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a, Sports

Around the Water Cooler

In case you were too busy dodging a meteorite, here’s what you missed this past week in the world of sports… 

SPRINTING — South African Olympian Oscar Pistorius was arrested, and charged in the murder of his 29-year-old model girlfriend Reeva Steenkamp on Thursday. Pistorius was held in jail over the weekend, and will stand trial for bail on Tuesday. The story came out of nowhere, as Pistorius is revered in South Africa for being the first double-leg amputee to participate in the Olympics. The “Blade Runner” also competed at the 2012 Summer Paralympic Games in London, and won gold medals in both the 400-metre race and in the 4×100-metre relay.

The defence claims that the shooting was an accident, as Pistorius is known for his paranoia about home intruders. Police found a bloodied cricket bat at Pistorius’ home on Sunday, but have yet to identify whose blood it is. If it belongs to Steenkamp, it will undoubtedly become a key piece of evidence against him. Regardless, such a tragedy is extremely unfortunate, and almost unthinkable, especially considering that he is a national and Olympic hero.

BASKETBALL — All-Star weekend took place in Houston this past week, as the NBA’s finest showcased their talent and fashion sense throughout the various events. Team Chuck defeated Team Shaq 163-135 in the Rising Stars Challenge on Friday night. Denver Nuggets high-energy forward Kenneth Faried was named MVP of the game after recording 40 points and 10 rebounds. We’d say about 38 of them were dunks, which is not surprising since no one played defence. Cleveland Cavaliers star guard Kyrie Irving took home the three-point shootout, while Toronto Raptors rookie Terrence Ross won the dunk competition. Ross paid tribute to ex-Raptor dunk champion Vince Carter, by putting on an old-school purple Carter-era jersey before throwing down a 360, one-handed windmill—yeah, no big deal. In the weekend’s final event, the West came out on top 143-138. Chris Paul dropped 20, and added 15 helpers, en route to MVP honours; and while everyone else took a breather on their defensive ends, Kobe blocked King James from behind … so that was interesting.

HOCKEY — A devastating injury stopped the NHL world on Wednesday, as Ottawa Senators star defenceman and reigning Norris Trophy winner Erik Karlsson had his Achilles tendon sliced by Pittsburgh Penguins forward Matt Cooke. The incident occurred after the two players were tangled along the boards. The NHL decided not to take disciplinary action against Cooke, since the injury appears to have been accidental. The NHL will be without Karlsson for the remainder of the year, but the Sens are hopeful that he’ll be ready for the start of the 2013-2014 season. Despite being deprived of watching Karlsson gracefully skate around NHL teams, the injury definitely improves the Habs and Leafs’ playoff chances. Sens fans, we feel for you.

Dianna Ros faciliated the Martlet offence throughout the win on Saturday. (Simon Poitrimolt / McGill Tribune)
a, Sports

Monster second half propels Martlets past Gaiters

The conference-leading McGill Martlets faced off against the struggling Bishop’s Gaiters on Saturday at Love Competition Hall. Despite a sloppy start, the Martlets controlled the game in the second half, and finished off with a decisive 72-31 victory over the Gaiters to extend their winning-streak to three.

McGill’s first field goal came from a deep three by second year point guard Dianna Ros. After an unsuccessful drive by first-year forward Mariam Sylla past two Gaiter defenders, the Martlets regained the offensive board, and kicked the ball out to Ros with the shot clock running down. She knocked down the bucket, scoring two of her nine points on the afternoon. She also added a game-high five assists in the victory.

“I was just trying to be aggressive, and that’s it,” Ros said after the game.

As usual, Sylla was a force to be reckoned with in Saturday’s contest. She dominated on offence, scoring 15 points and pulling down seven rebounds. She has now scored double-digit points in each of the past nine games, and has become a staple for the Martlets on both ends of the court. Head Coach Ryan Thorne complemented Sylla’s effort.

“Mariam Sylla is always going to do a good job inside, and on the glass,” Thorne said. “She hit some nice shots from the perimeter, too.”

McGill struggled on offence in the first quarter, scoring only 13 points in the first 10 minutes. Nevertheless, hard defence in the paint forced the Gaiters to take low-percentage perimeter shots. In the second quarter, the Martlets tightened up their defence, and allowed just one Bishop’s bucket while racking up 17 points of their own. McGill finished the first half leading 30-15.

