Writing is like sex. There’s that playing around with ideas before hand, the ejaculation of ideas on paper, and in one sweeping moment of inspiration the climax (of the story) comes, bringing everything to an end soon after. So why is it so much better to “do it” in Montreal? What is it about this city that makes it a great place for writers? After all, The Quebec Writers’ Federation dubbed Montreal the World Book Capital in 2005.

Do you use your extra spending money to buy books you may never get around to reading? Can you envision yourself 40 years from now spending three fourths of the day in your lavish mahogany library? Do you stroll along bookstore shelves just to “browse” and end up buying three unnecessary items? If you answered yes to any of these questions, then you have a clinical obsession with books.

Force your foot in the door, says Alex Grossi, and while she could be talking about any job, she is referring to television screenwriting. A lucrative and highly interesting position, screenwriting for TV has taken off in the past decade as the number of channels looking for the next “hit show” has expanded exponentially.

Montreal is a politically charged city in a politically charged province; even the most insulated McGill ghetto resident knows that. When put to the task, it is a good bet that most students could also tell you a bit about Quebec’s beef with Canada, Canada’s beef with Quebec, and do a half-decent impression of Jean Chretien (hint: as you’re talking, move your mouth like you are, in fact, chewing beef).