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Fill the Stadium 2010

This Friday’s home game against Concordia (2-1) is McGill Athletics’ Fill the Stadium 2010 event. The game starts at 7 p.m., and will have a pre-game party starting at 5 p.m. with $2 food and drinks, a barbecue, and live music.

This will the third annual Fill the Stadium, and the first after Molson Stadium’s renovations. The event began in 2008 after the success of the Corey Cup, a McGill-Concordia varsity men’s hockey game at the Bell Centre. In previous years, the event has drawn record crowds. This year, the promoters are looking to draw 6,000 people, and have relied on fundraising efforts with campus clubs to bolster the ranks.

Sports

Redmen fall in double overtime to Bishop’s, 26-19

Adam Scotti

In their first game in the newly-renovated Molson Stadium, the Redmen football team suffered a 26-19 loss in double overtime to the fifth-ranked Bishop’s Gaiters on Saturday, bringing their regular season record to 0-2.

Gaiters’ quarterback Jesse Andrews connected with freshman running back Quincy Van De Cruize on a 10-yard pass in the second round of overtime after both McGill’s Austin Anderson and Bishop’s Josh Maveety converted on field goal attempts. Anderson’s 48-yard kick earned him a new career record.

McGill failed to even the score when QB Ryne Bondy, who went 21 for 41, was taken down as he threw his third attempt, with the ball going out of bounds and ending the game in Bishops’ favour. The game was Bondy’s second for the Redmen, after a knee injury last week put starting quarterback Jonathan Collin out for the season.

“We knew that having a new quarterback would present some interesting prospects and Bondy played up to expectations and above, so that’s something very positive going forward,” said Head Coach Sonny Wolfe, “Ryne played real well. Certainly the first time you’re in a game in over a year there are some issues that he may have been able to make a better decision once or twice and not give up a sack but you would probably say that sometimes about a third or fourth year starter. It was a terrific performance by Ryne.”

The team announced the full extent of Collin’s injury last Wednesday. An MRI showed two torn ligaments in his left knee and a stretched nerve in his left foot. He will have surgery in the upcoming weeks, and hopes to return next season.

After a scoreless first quarter, freshman running back Sean Murphy put McGill on the board with a 10-yard run into the end zone with three and a half minutes on the clock in the second. Murphy also led the team in rushing, racking up 44 yards.

With 23 seconds left in the fourth quarter, and Bishop’s leading 16-9, sophomore Thomas Fortin connected with Bondy’s eight-yard pass into the left corner of the end zone to bring the Redmen within one point of the Gaiters. Anderson’s kick pushed the game into the QUFL’s first overtime match since 2003, and the Gaiters’ first since 1998.

“Our biggest strength was that we were able to compete for 60 minutes. It’s been a while that we’ve been harping on that as a huge component to having a chance to be successful, and we feel we now have a team that does compete regardless of the competition and regardless of the circumstances,” said Wolfe, “But we played hard for 60 minutes and that gives us a chance to be successful.”

After becoming the first player in CIS history to reach 200 receptions last week, fifth-year Charles-Antoine Sinotte increased his tally to 214 with eight more catches on Saturday. However, freshman Justene Edwards was also a bright spot on the McGill roster, matching Sinotte’s 85 yards in reception in only five catches.

The Gaiters demonstrated the impressive range of their ground play, particularly midway through the third quarter when Matt Burke caught a 19-yard pass from Olivier Mongeau on a fake field goal, making the score 9-7 Bishop’s. The Gaiters ended the game with 193 yards rushing, compared to the Redmen’s 76. Maveety also provided the Gaiters with two field goals in the fourth quarter, while McGill earned their extra two points on a safety.

The Redmen will look to earn their first win of the season on Friday as they take on the Concordia Stingers (1-1) at Molson Stadium at 7 p.m. The game will double as both the Shaughnessy Cup and the Fill the Stadium event.

“Every week we try to play to our strengths a little bit, and a couple of things we may be able to exploit in terms of how they play offence and defence and special teams,” said Wolfe. “So we’ll try to change things around a little bit, not too dramatically. We ended up having some issues with substitutions, so there are a number of things we want to clean up and we are working really hard to ensure that happens.”