(Simon Poitrimolt / McGill Tribune)
(Simon Poitrimolt / McGill Tribune)

The Martlets stepped out on the court in the second half looking like a completely different squad than the one that exited after the second quarter. Good offensive ball movement, leading to open shots and hard drives in the paint, gave McGill some easy chances. They converted more often than not, and extended their advantage to 49-19 by the end of the third.

With a commanding lead in the fourth quarter, the Martlets turned to their bench for points. Coach Thorne was quite pleased with his subtitutes’ production.

“Someone that impressed me a lot was [third-year guard] Abena Addo,” he said. “She came in, and she worked hard on both ends. … [Third-year center] Valerie L’Ecuyer also did the same thing; so for me, that’s just a reason to give them some minutes over the next couple of games, and let me see how much they can do.”

The bench contributed 20 points in the fourth quarter alone, en route to the Martlets 72-31 victory.

The Martlets have just two games remaining in the regular season before the RSEQ semifinals on Feb. 27. Thorne spoke about the message he’s sending to his team as the playoffs loom.

“I think the message that we tried to give them during this game was to play a certain level of excellence from [start to finish]. [This] is what we’re going to be preaching over the next couple of games and into the playoffs,” he said. “We can’t change our level [of play] depending on [our opponent]. We have to play at this level and above, no matter whom it is.”

The Martlets will be looking to clinch home court advantage in the playoffs in their home regular season finale against Laval on Feb. 21.

Christian McCue spots up for the jumper. (Liam Maclure / McGill Tribune)
a, Sports

Execution key for Redmen in pivotal divison contest

Execution, poise, and defensive intensity marked a hard fought win for McGill over Bishop’s. The Redmen beat the Gaiters 78-60 in Saturday’s battle between the RSEQ division leaders, played out in front of a packed and stuffy Love Competition Hall. A highly contested and entertaining game throughout, the Redmen—sparked by the leadership of Adrian Hynes-Guery, and Te’Jour Riley’s inspired play—pulled away in the fourth quarter, to seal a second victory over Bishop’s this season.

Both sides, having already secured playoff berths, played to gain home court advantage in the upcoming post-season. The weight of this matchup was evident from the get-go, as the teams started out fast in the early minutes with high energy and hot shooting.

The visiting side started off by applying aggressive full-court defence, which the Redmen calmly thwarted with their agile guards and ball-handling forwards. McGill operated its offensive set to a tee, patiently swinging the ball from side to side, and cutting from the perimeter. This execution was key in the Redmen victory.

“The guys really listened to the game plan,” Assistant Coach John Dangelas said. “They listened to [Head Coach Dave DeAveiro]. They were told to move and cut, and they did. [Our success came from] executing the plan.”

Riley was particularly impressive, and started off his great individual performance with seven points in the opening quarter. With the shot clock running down, he took charge,  rambled into the lane, and scored in athletic fashion. In the hard-fought, high-energy first quarter, the back-and-forth action favoured the Redmen as they led 26-18.

With the starters on the bench, Bishop’s rallied in the second quarter, relying on their free throw shooting. Their 6’10’’ interior big man, Mike Andrews, scored 19 points on 8-16 shooting in the game. Andrews’ size presented the Redmen with unique challenges, and drew tons of fouls on McGill. With Aleksandar Mitrovic on the bench due to early foul trouble, other players were forced to play bigger roles and step up on defence.

By the end of the second quarter, the momentum was clearly beginning to shift in Bishop’s favour. However, McGill remained hot from the outside, led by Hynes-Guery, who canned two back-to-back corner three-pointers. The Redmen led 39-34 at the break.

The second half remained tight, with highlights coming on both ends. First-year guard Christian McCue—who went 4-4 from three-point range—hit a buzzer-beater near half court at the end of the third, capping a late charge by McGill and leaving them with an eight point lead.

The fourth quarter belonged to Hynes-Guery and McGill’s stifling team defence. It was a gutsy defensive performance—stepping in to take charges, collapsing in the paint, and providing help defence all-around—which distracted Bishop’s flow and shooting rhythm. An emphatic block by Vincent Dufort midway through the quarter sent the home crowd abuzz, and was emblematic of the defensive effort down the stretch.

