to federal and provincial public health organizations. At this point, protecting yourself means washing your hands thoroughly with soap and warm water, as well as sneezing or coughing into your arm to reduce the spread of microbes. These pieces of advice are always good to follow even in the absence of the coronavirus outbreak, since there are other more commonplace illnesses that are caught in the same way as this virus, such as the common cold or the flu.

An even more contagious aspect of this virus is the spread of disinformation on the Internet. Social media sites, such as Twitter and Facebook, have historically done very little to stop the spread of false information and, with this outbreak, the issue of falsehoods is no different. Many reports have exaggerated or falsified claims on the origins and reach of this virus so make sure that any news about the virus that you are getting is from a credible, primary source, such as the WHO or the Public Health Agency of Canada.

A particularly appalling result of this hysteria and disinformation that needs to be addressed is the rise of racism against Chinese people. It is easy to get caught up in all this fear-mongering and start panicking but being mindful of those who are most affected by this outbreak is as important as ever. They are as scared of this virus as you are and offering support through solidarity in this difficult time is key. This means not fuelling attitudes around this outbreak that exclude or harass Chinese communities. A prominent example of this prejudice is the one surrounding the ‘bat soup’ theory, which supposes that the virus came from the alleged ‘bizarre’ delicacies of Asian people. These stereotypes are based on a form of Western exceptionalism and disregards the fact that many diseases come from contact with animals that North Americans eat everyday, such as the swine flu, which comes from pigs, and diarrheal E. coli, which comes from eating unwashed meat. Another aspect to note is that Asian-run businesses here in Canada are at no greater risk of having this virus than other businesses, so you have nothing to worry about when eating Chinese food here in Montreal. In a time that can be distressing for those who have ties to China, you have to remember to be kind. What is more dangerous than spreading sickness is spreading hate. 

Stay well,
Ainsley

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