Arts & Entertainment, Music

Snoop Dogg – The West Coast Blueprint

In celebration of Priority Records’ 25th anniversary, hip-hop legend Snoop Dogg runs through his catalogue of West Coast favourites in The West Coast Blueprint. With a few well-placed interludes, Snoop guides the album along like a radio DJ, providing insight and commentary on California hip-hop’s golden age. Blueprint has tracks that any casual hip-hop fan will recognize and also includes some forgotten gems. Tracks like “Pay Ya Dues” by Low Profile and “Playaz Club” by Rappin’ 4-Tay have bass and G-Funk vibes, but they failed to earn the universal respect that “Eazy-Duz-It” and “Alwayz Into Somethin” achieved.

It’s clear that Snoop Dogg put some thought into selecting these tracks, but it’s hardly as comprehensive a tribute as he’d like you to think. Sure, gangsta rap was at its peak from the birth of N.W.A. to the death of Tupac, but since he ignored the 2000s, the album comes off as incomplete and, to be honest, a little lazy. Snoop also filled the album with his own material. Six tracks on the album credit him: three are interludes, two are his own material, and one features his hip-hop posse The Dogg Pound. But then again, what is hip-hop without blatant self-promotion? The rest of the tracks are all well selected. The classics are here, but it’s the unknown songs that make the album shine. Regardless of how much you like hip-hop, The West Coast Blueprint should at least give you a track or two to add to your iPod’s pre-drink playlist.

Arts & Entertainment, Music

Iron Maiden – Final Frontier

At first glance, the new Iron Maiden album reads like an epitaph. But the British heavy metal giants are very much alive, kicking, and rocking out.

When their latest album, Final Frontier, was announced many began to worry that this would be the last we’d hear of Iron Maiden. Lyrics in the opening number seem to signal a farewell: “I have lived my life to the full / I have no regrets / But I wish I could talk to my family / To tell them one last goodbye.”

Thankfully, the album is set on an expanding frontier, not a terminal one. Final Frontier satisfies with the usual Maiden blend of driving, layered performances and powerful lyrics, and still pushes forward as a modern album. Contemporary topics such as consumerism and the media are explored in fantastical, historical, and supernatural allegories. The guitar riffs and solos are edgier than we’re used to, and the experiment pays off.

Final Frontier is a solid entry in an already impressive Maiden catalogue. It’s definitely worthy of multiple listens and head-banging sessions. Highlights include the electrifying single “El Dorado,” the anthemic “Coming Home,” and, of course, “When the Wild Wind Blows”-an instant Maiden classic,. The monumental final song runs 11 minutes, but in typical Maiden fashion, leaves you wanting much more.

Arts & Entertainment, Music

Boxer the Horse – Would You Please

Comprised of lead singer and guitarist Jeremy Gaudet, drummer Andrew Woods, Isaac Neily on keyboard and Richard MacLeod on bass, Boxer the Horse is a home-grown Canadian band with lots of kick. The boys hail from Charlottetown, where the music is crude and the coastal vibe is real.

After the release of their self-titled demo shortly followed by their EP, “The Late Show,” the band gained a strong following in the Maritimes. With the national release of their first full-length album, Would You Please, the band is slowly moving west and making waves beyond their island home.

The band’s ability to shoot straight and maintain a clearly defined sound should never be underrated. There is never too much going on at one time, making it easy to focus on the distinct components of each song. Loud and clear, they master their own sound, and give a kind shout out to Montreal between the up-beat blasts in “Pot Valiant.”

These boys are fresh and hold lots of potential. Would You Please is fun to listen to, and the band’s honest sound is a fresh addition to the indie rock scene. Contrary to the title of their first track, I’m finding it hard to see any “Bad Apples” in this bunch.

Arts & Entertainment, Music

Teenage Web Wonder

brittanykwasnik.com

Nowadays the Internet can be used for everything, including finding up-and-coming stars.

 

This Wednesday, local Internet sensation Brittany Kwasnik will perform an acoustic set at Le Cagibi. The 16-year-old singer-songwriter made her online debut about two years ago and is now signed to Montreal-based Justin Time Records, with her first album, I Don’t Know Me, set to be released in January.

 

Kwasnik’s success story has humble beginnings. Given a guitar when she was just nine, she taught herself to play via the Internet.  She then began writing music and lyrics.

 

“I would write [music] when no one was home,” Kwasnik says. “I did it secretly because I thought I sucked. But one day I was caught by my friends and mom, and they started making me sing for them. I then started doing open mic nights.”