“We just executed our strategy. It was a good team effort. And personally, I was able to hit the shots [I needed],” Hynes-Guery said. “Defensively, we stepped up to make key stops on [their big men]. And we never looked back from there.”

Indeed, they never did look back in the fourth quarter, pulling away convincingly with defensive stops and timely baskets, culminating in a 78-60 victory.

If there is anything to take away from the Redmen’s impressive performance, it’s that they seem ready to execute and pull together down the stretch in order to make a strong run in the RSEQ playoffs. McGill has two games remaining in the regular season and needs one last win to secure their first division title since 2001. The Redmen host Laval on Feb. 21, before closing out the regular season at UQAM on Feb. 23.

Hubert Morin will graduate after three years as the Redmen starting goalie. (Wendy Chen / McGill Tribune)
a, Sports

Playoff life nasty, brutish, and short for Redmen

One year after bringing home the school’s first national championship in its 135 year history, the McGill Redmen learned that the only thing harder than winning a title is holding onto it. On Sunday night, the Redmen’s season came to a decisive end, as they lost 2-1 to the Nipissing Lakers in deciding game of the OUA East quarterfinal. To say they failed to deliver, however, would ignore the unprecedented rash of injuries that plagued the team towards the end of the season. All things considered, the Redmen played through adversity, leaving everything on the ice, but ran out of gas by Sunday night.

Alexandra Allaire / McGill Tribune
Alexandra Allaire / McGill Tribune

“I couldn’t be prouder of a group of guys,” Redmen Head Coach Kelly Nobes said after the Game Three loss. “We’re playing with, essentially, our hands tied behind our back with so many guys out of our lineup. We just ran out of juice. I go back to what we’ve done over the season, but the last six weeks or so where we’ve been anywhere from seven to 11 guys out of the lineup, and that’s just unheard of.”

After losing a penalty-filled Game One that saw a combined 86 penalty minutes handed out to both teams, the Redmen stormed back on home ice to tie the series in a convincing 4-1 contest. On Sunday night, they jumped out to an early lead when rookie Jonathan Brunelle found a trailing Nicolas Biniek. Nipissing deserved more in the first period, and converted just under five minutes into the second on a power play, when Lucas McKinley picked up a rebound and slid it past McGill netminder Hubert Morin, to tie the game. The Lakers went ahead for good late in the second on a goal by Jeff Leaist that sealed both the game and the series.

Leaving aside the devastating loss of manpower—the team lost 130 ‘man-games’ this season—the Redmen will still be left wondering ‘what-if’ as they contemplate their power-play, which went 0-for-24 in the series and 0-for-12 on Sunday night, including two five-on-three advantages in the third period alone.

“We got some good chances on the five-on-three,” Benoit Levesque, who wore the ‘C’ in place of injured captain Patrick Belzile, pointed out.

Coach Nobes also stressed that for some members of the team, the strain of playing an abnormal 35 minutes took its toll on their execution late in the game.

For some players, the loss means not only the end of the season, but the end of a career. After the team completed its customary salute to the fans in the centre-circle after the celebrating Lakers had left the ice, Morin—having just finished his fifth and final year at McGill—lingered on the ice, likely remember his time as a Redmen that had far more success than crushing defeat.

Alexandra Allaire / McGill Tribune
Alexandra Allaire / McGill Tribune

“It’s so confusing right now,” Morin said after the game. “I’ve always been to the finals, national championships, and now I’m a little lost. I started as a third goalie, and then in the end, I played three years as the first goalie … won a national championship and three Queen’s Cups. I don’t realize yet that it’s over, but at the same time, I can’t be upset because I left it all out on the ice.”

For those who will return next year—the team loses Morin, Belzile, and Marc-Andre Daneau, but could potentially return the rest of the roster—the future is bright.

“The blessing in disguise is that those younger guys who maybe wouldn’t have gotten as much icetime and opportunity that they would have if everyone was healthy,” Nobes said. “They played a ton in a bunch of different situations. They’ve grown as players, and that will serve our program well long-term.”

While the curtain has closed on the 2013-2013 Redmen season, Nipissing will travel to Trois-Rivieres to face the Patriotes in the OUA East Semifinals starting Wednesday. McGill’s loss means that UQTR will represent Quebec at the CIS Men’s National Championship, scheduled for Mar. 14-18 in Saskatoon.

a, Behind the Bench, Sports

Why do we glorify athletes?

