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CD REVIEWS: Rebecca Ramone: The Flood

Rebecca Ramone’s debut EP, The Flood, doesn’t start with a bang. Instead, the opening track features a repeating blues riff beneath Ramone’s delicate-yet-strong voice. The song shifts when the blues riff accelerates, hitting a grungy overdrive with thrashing symbols.

Vancouver rock band Yukon Blonde has more fun

Alphababy really isn’t a respectable name for a rock band, especially if you’re a good one. Just ask Yukon Blonde, the Vancouver four-piece who played 300 shows as Alphababy from their formation in 2005 until late 2008. “We used to get, ‘Are you guys a kink band?'” laughs guitarist/singer Brandon Scott.

LETTER TO THE EDITOR: Fostering open dialogue.

Re: “Why Gaza Remembrance Week misses the point” by Adam Winer (26.1.10) Although Adam Winer’s commentary concludes on a somewhat optimistic note – calling on us to have open dialogue and broaden our knowledge about the Arab-Israeli conflict – the manner in which he wrote his op-ed makes clear that he has yet to follow this important piece of advice.

Far from home and close to danger in the Gaza Strip

Rachel, a new documentary from French-Israeli director Simone Bitton, tells the story of Rachel Corrine, an American activist who was killed while attempting to prevent the bulldozing of a Palestinian home in 2003. To this day Israel denies responsibility for her death, claiming the bulldozer operator’s line of sight was obstructed by the mound of dirt that crushed her.

Horror flop The Wolfman begs for a silver bullet

In cinema, there’s always a fine line between the supernatural and the ridiculous, and the best horror films flirt with this boundary without crossing it. Unfortunately, director Joe Johnston’s The Wolfman was less than tactful in his approach to the werewolf genre, and the film ends up resembling more of a farce than a truly scary movie.

Revamping spoken word

It’s hard to imagine how rewriting the lyrics to a Fat Boys song into his own beat-box symphony at the age of nine could lead C.R. Avery to where he is today. Currently on his Dead of Winter cross-Canada tour, backed by The Legal Tender String Quartet, you could say that Avery is in his element – his storytelling/harmonica-playing/beat-boxing element.

Audiophile

No more than two dozen patrons have filed into the upstairs concert hall of Montreal’s La Sala Rosa for an evening of live jazz. Among the dedicated few sits Mark Crawford, a beer in his right hand and a focussed yet unassuming countenance on his face. Positioned front and centre, Mark is preparing a medium-sized microphone stand that is wired through a pre-amplifier, digital to analog converter, and power supply into his digital recorder.

OFF THE BOARD: A stereotypically Canadian ceremony

Stereotypes can sometimes be funny. Although insensitive and often in bad taste, where would “guy-walked-into-a-bar” jokes be without them? Despite their comedic value, the Olympic Games are not an appropriate forum for stereotypes, and it would be far beyond good taste to greet the Italian teams with pizzas and Mario Kart.

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