In a corner of the exhibition’s second room, Émilie Charmy’s Still Life with Pomegranates sits beside Jacqueline Marval’s self-portrait Minerva. The scenes in oil are classical: Persephone, the daughter of Demeter, condemned to the underworld for six months for eating six pomegranate seeds, resurfacing in the spring only to descend[Read More…]
Tag: Art
Romancing Medievalism in the modern world
Candlelight contours and illuminates the deep reds of opalescent stained glass, the candle’s bearer traversing the vacuous shadows of the castle’s towering walls. Its gothic portals and stone arcades stand overgrown in twirling vinery and moss. Inside hangs a pastoral tapestry of enchanting animals: Unicorns, leopards, and quails. Dress fabric[Read More…]
‘Costume Balls: Dressing Up History, 1870-1927’ probes imperial myths behind the glitz
In 1870, Montrealers adorned themselves with velvet and tassels and silk, and then made their way to the ball. Queen Victoria’s son, Prince Arthur—the namesake of rue Prince-Arthur—was visiting the city for the year. No expense was spared; there would be a costumed carnival, and it would be on ice.[Read More…]
AM Kanngieser’s ‘Listening as Coming To’ transports you through time
This fall, the PHI Centre is hosting Habitat Sonore: A Kind of Harmony, a series of six sound exhibitions created by different artists. Each event comprises an in-depth interview with the artist, followed by a collective listening experience for the sound piece. Most recently, the centre welcomed audiences on Oct.[Read More…]
Deanna Bowen discusses anti-Black racism in the world of art history
On Oct. 24, approximately two dozen academics gathered in Room W-215 of the Arts Building to hear Deanna Bowen, assistant professor in Concordia’s Department of Studio Arts, speak about her research-creation practice and art exhibits, her family’s history with racism in Canada, and anti-Black sentiment in the art history world.[Read More…]
Indigenous Ojibwe Anishinaabe art on campus fosters continuing conversations of reparations
McGill’s Indigenous Awareness Weeks kicked off with multiple Indigenous scholars and speakers offering students a chance to learn about the various intricacies of Indigenous culture, stories, and testimonies. On Sept. 24, a crowd gathered at the Redpath Library to listen to guest speakers Carmen Robertson and Robert Spade discuss Centering[Read More…]
Where Did All the Whimsy Go?
Dear readers, writers, and the dreamers among you, Why do we make art? This question crossed my mind the other day as I wandered through an art gallery in my hometown. I stared at abstract doodles framed neatly on the walls, each one whispering in an enigmatic language only the[Read More…]
The contradiction of The Art of Banksy Without Limits
Art from the renowned Banksy—whose real identity remains unclear—has made its way to Montreal. The Art of Banksy Without Limits, an internationally-touring exhibition being held at La Maison du Festival, advertises 170 works by the world-famous street artist. However, only 40 of the works have had their provenance verified by[Read More…]
Fleeting Form Studio forges community-based climate action
“We created this workshop not to enrich the community, but to build community,” co-founder of Fleeting Form Studio Hannah Marder-MacPherson said at the onset of the group’s inaugural event on Sept. 6. The organization, supported by McGill’s Sustainability Projects Fund (SPF), is hosting a series of six workshops inviting various[Read More…]
Saints, Sinners, Lovers and Fools subverts time
Standing in the final room of Saints, Sinners, Lovers, and Fools, I find myself transported into an era abundantly different from my own. My eyes glance over the drapery of richly pigmented paint layers, taking in the synthesis of colour, subject, and function. On the walls hang over 20 paintings,[Read More…]
