As if by mass psychosis, filmmakers have been scrambling to rehash ‘90s movies in all their zany glory. Case in point: He’s All That, a gender-swapped revamp of 1999’s She’s All That. On the surface, the remake has all the trappings of a potential Netflix hit: Lucrative source material that[Read More…]
Film and TV
‘Come from Away’ finds solace in community amid tragedy
Twenty years after the 9/11 terrorist attacks, Apple TV+ has released a film rendition of the 2017 Broadway musical Come from Away. During the aftermath of the attacks, the U.S. closed its airspace, diverting 238 planes to Canadian airports. 38 of those diverted flights arrived in the small town of[Read More…]
Canon or continuation? The delicate art of remaking a classic
A remake of Rebecca appeared on Netflix in October 2020, The Magic School Bus is going live-action, and HBO Max is making a new Gossip Girl television series. Seeing our childhood remade and repackaged can be unsettling. Remakes of familiar fictions can indulge our nostalgic memories, but half-baked carbon-copies of[Read More…]
What we liked this summer
A return to schoolwork entails an adjustment to our levels of consumption. In the spirit of endings, new beginnings and transitions, the Tribune weighs in on their favourite pieces of content from this summer. There’s plenty of time left until midterms for a few binges. Book: The Authenticity Project Suzanna[Read More…]
‘Haiti Trahie’ and ‘Invasion’ reveal the imperialist truths behind a facade of Canadian benevolence
The evening of Sept. 2 was chilly, but the back alley of the Milton Park Housing Co-op was hot with the buzz of political activism. Gathering for a viewing of Elaine Briere’s Haiti Trahie and Franklin Lopez’s Invasion put on by Cinema Politica Concordia, viewers and concerned citizens ate pizza,[Read More…]
‘Only Murders in the Building’ refreshingly reinvents the classic murder-mystery story
In a city filled with self-absorbed, isolated, and irritating people, it seems reasonable that New Yorkers rarely interact with their neighbours. Yet Hulu’s newest show Only Murders in the Building proves that boredom is a strong motivator for some to investigate the most despised person in their apartment complex. Created[Read More…]
‘Kim’s Convenience:’ The impossibility of cancelling a classic
On March 31, 2020, CBC announced that Kim’s Convenience—their fan-favourite sitcom—had been renewed for two more seasons. Less than one year later, on March 8, 2021, fans around the world were shocked when the network announced that the fifth season of Kim’s Convenience would be its last. The confusion set in immediately,[Read More…]
‘Godzilla vs Kong’ is mind-numbingly entertaining
While I am far from ashamed of my love of cult classic movies, I have never dabbled in anything remotely related to the Godzilla or King Kong franchises. Last week, however, I dived headfirst into Legendary Studios’ MonsterVerse with Godzilla vs Kong, released in theatres and HBO Max on March[Read More…]
‘CARNE y ARENA’ fuses uncanny simulation and intimate portraiture
Content warning: Graphic violence. Dubbed a semi-fictionalized ethnography by director Alejandro Iñárritu, CARNE y ARENA, or Flesh and Sand, is a VR exhibition that immerses participants into the lives of undocumented immigrants in the United States. For 15 harrowing minutes, CARNE y ARENA takes participants across the U.S.-Mexico border, hounded by[Read More…]
Why we are obsessed with obsession
Hannibal Lecter has been a fixture in contemporary horror since his introduction in Thomas Harris’ seminal 1981 novel Red Dragon. Even though Harris, at the time, may not have understood why readers wanted more of his character, media featuring or referencing the character has been around for 40 years. CBS’s[Read More…]
