From the Viewpoint: The resilient whimsy of stop motion animation

This spring, to the beat of drums and the barks of strays, Wes Anderson released his second animated film, Isle of Dogs, nine years after his first, Fantastic Mr. Fox. Both are personal favourites of mine, and  both use the century-old technique of stop motion animation. Though I enjoyed both films immensely, I knew nothing of the laborious technique behind their distinct aesthetic, so The McGill Tribune sent me to the community focused Festival Stop Motion Montreal.

The most egregious snubs from our list of the most egregious Oscar snubs

Due to the significant outrage sparked by our previous “Oscar Snubs” list, and the end of Oscar season forecasting a barren eight months for movie thinkpieces, The McGill Tribune is proud to present our latest innovation in the Oscar-related content you crave. Welcome to The McGill Tribune’s Oscar Snubs Snubs. The[Read More…]

Red Colored Elegy is the perfect introduction to gekiga manga

Ichiro, the male lead of Red Colored Elegy, repeats a sort of young-male-tortured-artist catch phrase throughout the manga: “I want to draw comics.” Fortunately for readers, Seiichi Hayashi, Red’s author and illustrator, has a more realized sense of vocation. His cornerstone of the gekiga manga–the adult manga, or alternative manga, subgenre–Red,[Read More…]

The most egregious snubs of the 2018 Oscars

The Academy Awards are awful. This is not up for dispute. They’re trying to get better—this year’s nominees present a definitively more inclusive list than in years past—but at its heart, the event is a self-congratulatory, out of touch, typically-discriminatory money grab that almost always awards the wrong thing. Nevertheless,[Read More…]

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