Latest News

a, Joke

McGill Sports Briefs – April 1

Badminton, Bro

At 5’4”, Percy Shuttlecoque doesn’t exactly have the ideal build for a varsity badminton player. But what he lacks in size he makes up in finesse. With an arm like a whip, Shuttlecoque can fire the birdy anywhere on theabadminton court with ease. Along with an impressive vertical leap, Shuttlecoque attributes his dominance to simple practice.
“I’m usually on the court at dawn every day, rallying with my dad or my brother,” Shuttlecoque said.
Son of badminton legend Jeremiah Shuttlecoque, Percy hopes to carry on the Shuttlecoque legacy at McGill as a redshirt freshman next year. This season, he was suspended for conduct detrimental to McBill SPOOOOOORTZ after attempting to use Marty the Martlet as his birdie.

 

Buffet’s Billions

Noted Creighton Fighting McBuckets fan and part-time multi-billionaire Warren Buffet made waves earlier this year when he announced that he would award $1 billion to anyone who was able to fill out a perfect March Madness bracket. Unsurprisingly no common citizen has an unscathed bracket. Every citizen except for an 83-year-old multi-billionaire from Omaha, Nebraska named Warren Buffet. However, Buffet forgot to join his own competition.

As the NCAA Tournament moves into the Final Four, Buffet has been seen pacing the offices of Berkshire Hathaway waving around a thus-far perfect bracket and loudly cursing himself much to the detriment of office morale.

 

Bilateral Trade Agreements

In a surprise announcement, NCAA President Mark Emmert and CIS President Leo MacPherson held a joint press conference at the scenic border town of Niagara Falls. The two collegiate athletics power brokers shocked the sporting world by announcing that the winner of the NCAA Tournament will have to face the winner of the CIS Tournament, the Carleton Ravens, in a winner-takes-all super-final to determine the North American champion. The Ravens, who won their 10th CIS Championship in 12 years, were awarded the opportunity to beat the eventual NCAA champions by virtue of their 95-82 victory against the Wisconsin Badgers in the pre-season. There were also talks to have future Vanier Cup winners play the winner of the College Football Playoff.

This story is a work of satire and appeared as part of our April Fools Issue 2014.

a, News

Prostitution laws in Canada face one year revision process

On Dec. 20, 2013, the Supreme Court of Canada ruled three sections of the Canadian Criminal Code regarding prostitution to be unconstitutional. The resulting one-year allowance period to rewrite these laws has sparked debate across the country on the matter of prostitution and its regulation.

In the Bedford vs. Canada case of 2007, three sex-workers challenged three sections of the Canadian Criminal Code regarding prostitution: the Bawdy-House Law, which prohibited prostitutes from using a space repeatedly for work; the Living on the Avails Law, which criminalized those who had work-related relationships with prostitutes; and the Communicating Law, which made it illegal for prostitutes to communicate about their work in a public place.

Sex workers argued that because prostitution itself was legal in Canada, these peripheral laws were infringing upon their freedom and endangering them by not allowing them certain practices such as working in safe and familiar places, filtering through their clients, and hiring bodyguards.

On Dec. 20, the Supreme Court ruled the three laws to be unconstitutional.

“They decided that all of those things made prostitution riskier and more harmful to women and was not consistent with the principles of fundamental justice,” Christopher Manfredi, dean of Arts and Political Science professor at McGill, said. “The court is in some sense saying, we should treat prostitution—at least as it’s practiced voluntarily by adults—like any risky work and not have regulations that increase the risk.”

Following the decision, the Supreme Court gave parliament a one-year period to decide on a new framework of laws on sex work. Since then, there have been various suggestions for approaches regarding this issue.

“Some people are afraid that the government’s response will be to criminalize prostitution itself,” Manfredi said. “I don’t think the government will go in that direction […] because [that] is very difficult to enforce and would be a step backwards from where we are now.”

In their documentary “Red Light Green Light,” directors Jay and Michelle Brock argue the importance of considering the impact of legalization on human trafficking.

“There seemed to be one critical piece missing from the whole discussion [on prostitution] and that was trafficking prevention,” Michelle said.

Michelle argued for a model of institution which would criminalize pimps and patrons of sex work, while decriminalizing those who sell sex, such as prostitutes. This is similar to the Nordic model that Sweden currently implements.

“While some people may gain from the removal of the provisions, for others who are more vulnerable and don’t have bargaining powers, the removal of the anti-prostitution laws might be harmful because it skews the power dynamics in favour to those who can exploit them,” she said.

