Articles by Ilia Blinderman

Museum-goers baffled by Malevich’s “Black Square.” (www.sergeev.com)

My beef with art

In my youth, I would occasionally visit the Tretyakov Gallery in Moscow. For the uninitiated, the Tretyakov houses a vast collection of Russian fine art—picture the MoMA, the Metropolitan Museum of Art, and the Frick collection all diced up and served as an exquisite borscht. I can’t remember much of[Read More…]

Heat stroke and perpetual thirst–all in a day’s work for Kumaré. (filmswelike.com)

New take on ancient wisdom

From terse, academic upbraidings by Richard Dawkins, to the wit and eloquence of Christopher Hitchens’ broadsides, the past decade has witnessed a surge in public cries challenging the power of organized religion. Amid the continual talk of misconduct and immorality in the halls of self-proclaimed holy men, several unbelievers simultaneously[Read More…]

5490 St Laurent - (www.nightlifemagazine.ca)

Le Cagibi

Locals will proudly inform you (in addition to boldly asserting that Harvard is America’s McGill) that Montreal is Canada’s worthy answer to New York. While the general sentiment is somewhat bucolic, Montreal does hold a few gems that would fit snugly on the ground floor of a refurbished textile factory[Read More…]

Roman Holiday

Despite a longstanding love of film, I’ve never been drawn to Woody Allen’s neurotic charm. My review of To Rome With Love, therefore, should have been nothing more than another addition to the burgeoning disappointment of the majority of film critics. In fact, I was so taken aback by its[Read More…]

Prémices/Open-Ended clever but vacant

Manuel Mathieu’s Prémices/Open-Ended, the solo exhibit by the young Haitian-born Montreal resident, comprises some dozen paintings dealing with the organic and mental reconstruction that follows a cataclysmic event. Mathieu’s paintings depict scenes of a world violently squeezed into primordial swirls of aggression, inchoate shapes and forces, sometimes in an extension of[Read More…]

Prémices/Open-Ended clever but vacant

Manuel Mathieu Manuel Mathieu’s Prémices/Open-Ended, the solo exhibit by the young Haitian-born Montreal resident, comprises some dozen paintings dealing with the organic and mental reconstruction that follows a cataclysmic event. Mathieu’s paintings depict scenes of a world violently squeezed into primordial swirls of aggression, inchoate shapes and forces, sometimes in[Read More…]

No Room for Rockstars makes some noise

me-review.net No Room for Rockstars, which chronicles the 2010 Vans Warped Tour, faced the seldom attempted, and typically unmet challenges set to all music documentaries. On the one hand, it is obliged to focus on the bands and organizers who make up the annual music and extreme sports festival, sating[Read More…]

Waxing poetic at the Divan Orange

Meaghan Tardif-Bennett sat anxiously waiting for her turn on stage. She was dressed in black and white, with pink nail polish, pink lipstick, and a pink handbag.   “I was really stressed, and was very conscious of the impression I would make on the audience,” she says. “But I also[Read More…]

A Separation stands alone

metropolefilms.com Oscar-winning A Separation is a movie that discreetly avoids the inveterate handicap plaguing large-scale commercial films. While Hollywood blockbusters typically attempt to tell cinematic epics scaled to Homeric proportions, they falter when sincere subject matter is lost amidst the one-upsmanship clashes between special effects, sentimentality, or the primordial intensity[Read More…]

Woody Harrelson rampages in Rampart

collider.com   In his second directorial feature, Oren Moverman firmly eschews the rules of hard-boiled cop cinema. Instead, he offers a surprisingly human story of a man born 30 years too late—Rampart is what Dirty Harry may have been if Eastwood’s Harry Callahan, .44 Magnum, and trademark of the “Do[Read More…]

In Darkness sparkles, but fails to shine

metropolefilms.com Despite my initial excitement for In Darkness, Agnieszka Holland’s Oscar-nominated depiction of a Polish man’s real-life efforts to save a group of Jewish people during World War II, I could not help but feel a tinge of disappointment when the film ended. Holland knows that a film set during[Read More…]