We live in an age of the retrospective—of Adele, sampling, and electro swing. The challenge for vintage-inspired artists is updating oldies to the tastes of the 21st century. The Noble Thiefs, a Winnipeg-based band, are foraying into vintage-modern territory by combining a gaggle of genres. Their debut album, Beyond the 11th Deck, mixes ‘50s/’60s era soul with reggae, rock ‘n’ roll, doo-wop, and punk.

In an ideal world, this would be a vintage music-lover’s dream: old favourite styles, in a single package, at a fabulous low price. But Beyond the 11th Deck leaves us longing for the originals. The Noble Thiefs’ tracks lack the vivacious spirit of mid-century music. Excepting the odd quirky riff and groovy solo, the guitar can be distractingly basic. The slower songs—would-be reggae slow burns—lack fire, and fizzle out. The Noble Thiefs are renowned for their galvanizing, punky live shows—their debut recording could have used a jolt of that electricity.

Still, the album holds promise. Standout tracks “Trapped Up,” “Drive In,” and “Rise Above It” are creative and spirited. Myron Dean’s tart yet smoky vocals are captivating, full of personality, and a total throwback to dynamic soul singers of the past. Dean’s voice, and the Noble Thiefs passion for eclectic jukebox hits brim with potential. If the stars align for their sophomore album, the Noble Thiefs will have something that makes you want to swing, twist, and slam dance all at the same time.

— Emma Hambly