However, Manfredi said the Nordic model would not be a good choice for Canada.

“It seems to me that embracing the Nordic model, as I understand it, is a step backward from where we are in Canada, where the exchange [of sex] is completely legal,” said Manfredi. “It seems like the women in the Bedford case were actually fighting to make their activities more legal and more able to be pursued in the open.”

Beth Gowing, a current graduate student at Université de Montréal, has researched sex trafficking for over two years. She argued against the complete legality of sex workers.

“What happens when prostitution is fully decriminalized is that governments will try to put in place security techniques such as red light districts, but the danger is that there would be no real way to regulate sex trafficking, and it would be even more disguised,” Gowing said. “Statistically, in countries such as the Netherlands that have legalized prostitution, the sex trafficking rates have skyrocketed.”

Manfredi encouraged students to research and understand potential directions in which the laws could be changed.

“The court is open to many different options, and students should contribute to the debate and make their opinions known,” he said.

Gowing agreed, noting the importance and relevance of the issue of human trafficking to students.

“It can happen to anyone, and anyone is vulnerable,” she said.

Mais Montreal
a, Student Life

Restaurant Maïs takes tacos to the top

Ever since opening in December 2012, Maïs has been an instant hit for foodies in Mile End. Their tacos are so delectable that they have amassed a cult-like following.

William Cody and Gilbert MacNutt, two inventive guys from the Maritimes, are the chefs behind the counter. Customers sit in the small dining space overlooking the kitchen as the chefs prepare their modern, Latin-inspired dishes.

“We’ve all worked in the industry for a while, so we know what works and what doesn’t,” MacNutt says. “We are cooking for cooks and people who really enjoy food.”

Maïs creates delicious food and accommodates all diners. Most tacos are gluten-free, and the menu boasts a healthy range of vegetarian and vegan options. One standout is unquestionably the mushroom taco—a mix of sautéed and fresh mushrooms stuffed into a warmed tortilla and topped with jalapeño salad, cilantro, and an incredible house-made spicy crema (Mexican crème fraîche).

I order their fish because—like true Maritimers—the chefs always impress with their seafood. They certainly know how to make delicious fish tacos; the pan-seared Artic char taco showcases my most-loved ingredients: homemade guacamole with pickled cabbage and carrots. Another fish option is the imaginative charred squid taco topped with jalapeño salsa, pickled red onion, and cilantro.

Don’t be misled; the chefs still love their meat. Most tables are adorned with a bowl of chicharrones. These bite-size chunks of deep fried pork skin are the perfect combination of crunchiness and saltiness, and are the most gluttonous indulgence. The braised pork belly taco is another meat-centric dish topped with pickled black beans, cilantro salad, chili slices, and crema. The textural contrast between the fillings and the soft tortilla shell is tantalizing. The carnitas taco offers another delightful selection, filled with a generous helping of tender, confit pork, onions, coriander, and salsa verde.

The owners take pride in the sustainable use of resources at their restaurant. All the restaurant’s furniture is made from recycled materials, like their tables and chairs, which are built from the wood of an old deck in Westmount.

There is also an undeniable creative vibe, as their staff is mostly made up of artists who have helped develop the decor. As MacNutt remarks, “The whole restaurant has been built by artisans.”

One of the more remarkable aspects of the restaurant is their rooftop garden, which supplies the chefs with fresh produce throughout the year—currently chili peppers, tomatoes, zucchini, and herbs. MacNutt and Cody claim that their passion for local produce comes from their upbringing in the Maritimes.

The chefs want diners to leave not only with a full belly but also with an excellent experience.

“We’ve really stripped [the experience] down [to] where it is not pretentious,” MacNutt says. “We want people to have fun, and we want to make people happy.”

Stop by at Maïs for a light and refreshing meal perfect for the warm weather and to supply some heat to this never-ending winter. Before you prepare your outing however, make sure to bring cash because the restaurant does not accept credit cards.

5439 Saint-Laurent 

Tue. – Wed. 5:00 p.m. to 11:00 p.m.

Thu. – Sat. 5:00 p.m. to 12:00 a.m.

Closed on Sun. and Mon.

514-507-7740

 

a, Arts & Entertainment, Music

Tokyo Police Club—Forcefield

These indie rockers from Newmarket, Ontario have had some time to craft their indie-punk sound and style since their first full-length album, Elephant Shell, was released in 2008. It’s for this reason that it comes as a surprise to hear that on latest release Forcefield, Tokyo Police Club go lighter on the crunchy riffs and punchy pop verses that characterized Champ (2010). Forcefield has a clean and chorus-focused sound that puts emphasis on Graham Wright’s keyboard playing and Josh Hook’s driving, punk-inspired guitar.