George Best was an incredible soccer player, most notably appearing for Manchester United through the ‘60s and early ‘70s. In fact, he was so good, that if the soccer adage, “Maradona good; Péle better; George Best,” is true, then he was the greatest of the day. Best combined a deft touch on the ball with incomparable pace, delighting audiences and fans across the globe. Unfortunately, he was also a notorious drinker. 

Often reported to have played matches hungover or skipping them entirely to party—once he even showed up on a primetime chat show shockingly inebriated—his alcoholism led to his undoing. In 2000, he was diagnosed with severe liver damage. For most, a condition of this magnitude would be the end; however, Best was not most people. Rallying behind him and his athletic genius, the public bolted him to the top of the donor list, and funded his transplant through the National Health Service.

Sadly, despite the success of the transplant and the obvious preferential treatment he received due to his celebrity status, Best refused to quit drinking, and ultimately died in 2005 from the interactions of alcohol and the immunosuppressant drugs one must take following a transplant. In a macabre twist of self-reflection, his final address to the masses before his death was a message that read, “Don’t die like me.”

More recently, Baltimore Ravens star linebacker and Super Bowl XLVII winner Ray Lewis retired a champion. His final victory seemed hardly tarnished by his connection to the banned substance “deer antler spray” less than a week before the Super Bowl to help him get over a triceps tear he suffered earlier in the year. His hulking 37-year-old frame is almost certainly a product of years of steroid-induced muscle gain. In fact, the mere occurrence of a triceps tear—which is generally far too small of a muscle to invoke a tear—and his miraculous comeback when doctors told him that his year was finished, lends greater credence to the banned substance claim.

Shockingly enough, is that many of Lewis’s fans are unaware that in 2000, he and two friends were arrested and charged with murder and aggravated assault for the death of two men following an altercation outside a nightclub. Lewis’s bloodstained white suit, which witnesses saw him wearing, was never recovered, nor the blood of the victims in his limousine ever explained. Finally, after admitting to giving a misleading report to police the day after the event, and plea-bargaining by testifying against his co-conspirators, Lewis pled guilty to a mere misdemeanour charge of obstruction of justice. The plea bargain was never proposed to the others involved in the case; and, unsurprisingly, Lewis returned to the NFL to glowing reviews and undying adoration for his “killer” instincts and hard-hitting abilities.

Yet, what does this all mean? This is assuredly neither a plea to promote sobriety, nor an embittered, sensationalist attack against Lewis. It is, instead, a critique of our glorification of athletes, and our unwillingness to recognize them as equals. With their status, they get off scot-free from mistakes—ones that deserve to punished in a fitting, and unbiased manner.

This sentiment is not just damaging culturally, but ultimately hurts the celebrity, as his or her period of privilege comes to an end. No one can be the best forever, and when the skill that made that person sensational inevitably fades, that individual is often ill-prepared to combat the reality of being “normal.”

78 per cent of NFL players declare bankruptcy just three years removed from the league, with 60 per cent of NBA players joining them after five years. This comes at a time when salaries are higher than ever, and are continuing to rise. Clearly, there is a rupture between what is expected of athletes in the league, and what is expected of them beyond the league.

Whether this disconnect is related to addiction, the law, or financial planning; we, as the consumers of their great talent, can truly benefit from admiring sports stars for their athleticism—while remembering that they too, are just humans and therefore must operate under the same moral rules.

So the next time you see Tom Brady out on the football field, remind yourself that he put that uniform on the same way you would—one leg at a time—regardless of how good-looking he may be once he does. Trust me, it’ll help him too.

 

Jason Choi, Anatomy and Cell Biology, U1 (Alexandra Allaire / McGill Tribune)
a, Student Life, Student of the Week

Student of the Week

Q: What’s a typical Urban Groove rehearsal like?

A: It’s every Sunday, and it starts with a warm-up and stretch, and then a killer ab routine. This semester [we’re doing] something special [in rehearsal] called internal workshops. It’s where one member is selected each week to do a special workshop for everyone else. So we’ll have dancers who specialize in different styles like contemporary, Bollywood, tutting [a dance move mimicking King Tut], and popping, and they’ll do special workshops for that week. And then we just dance around.

