Latest News

a, News

McGill website begins redesign

The McGill website is being revamped. The university’s website redesign team is gathering feedback in a survey to ensure the new changes are beneficial to the large number of visitors who access the site daily.  

McGill’s team of web editors is redesigning of all the pages that are linked to the homepage and creating a new template.

“We need to make the homepage match with the new design and we need to make it more responsive to people’s needs, basically, and [make it] more usable and modern,” said Susan Murley, director of communication services at McGill’s Office of Public Affairs, and part of the website redesign team. “We need to try to get people what it is that they’re looking for.”

Currently, the team’s focus is on gathering feedback to learn what is being proposed, and what kind of work would be necessary to implement the proposed changes. Murley said the university is looking to implement these changes by the end of the summer.

The McGill website receives a significant amount of traffic on a daily basis, internally from students, faculty, and staff, and externally from alumni, prospective students, and journalists. The site, therefore, cannot afford to be down.

“The biggest challenge with the homepage is that we have so many different types of people that use it,” Murley said. “Each of those groups have different things they’re looking for, so trying to get a homepage that works for all of those groups, that helps them find what they’re looking for, without it being very clustered, is difficult.”

a, News

Liberals kick off federal campaign with Montreal rally

Holly Stewart

The Liberal Party 2011 election campaign began Sunday night with a rally at Montreal’s performing centre TOHU, where diverse attendees voiced their support for party leader Michael Ignatieff and their local MPs as well as their distrust in Harper’s leadership.

At the rally, a DJ played tracks in the corner, perhaps an attempt to galvanize the notoriously apathetic 18 – 24 year-old demographic. The youth vote was represented by 25 Liberal McGill supporters and a few others. Overall they made up a small percentage of the crowd.

Rushing from a rally in Ottawa on Saturday and leaving for Toronto immediately after stepping offstage, with stops planned in Winnipeg and Vancouver over the next three days, Ignatieff has a busy schedule that reflects the urgency that will define the strenuous 37-day campaign period.

With many voters undecided, every speech and political manoeuvre will count. Ignatieff’s campaign got off to a rough start when rumours of a Liberal-Bloc-NDP coalition were spread by members of the Harper government, but most rally attendees thought he handled the accusations well when he firmly denounced the possibility.

“It was clear yesterday—no coalition,” said Mark Bruneau, a supporter from the Jeanne-Le Ber riding. “It’s the beginning of the campaign so we’re going to move on.”

A wall of Liberal signs obscured the bleachers as an enthusiastic crowd cheered on Ignatieff’s speech, but high spirits were tempered by the knowledge that a Liberal majority government is unlikely.

“It’s not going to happen,” said Zach Paikin, a member of Liberal McGill. “We know it’s the case but if we work really hard, hopefully we’ll get a minority government.”

“A snowball’s chance in hell,” said Steve Tornes, another McGill student.

Ignatieff’s speech, delivered with 70 Liberal MP candidates from around Quebec standing onstage behind him, tried to reach out to the hearts of Canadians with picturesque anecdotes about the citizens who inspired him.

“I think of a young man I met in north Winnipeg about a year ago …  he didn’t know whether he would finish high school,” Ignatieff said at one point.

But Ignatieff also drove home the message that the Liberals were an alternative to the Harper government, which lost the confidence of Canadians when Finance Minister Jim Flaherty’s 2011 budget was rejected in the House of Commons on Friday.

“The Quebec people are no longer capable of withstanding the Harper regime,” he said. “With all the respect I have for Gilles Duceppe, he will not get us out of the Harper regime.”

Justin Trudeau, Liberal MP for the Papineau riding, cited Canada’s international reputation and transitioning economy as relevant campaign issues, expressed his beliefs that the Harper government is not trustworthy.

“The message of the campaign is: If you want a government of anyone other than Stephen Harper, you’re going to need to vote Liberal, and that message needs to be heard the strongest in Quebec right now,” Trudeau said.

Though absent from Ignatieff’s speech, education and health care ranked high on some attendees’ priority lists for the campaign. But Kathleen Klein, president of Liberal McGill, pointed to the biggest problem faced by all campaigns.