On Forcefield, Tokyo Police Club has given their music a pop-oriented feel that tends to play it safe. Engineered by Doug Boehm, who has worked with Miley Cyrus and Fall Out Boy, songs like “Hot Tonight” and “Miserable” work with a steady bass line that builds into bright choruses that don’t take chances musically or lyrically, but provide an entertaining tune with simple yet memorable lyrics.

Though this release feels a lot like an attempt to appeal to a wider pop audience, Tokyo Police Club’s musicianship and production quality are evident. Songs like “Tunnel Vision” and “Argentina (Parts I, II, III)” showcase smooth instrumentation and production that allows for a crisp and defined sound.

Overall, Tokyo Police Club delivered an entertaining album that strays from the sound created by the band on their previous releases. With high production value, catchy lyrics, and some stellar moments on the keyboard, Forcefield marks a departure from more grungy pop-punk roots towards a sound engineered to be in the Top 40, and subsequently, a more polished pop sound that isn’t all that exciting.

a, Baseball, Basketball, Hockey, Soccer, Sports

Around the Water Cooler — April 1

In case you were too busy trying to figure out the difference between Winter and Spring in Montreal, here’s what you missed in the Sweet Sixteen and Elite Eight…

Wisconsin Badgers — For the first time in Head Coach Bo Ryan’s career, the Wisconsin Buzzcuts have made the Final Four, knocking out pre-season favourites Arizona in overtime, 64-63. Frank Kaminsky led the way with 28 points, proving that un-athletic and gangly ‘athletes’ with mop-tops do, in fact, have a place in basketball. Wisconsin, usually known for its slow-paced, grind-it-out, decidedly ugly brand of basketball, actually has a team that is worth watching this year. Nevertheless, Ryan has continued to scowl despite the success of the squad this season, because scowling is the one thing that Bo Ryan can do better than coach basketball.

Florida Gators — The Florida Gators are the only team to not break any brackets this post-season, and have advanced to the Final Four. The team grounded the Dayton Flyers 62-52 to enter the final weekend of the season. The Flyers had already beaten Ohio State, Syracuse, and Stanford—a who’s who of college athletics—before falling to the Gators, a team that trots out four senior starters. For Southerners, it’s a reminder that there is life after college football, and that non-football playing student-athletes deserve to get paid, too. If only Florida’s football season had gone this well.

Connecticut Huskies — No, that isn’t Kemba Walker; it’s Shabazz Napier, apparently doing his best impression of the current NBA player. The senior has put the Huskies on his back so often that it’s surprising he’s still able to stand up straight. The latest act of heroism came in Connecticut’s 60-54 win over the Michigan State Spartans—President Barack Obama’s National Championship pick. At this point it is certain that anything is within the realm of possibility for the Connecticut Napiers.

Kentucky Wildcats — The Kiddy Cats started the season in the top four and are going to be ending the season in the Final Four after an unprecedented streak of play that belies their youth. Kentucky ousted last year’s national runner-up Michigan 75-72 in a back-and-forth affair in the Elite Eight. It was fitting that the Wildcats beat the Wolverines, as the last team to make it to the Final Four with an all-freshman starting lineup was the “Fab Five” of Michigan in 1992. Kentucky Head Coach John Calipari proved that talent beats hard work— when the talent comes in the form of seven All-Americans.

 

a, Joke

Phone call proves turning point in midterm defeat

5… 4… 3… 2… 1… Silence. Pens dropped in frustration. Hands wringed in pain. It was over and there were no survivors. Students slowly trudged down the steps of Leacock 132 to hand in their midterms. They emerged from the cavernous venue after their BIOL 202 midterm this past week, disheartened and frustrated. Professor XX pulled out all the stops, with just that one jerk leaving before time was up.

“I think the worst part is that if I’d had one more day I know I would have crushed it,” U2 Biology major 270382048 said. “At this point I just hope everyone else did as badly as I did so I can ride the bell curve to a decent grade.”

Early reports, however, have suggested that a student-friendly bell curve is unlikely. Professor XX has stated that he feels the exam was definitely fair. Its format has been widely criticized, with students grumbling about its lack of questions in the multiple choice section, and the exam’s focus on material that seemed unimportant in class.

