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Hébert talks Canadian politics

In 2003, Stephen Harper, then the leader of the Canadian Alliance, and Peter MacKay, the Progressive Conservatives’ leader, shook hands to celebrate the merger of their two right-leaning parties. That handshake, political commentator Chantal Hébert argues, changed the Canadian political landscape more than any other event of the decade.

BLACK & WHITE: Be honest, then be right

I woke up, uncertain and lost, to a staccato burst of screams. I lay in bed for a few more seconds, staring into the darkness, and my heartbeat picked up as the screams rose in pitch. I didn’t want to move. I wanted to go back to sleep and pretend I hadn’t heard anything.

The Luyas are breaking all the rules

The Luyas are on cop watch. At least that’s what lead singer/guitarist Jessie Stein says as she attempts to drive and talk to me on the phone at the same time – an illegal activity. Add in the fact that it’s snowing, and I start to get worried that this interview could be hazardously cut short – which would be a tragedy for one of Montreal’s most promising bands, especially one with so much on the horizon.

CD REVIEWS: Basia Bulat: Heart of My Own

It’s clear from the opening track of Heart of My Own, the follow-up to her Polaris-nominated debut Oh My Darling, that Basia Bulat isn’t content with her previous success – she’s trying to soar to new heights. As a singer whose music too often gets the “sweet” label (which it undoubtedly is), it’s refreshing to hear her really going for it.

Do as the Romans do and stay away from When in Rome

Having endured recent atrocities committed in the rom-com genre (The Proposal, Leap Year) audiences deserve a watchable flick. Unfortunately, When In Rome – which opened in theatres on Friday – is another dreadful dud. Anyone who has seen the trailer or gaudy bumblebee-yellow movie poster already predicted this, but for the well-being of everyone else, it’s worth restating.

CD REVIEWS: Joey Stylez: The Blackstar

The question of whether music can ever be objectively good or bad has plagued musicians and critics alike for decades. Joey Stylez’s debut album, The Blackstar, has finally answered it. His music is absolutely the worst combination of sound I’ve ever heard, and for me, he’s redefined the concept of bad music.

The Rake’s Progress shows no sympathy for the devil

Opera McGill’s production of Igor Stravinsky’s The Rake’s Progress, an opera based on a series of 18th century satirical etchings by William Hogarth, combined intricate costumes and sets with raw musical talent – and the result was enough to convert any doubting opera-goer into a full-fledged fan.

POP RHETORIC: Fist-pumping iQs away

A phenomenon has appeared in the media, spreading from the shores of Seaside Heights, encroaching slowly upon our values, sneaking into our living rooms as we turn on the TV, and preparing to quietly kill us in our sleep. It is MTV’s new hit reality series Jersey Shore.

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