 

After recording a song at a studio in Montreal, her friends got a hold of the MP3 and uploaded it to YouTube with a picture of her. After three days it had amassed close to 37,000 hits.

 

The teen’s indie sound and heartfelt lyrics appeal in a way that is hard to pinpoint. It seems to always come down to her “rawness.” That’s not to say that her songs are unfinished, but they avoid the clutter that most people associate with modern pop songs (read: auto tune., synthesized beats, etc.). Her songs are carried by her lyrics and her voice’s subtle maturity.

 

“When I’m doing an acoustic show, I can be very acoustic,” Kwasnik says, “But when it’s produced, I like to call it relevant pop. To me, that means the angst and honesty of indie music with the fun of pop and electro pop. It’s a fusion between that. A lot of my stuff is indie, but when it’s produced it’s much more electro pop.”

 

Though Kwasnik’s musical influences include Tegan & Sara, Taylor Swift, and Colbie Caillat, her personal background is more relevant to her sound.

 

“A lot of my music is because of a foundation I’ve created called Nobody Knows,” Kwasnik says. “It’s to help people who live with siblings or parents who are mentally ill. When I was younger I lived with someone with a mental illness, and my music helps me express and deal with it. In the future I want to start a house for those people, someone and somewhere they can call to ask for help or just talk. “

 

However, there is more to her inspiration. What makes her songs so relatable isn’t just their emotional value-it’s also their candor.

 

“I’m also just a really big observer of other people,” she says. “I can just be walking down the street, and see other people, or my friend walking down the street and that can be inspiration as well.”

 

 

 

Brittany Kwasnik is playing a free show at Le Cagibi on Wednesday, September 15. Visit www.brittanykwasnik.com for more information.

Arts & Entertainment, Film and TV

Get off with the Help of your Friends

The latest movie to tackle the age-old convention of nerds trying to lose their virginity is aptly called The Virginity Hit. The film, with its newcomer cast, was produced by Will Ferrell. With the support of such a typically hilarious actor, one might assume that the movie promises to be as funny as some of his other film exploits. While it does have some funny moments, The Virginity Hit ultimaetly doesn’t hold a candle to Ferrell’s past work.

The film, which chronicles the mission of a high school nerd attempting to lose his virginity before graduation, is unique in that it uses a documentary-style aesthetic. Centering on the relationship between adoptive brothers, Matt, a painfully awkward boy with glasses, and Zack, a home movie enthusiast who spends most of his time with a camera attached to his hand, the movie’s ultimate goal is to see Matt lose his virginity-an exploit which happens to be entirely documented by Zack. Despite the fact that Matt has a long-term girlfriend, anxiety, fear, or possible homosexuality have left him the last virgin of the crew. His friends are no stallions, either-Zack is a portly ginger who aims to seduce girls by saying he’s going to “fuck the taste buds” out of their mouths.

The plot follows Matt as he tried to lose his virginity to whomever possible, ranging from a stranger on the Internet to his favourite porn star, Sunny Leone, and even his own adoptive sister. The gang hits several snags along the way, which they attempt to work around, demonstrating male camaraderie at its best. Matt’s friends will do almost anything to get him laid, whether he wants to at this point or not. Only after Matt is able to accomplish this supposed rite of passage to manhood will he finally have the privilege of taking a celebratory hit from a bong as his friends have done before him-the “Virginity Hit.”

Ultimately, the film rests on the clichéd assumption that boys who fail to lose their virginity before graduating high school suffer unbearable humiliation and embarrassment. But The Virginity Hit departs from past movies on this subject in its cast of unknown actors and its raw and personal cinematic style. The Virginity Hit is an apt portrayal of the  awkward­-yet at times amusing-trials of teenage years.

Arts & Entertainment, Music

Luke Doucet and the White Falcon – Steel City Trawler

The eighth studio album from Luke Doucet, and the second to feature The White Falcon, Steel City Trawler is an unabashed portrait of the magic in the everyday. The album’s straightforward guitar riffs and upbeat melodies, combined with Doucet’s earnest lyrics, form an enjoyable and thoughtful record.

 

From start to finish, Doucet coasts through a journey of observations about life, love, and the world around him, presenting his findings earnestly and sometimes ironically. The title of the album pays homage to Doucet’s new home of Hamilton, Ontario. The city’s blue-collar roots are represented in his lyrics, particularly in the song “Thinking People.”

