Faith in art over profit with ‘Berthe Weill: Art Dealer of the Parisian Avant-Garde’
In a corner of the exhibition’s second room, Émilie Charmy’s Still Life with Pomegranates sits beside Jacqueline Marval’s self-portrait Minerva. The scenes in oil are classical: Persephone, the daughter of Demeter, condemned to the underworld for six months for eating six pomegranate seeds, resurfacing in the spring only to descend[Read More…]