Articles by Jack Tokarz

Heroes of Hebrew humour

Although Jewish people represent only 0.2 per cent of the world’s population—according to a Hebrew University of Jerusalem study—they hold a much larger portion of social attention when it comes to comedy. Director Alan Zweig made the documentary When Jews Were Funny to investigate why Jewish people have been so[Read More…]

tick, tick…BOOM! is no bust

It’s a musical where “everybody we know wants to be something else.” With a cast of three actors and a live four-piece band, Tuesday Night Cafe (TNC) presents tick, tick..BOOM!, by Jonathan Larson, best known for bohemian rock musical Rent. Choosing love, success,  or passion as life’s top priority is[Read More…]

This is PFFR

Known for their absurdly irreverent comedies, produced for MTV2 and Cartoon Network’s sister channel Adult Swim, writers/producers/comedians John Lee and Vernon Chatman are showcasing several special video clips, and holding a Q & A during POP Montreal this weekend.

An eclectic phaeleh

Under the stage name Phaeleh, Bristol-native Matt Preston creates and performs electronic music of an indeterminate genre. Also indeterminate, for some, is the pronunciation of his stage name. Matt corrected my initial pronunciation of Phaeleh to “fella,” although he added, “I did not have a certain pronunciation in mind when[Read More…]

Akron/Family: Sub Verses (Secretly Canadian)

Akron/Family: Sub Verses

Ranging from creepy, melancholic songs, to energizing anthems and droning ballads, the experimental rock band Akron/Family’s seventh album Sub Verses intrigues the listener with layers of repetitive sound, rewarding them with each additional listen. The album starts off alarmingly loud and captivating, surrounding the listener with many sounds that together,[Read More…]

Flux Pavillion: Blow the Roof

Today, some listeners are voicing concerns that dubstep is a dying genre—a fad that existed solely as an exciting, contrarian alternative to the growing popularity of catchy electronic pop. Likewise, they argue that with new mainstream acceptance, the genre is floundering—the limelight brings the destruction of a genre that can[Read More…]