Articles by Kyle Carpenter

bighassle.com It turns out that great albums can happen while you’re busy making other plans. Halifax’s Wintersleep wrote the bulk of their latest album, New Inheritors, while on tour. In addition to getting ready for their show each night, the band spent part of their soundcheck ironing out new songs.[Read More…]

The Postelles are an English accent and a few cheeky lyrics away from being a full-fledged Arctic Monkeys knockoff, but unfortunately their debut lacks the complexity of a Monkeys tune. Instead, it’s pretty straight pop. The instrumentation is minimalist at best (though not at it’s best when it’s minimal), with[Read More…]

Winnipeg isn’t the first place that comes to mind when you think of the Canadian music scene, but there’s a good case for bumping it a bit higher on your list. The city has produced some amazing bands over the years: the Guess Who (and spin-off BTO), Propaghandi (and spin-off the Weakerthans), and a little artist named Neil Young. Comeback Kid represents the heavier side of the ‘Peg, and has carried on the city’s DIY punk tradition. “There’s always been a healthy underground following for the punk hardcore kind of thing,” says Comeback Kid guitarist Jeremy Hiebert. “I’m 34 years old and it’s never been super hard to find people who book local stuff throughout the years. There’s still kids doing that, renting community centres or whatever.”

I’m not one to judge a book by it’s cover, but I will decide what to read based on what the back cover says; a song called “Oprah, God Wants You To Have A Private Jet” was more than enough to entice me to listen to Scott Lanaway’s Mergers and Acquistions. The album is full of spacey electro-folk, one of those new, hard-to-classify sounds your iTunes gives up on and calls “alternative and punk.

Gorillaz’s highly anticipated third album Plastic Beach definitely sounds like a Gorillaz album, but it lacks the flare of their sophomore release, Demon Days. Plastic Beach feels like a concept album, but it’s difficult to tell what the concept is (but it’s certainly not a pinball wizard).

Jay Malinowski is best known as the singer/lead guitarist for Bedouin Soundclash, but his solo album, Bright Lights & Bruises, shows that he can stand on his own. It conspicuously lacks the reggae feel of Bedouin Soundclash’s repertoire, but for non-reggae fans this is all the more reason to give Bright Lights & Bruises a chance.

Rebecca Ramone’s debut EP, The Flood, doesn’t start with a bang. Instead, the opening track features a repeating blues riff beneath Ramone’s delicate-yet-strong voice. The song shifts when the blues riff accelerates, hitting a grungy overdrive with thrashing symbols.

Hot Chip’s soft electropop is anything but middle of the road – it’s love or hate. One Life Stand is their fourth studio album, and is a mixed bag of standout tracks and one-listen flops. The album begins with a strong opening track called “Thieves in the Night,” which starts off sounding like Coldplay’s X&Y era.

Hawksley Workman is a Toronto singer/songwriter and multi-instrumentalist who has released over 10 albums, not including his latest two projects, Meat and Milk. Meat was released January 19, while Milk will be digitally released over the next few months. After listening through the album in its entirety, I decided I wasn’t a fan.

Heartland is the third and final studio album from renowned Toronto multi-instrumentalist Final Fantasy. Well, not exactly. The band, or rather project, primarily consisting of Owen Pallet (though percussionist Leon Taheny has received credit as well) is retiring its current name – which is conspicuously shared by a videogame franchise – and opting instead for the moniker “Owen Pallet” from now on.