Author: Keating Reid

Cracking the code

For the first time since 2013, McGill’s Code of Student Conduct is set to be revised. Proposed changes include expanding the formal definition of the ‘university context‘ which sets the code’s jurisdiction, removing intent as a requirement for charges of harassment and unnecessary endangerment, and expanding powers for disciplinary officers[Read More…]

Where does ‘Roma’ belong?

With new streaming platforms appearing left and right, the battle for viewers’ attention has become increasingly diffuse. And with more and more content to sift through on a daily basis right from the comfort of one’s couch, the movie theatre’s centrality in the cultural zeitgeist has taken a major hit. It has become a major source of debate: As movies assimilate further into the household, studios will cater their projects to that kind of viewing experience.

RIDM offers stunning portraits of humanity

The 2018 Rencontres Internationale du Documentaire de Montreal (RIDM) took viewers on an unconventional cinematic journey. In ReMell Ross’ Hale County This Morning, This Evening the director takes a job as a teacher and basketball coach in small-town Alabama, while Distant Constellation sees Mizrahi visiting residents in a Turkish retirement home. Such themes may not be typical subject matter for the big screen, perhaps; but anything goes at RIDM, the documentary film festival which brings stories from every nook and cranny of the globe to theatres around Montreal.

Changes to S/U grading scheme show promise

The proposal to amend the Satisfactory/Unsatisfactory (S/U) grading scheme has gained traction following its endorsement by the Students’ Society of McGill University (SSMU) Legislative Council on Nov. 1. Spearheaded by Vice-President (VP) University Affairs (UA) Jacob Shapiro, the S/U project advocates providing students with the choice to receive a letter[Read More…]

‘Wearing our Identity’ explores the cultural significance of indigenous clothing

The McCord Museum’s newest addition to their permanent collection,  Wearing our Identity. The First Peoples Collection, explores the historical, cultural, and spiritual significance of Indigenous clothing. The exhibition showcases garments and artifacts associated with clothing production, such as needles and bone scrapers, to demonstrate how clothing shapes identity, and the role of fashion as a tool for self expression within Indigenous and First Nations cultures across Canada. The exhibition also documents the effects of colonialism and the relationship between westerners and Indigenous people, as captured within their clothing.

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