Q: Is practice more rigorous when you’re getting ready for a show?

A: It gets more hectic. We tend to arrange more practices apart from the Sunday [ones]. It gets insane—every single day of the week we’ll have practices.

Q: What’s your favourite song to dance to?

A: I like dancing to songs that people would normally not dance to. Like the Tetris song. I’m really into ‘corneographies’ now; instead of choreography, it’s ‘corny-ography.’ You play around with the lyrics of the songs, and you use really corny songs like Taylor Swift songs, but then you….do really corny moves with the lyrics. Big dancers like Mike Song [choreographer for America’s Best Dance Crew and Step Up Revolution] and Anthony Lee [of World of Dance fame] are really….into corneography, and I’ve been watching them lately.

Q: What’s your signature dance move?

A: [It’s] not a dance move, but I think people know me for tutting. [My style is] an abstract form of tutting, where you make boxes with your hands. Popping is a genre of hip-hop. People know break dancing as the crazy flips and stuff, but popping is a more intricate style of hip-hop, where you get to play around with the music more. It’s [a] more lyrical movement. Tutting is [a sub-genre] within popping, where you just make cool shapes with your body.

Q: You’re also involved with World Vision. What’s your position with them?

A: I’m a volunteer coordinator, and my job is to recruit volunteers and find places to volunteer in the Montreal area.

Q: What kinds of events and fundraising do you guys do?

A: Last semester, we were volunteering at the [Montreal] Women’s Centre. They get a lot of donations from make-up companies and food companies, and our job is to sort out [clothing donations]. This semester, we’re going to volunteer at a homeless shelter in Atwater.

Q: The 30 Hour Famine was held last Friday and Saturday. Can you tell me about it?

A: Yeah, people do the 30 Hour Famine and they raise pledges for World Vision. It’s also an awareness thing, to  experience what [children in developing countries] experience. At the end of the 30 hours, we have a “breaking the fast” dinner, and that’s when we [raise] money from people who actually did the famine, and friends of [those] people. It’s a 10 dollar dinner, and that also raises money [for World Vision].

Q: What’s your secret talent?

A: I can twist balloons [into animals and shapes].

Q: What reality TV show are you perfect for?

A: K-Town. It’s like the Asian version of Jersey Shore. It’s in K-town, L.A.

Q: What’s the very first thing you would buy if you won the lottery?

A: Jeans. I have an obsession with denim.

Q: What’s the best reason to visit your hometown?

A: [My hometown is] Seoul, South Korea.  Good food, good people, nice subway system—and they have Wi-Fi everywhere.

Q: What’s the last song you remember listening to?

A: God’s Gift, by J. Cole.

Q: What’s your guilty pleasure?

A: Buying jeans.

Q: What word or phrase do you most overuse?

A: “My jeans.”

Q: If you could change one thing about Montreal, what would it be?

A: The slush. I don’t mind the [long] winter, just the slush. And the salt.

Q: Who would star in the movie of your life?

A: Childish Gambino.

a, Student Life

Irish Pub Edition

McKibbins

McKibbins Irish Pub is a mainstay for ‘Irish’ pub culture in Montreal. There are three locations; one in the West Island, one on rue Bishop, and one on St. Laurent. Each invites passersby to “Come in and experience a little bit of Ireland in your own backyard!” As a frequent visitor of the St. Laurent location, I can tell you that they aren’t lying. The warm décor is reminiscent of an updated cottage cabin with its long wooden bar, multiple cozy booths, and Irish memorabilia that can be found all around the pub.

If that didn’t get you feeling Irish, the drink choices most certainly will. The bar is well stocked, and carries over 24 imported beers on tap. In addition to their wide array of cocktails, McKibbins has an impressive food menu that won’t break the bank, although it isn’t designed for a student budget. The highlight of the menu is the “Guinness Experience” section, which includes choices from nachos to wings, to burgers, all of which have some form of Guinness incorporated. The pub is a great place to go with a friend for a drink or two, but it is also a great place to go as a group if you’re looking for dinner and drinks.

