Audiences have been eagerly awaiting Sofia Coppola’s new film since her last offering, the critically acclaimed Lost in Translation debuted. Unexpectedly, Coppola brings us from the neon lights of the streets of Tokyo to the glittering hallways of Versailles.
Arts & Entertainment
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FILM: Scorsese scores (finally)
All things considered, Martin Scorsese hasn’t made a decent feature film in over a decade. Gangs of New York seemed excessively brutal and utterly pointless, Bringing out the Dead sank like a stone and The Aviator, for all the accolades draped over it, hardly served its biographical purposes adequately and was a remarkably boring film.
MUSIC: Rejecting the Metric system
I wish I could make it that everyone who sees the Soft Skeleton has to drink Guinness, says Emily Haines, Metric’s cool, commanding and completely sexy front woman, as she takes another swig, “but it’s okay if you’re having, like, a vodka soda. I just don’t think you’ll totally get what we’re doing, but that’s okay!” Despite the absence of Guinness anywhere in the general vicinity, last Monday night’s show at Le National Théâtre was not lost on many.
REVIEWS
Motörhead. Kiss of Death. It’s time to dust off the cowboy boots and iron cross belt buckle and cut a rug to the 19th album by the UK’s original beer-drinkers and hell-raisers. Though markedly Motörhead, as per the abundance of ammunition adorning the cover to the plodding bass and bourbon-drenched vocals of front man Lemmy Kilmister, Kiss of Death is a pretty standard speed/thrash metal offering.
POP RHETORIC: I like it on top
Montreal is renowned for doing a lot of things very well – festivals, live music, smoked meat, poutine – but sometimes the things it does badly are overlooked. Specifically, pizza. There is no great pizza in Montreal. I know pizza isn’t a Montreal specialty, like smoked meat, but one might expect at least a few places to sneak in and corner the market.
PERSPECTIVE: Clix This
There is an excellent, clever and effective commercial invading our airwaves, and it drives me freakin’ crazy. Unilever, the maker of Axe deodorant spray, has hired ex-Newlywed Nick Lachey as their flirtatious, dimpled spokesman for its new fragrance, Clix.
POP MONTREAL: Born a ramblin’ man
What does Ramblin’ Jack Elliot, a 75-year old country folk guitarist, have to do with Pop Montreal, the city’s ecstatic embrace of the “next big thing”? Perhaps the most significant asset that Elliot’s Wednesday night set at the Ukrainian Center brought to the festival was authenticity.
POP MONTREAL: Spektor is simply spek-tacular
The National is a quaint theatre, the ambience a familiar one, ideal for Regina Spektor. The singer/songstress stepped onto the stage with a glittery shape in her hair and smiling red lips, her very presence giving the room a soothing glow. She began an acapella wonder and the crowd became entranced.
Putting Canada back on the television map
Tuesday evening saw the debut of CBC’s latest prime time original broadcast, the brainchild of Chris Haddock, nationally revered creator of decade-spanning Canadian success Da Vinci’s Inquest. His new series, Intelligence, examines a new facet of West Coast criminality, this time turning the camera towards the perpetrators rather than the victims and investigators.
MUSIC: Byrnin’ down the stale record industry house
Studying and an urgent need to pick up dry-cleaning in time for Thanksgiving may have deterred many from attending this year’s Future of Music Policy Summit, held for the first time away from its birthplace of Washington D.C., in McGill’s own Schulich School of Music.