“Hello, you” begins the internal monologues of You protagonist Joe Goldberg (Penn Badgley), accompanying the moment the stalker-murderer fixates on yet another love interest. On its fourth outing, the show inverts this setup: Having fled the U.S. following season three’s calamitous climax—in which he murdered his wife Love (Victoria Pedretti)[Read More…]
Tag: Netflix
Junk on Earth: A fun premise gone wrong
If you are chronically online, odds are you have seen clips over the past few months of Diane Morgan’s character Philomena Cunk from the Netflix mockumentary Cunk on Earth. The most notable of these soundbites went viral on TikTok and features Morgan’s character asking Oxford art history professor Martin Kemp,[Read More…]
What we liked this winter break
The weather outside is frightful, but as always, the Tribune has media recommendations that are nothing short of delightful. Here is a breakdown of what the Arts & Entertainment section enjoyed over winter break. Alice in Borderland (Season 2) Ella Buckingham, Staff Writer The much anticipated second season of Alice[Read More…]
‘Kaleidoscope’ is Netflix’s shiny new toy
Anyone who has ever taken a creative writing class is likely familiar with the lipogram: A piece of writing that entirely omits one or more letters. A poem without es or a vignette with no as, it forces the writer to experiment and to think outside of the box as[Read More…]
1899 is a brilliant mosaic in nine different languages
1899 is a multi-everything show: Multilingual, multicultural, multigenerational, and with multiple plotlines. Even the most intuitive of viewers are guaranteed to be thrown by one of the plot twists—because spoiler alert, there are multiple! The eight-episode Netflix series, released on Nov. 17, follows passengers on a cross-Atlantic naval voyage thrown[Read More…]
Coping with the Netflix-ification of a classic: ‘Wednesday’
How does a piece of media become a classic? Time is certainly a factor. Whether it’s a book, movie, or a particularly captivating ensemble, classics remain relevant and hold up through changing cultural landscapes. One such enchanting “classic” emerged between the pages of The New Yorker in 1938 with the[Read More…]
Fictionalized adaptations of real-life serial killers should not exist
As announced earlier this month, Netflix has extended its new Monster anthology series past its first installment, The Jeffrey Dahmer Story, which was released on Sept. 21. With at least two more projects in the works, the creators hope to follow the stories of “other monstrous figures who have impacted[Read More…]
The insipid paradox of ‘Love is Blind’ season three
Reality TV tends to teeter between frivolous, Kardashian-esque antics and deranged social experiments. Combining these unique worlds is a puzzling balancing act, but one that’s kept the genre afloat for years. Arguably the most prominent category of reality TV is dating shows, such as The Bachelor, Love Island, or, more[Read More…]
Quinni of ’Heartbreak High’: Finally, a successful example of autism representation
On Sept. 14, Netflix released Heartbreak High, a remake of the 1994 Australian coming-of-age TV show of the same name. Critics praised the series for its realistic portrayal of high school and the diversity of experiences the show depicts. The series remained in Netflix’s Top 10 list in 43 countries[Read More…]
Look out for ‘The Mole’: Among Us, but in real life
Netflix’s newest reality show The Mole refreshingly reinvents the group-challenge show that The Amazing Race or Big Brother brought into the limelight. This series is a reboot of the 2001 show of the same name, which was cancelled after five seasons. Luckily for audiences, Netflix seized the opportunity to bring[Read More…]