“The biggest issue is voter turnout,” she said.

Trudeau echoed a similar sentiment.

“Canadians sort of coast on our government,” he said. “During an election, Canadians pay attention. We take a look and realize this is not good enough.”

Whether the Liberal message—that Canadians should choose an alternative to the Harper government—will ring true with enough voters remains to be seen.

a, News

U.S.-Canada relations conference draws prominent politicians

Alice Walker
Alice Walker

Last week, the Omni Hotel on Sherbrooke hosted the McGill Institute for the Study of Canada’s annual conference, this year titled, “Canada and the United States: Conversations and Relations.” The conference brought together high-ranking decision-makers from the U.S. and Canada to engage in conversation with the audience and one another. The conference’s goal was to consider how this close relationship operates at the highest levels of business and government.

The program began with Governor-General David Johnston, a former McGill chancellor who helped found MISC in the 1990s. Returning to the university for the first time since his installation last fall, he announced, “I’m home.” He shared his vision of creating a “smarter, more caring nation,” and emphasized that this can only be done in cooperation with, and not in opposition to, the U.S.

“We have much in common, and much to learn from one another,” he said.”There has been no more beneficial relationship between two nations in history, at least from the Canadian viewpoint.”

The next portion of the program, “Presidents & Prime Ministers,” featured a taped message from former president George H .W. Bush, and a dialogue between former Prime Minister Brian Mulroney—introduced by businessman Charles Bronfman as “one of the most underappreciated and underrated prime ministers of this country’s history” and James A. Baker III, who served in the cabinets of the Reagan and Bush administrations. He appeared from Texas via Skype.

After mostly exchanging compliments and anecdotes related to their work together on NAFTA, the first Gulf War, and the 1991 Canada-U.S. Air Quality Agreement, the guest speakers briefly addressed the nature of the bilateral relationship.

“Through the years the relationship has been extraordinarily strong,” Baker said, adding that the two countries are essentially “joined at the hip.”

Mulroney admitted the partnership between the two countries is not one between equals. “The most important profile any prime minister has or ever will have is our relationship with the United States,” he said. “The president, the Congress, both parties, the interest groups, important members of the media if you don’t have that relationship, nothing happens.”

Throughout the conference, speakers offered various metaphors to characterize the dynamics of the relationship between the countries.

Canadian Senator and former CBC journalist Pamela Wallin compared the relationship to that of a teenage girl who has a crush on a star football player.

“If he walks by and smiles at her, she swoons and says, ‘Oh my God, he’s paying attention to me,’ and is so thankful,” she said. “But if he ignores her, she goes into a fit of depression and tells her girlfriends that she doesn’t really care about him anyway.”

“We live and die by their notice, and it makes us a little vulnerable on some issues,” Wallin added.

Gary Doer, Canadian ambassador to the U.S., disagreed.

“When I go into an office in Washington, I don’t go in as Oliver Twist,” he said in a conversation with David Jacobson, the American ambassador to Canada. “This is not love, trust, and pixie dust when it comes to trading in dollars.”

Quebec Premier Jean Charest and Vermont Governor Peter Shumlin, who spoke about relations between their two governments, agreed in an interview with the Tribune that, at least between Vermont and Quebec, it’s best characterized as a brother-sister relationship.

“It’s very much a relationship of equals—it’s not a question of size,” Charest said. “One can be older or younger, richer or poorer, they’re still brother and sister.”

Most speakers and questioners from the audience seemed to agree that the most pressing issues for discussion were trade and border security. One question to the ambassadors regarding the Omar Khadr case was ignored by both, though Jacobson addressed the general issue of Guantanamo Bay.

Tim Reid, a former U.N. peacekeeper, asked Doer whether Canada ever has foreign interests either opposed or irrelevant to American interests. He objected to Canadian investment in certain African nations with questionable human rights records, like Rwanda and the Democratic Republic of the Congo.

“I think we shouldn’t focus only on [trade],” he said in an interview. “Most Canadians don’t seem to have much of a concept that we have other interests, too.”