“Come on, that stuff was barely on the lecture slides,” U1 Physiology major 204820482 said. “I just ended up making something up, so hopefully I won’t end up with a zero in that section.”

Students were offered no compensation for the distractions that arose during the allotted time. With less than 10 minutes left on the clock, the supervising TA’s phone began to ring.

“He just picked it up and started talking,” 204820482 said. “Unbelievable. How was I supposed to focus on my test when he kept going on and on about the series finale of How I Met Your Mother.”

According to one group of friends who were seated together, the ringing sound could not have come at a worse time.

“That phone call was the final straw,” 270382048 said. “We tried to ignore it, but when people started murmuring, it was just too much. There’s a limit to how much paper-shuffling someone can tolerate. You would think that the TA would be the one making sure the midterm went smoothly, but obviously he blew some calls.”

The midterm was suffocating over the full three hours of regulation, holding the class of over 200 to a stingy 65 per cent average. During the first half, students were overwhelmed by the absurdity of the content. The second half proved no better, as Professor XX reported that most students left around two to three questions completely blank.

Perhaps the most telltale sign of the difficulties that students had is the sheer number of people claiming they were just glad to have it over with, while simultaneously reassuring one another that it probably went fine.

“I think I’ve earned a bit of break after today,” U2 Anatomy major 216322048 said. “I put off studying for this midterm until the last minute, but that definitely won’t happen for the final.”

Despite the unfavourable results, students were confident that they would ace the final, which will take place on Apr. 27 in Love Competition Hall.

This story is a work of satire and appeared as part of our April Fools Issue 2014.

a, Arts & Entertainment, Music

Karmin—Pulses

After rising to global fame through their YouTube channel, the band Karmin—made up of couple Amy Heidemann and Nick Noonan—was signed to record label Epic, released a string of EPs and, finally, debuted their first full-length LP, Pulses. Characterized by a unique image, Heidemann’s seemingly unparalleled rapping style, and Noonan’s solid production, the pair seemed destined for greatness having finally ‘made it’—but Pulses suggests that they still have quite a way to go.

In a whirlwind of songs that is part Nicki Minaj-tailored lyrical flow, part Katy Perry-esque overproduction, and one hundred per cent electronic, Pulses takes listeners on a journey of tireless rapping and intermittent piano ballads. Album single “Acapella” is an electronic-heavy number with odd backing vocals, autotune work, and unenthused lyrics like, “Once upon a time, I met the perfect guy; he had that Colgate smile, he had that suit and tie.” “Night Like This” sees Karmin trying to impersonate One Direction’s musical style with lyrics about “Rocking your body to the beat like this,” and then there’s “Pulses,” a synth-heavy song that sees Karmin comparing a heartbeat and pulse with their undying love for each other—hardly an original theme.

It isn’t until “Neon Love” that Heidemann’s vocal capability becomes apparent—which is a shame, considering she’s clearly refined her talent. But maybe that’s the problem; in taming their sound and production, they’ve forgotten the originality that made Karmin notable in the first place.

Noonan sings on “Pulses” that he’s going to “Make sure that you’re alive,” however, listening to this record will do the opposite; Pulses got Karmin’s large fan base buzzing because of the band’s quirkiness and the mutual appreciation that the band and its fans have for each other, yet on the album, their uniqueness fails to shine through. This album is a little too much of everything—too electronic; too produced; too keen to sound mainstream, and therefore, too plain. On “Neon Love” we hear them sing that “This neon love is destined to die,” and I fear that based on this effort, the Karmin brand might suffer the same fate.

a, Joke

Why I’m yelling about “Timber” going down

There’s been a ton of effort over the years towards making McBill an inclusive space, and I thought we had achieved this goal. But all of that changed the day Gerts stopped listing “Timber” on its jukebox.

I don’t know how this authoritarian operation that is the Students’ Society of McBill’s Offensive Overlords (SSMOO) got the idea into its head that it’s acceptable to deny students the opportunity to serenade a bar with the greatest single since “Crazy Kids.” But I don’t plan to just sit around waiting for another bland Sangria Wednesday while the most important issue to hit campus all year remains unresolved. Students of McBill, let this Pop Rhetoric serve as a rallying cry: you better move, you better dance, and you sure as heck better take action.