 

On other tracks like “Dusted” and “The Ballad of Ian Curtis,” Doucet tackles heavier issues: suicide, existential crises, and the creative legacy one leaves behind. But the album is also fun, and Doucet’s humour shines through on “Love and a Steady Hand” and “Dirty Dirty Blonde.” Lyrically, the combination of heavy and light subject matter balances the album, and the themes of introspection and reflection tie the songs together. If you’re looking for an upbeat but grounded album for the onset of cold nights and turning colours, this is the record for you.

Editorial, Opinion

Raising Quebec tuition: the least bad option

Last week, McGill Principal Heather Munroe-Blum travelled to Quebec City to report to the provincial government on the ups and downs the university has faced in the past three years. In her speech, Munroe-Blum repeated many of the standard talking points: she touted the university’s research, emphasized McGill’s international stature, and cheered the university’s intellectual contributions to Quebec.

But most importantly, Munroe-Blum once again lobbied Quebec to allow McGill to increase the amount of undergraduate tuition it can charge. That’s a position the Tribune ultimately supports.

Aside from specific grants from the federal government (such as Canada Research Chairs) and private philanthropy, McGill is funded by two main sources: tuition revenue and money from Quebec City. Unlike private universities in the United States, our university’s endowment provides only a tiny proportion of its operating budget.

Quebec’s monetary contributions to universities, however, have been declining for years, leaving McGill and other schools in the province underfunded and deeply in debt. McGill’s lack of money has kept classes large, created a paucity of student jobs on campus, and resulted in a huge backlog of maintenance projects, despite recent stimulus contributions from the federal and provincial governments.

No one, of course, wants to pay more tuition. But with Quebec City unwilling to increase its financial commitment to the province’s universities, the Tribune doesn’t see another practical option for addressing McGill’s financial problems.

Fortunately, Quebec students are better able than those of other provinces to absorb a modest increase in tuition fees, because they pay much less than students in most of Canada. The typical undergraduate in Quebec, according to Statistics Canada, paid just $2,316 in tuition last year. In comparison, undergraduates in Ontario, British Columbia, and Nova Scotia pay more than $7,500 per year.

Moreover, only Quebec charges in-province students a significantly lower tuition rate than it charges those from the rest of the country. A Quebecer at Queen’s University pays the same price as a student from Ontario, whereas an Ontarian at McGill pays more than double what Quebecers pay. Canadians at McGill from outside Quebec-who make up more than a quarter of the undergraduate student body-paid about $7,100 in tuition and ancillary fees last year. Their fellow students from Quebec paid about $3,500.

Faced with these numbers, the Tribune is endorsing a modest increase in tuition fees for Quebec students attending McGill. Because Quebecers pay more in taxes than the average Canadian, tuition should not necessarily rise to the amount students pay in other provinces. The government has a duty to shoulder a greater share of the education burden than, say, Nova Scotia does for its students. McGill may also want to consider increasing tuition for international students, for many of whom, especially Americans, the university is still a relative bargain.

The Tribune insists that a significant portion of the revenue generated by any tuition increases must be set aside for those McGill students for whom the rise in fees would be genuinely unaffordable. Furthermore, such aid should be provided on an equitable basis, taking care not to let students whose families earn middling wages fall through the cracks. The university should also dedicate a substantial portion of the additional income to expanding student employment on campus, enabling students to offset the cost of books and increasing general living expenses.

Though we recognize it is not the most popular position on campus, the Tribune believes that modest increases combined with better financial aid is the most practical solution to the university’s difficult fiscal situation.

News

Cannabis shown to reduce pain

A study conducted by researchers at the McGill University Health Centre has determined that cannabis can be an effective method of pain relief for patients suffering from neuropathic pain. The study, recently published in the Canadian Medical Association Journal, has added to the heated debate over the use of cannabis as a medical treatment.

Lead by Dr. Mark Ware, associate professor of anaesthesiology and family medicine and the director of clinical research at the MUHC’s Alan Edwards Pain Management Unit, the study researched the effects of supplying varying amounts of tetrahydrocannabinol (THC)-the active ingredient in cannabis-in 25 milligrams of inhaled cannabis to 23 patients. The trials showed that when patients received the most potent of the samples-9.4 per cent THC-they reported the most significant reduction in pain as well as an enhanced ability to fall asleep and sleep more soundly.