Though the conference went smoothly, some attendees were disappointed.

“It hasn’t been factually the most enlightening thing,” said Nicholas Moritsugu, a U2 economics student. “I’d have liked to see some more frank discussion. A lot of the stuff was anecdotal.”

“We didn’t ask people to come to be on the firing line,” added Antonia Maioni, director the Institute for the Study of Canada. “We asked people to come to be in a conversation.”

a, News

Students reach out to Japan

On March 11, Shaon Basu, like many Japanese students at McGill, panicked as he learned of the tragic events unfolding back home.

“I freaked out, quite honestly,” said Basu, a U2 physiology student. “It was after one of my labs and I came to know about it from a string of text messages from concerned friends.”

Even though Japan is thousands of kilometres away, the recent earthquake and subsequent tsunami have had a significant impact on McGill students and prompted extensive relief efforts.

“I was terrified when I couldn’t contact my parents because all the phone lines were jammed,” Basu said. “Luckily, I was able to get a hold of my cousin on Skype, who told me that my family members were fine. Two of my relatives actually lived in Sendai [a city close to the epicentre] but they’re alive and well. Not their apartment, though.”

The earthquake measured 9.0 on the Richter scale, making it one of the most forceful quakes in modern times.

“I would say that that particular event is generally regarded as the fourth or fifth largest earthquake that we have ever measured,” said Prof. Olivia Jensen, from the McGill earth science program.

However, she pointed out, that the earthquake itself wasn’t the real problem—the epicentre was approximately 130 miles offshore and Japan’s infrastructure was prepared to deal with shaking.

“The real surprise was the tsunami,” she said. “There was no expectation of one on this scale.”

She added that initial estimates of the damages’ costs are comparable to those of Hurricane Katrina in 2005 in the United States.

With such high costs ahead, many McGill students, particularly those with personal connections to Japan, have begun to help.

Monica Östergren, a U3 Faculty of Education student, has been heavily involved with relief efforts at McGill. Östergren, who is also a vice-president of the Japanese Students’ Association (JSA), was raised in Tokyo, where her family still lives.

With the JSA, Östergren has been holding bake sales, fund raising, and distributing donation boxes in Japanese restaurants to collect money for the Japanese Red Cross. She noted that other campus groups have taken active roles as well, and that other solo relief efforts have been undertaken by concerned individuals.

“I think the fact that we are so far away motivated us even more to truly think hard about what we can do from here in Montreal that could help Japan,” Östergren said. “For me personally, being involved in this process of working for this cause has helped me feel part of Japan. Instead of reading the news and watching the footage and becoming depressed, I think we all benefit from having the sense that we are doing something to help.”

For all students wishing to donate, the JSA would be holding bake sales on March 29 from 10 a.m. to 5 p.m. at Redpath Library and March 30  from 10 a.m. to 5 p.m. in the McConnell Engineering Building.

a, News

Jon Elster gives talk

Columbia University’s Jon Elster, a renowned scholar in rational choice theory, delivered the René Cassin Lecture in the Faculty of Law on Thursday entitled “Justice, Truth, and Peace.” In a discussion attended mainly by Law professors and students, Elster argued that most of the time, justice, truth, and peace don’t go together.

Elster is the latest in a line of respected scholars to give the lecture. Named after the 1968 Nobel Peace Prize Laureate, the lecture series hopes to attract renowned speakers to discuss a growing need for human rights education and engagement beyond the university.

As Dean of Law Daniel Jutras noted, Elster’s “research includes a range of political philosophy, including the rational choice theory, the theory of distributive justice, and history of social thought.”

In his lecture, Elster pointed out that two good things might not always work well together. For example, profits and community benefits are both good things individually, but they can clash in certain situations.

Even in profit-sharing schemes, such a system is inefficient. “When transferring wealth from a rich person to a poor person, some wealth is often destroyed or not created,” Elster said.