The staff is very willing to accommodate large groups, rearrange tables, and are more than happy to put on the sports game of your choice (go Habs!) if you came out to enjoy the game with a buddy. What makes McKibbins stand out from other Irish pubs is the live music—which frequents their stage with two to three sets per night—and their authentic Irish step-dancing performances. So if you ever want a Celtic night, head to 3515 St. Laurent, and try an Irish Car Bomb; it’ll definitely start you off on the right foot. 

Visit: www.mckibbinsirishpub.com/home.php 

—Natassja Di Battista

Hurley’s

For those looking to travel a little farther beyond the McGill bubble than St. Laurent, Crescent Street boasts an impressive selection of bars and clubs, but none so appealing as its very own Irish pub, Hurley’s. Located at 1225 Crescent, this bar is a popular destination for Montreal night life, and definitely has the space to accommodate this reputation. There are so many entrances to Hurley’s that you can take your pick for what seems like a block, and so many different areas inside that you have to be exceedingly cautious not to lose your friends or you might never find them again. That said, Hurley’s is one of the friendliest bars I’ve come across during my time in Montreal; you can always make some new acquaintances on your search for the old ones. Different parts of the bar offer different atmospheres—some loud and raucous, some more intimate. There’s a place for you no matter what your mood.

With at least three bars, the Hurley’s drink menu offers over 50 different single malts, 16 whiskeys, and 19 beers on tap, so no one goes thirsty. There is also a full menu, that includes all the usual bar food suspects, but also extends to some more exotic options like mango chutney chicken, and Bailey’s cheesecake. Prices are reasonable, but if you go for both dinner and a night of drinking, the bill can easily run away on you.

As far as entertainment goes,—aside from its delightful patrons—Hurley’s features nightly live music on both the first and second floor, usually (surprise, surprise) of the Irish variety. They also have a sports corner, with a full schedule of the programming they plan to show available on their website—rugby, hurling, and UFC, among others. With so much going on, it’s not hard to find a good time waiting for you at Hurley’s, whether you go with one friend, or ten. Stop by for a night of Irish antics, or simply for a relaxing drink.

Visit: www.hurleysirishpub.com/en_sportscorner.html  

—Jacqui Galbraith

a, Student Life

DJ Marez takes on the Montreal music scene—and his first year at McGill

Marcos Orta, also known as DJ Marez, lives a double life. ‘Up and coming’ is one way to describe this U0 McGill commerce student. “That obnoxious guy who takes command of the music during parties”—his own words—is another. Lucky for us, a quick listen to his SoundCloud station proves that he does it well.

“I entered a competition to open a set at the Brrrrr! Music Festival in Toronto,” he tells the Tribune. “I saw it as an opportunity to not only gain recognition, but to also have fun by doing what I do best. The rules were simple: whoever gets the most votes wins. In other words, it was a popularity contest. After spamming the [expletive] out of my friends on Facebook, I ended up in 10th place—out of over 100 submissions.”

Orta has been living out his passion and spinning with professional equipment for just over two years now. His main motivations are his enjoyment for imposing his music on others, and, he jokes, the “swag, ladies, etc.”

He is a member of Blackout Productions—a new label founded by Justin Macaskill, another McGill student. As well, Orta is a member of the SSMU DJs Guild. He has done various sets at McGill for Bar des Arts (BdA), The McGill Med-P/Dent-P Student’s Association (MDSA), and the McGill International Student’s Network (MISN). “It’s always a pleasure to spin for my McGillians,” Orta says.

While he wouldn’t call it a career yet, Orta claims he’s been “inundated with gigs” since his arrival in Montreal. He’s correct to assume that the parties here are “non-stop,” which would explain why he has played as many sets here, over the course of six months, as he did in Ottawa over a year and a half.

“I plan to make deejaying a substantial part of my future,” says Orta, “not so much in a club setting, but in a more international sense; in prominent festivals around the world.” In order to achieve this, he has started producing house music.

He describes his songs as profound, yet energetic. He has too many inspirations to name one, ranging from Axwell to Coldplay and from Ludovico Einaudi to Lana Del Rey. Music, in his opinion, has to be inspirational, and must hold meaning.

“Music should be able to bring out your deepest sentiments—something no other force can achieve. That’s why you’ll never hear me playing Nicki Minaj.”

