Deep Cuts: Sappy Duets

Ain’t No Mountain High Enough Artist: Marvin Gaye and Tammi Terrell Album: Single Released: April 20,1967 Devotion and loyalty are two subjects that are underexplored in pop music. After all, it’s easy to be in love when it’s convenient, but the best relationships are often quite the opposite. Call me[Read More…]

Album Review: Aphex Twin – Syro

In early September, Richard James, aka Aphex Twin, teased his eager fan base with the release of his new album’s first track, “minipops 67 [120.2].” The song’s resonant kick-drum harmony reminded me of Moderat’s crowd-pleasing 2009 single, “Rusty Nails,” which lead me to believe that Syro was going to be[Read More…]

The week that was for McGill Athletics: Sept. 23

Beyond the Box Score Martlet Soccer–Two 1-0 away defeats, first to the Laval Rouge et Or on Friday and then to the Montreal Carabins on Sunday, left the Martlets pointless this past weekend. McGill goalkeeper Cassandra Fafalios did have strong outings, saving a combined 11 shots. Her defensive efforts were[Read More…]

Split identities

Despite differences in healthcare, politics, and even serving sizes, Canada and the United States have a lot in common. They share a continent, many aspects of culture, and—thanks to strong flows of product and people—citizens. As a Canadian university that attracts a large influx of  American students every year, McGill[Read More…]

Guardians of the Galaxy

“Galaxy” quest

Early on in Guardians of the Galaxy, the latest Marvel Comics film, we hear the Blue Swede cover of “Hooked on a Feeling.” While it’s not necessarily a reference to Quentin Tarantino’s classic debut of Reservoir Dogs,which featured the tune, it’s certainly a strong possibility, given the age of Guardians director and[Read More…]

Ultraviolence Lana del Rey

Lana Del Rey—Ultraviolence

Upon first listen, Lana Del Rey’s new album Ultraviolence is a complete musical departure from her 2012 album Born to Die. Produced by Dan Auerbach of The Black Keys, Ultraviolence has replaced the bombastic string and melodramatic orchestral climaxes of the earlier album with pulsing guitar riffs, echoing drums, and smooth layers[Read More…]

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