Arts & Entertainment

Keep up to date on local art, new albums, and everything entertainment-related.

POP RHETORIC: Material Girl Gaga

When Lady Gaga first entered the pop music scene back in 2008, I forced myself to take a second look. Her lyrics were symbolic of both the feminine mystique and female empowerment, she wore avant-garde and provocative clothing (or a lack thereof), and she had the strong ability to capture the attention of millions by dominating the music charts for weeks on end.

by Brittany Rappaport

CD REVIEWS: Barenaked Ladies: All in Good Time

For a Canadian alternative rock band, the Barenaked Ladies have had their share of success from the shoebox of life. I was both intrigued and astonished to see them release a new album, All in Good Time, after some recent ups and downs with the band’s front-man, Steven Page, splitting from the group in 2009.

by Bianca Van Bavel

Toronto bands unite for Arts & Crafts triple threat

This spring, Toronto-based singer-songwriter Jason Collett and indie bands Zeus and Bahamas unleashed “The Bonfire Ball” in North America. The three-in-one tour has been travelling across the continent since the beginning of March, and has even been as far south as Mexico City, playing a show for the one-year anniversary of record label Arts & Crafts’ expansion to the region.

by Manisha Aggarwal-Schifellite

CD REVIEWS: David Myles: Turn Time Off

If the warm weather makes you nostalgic for winter evenings spent curled up by the fire, David Myles new album, Turn Time Off, is for you. As the title suggests, this album is a break from listeners’ busy lives, and it provides a soundtrack to relax and reflect upon oneself.

by Sam Jessula

The good, the bad, and the ugly pig noses

How can a good person come to a good end in a world that is, in essence, not good? This is the central question of Bertolt Brecht’s The Good Person of Sichuan, staged by this year’s McGill Theatre Lab – a full-year production class in which students work on a collaborative project that eventually culminates in a spring performance.

by Brahna Siegelberg

Montreal buskers audition for right to perform in metro stations

After 25 years performing in the metro, Greg Dunlevy has seen some terrible musicianship. “You get a lot people who … bang on pieces of wood,” Dunlevy said. “They go out and get themselves a cheap guitar, they buy themselves a harmonica or a recorder, and they blow in it and they can’t do anything with it.

by Sean Wood

FILM: Cutting-edged comedy

Dear Journal, what can I say? He drove a cool car, remarks a certain 13-year-old boy by the name of Augusten Burroughs in the new movie adaptation of the memoir Running With Scissors. Having read Burroughs’ reminiscences of a homosexual boy with a 35-year-old boyfriend growing up in western Massachusetts in the late 70s, I was readily expecting golden phrases such as the former in the film’s adaptation.

by Oliver Gingell

FILM: A new Versailles

Audiences have been eagerly awaiting Sofia Coppola’s new film since her last offering, the critically acclaimed Lost in Translation debuted. Unexpectedly, Coppola brings us from the neon lights of the streets of Tokyo to the glittering hallways of Versailles.

by Jennifer Bartoli

FILM: Scorsese scores (finally)

All things considered, Martin Scorsese hasn’t made a decent feature film in over a decade. Gangs of New York seemed excessively brutal and utterly pointless, Bringing out the Dead sank like a stone and The Aviator, for all the accolades draped over it, hardly served its biographical purposes adequately and was a remarkably boring film.

by Ben Lemieux

Film fest turns 35

The Festival du Nouveau Cinema is the oldest of its kind in Montreal, celebrating its 35th birthday this October. The festival opens tomorrow with Philippe Falardeau’s Congorama and closes Oct. 26 with a spotlight on the Spanish cinema screening of Pedro Almodovar’s Volver.

by Keren Tang
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Hot Take

“Artist 4 Ceasefire” pins are not enough
By Charlotte Hayes, Staff Writer

At nearly every major awards show this year, a number of (American) celebrities , like Billie Eilish and Quinta Brunson, have attended red carpets donning a small red pin on their lapel. The circular metal brooch showing an extended hand and a black heart is a symbol of the organization “Artists 4 Ceasefire,” a group of musicians, filmmakers, and actors urging the U.S. government to call for a ceasefire in Gaza. While raising awareness is a good start, it is only one small part of showing solidarity and cannot be where activism ends. Very few artists seen wearing these pins have spoken about a ceasefire on red carpets and even fewer in acceptance speeches—it is crucial that those with a platform actually, tangibly use it to advocate for Palestinian liberation.