Cop Out lives up to its title

Kevin Smith’s supposed comedy, Cop Out, aims to be a big-budget action movie but falls flat with a potentially talented but ultimately disappointing cast. Combine Smith’s lackluster directing efforts with a poor script written by Mark and Robb Cullen and mediocre performances by both Bruce Willis and Tracy Morgan, and you have a two-hour long movie that feels more like four, with only a handful of scenes that are laugh-out-loud-worthy.

CD REVIEWS: Rebecca Ramone: The Flood

Rebecca Ramone’s debut EP, The Flood, doesn’t start with a bang. Instead, the opening track features a repeating blues riff beneath Ramone’s delicate-yet-strong voice. The song shifts when the blues riff accelerates, hitting a grungy overdrive with thrashing symbols.

EDITORIAL: A double standard for Olympic women’s hockey

One of the best things about the Olympic Games is its commitment to gender equality. Eschewing the common male-dominated athletic hierarchy, almost every event in both the Summer and Winter Games awards medals to both genders as equals. And after some of the great female athletic performances we’ve witnessed during the Vancouver 2010 Winter Olympics – by Joannie Rochette, Petra Majdic, and Clara Hughes, to name just a few – it has been refreshing to see people who normally ignore women’s sports sit up and take notice.

First aid for computers, old or new

You’ve probably noticed that as your computer gets older, it seems to slow down. While it is true that newer computers are faster, this is no reason for your older computer to be any slower than the first day you got it. Here are a number of steps that can keep your computer functioning like it’s brand new.

With referendum vote, Tribune is poised for independence

In what Opinion Editor Matt Chesser called a “do-or-die” situation, The McGill Tribune’s future will be determined by a SSMU referendum next week. Should the referendum question pass, the Tribune would become fully independent after 29 years as a publication under the auspices of the Students’ Society.

MY POINT … AND I DO HAVE ONE: supressing debate: Ontario’s language politics

The Ontario legislature – like most political bodies representing a diverse range of opinions – is a place where it’s hard to achieve consensus. One in five children in Toronto go to school hungry in the morning and asthma and cancer-causing coal power generate much of the province’s electricity, but no consensus can be found among the provincial political parties to address such dire issues.

In Brooklyn, fresh Montreal bagels now for sale by the dozen

Minutes after they finished watching the Canadian Olympic hockey team defeat the Slovakians last Friday, Joel Tietolman and Jon Leitner walked into St.-Viateur Bagel, paid for the 115 dozen bagels they had pre-ordered, and began loading them in Tietolman’s Volkswagen Passat.

COMMENTARY: The “P Word”

Has history not taught us anything? Aren’t we the ones who hold our predecessors accountable for the human rights atrocities that occurred due to their complicity in events such as European anti-Semitism, the centuries of slave trading, and most recently, the Rwandan and Darfur massacres? How contrite do we feel that past generations stood idly by and permitted Apartheid in South Africa? Better yet, why do we still slip into a vacuum of radical nationalism that blinds objective thinking? It’s as though we have yet to learn that this road will only lead to self-destruction – but somehow we keep submitting to this primitive train of thought.

Horror flop The Wolfman begs for a silver bullet

In cinema, there’s always a fine line between the supernatural and the ridiculous, and the best horror films flirt with this boundary without crossing it. Unfortunately, director Joe Johnston’s The Wolfman was less than tactful in his approach to the werewolf genre, and the film ends up resembling more of a farce than a truly scary movie.

CD REVIEWS: Four Tet: There Is Love In You

The fifth full-length album from British electronic musician Kieran Hebden (better known as Four Tet), isn’t a dramatic departure from his earlier work. Nor will it disappoint fans of Four Tet’s already well-established oeuvre. The album is barely over 45 minutes long and undemanding enough to not need your full attention.

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