POP, lock, and drop it

In the vast landscape of the indie-folk genre, Young Benjamins would lie at the intersection of better-known acts Born Ruffians and Mumford & Sons. Their repertoire features mostly frenetic foot-stomping tracks, with some laid-back tunes mixed in. Relative newcomers to the music industry, the four-piece Saskatoon group only released their first LP, Less Argue, this past spring. The band has equal gender representation, composed of two men (guitarist and drummer) and two women (bassist and violinist/keyboardist). Though they’re still somewhat raw, their versatility and exciting melodies provide glimpses of the high ceiling Young Benjamins has. The presence of the violin really strengthens their sound, and makes for an interesting dynamic when it interacts with the edgy electric guitar. If you’re looking for a lively show that strikes a balance between dancing and artistic enjoyment, look no farther than Young Benjamins.

Contributors from this year

Our contributors make this paper possible. Thank you! We love you. Mayaz Alam Rebecca Alter Mido Assran Emilio Assuncao Rebecca Babcock Hrant Bardakjian Max Berger Justin Berot-Burns Anand Bery Priyanka Biljani Ilia Blinderman Matt Bobkin Anna Bock Tara Boghosian Leah Brainerd Naomi Braude Tessa Bryant Kevin Caplice Meghan Chand Kegan[Read More…]

Stuff we liked this Reading Week

There was no chance we’d be studying over the break. So, with lockdown limiting our options for respite, the solutions to burnout were simple: Media, lots of media. From a never ending supply of TV shows, books, movies, and music, here are The McGill Tribune’s favourites from Reading Week 2021.[Read More…]

Around the Water Cooler

In case you were too busy booking your reservation at Lola Rosa for Valentine’s Day, here’s what you missed this past week in the world of sports … SOCCER — A Europol investigation uncovered a match-fixing scandal orchestrated by organized crime syndicates last week, which fixed—or tried to fix—hundreds of[Read More…]

Patricia Summersett as Jacqueline. (Susann Hofgraef / Infinithéâtre)

Horrors of war still hit close to home

The premise is intriguing enough: Jacqueline, a female combat officer who served in Afghanistan, wakes up in a dark hospital cell complaining of a phantom pain in her amputated leg. What follows, however, is more phantasmagoric—the brilliant Zach Fraser enters the stage as Jacqueline’s French-Canadian great-grandfather, who was unjustly shot[Read More…]

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