Arts & Entertainment

Keep up to date on local art, new albums, and everything entertainment-related.

POP RHETORIC: Lost friends

Lost fans, as the title suggests, are lost. These poor people have undergone a metaphorical crash of their usual TV viewing experience and have been abandoned on a virtual island, surrounded by strangers, wondering what will occur next on this jarring roller coaster of a show.

by Sam Jessula

Dead wives and daydreams test Leo’s sanity in Shutter Island

Shutter Island, Martin Scorsese’s new psychological thriller, has dominated the box office since its release on February 19. Grossing a mean $40.2 million, it also marks the illustrious director’s most successful opening weekend to date. Though not on par with his best films, Shutter Island reflects Scorsese’s genius simply by being meticulously put together, well-cast, and generally captivating – a feat that many films currently in theatres have failed to achieve.

by Grace Glowicki

CD REVIEWS: Jay Malinowski: Bright Lights & Bruises

Jay Malinowski is best known as the singer/lead guitarist for Bedouin Soundclash, but his solo album, Bright Lights & Bruises, shows that he can stand on his own. It conspicuously lacks the reggae feel of Bedouin Soundclash’s repertoire, but for non-reggae fans this is all the more reason to give Bright Lights & Bruises a chance.

by Kyle Carpenter

We Are The City take on the rest of the country

After recently winning Vancouver’s first-ever Peak Performance Project, a contest created by radio station 100.5 The PEAK and Music BC to encourage up-and-coming artists based in British Columbia, We Are The City is humbly starting to realize that what lies ahead for them is going to be a huge departure from their beginnings.

by Brittany Rappaport

Cop Out lives up to its title

Kevin Smith’s supposed comedy, Cop Out, aims to be a big-budget action movie but falls flat with a potentially talented but ultimately disappointing cast. Combine Smith’s lackluster directing efforts with a poor script written by Mark and Robb Cullen and mediocre performances by both Bruce Willis and Tracy Morgan, and you have a two-hour long movie that feels more like four, with only a handful of scenes that are laugh-out-loud-worthy.

by Alison Bailey

CD REVIEWS: Holly Miranda: The Magician’s Private Library

Holly Miranda is better known as the frontwoman for The Jealous Girlfriends, a Brooklyn-based rock band. Now flying solo, the indie-pop newcomer’s full-length debut, The Magician’s Private Library, shows that she’s got a flavour of her own. Produced by Dave Siteck of TV on the Radio, the album was reportedly recorded primarily between 7 p.

by Carolyn Yates

Far from home and close to danger in the Gaza Strip

Rachel, a new documentary from French-Israeli director Simone Bitton, tells the story of Rachel Corrine, an American activist who was killed while attempting to prevent the bulldozing of a Palestinian home in 2003. To this day Israel denies responsibility for her death, claiming the bulldozer operator’s line of sight was obstructed by the mound of dirt that crushed her.

by Joel Entwistle

POP RHETORIC: A Show of Patriotism

As the Vancouver Winter Olympics get underway, Canada’s national pride is glowing with the prospect of success. After months of commercials and merchandise sales leading up to the games. the moment we’d all been waiting for finally came. Given the fatal crash of Georgian luger Nodar Kumaritashvili earlier that day, the mood was both respectfully sombre and giddy with excitement for the upcoming games.

by Bianca Van Bavel

Horror flop The Wolfman begs for a silver bullet

In cinema, there’s always a fine line between the supernatural and the ridiculous, and the best horror films flirt with this boundary without crossing it. Unfortunately, director Joe Johnston’s The Wolfman was less than tactful in his approach to the werewolf genre, and the film ends up resembling more of a farce than a truly scary movie.

by Sam Jessula
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Hot Take

“Artist 4 Ceasefire” pins are not enough
By Charlotte Hayes, Staff Writer

At nearly every major awards show this year, a number of (American) celebrities , like Billie Eilish and Quinta Brunson, have attended red carpets donning a small red pin on their lapel. The circular metal brooch showing an extended hand and a black heart is a symbol of the organization “Artists 4 Ceasefire,” a group of musicians, filmmakers, and actors urging the U.S. government to call for a ceasefire in Gaza. While raising awareness is a good start, it is only one small part of showing solidarity and cannot be where activism ends. Very few artists seen wearing these pins have spoken about a ceasefire on red carpets and even fewer in acceptance speeches—it is crucial that those with a platform actually, tangibly use it to advocate for Palestinian liberation.