Through research and appropriate application, scientists are hoping to alter the public’s perception of the use of cannabis for medical purposes. The goal is to better understand the positive effects of the substance in patients, and how to access these benefits.

“The challenge is to find ways to harness that system for therapeutic value,” Ware said. “This is a very scientific and medical approach. A lot of people won’t consider use [of cannabis] because of its association with recreational use.”

While researchers strive to understand more about the use of cannabis in the world of medicine, some patients aren’t waiting for the research to tell them about its pain-relieving effects.

“We have published surveys that say 10-15 per cent of patients coming to this clinic are already using it,” Ware said.

Gabriella Gobbi, an associate professor in the department of psychiatry and a researcher at the MUHC, released a study in 2009 about the long-term effects of marijuana on adolescents. The study concluded that long-term marijuana use could lead to a decrease in serotonin transmission and an increase in norepinephrine transmission, the latter of which could lead to mood disorders and greater susceptibility to stress.

However, Gobbi supports the use of cannabis for medical purposes as well as the research of cannabinoid-derived medicine that will allow doctors to make new discoveries in medicine.

“Cannabis is a medicine with pharmaceutical properties and side effects,” Gobbi said. “Cannabis should be used as a medicine, [and] not for recreational use.”

Blair T. Longley, registered leader of the Marijuana Party of Canada, was happy to know doctors have begun to make strides in the field of medicinal cannabis, but said he was not surprised by the results of the study.

“It’s sledgehammer science, proving things that have been known for thousands of years,” Longley said. “You don’t really need to prove this to anybody who has firsthand experience with treating pain or insomnia with marijuana.”

While the potential of cannabis as a medical treatment sounds promising, researchers said it should not be thought of as a new miracle drug.

“It’s certainly not a drug that is going to work for everybody,” Ware said. “It’s not a class of compounds that will be effective with every condition. It’s not a magic drug. It’s going to have its uses with certain patients with certain conditions. The challenge is to figure out which ones those are and to provide evidence.”

Board’s constitution, which require that the administration consult students and the Board before making major changes.

Among several changes, one of the biggest adjustments for the proposed Athletics Advisory Board would involve the budget approval system.

“[The former board] had a huge say over the budget,” Abaki said. “The budget couldn’t go to the Board of Governors before it was approved by the Athletics Board. In the new structure, since it’s an advisory board, the athletics director can pretty much do whatever he likes.”

Abaki said that this change is especially worrisome because students fund athletics entirely through ancillary funds.

“Students fund athletics services entirely, and for students not to have a say in where the money goes … it’s just not right,” he said. “Since students fund these services, they should have been consulted-so it violates, of course, the Charter of Students’ Rights.”

Abaki also expressed concern over the possible lack of accountability for the athletics director if the Athletics Board does not have as much power as it did in previous years.

Drew Love, McGill’s executive director of athletics and recreation, said he sees the situation differently.

“It doesn’t change my accountability at all because I continue to report through the Deputy Provost,” Love said. “All of the annual operating budgets that I prepare are presented through his office and on to the Board of Governors as part of a roll up of all budgets. I think in the end, the same student voice will be heard and a balanced representation is there on the new board.”

Abaki sees this move by the administration as a continuation of what he described as the “administration versus governance argument.” Abaki explained that the administration believes it should be separate from governance so that it would be free to make budgetary decisions without consulting the student representatives.

“The Deputy Provost basically told us that consultation on budgetary issues is not the direction in which the administration is moving,” Abaki said. “By and large they do not want to consult students when it involves money.”

On the other hand, Love explained that McGill has been spending time reviewing the terms of reference for various committees to ensure that they were relevant and well drafted. Love said there were concerns that the original terms of reference of the Athletics Board had no real reporting or accountability structure.

“The changes that were designed were there to insure that students continued to have a balanced, represented position on the Board, but that the terms were written up as they correctly should be: as an advisory board, and not [to] have the appearance of a stand alone corporate entity, which it never had, but some people may have perceived it to be,” Love said.

“In summary, we find it troubling that students were consulted only as an afterthought and were not involved in the process of drafting the new structures,” added Abaki in his memo to Mendelson. “These are the same students who have been incredibly kind in understanding the underfunded nature of the university, and who have, over the years, contributed millions to build, maintain, and refurbish our athletics facilities as well as support our athletics teams.”

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