Elster argued that the same principles can be applied to truth, justice, and peace, even if this seems somewhat counterintuitive. Conflict resolution, he says. comes in three steps. First, there must be justice in the forms of punishment for the wrongdoers and reparation for victims. Second, truth commissions are set up to uncover and document the wrongdoings that took place. Finally, the establishment of a durable peace is of overwhelming importance.

In his lecture, Elster discussed the link between justice and truth. For example, the justice system may serve the goal of truth “when truth is produced as a byproduct of the ordinary workings of the justice system,” he said.  

“The Nuremberg trials served this function as the public trial exposed the wrongdoing of the wrongdoers,” he added.

Truth may also serve the goal of justice, such as when publication of the names of wrongdoers exposes them to public contempt. Additionally, truth may also provide justice to victims by laying down the factual groundwork for reparations.

“There is also a link between truth and peace,” Elster said. “Truth commissions, for example, can help preserve the peace.

“Truth commissions prevent resurgence of armed conflict, by making it impossible to deny the massive wrongdoings that took place,” Elster said.

The framework breaks down however, when the three things are brought together, like in the case of public apologies. Official apologies occur when regimes acknowledge their past wrongdoings. Often, these apologies do not go hand in hand with compensation.

The dangers of apologies come at a time when politicians around the world have expressed regret and remorse for what their predecessors did at various times in the past.

Elster argued that often these public apologies become meaningless.  

“Sometimes they have used moral impersonal language, as when deploring these past actions or acknowledging that they were wrong,” he said. “The moral status of these statements is highly ambiguous. Often, they are nothing short of meaningless. To apologize for what dead individuals did to other dead individuals is absurd on metaphysical grounds.”

Some, though, have questioned his controversial opinion.

“I found the concept that public apologies have no real meaning is interesting if debatable,” said Siddharth Mishra, U1 economics. “On a rational standpoint, his arguments make sense in terms of pure utility. But there is a lot of criticism of that particular framework is too narrow, and too encapsulate political actions.”

Regardless, the scholarly lecture presented and shared new ideas.

“It was interesting; it brought a whole new perspective,” Mishra said. “And that is what it is all about, sharing ideas.”

Sport

Morbi leo risus, porta ac consectetur ac, vestibulum at eros

This is some dummy copy. You’re not really supposed to read this dummy copy, it is just a place holder for people who need some type to visualize what the actual copy might look like if it were real content.

If you want to read, I might suggest a good book, perhaps Hemingway or Melville. That’s why they call it, the dummy copy. This, of course, is not the real copy for this entry. Rest assured, the words will expand the concept. With clarity. Conviction. And a little wit.

In today’s competitive market environment, the body copy of your entry must lead the reader through a series of disarmingly simple thoughts.

All your supporting arguments must be communicated with simplicity and charm. And in such a way that the reader will read on. (After all, that’s a reader’s job: to read, isn’t it?) And by the time your readers have reached this point in the finished copy, you will have convinced them that you not only respect their intelligence, but you also understand their needs as consumers.

As a result of which, your entry will repay your efforts. Take your sales; simply put, they will rise. Likewise your credibility. There’s every chance your competitors will wish they’d placed this entry, not you. While your customers will have probably forgotten that your competitors even exist. Which brings us, by a somewhat circuitous route, to another small point, but one which we feel should be raised.

Long copy or short – You decide

As a marketer, you probably don’t even believe in body copy. Let alone long body copy. (Unless you have a long body yourself.) Well, truth is, who‘s to blame you? Fact is, too much long body copy is dotted with such indulgent little phrases like truth is, fact is, and who’s to blame you. Trust us: we guarantee, with a hand over our heart, that no such indulgent rubbish will appear in your entry. That’s why God gave us big blue pencils. So we can expunge every example of witted waffle.

For you, the skies will be blue, the birds will sing, and your copy will be crafted by a dedicated little man whose wife will be sitting at home, knitting, wondering why your entry demands more of her husband‘s time than it should.