Instead, he prefers to play electro and progressive house—“despite the countless requests for top 40.” While he may come across as adamant or assertive, Orta maintains that he’s just trying to build an identity. “It’s on a whole other level, [trying] to get people to understand your tunes, to move to your music.”

While a lot of students may try their hands at deejaying in university, the art takes more skill than merely hitting the pause/play button, or  transitioning from one song to another. It is easier said than done, in his opinion, and far too many people undermine or under-appreciate the “art of deejaying.”

“A DJ, or rather, a successful DJ, has to have a high level of creativity, a natural or meticulously trained ear, the ability to mix in key, the capability to beat match, and an appropriate taste for effects—all while keeping the vibe going.”

His advice for other aspiring DJs, then is to remain dedicated, diligent, and persistent. “There will be times of great discouragement, times that will test how much heart you have for the decks. If ever the dance floor is empty, and you feel like you’ve done everything in your power, including dropping Gangnam Style, don’t panic. Sometimes, it’s just a dead crowd regardless of what’s playing. Keep your head up, keep it real, and keep it fresh.”

www.accademiahotel.com
a, Student Life

Top ten little-known study spots

Studying for endless hours, surrounded by a sea of desks under fluorescent lighting can wear away the spirit. In the midst of midterm season, these refreshing study spots around campus will remind you there’s a world out there that doesn’t consist exclusively of papers, Apple products, and textbooks.

1 – The Bay Cafeteria:

As long as you can resist the temptation to shop as you climb to the seventh floor, The Bay’s cafeteria offers a cavernous, rustic sitting area with a fireplace and an abundance of wooden paddles and canoes. Bonus: it’s only a 700 metre walk from the Roddick Gates.

GO: For the relaxed, cottage-style vibe and few students. The view alone is worth the trip.

585 Ste-Catherine St W., seventh floor.

2 – Leacock study rooms:

Leacock’s first floor study rooms are open 24/7 (via Arts students’ after hours card access). Instead of spending the night hunched over a desk, try the comfy, padded booths in rooms 111 and 112. Plus, no need to sneak snacks past any security guards—food is allowed.

GO: Because you can talk, eat, and study all night.

Rooms 111 and 112 in Leacock, just past the Snax kiosk. 

3 – Chai Tea Lounge:

A stack of reading seems more conquerable when you’re armed with a mug of Matcha. Chai Tea Lounge offers free Wi-Fi, and lots of electrical outlets. If you get tired of the cupcakes and macaroons on offer, you can order a sandwich (the chicken avocado is amazing) from Cafe Bistro El Mundo next door—they’ll even deliver it to you.

GO: For a relaxed afternoon of studying. Bring at least $5; the tea is a little expensive.

3506 Avenue du Parc.

4 – SSMU Student Lounge:

If you prefer studying in the comfort of your bed, but are more productive out of the house, SSMU’s Student Lounge offers the best of both worlds. Overstuffed couches create a cozy living room ambiance, while plenty of windows allow in natural light. When it gets dark you actually realize how long you’ve been at it.

GO: Early, competition for a full couch is fierce.

First floor of the Shatner Building.

5 – Café Pi: 

Café Pi is not your ordinary coffee shop; it’s a genuine French café. Each Pi experience is different, though chess is always the theme. Watching elderly customers locked in a chess match is enough to keep you smiling, and there’s plenty of free Wi-Fi to go around.

GO: To be surrounded by art, chess, and French banter.

4127 Boulevard St. Laurent.

6 – The Law Library: 

In Nahum Gelber Law Library, you’ll be surrounded by stressed law students; but at least you can be cheered by the fact that you probably have less work than they do—for now. The huge triangular windows and shared tables make it feel grander than a regular library. Just make sure you’re on your best behaviour, unless you like glares from grad students. Avvocato Café is also conveniently located nearby for a quick caffeine fix.

GO: To study like a grad student.

3660 Peel St.

7 – The Music Library: 

Marvin Duchow Music Library’s fifth floor carrels can be used when the assigned grad students aren’t there. Students from outside the music program rarely seem to go here, but it’s worth checking out if Schulich or McLennan are starting to feel like old news.

GO: For a change of scenery; the view downtown is fantastic.

527 Sherbrooke St.

8 – Presse Café: 

Presse Café on Sherbrooke is only about a minute from campus, but you can always find a seat. Its three split-level floors offer plenty of tables, armchairs, and stools to perch at the counter. Bonus for first years: meal cards work here.

