On a warm summer day in August 1925, Oscar Emmanuel Peterson, one of Canada’s most respected jazz artists, was born. Growing up in the working-class, predominantly Black neighbourhood of Little Burgundy in Montreal, Peterson developed his musical skills alongside his four siblings and with the support of his loving parents.[Read More…]
Music
Love, reimagined: A Valentine’s mixtape for Black History Month
Although Valentine’s Day tends to center on romance, love stretches far beyond it, ranging from platonic love to self-love and everything in between. The Tribune’s mixtape reflects on Black artists who skillfully capture the feeling in its many forms. “Baby Steps” by Olivia Dean – on self love From the[Read More…]
Opera McGill and McGill Symphony Orchestra present Britten’s harrowing tale
Trigger warning: This piece contains mentions of sexual violence. The famed red curtain rises on a scene of violence and destruction. Soldiers surround the shattered remains of a colossal statue as the opera’s narrators introduce the chaos of the present moment. On Jan. 30, Opera McGill and the McGill Symphony[Read More…]
2026: The Year of Olivia Dean
When looking at the upcoming year of music, one name comes to mind in terms of dominating the charts: British singer-songwriter Olivia Dean. Dean has been steadily producing music and growing her following since her 2018 debut; however, it wasn’t until 2025 that she was welcomed into the mainstream. She[Read More…]
The Tribune presents: The best/worst of 2025
Best: Music Deadbeat by Tame Impala – Alexandra Lasser Tame Impala’s latest album, Deadbeat, introduces hypnotic beats and bold electronic psychedelia. The album opens with “My Old Ways,” where Kevin Parker, the musician behind Tame Impala, laments his inability to progress and evolve, instead sinking into his old habits and[Read More…]
Dijon transforms Montreal into a playground of sound
Halfway through his sold-out tour, Dijon walked out onto the barely lit L’Olympia stage in a sweater and jeans—no opener, no fuss—and somehow transformed a 2,400-capacity venue into a jam session in his living room. Before the stage lights even turned on, he slipped into the first notes of “Many[Read More…]
Wednesday on a Friday
“I saw Wednesday on a Friday night” sounds like the setup to a classic riddle, but don’t be deceived. Fresh off the explosive release of their sixth studio album Bleeds, North Carolina’s resident alternative country band Wednesday stopped in Montreal on Nov. 15 and lit up Club Soda for the[Read More…]
KATSEYE represent exploitation masked as progress
Since their 2023 debut, KATSEYE have skyrocketed into the mainstream. After a year of silence, the group resurfaced in 2025 with their second EP, Beautiful Chaos. Their hyperpop sound, paired with intricate choreography, marks a departure from their previous K-pop-inspired, teen girl music and aesthetic. Fans often celebrate KATSEYE as[Read More…]
Georgia Harmer brings audience home at Montreal stop on her Canadian tour
When I entered Georgia Harmer’s show this past Thursday, Nov. 6, I was shocked to look around and see no one at all. That is, before I glanced down and noticed concert-goers sitting in groups on the hardwood floors of Sala Rossa’s upstairs venue. As I walked among the crowds,[Read More…]
Music as a medium for change: Political voices resonate through sound
Pop culture has changed drastically over the years. Many argue that the era of monoculture—when people shared the same cultural experiences, listened to the same songs, watched the same shows, and followed the same celebrities—is behind us. Audiences are now scattered across various playlists, social media platforms, and niche subcultures.[Read More…]
