The releasification occurred on Nov. 21 at the 13th hour on the silver screen downstage-right of the Time Dragon Clock—the direct result of adaptifying Act One of Academy Award-winning composer Stephen Schwartz’s stage classic into a movie musical. Yes, the second act of Wicked—Wicked: For Good—is officially in theatres. Thank[Read More…]
Theatre
Trust, community, and the burden of leadership take centre stage in ‘The Grown-Ups’
When the world around you changes in an instant, and you’re responsible for the safety of hundreds of young campers, what kind of leader will you choose to be? Tuesday Night Café Theatre’s production of The Grown-Ups, by Simon Henriques and Skylar Fox, explores how personal decisions feed into or[Read More…]
‘katzenmusik’: Social inequality explored at Moyse Hall
The McGill Department of English Drama and Theatre Program presents Tom Fowler’s katzenmusik, a darkly compelling exploration of social inequality and civil unrest in the fictional town of Burnside. Told in reverse chronological order, the play recounts a cat massacre that devastates the town and forever tarnishes its reputation. Each[Read More…]
‘Cult Play’ triumphantly faces dark truths of the need for belonging
Cult Play, a new play written by non-binary playwright and Concordia graduate Scout Rexe, recently made its world premiere at the Segal Centre. Presented by Imagos Theatre, the play follows Alex (Madeleine Scovil), a queer actress in Montreal who falls in love with a woman named Taylor (Kayleigh Choiniere). The[Read More…]
McGill Drama Festival showcases six student productions
From the throes of budding romance complicated by a tragic accident in Small Death to the aftermath of a long-term partner abandoned at the altar in I Don’t, the McGill Drama Festival (MDF), which took place from March 24 to 28, brought something to the table for everybody. Exploring the[Read More…]
TNC’s student-written production of ‘Sphinx’ reaches professional levels of wit
There’s nothing like the sheer terror of waking up hungover to discover the bad decision your alter ego made the night before. Particularly when that bad decision saunters into your kitchen and greets you with cheerful full-frontal. If that’s not enough to push you over the edge, throw in an[Read More…]
Fairies square off against lords in ‘Iolanthe’
From Feb. 14-22, the McGill Savoy Society brought Gilbert and Sullivan’s 1882 comic opera, Iolanthe, to life at Theatre Plaza. The show follows young shepherd Strephon (Matthew Erskine, BA 2022), and his beloved Phyllis (Aniela Stanek, U0 Arts). After he joyfully announces their engagement, a few wrinkles become apparent: She[Read More…]
Players’ Theatre’s ‘Do You Feel Anger?’ is a sardonic satire of human fallibility
It’s easy enough to show empathy to those who deserve it. But how on earth do you feel empathetic when you’re in a crappy little office, with your autocratic boss breathing in your ear that he doesn’t “only love piss charts” but also his niece? Do You Feel Anger? by[Read More…]
McGill Classics Department wields love to explore Medea’s story in ‘The Argonautica’
The ancient Greek figure of Medea likely makes your skin crawl with discomfort—or maybe causes you to shiver with morbid curiosity. For how could a woman, scorned nevertheless, be pushed to the extreme of killing her own children? Euripides’ play, Medea, features such a story, where the titular character’s heartbreak[Read More…]
AUTS’ ‘Company’—is marriage “till death do us part” or “death please do us part?”
Ah, romance of the 21st century: Dates have been replaced by “chill sessions,” careful affections have been eclipsed by convenient and meaningless interactions, and the world spins backwards on its axis. But is it really that simple? Has a general pandemic of apathy infected us, or is there something deeper[Read More…]