GO: For the coffee shop feel that’s super close to campus.

475 Sherbrooke St.

9 – Birks Reading Room: 

Birks Reading Room is a beautiful studying experience. How many other libraries ask you to take off your winter boots? Padding around hardwood floors in socked feet makes for an extremely calming study experience.

GO: To feel like you’re at Hogwarts.

3520 University St.

10 – Library study rooms:

Working with friends can make studying more enjoyable; but when you’re in quiet study areas, whispered conversations are hardly worth the glares and the guilt. Cue the study rooms: they’re available in six of McGill’s libraries, and anyone can book them through the library’s website. It’s surprisingly simple—much easier than using Minerva.

GO: For the freedom to take breaks and actually talk to the friend you invited to the library with you.

Visit www.mcgill.ca/library for room bookings.

Simon Poitrimolt / McGill Tribune
a, News

AUS General Assembly fails to reach quorum of 150

Reform to how nominees may run for the position of the AUS Vice-President Finance, the fate of McGill’s Industrial Relations program, and students’ ability to decide whether McGill recognizes their advanced standing credits were among the topics discussed at Monday’s General Assembly (GA) of the Arts Undergraduate Society (AUS).

 

Simon Poitrimolt / McGill Tribune
Simon Poitrimolt / McGill Tribune

With between 20 and 45 students in attendance throughout the evening, the GA never met its quorum of 150 voters, and therefore only passed motions as a consultative forum. Each motion passed by the GA requires a 2/3 vote at AUS Council to become binding.

The most highly debated motion concerned reforming the requirements for the AUS’s Vice-President Finance position.

Currently, arts students elect a vice-president finance from the nominees running in the AUS election. If this motion passed, AUS Council would determine through a vote whether candidates were qualified to run for the position, after a short presentation from each candidate. Students would then elect the vice-president finance from among the approved candidates.

“This motion is valid because [the AUS] has had a history of losing money and embezzling,” AUS Vice-President Events Natasha Fenn said. “A solid [Vice-President] Finance would prevent that.”

Most students agreed that this motion presented an important issue, but some expressed concern over its fairness.

“Do you think this is an unfair attempt to influence the outcome of the election?” Daniel Stysis, U3 economics and political science, said. “Do you believe that this is a decision best left to the voters who should, in fact, be choosing their own [executives]?”

Current AUS Vice-President Finance Saad Qazi, who moved the motion, argued that the measures would allow voters to make more informed choices.

 

Simon Poitrimolt / McGill Tribune
Simon Poitrimolt / McGill Tribune

 “The 100 word blurb I wrote for the ballot [when I was campaigning] was nowhere near to conveying enough information about what my qualifications were,” Qazi said. “Something like this would just be adding [an] extra little bit of information on the ballot.”

The motion was tabled for further refinement, and will not affect this year’s election period, since the nomination period for next year’s executive positions begins this week.

Students passed a motion that aims to protect McGill’s Industrial Relations program. The program is in danger of being terminated due to a lack of faculty advisors dedicated to continuing the program. AUS Vice-President Internal Justin Fletcher and Benjamin Kershman, president of the McGill Industrial Relations Association, submitted the motion.

“The issue of why the program is considering being retired has nothing to do with student enrollment,” Fletcher said. 

Industrial Relations is an interdisciplinary academic program that allows students in the faculty of arts to study labour-management relations. Students in attendance wondered whether the program could exist independently from the faculty of arts.

“Will the program still continue to fully exist under [the faculty of] management if it doesn’t exist under arts?” Enbal Singer, U2 arts, said. “How hard would it be for students to just take it as a management program?”

The motion passed after participants discussed the fact that arts students would have to switch faculties in order to take the program in the faculty of management.

Students also passed a motion calling for the AUS to lobby the faculty of arts to provide students with the opportunity to decide whether their advanced standing credits are recognized by McGill. Incoming students are currently unable to decline transfer credits from advanced standing credits, and, as a result, are unable choose whether they complete a three- or four-year degree.

“I really, really, really like the spirit of this [motion],” Ryan Mitton, U1 political science and history, said. “I’ve seen a lot of my friends suffering from trying to make decisions [over declaring a major] going into first year.”

 

 

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