But you will know why, won‘t you? You will have given her husband a chance to immortalize himself in print, writing some of the most persuasive prose on behalf of a truly enlightened purveyor of widgets. And so, while your dedicated reader, enslaved to each mellifluous paragraph, clutches his newspaper with increasing interest and intention to purchase, you can count all your increased profits and take pots of money to your bank. Sadly, this is not the real copy for this entry. But it could well be. All you have to do is look at the account executive sitting across your desk (the fellow with the lugubrious face and the calf-like eyes), and say ”Yes! Yes! Yes!“ And anything you want, body copy, dinners, women, will be yours. Couldn’t be fairer than that, could we?

Arts & Entertainment

Contemporary China waves its red flag

Gao Brothers

Beautiful women stare out, lost in a bleak industrial landscape. Naked bodies are crammed into tiny wooden compartments. The sound of barking echoes in the room—a short film portraying office workers as a pack of rabid dogs. These are just a few of the works that confront you at the newest exhibition at the Montreal Museum of Fine Arts, Red Flag: Contemporary Chinese Art.  

Red Flag is a show that represents the versatile work of Chinese artists who have burst onto the international avant-garde scene in the past decade. The work of these artists has been increasingly recognized in the art world; in 2009, 29 Chinese artists were listed on the art market’s top 100, compared to just one only eight years before. The exhibition includes works in many different media—photography, pottery, sculpture, film, and even a tapestry made of human hair.  

Despite this diversity of styles, all the pieces in Red Flag relate to one resounding theme; the jarring disconnect between traditional Chinese culture and modern, urban, industrialized life. Wang Tianade’s work, for example, includes photographs of classic Chinese texts reduced to ashes, and a traditional silk garment slashed and painted with Mandarin characters. Chen Jiagang’s melancholy photographs picture women dressed in mid-19th century clothing, looking displaced in settings that show the dark side of rapid industrialization. Zhan Wang’s stainless steel sculpture seems to sum up these ambiguous feelings—his piece is an ancient mountain rock, covered in a shiny but distorted exterior.

Though it’s a small collection of artwork, the Red Flag exhibition is neither too spacious nor overcrowded. One massive red wall looms over the space, representing the Communist system that still underlies Chinese society. Unfortunately the lighting leaves something to be desired, as what is likely meant as dramatic mood lighting is simply too dim.  

The carefully curated pieces are quite strong as a unit, however, and together they form an intriguing picture of the booming Chinese avant-garde scene. Most interesting is the sense of overwhelming anxiety that these artists have about present-day China. Rapid changes, overpopulation, mass production, Westernization—these worries manifest themselves in powerful works that unflinchingly force the viewer to come face to face with the problematic elements of modern China.  

Red Flag is free at the Museum of Fine Arts, and runs until June 5.

Arts & Entertainment

Fokusing on film as a form of self-expression

Natalia Evdokimova
Natalia Evdokimova

“A camera is a megaphone through which you can express yourself,” says Sophie Dab, TVMcGill’s vice-president external, on why it is important to celebrate amateur filmmaking. The Fokus Film Festival, an annual event held by TVMcGill since 2006, has grown from humble beginnings to a legitimate film festival. Taking place at Cinema du Parc on Wednesday, the festival is sure to impress even the seasoned film critic with the 29 student submissions in five different categories. Here are three movies that offer a sense of what is to be expected from this year’s festival.

 

The Adventures of Bruno Unemployed Superbear / Mark James (Animation)

With soft jazz playing in the background, The Adventures is a short animation starring Bruno, a bear in need of employment. Inspiration strikes Bruno in the form of an apple, and the Unemployed Superbear realizes a peculiar theme with Apple products. Presented in the fashion of private detective movies, this film highlights society’s obsession with Apple products and conversely, Apple’s fascination with the letter “i.” Less than a minute long, The Adventures of Bruno Unemployed Superbear innovatively forces the audience to reconsider our dependence on Apple and the “i” movement.

