‘Approximately Close’ evokes the magic of in-person performances

On Nov. 19, Ballets Jazz Montreal dance company performed Approximately Close—Quand le temps n’est presque plus, choreographed by Ermanno Sbezzo. The performance allowed dancers to express themselves safely during a disappointing season. In the midst of the pandemic, online performances have struggled to recreate the magic of set designs, costuming,[Read More…]

Femme Fatale demonstrates the resilience of femme-identifying filmmakers

From narrative films to political documentaries to abstract and surrealist productions, the Femme Fatale Film Festival has something for every type of film lover. The festival offers young women and femme-identifying filmmakers a means to showcase their work in an inclusive and empowering space.  Festival director Astrid Mohr, U2 Arts,[Read More…]

Players’ Theatre proves that the show must go on

Theatre-lovers everywhere are mourning the days of live performances with sold-out venues, elaborate production designs, and most importantly, a sense of collective belonging. COVID-19 has caused major disruptions for McGill’s theatre community, especially since Montreal moved into its Red Zone earlier this month.  Understandably, theatre clubs at McGill have struggled[Read More…]

Embracing the new without abandoning the old in ‘Imploding the Mirage’

Imploding the Mirage sounds distinctly like a Killers album: The upbeat, new wave-meets-modern rock style is recognizable to longtime fans of the Las Vegas band. However, it’s impossible to ignore the album references to other artists, styles, and eras. The busy instrumentalism, coarse-sounding vocals, and reinvented ‘80s synth-pop sound is remarkably[Read More…]

Read the latest issue

Read the latest issue