A sharp script and a sharper performance means Cornered is very much light on its feet. (Courtesy of Rabbit in a Hat)

The corner man packs a power punch

Cornered, a play by Jim Burke,  carefully confines its characters, Vinne (Christopher Moore) and Rex (Howard Rosenstein), within a boxing ring. Despite their restricted space, Moore and Rosenstein keep their witty back-and-forth fresh and captivating. Vinne and Rex encounter challenges beyond the difficulty of working within a small square box[Read More…]

Allard, right, in the throes of passion. (Mukul Ranjan / Courtesy of Danse Danse)

Flamenco, revisited

Flamenco is recognized for its passionate, precise, and lightning-fast footwork. La Otra Orilla’s captivating presentation of their new piece, HomoBLABLAtus, blends the nuances of traditional flamenco with contemporary expression. Founded in 2006, the small and relatively new company has a unique approach to the Andalusian art form, including projected recordings[Read More…]

Castiza (Laura McEown) and Vindice (Cece Grey) in a rather enticing scene. (Simon Poitrimolt / The McGill Tribune)

Hell hath no fury like a woman scorned

Fear of the feminine captured by an entirely female cast, McGill English department’s production of The Revenger’s Tragedy by Thomas Middleton adds a layer of gendered irony to the Jacobean-era tragedy. This directorial choice by Patrick Neilson illuminates the period’s anxiety regarding women’s sexuality, bringing together a variety of lively[Read More…]

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