 

Friday, 9pm / David Zangwill and Micah Dubinsky (Fiction)

On Friday night, around 9 pm, a woman in a swanky black dress visits her bathroom in the hopes of getting ready for a night on the town. Instead, she ends up mediating on what makeup does to the face and to her larger identity. Marie Minio’s voiceover shows her thought process changing from simple, frivolous analysis to deeper scrutiny, which she cannot easily suppress. As the film continues, Minio’s inability to cope with her epiphany about her crumbling sense of self makes for a striking shot. She stands in front of her bathroom sink with two opposing mirrors showing two radically different sides of her face and her identity: one beautifully constructed and made-up and the other deconstructed with pink lipstick freely applied to the cheek. Overall, Friday, 9pm is a profound social commentary on the notion of covering our faces with makeup.

XTC / Daphnee Vasseur

(Experimental)

Recounting the story of a bad ecstasy trip, the narrator takes the audience on a journey of what not to do while taking the drug. First, it would be wise to avoid blind dates. Second, consume water, not wine, since the latter will result in a “baptism” of appetizers on said unwanted blind date. Third and generally speaking, it would be best to steer clear from ecstasy while in a pessimistic mood about the world. Beautifully edited, XTC portrays the narrator’s discernible inadequacy through a series of images ranging from newspapers to photographs to negatives and yearbooks. Coinciding perfectly with these images, the narrator’s voiceover travels as quickly as the images. XTC provides an excellent example of an experimental movie that successfully tells a story while conveying a subtle moral lesson.

Arts & Entertainment

McGill student takes the New York Metropolitan Opera

Adam Scotti
Adam Scotti

Most little boys dream of making a crowd go wild, maybe with a game-winning grand slam in the World Series or a goal in the Stanley Cup final. For Phil Sly, a U3 vocal performance student at McGill, something similar actually happened on March 13. He was one of five winners of the Metropolitan Opera’s National Council Auditions, the most prestigious young-artist opera competition in North America.

“After I sang, I remember starting to cry while I was bowing, and my hands were shaking.  Only then did it really hit me,” he says.

The Metropolitan Opera, commonly called “the Met,” housed in New York City, is one of the premier opera houses in the world. Their 25 plus productions per year have world class casts, costumes, and sets. It is, in short, an easy place to get star-struck.

“You see really, really famous singers all the time backstage, in the cafeteria,” says Sly.

“It’s an extremely well-known competition, everyone knows about it,” says Michael McMahon, a master’s-level vocal coach at McGill who has had a long working relationship with Sly.

One might think that competing there would be nerve-wracking, but Sly was surprised to find the opposite to be the case.

“It’s a big family,” he says.  “It was much more welcoming and homey than I thought it would be.”

Nearly 1,500 singers entered this year’s competition. After competing at district and regional competitions in Buffalo, NY in early January, Sly was one of 20 singers selected to participate in the semifinals in New York City. Eight of those were selected to participate in the grand finale concert on March 13, and five of those were winners. At the age of 22, Sly was the youngest winner this year; the others were in their mid or late 20s.

Sly said he and his competitors were supportive of one another. “There was a great camaraderie between the eight finalists,” he says.

As a winner, Sly received a $15,000 prize, but his victory will most importantly jumpstart his career, which is a huge bonus in an incredibly competitive job market.  On the night of the final performance, the audience was full of important opera personalities.

“It’s a stamp of approval,” he said.

According to a Met press release, more than 100 alumni of the auditions are on the Met roster during a normal season. With great acclaim, though, comes great expectations. “There’s a feeling when you win a competition like this that you have to live up to, or even be greater than you are,” says McMahon. Sly has been inundated with job offers since the final, which he is still trying to sort through. After he graduates, he will spend the next year working for the Canadian Opera Company in Toronto.

Though he won the competition with his singing, Sly is also an excellent actor. In his performance as Nick Shadow in The Rake’s Progress at McGill, he outshone the rest of the cast. His last performance here was as one of the two male leads in January’s La Bohème, which earned him strong reviews.

“He has an incredible imagination, he has a charisma […] and [an] innate understanding of music. It’s not something you have to teach him, you have to just help him discover that he knows [it] already,” says McMahon.

