Released earlier this year, the Chemical Brothers’ seventh effort, Further, can start to sound like a concert album after a few plays. Unlike many of the Brothers’ earlier releases, the album captures the raw intensity and structureless flow of a live set, filled with unexpected drops, blips, and volume shifts.

With their self-titled debut, it’s easy to see that Toronto’s Sweet Thing have Top 40 ambitions. Whether or not they’ll get there remains to be seen. The album certainly contains elements that suggest they will: the punchy guitars of “Gun,” the shimmering synths of “Lazy Susan,” and the soaring vocals of “A Change of Seasons” are all perfectly pop rock enough to satisfy any fan of the genre, but they still have a long way to go.

Dropping out of nowhere this summer, the All Delighted People mega-EP (the thing is 60 minutes long) is Sufjan Stevens’ long-awaited return to song-based material. The EP is an all-encompassing affair and serves as an both an excellent reminder of Stevens’s work to date and a crash-course for the initiated.

If you believe the hype (and the blogs), California’s Best Coast have made a life-changing, must-own debut record in Crazy For You. I’m not as convinced. Sure, frontwoman Bethany Cosentino and partner Bobb Bruno have crafted a warm, hazey, washed-out record with reverb-soaked vocals and some pretty killer melodies, but that can describe most noisy, pop-punk garage bands operating today.