Straws and stir sticks make up only three per percent of garbage in the ocean.

Straws aren’t the problem

A consensus has emerged: Plastic straws are bad. But the reasons why these flimsy cylinders of plastic are suddenly (not) at the tip of everyone’s tongues may not stand up to scrutiny. It’s comforting to see that McGill’s favourite neighbourhood spots are distancing themselves from the recently tabooed straw, but[Read More…]

From the Viewpoint: The resilient whimsy of stop motion animation

This spring, to the beat of drums and the barks of strays, Wes Anderson released his second animated film, Isle of Dogs, nine years after his first, Fantastic Mr. Fox. Both are personal favourites of mine, and  both use the century-old technique of stop motion animation. Though I enjoyed both films immensely, I knew nothing of the laborious technique behind their distinct aesthetic, so The McGill Tribune sent me to the community focused Festival Stop Motion Montreal.

Birds Crossing Borders bridges the gap between Syrian and Canadian communities

Since 2017, over 6,100 refugees have arrived in Montreal. With her multimedia exhibition, Khadja Baker puts a name, face, and voice to six of these individuals with her captivating and powerful audio-visual installation, Birds Crossing Borders, which premiered on Sept. 13 at the theatre and gallery, Montreal Arts Interculturelle. A Kurdish-Syrian who witnessed the Syrian civil war firsthand, with family members who left unable to cross borders, Baker presents a collection of stories from Syrian refugees living in Montreal to chip away at the myth of refugees as radical extremists.

A foot on either side

In March 2017, Andrew Potter, former director of the McGill Institute for the Study of Canada (MISC), resigned after publishing a column titled “How a snowstorm exposed Quebec’s real problem: social malaise” in Maclean’s magazine. In addition to causing a rare McGill snow day, the blizzard also sparked a decidedly less rare debate over[Read More…]

Posters, drugs & rock n’ roll

Professor and curator Marc H. Choko’s exhibition, Nonconforming Poster Designers, displayed at the University of Quebec in Montreal (UQÀM) Center of Design, is a psychedelic trip without the kool-aid. The show explores the work of two classically trained designers, Elzo Durt and Sebastien Lepine, and their experimental techniques and kaleidoscopic visual effects. Durt and Lepine disregard traditional boundaries of line, form, and color in a series of silk screen printed posters reminiscent of a visual hybrid, somewhere between the Merry Prankster’s day-glo bus paintings, and the meticulous detailing of a 17th century woodcut engraving.

Read the latest issue

Read the latest issue