Sly attributed much of his success to Sanford Sylvan, his McGill voice teacher. When he was a high-schooler thinking about which music school to go to, it only took one lesson with Sylvan to make McGill his first choice. He also said that McMahon has been a great help, and was also grateful to Patrick Hansen, McGill’s director of opera studies, who has supervised Sly’s participation in McGill productions.

“Philippe first came to sing for me in high school, and I pushed him in a few different directions. He came to sing for me again and I was stunned by the talent of this young man,” says McMahon.

On the night of the final, Sly sang arias by 17th century composer Georg Handel and 19th century composer Richard Wagner. He thought that he won in part because he chose pieces from entirely different time periods requiring entirely different singing styles.

A lot of practice also helped, said Sylvan.

“[I drilled] him just like an athletic coach. When you’re in such a state of terror, our body needs to reproduce [your performance] whether your brain is there or not.  It’s just like ice skating or diving.”

Though the competition has earned him a lot of things, he hasn’t gotten a reprieve from his schoolwork.

“It hasn’t completely hit me yet, because I’ve got homework to catch up on,” he says. “But it felt so right when I was there, and I can’t wait for that to continue.”

Arts & Entertainment

Weathering the storm of government terror

jestherent.blogspot.com

Seeking to rewrite history, Icíar Bollaín’s Even the Rain recalls the ways in which past confrontations can leave a mark upon the present. Connecting the conquest of the New World with the 2000 Cochabamba Water Protests, Even the Rain is a dramatic marriage of indifference, deception, and hope, where reality and fiction coalesce.

Even the Rain stars Mexican actor Gael García Bernal as film director Sebastián, who brings his actors and small-budget crew to Bolivia to shoot a movie. While Bernal (who starred as Che Guevera twice, in The Motorcycle Diaries and the made-for-TV movie Fidel) no longer plays the revolutionary, Sebastián’s artistic vision revolts against itself, with the help of some local protestors.

The film begins its journey in a realistic vein when a Spanish film producer, Costa (Luis Tosar), seeks cheap extras and labour (at a measly $2 per day) in Cochabamba, Bolivia, for a film that re-casts Columbus as a cruel exploiter instead of a heroic explorer. Panning across an endless line of curious locals, the film fixes itself with the character of Daniel (Juan Carlos Aduviri), who speaks out frequently, inciting trouble out of a sense of personal injustice. Aduviri steals the audience’s attention with his genuine acting and half-playful, half-tragic face. Hiring the locals is efficient and dangerous, as tensions rise against the government in the wake of a 300 per cent increase in water prices from a foreign company. Further, even the rain the locals collect as drinking water is subject to imperial ownership laws.

Antón (Karra Elejalde), the drunk who plays Cristóbal Colón in Sebastián’s film, provides Even the Rain with a necessary dose of humour and skepticism. Speaking to Sebastián about the film, he proclaims: “This isn’t art, this is fucking propaganda!” Statements like these make the viewer wonder how much of this movie is constructed to incite temporary emotional responses, but in the end the film will stick with you for a while.

The dynamics of order and reality reach their height when the film set becomes the site of an actual power struggle between the corrupt police and enraged locals. While the symbolism is not subtle, the message is provocative and compelling. Though the final burning-at-the-stake scene is anxiously put onto film, celebration is muted by a mounting cry for action. In Even the Rain, the most captivating characters seek their own crucifixion. Fortunately, Bollaín and her crew cooperated with locals and contributed little gifts to the barrio of each extra in the film (in a video interview she mentions donating 2,000 bricks for a school).

Why would the average movie-goer labour through a foreign film about an equally foreign issue, the privatization of water? Screenwriter Paul Laverty realizes the futility of documentary style and breaks up the distance between the subject matter and the viewer by subverting the system of suspended belief (where viewers engross themselves in a fiction) and implicating the viewer in the reality of the characters who seem equally real.

Even good intentions can run awry, as Sebastián starts to embody the less-than-noble conqueror who wishes to be remembered as saviour, but forgets human reality in order to construct a golden throne (before it consumes his film). In a somewhat conventional Hollywood gesture, Costa proves that small, personable actions, not grand schemes, are what make a humanitarian.

Read the latest issue

Read the latest issue