POP, lock, and drop it

In the vast landscape of the indie-folk genre, Young Benjamins would lie at the intersection of better-known acts Born Ruffians and Mumford & Sons. Their repertoire features mostly frenetic foot-stomping tracks, with some laid-back tunes mixed in. Relative newcomers to the music industry, the four-piece Saskatoon group only released their first LP, Less Argue, this past spring. The band has equal gender representation, composed of two men (guitarist and drummer) and two women (bassist and violinist/keyboardist). Though they’re still somewhat raw, their versatility and exciting melodies provide glimpses of the high ceiling Young Benjamins has. The presence of the violin really strengthens their sound, and makes for an interesting dynamic when it interacts with the edgy electric guitar. If you’re looking for a lively show that strikes a balance between dancing and artistic enjoyment, look no farther than Young Benjamins.

Charter represents state-sponsored social division

A Protestant colleague of mine recently noted that the proposed charter seems to fly in the face of a crucial lesson we hope all children learn: thou shalt not judge by one’s appearance. Hopefully one doesn’t judge others at all, but especially not by what they look like. This is precisely what the proposed charter asks us to do. We are called to look at a Muslim woman wearing a hijab, a Jewish man wearing a kippah, and think “I know you; I know that you are not smart enough or moral enough to be able to serve me the same as your fellow co-religionists. Therefore I fear that you, without knowing you, are secretly working against the cohesion of society.” In Christianity, we are reminded to avoid such actions: “Judge not, lest you be judged.” In secular society the same idea takes a different form: “innocent until proven guilty.”

Syria situation demands critical analysis

In my final year of high school, I took a course on current affairs. My teacher was very enthusiastic about instilling an interest in being informed, but recognized our unwillingness to spend hours reading and writing during the dog-days of spring before graduation. Thus we spent most of our time debating social issues about which we were already relatively knowledgeable, and stayed away from discussing international issues that would require more in-depth background research to truly understand.

The dirty dozens

12 Years a Slave is agony in the fullest sense of the word. Chronicling the life of Solomon Northup, a free black man from New York kidnapped and sold into slavery in 1841, the film sees director Steve McQueen (Hunger; Shame) at the very zenith of his formidable artistic talent. It takes a horrific portrayal to capture a horrific institution. 12 Years is a mesmerizing, intoxicating tale of man’s capacity for both unspeakable cruelty and incalculable courage.

Could be good

Germany’s all-time best-selling musician Herbert Grönemeyer, fresh from the release of his new album I Walk, plays one of two Canadian dates of his live tour in Montreal.

PQ overstepping its bounds with ban on religious symbols

Last Wednesday, Sept. 4, the Parti Québécois (PQ) marked its one-year anniversary of minority governance. Over the past year the government has had various troubles, including, most prominently for this editorial board, the party’s complete duplicity on university tuition, first freezing tuition increases and then enacting harsh budget cuts. However, it seems as if the PQ has found itself a distraction from the year’s political missteps.

Read the latest issue

Read the latest issue