Before I tell you why we need to put an end to Timber-gate, let me share my story. A mere four years ago, I wasn’t the fun, hip, yolo-ing Chel$ea $mith that most know me as today; I was just plain old Chelsea Smith. But then, on Jan. 1, 2010, Ke$ha released Animal and my whole world changed forever. Suddenly, I didn’t want to stay home on weekends and study to get into dentistry school; instead, I was all about brushing my teeth with a bottle of Jack. By June, I had legally changed my name and was voted by my high school peers as most likely to spend a night in jail. Life was good.

It got even better when I came to McBill. In first-year, I had an unforgettable experience living in Pabst Hall; for the first time, I was surrounded by the party animals that I had so desperately craved for the past eight months. Aside from getting banned from Korova’s in second-year, my time at McBill has been a non-stop sequence of making the most out of nights like I was going to die young. And above all, I was grateful for the opportunity to spend four years in an inclusive environment that claimed to support everyone’s identities—even Ke$ha acolytes like myself.

But now, my faith in SSMOO has been shaken. How am I supposed to fully express myself on campus if I can’t play “Timber” on the Gerts jukebox? Two years ago, I put up with all the mindless students who insisted on constantly playing “Call Me Maybe,” knowing that soon enough, Ke$ha would rise from the ashes like a tipsy phoenix with the next great chart-topper. Little did I know that her success would be so overwhelming that Gerts would make the executive decision to censor it altogether, rather than let it stand for the masterpiece that it is.

It hasn’t been easy finding solidarity on campus. People laugh when I tell them that I’m selling samosas in order to raise enough money to get “Timber” back on the Gerts jukebox. The only student group that’s given me any support is the Woodsmen team on the Macdonald campus, but I had to stretch the truth a bit and tell them that my “Timber” campaign would provide them with extra wood for practices. Otherwise, it’s been a lot of blah, blah, blah for nothing.

Maybe after all the fuss about bike gates, PPOP’s, and Save Gerts meetings, students are a little burnt out, but I know that we still have one last cause left in us! Let’s make this campus an inclusive space once again and stand up for the right to swing our partners round and round to the greatest song that 2014 has to offer. I’m not asking for much; just the chance to dance to “Timber” at Gerts one more time before I graduate.

This story is a work of satire and appeared as part of our April Fools Issue 2014.

McGillograpy Charter of Values
a, Features

How will the Charter of Values affect you and the people you know?

 

With the provincial elections coming up on Apr. 7, a major issue on many people’s minds is the Quebec Charter of Values. McGillography approached several members of the McGill community to talk about their views on the charter.

 

Find McGillography on Facebook to see more of their work.

 

a, Arts & Entertainment, Music

Deep Cuts: the sounds of April

April Come She Will

Artist: Simon & Garfunkel

Album: Sounds of Silence

Released: January 17, 1966

The light flurry of fingerpicked guitar that opens this track is a sonic representation of the feeling that comes over you when you realize for the first time that winter is truly over. Although the lyrics are guiding you through the story of a love that blooms in spring and dies in the fall, it all starts with the soothing words “April, come she will/ When streams are ripe and swelled with rain.” The whole song features some of the most beautiful, elemental language in the S&G catalogue.

April Fools

Artist: Rufus Wainwright

Album: Rufus Wainwright

Released: May 19, 1998

You might not guess from Wainwright’s free-flowing alt-pop sound that he once studied classical composition at McGill, but that’s what he was doing before he left behind the constricting academic life to pursue a professional music career. Singing about a failed relationship that started going downhill after Valentine’s Day and came to a halt on April 1, Wainwright deftly strings together his verses with seemingly effortless phrasing and pinpoint tonal precision, while the chorus is catchy enough to stay stuck in your head until Victoria Day.

April

Artist: Imaginary Future

Album: Fire Escape

Released: May 14, 2013

It’s a simple track that expertly embraces and makes the most out of a more subdued sound. The decision to slightly mute the Lumineers-esque drum kick that plays throughout the song allows listeners to take in the lingering resonance of fingers sliding across the frets of a guitar. “April” speaks to the hope for renewal that has become associated the month with lyrics like the chorus’ closing words, “April take me from your heart and cut me clean.”

April’s Song

Artist: Real Estate

Album: Atlas

Released: March 3, 2014

A lot has to go right for a four-minute instrumental track to succeed when it’s placed in the middle of an album, but “April’s Song” is a perfect interlude for the shimmering sounds of Real Estate’s most recent release. The track unfolds with cheerful rhythm guitars and clean drum beats providing a steady backdrop as a psychedelic-toned lead guitar fills in for the absent vocals. It makes for an upbeat final product that still manages to have a calming effect; April’s a lucky girl to have this song written for her

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