Vanessa Heins “Death country” might seem like an awkward pairing of words, but once you’ve heard the music of Elliott BROOD, you’ll understand how perfectly this self-labeled genre can work. Although the label is descriptive of their older work, the band’s newest album, Days Into Years, strays from this categorization.[Read More…]

Common’s The Dreamer/The Believer is not just an album, but also a statement to critics and fans alike in response to 2008’s disappointing and generally dismissed Universal Mind Control. This time around, Common is defiant and triumphant; his sound enhanced by longtime friend and producer No I.D., who produced the[Read More…]

Sam Reynolds / McGill Tribune My mother, like many, used to stress the importance of good manners. But what happens when yours has none to spare? Well, something like Hay Fever, apparently. Set in the bohemian period of the roaring twenties, the play follows the eccentricities of the Bliss family[Read More…]

The program cover for Opéra de Montréal’s performance of Giuseppe Verdi’s Il Trovatore leaves a lasting impression.  It displays a gaping witch with fiery hair, her expression carrying both a hint of personal pain and menacing madness.  Though the opera does tell the story of a troubadour and his turbulent[Read More…]