How can a good person come to a good end in a world that is, in essence, not good? This is the central question of Bertolt Brecht’s The Good Person of Sichuan, staged by this year’s McGill Theatre Lab – a full-year production class in which students work on a collaborative project that eventually culminates in a spring performance.
Arts & Entertainment
Keep up to date on local art, new albums, and everything entertainment-related.
Montreal buskers audition for right to perform in metro stations
After 25 years performing in the metro, Greg Dunlevy has seen some terrible musicianship. “You get a lot people who … bang on pieces of wood,” Dunlevy said. “They go out and get themselves a cheap guitar, they buy themselves a harmonica or a recorder, and they blow in it and they can’t do anything with it.
CD REVIEWS: Cancer Bats: Bears, Mayors, Scraps and Bones
I’ve had a soft spot for Cancer Bats since high school, watching them open many Alexisonfire shows in Toronto. I’ve endured the dirty looks received for wearing a shirt with “cancer” written on it, and for many other people their first two albums are too much to handle.
Dissecting art
Nicholas Ruddock’s debut novel, The Parabolist, is told through interlacing narratives that pivot around a group of University of Toronto medical students in 1975, taught by Roberto Moreno. Moreno is a recently immigrated Mexican poet and member of the (fictional) parabolist movement, a group which “arranges words and ideas in such a way that the energy input burns.
Nancy Drew’s newest competition
When Alan Bradley set out to write his first detective novel he had no idea it would lead to the character of Flavia de Luce, or to a series about the young sleuth, in which The Weed that Strings the Hangman’s Bag is the second novel. “I was writing another detective novel that I thought I had plotted very carefully for story and characters, then Flavia just materialized in it,” Bradley says.
CD REVIEWS: Hunter Valentine: Lessons From The Late Night
Hunter Valentine are a three-piece all-girl rock band from Toronto who will release their second full-length album, Lessons From The Late Night, on April 17. With seven songs totalling 22 minutes, it’s a slight step above an EP, though you probably won’t be disappointed that there isn’t more.
POP RHETORIC: Material Girl Gaga
When Lady Gaga first entered the pop music scene back in 2008, I forced myself to take a second look. Her lyrics were symbolic of both the feminine mystique and female empowerment, she wore avant-garde and provocative clothing (or a lack thereof), and she had the strong ability to capture the attention of millions by dominating the music charts for weeks on end.
Film fest turns 35
The Festival du Nouveau Cinema is the oldest of its kind in Montreal, celebrating its 35th birthday this October. The festival opens tomorrow with Philippe Falardeau’s Congorama and closes Oct. 26 with a spotlight on the Spanish cinema screening of Pedro Almodovar’s Volver.
FILM: Cutting-edged comedy
Dear Journal, what can I say? He drove a cool car, remarks a certain 13-year-old boy by the name of Augusten Burroughs in the new movie adaptation of the memoir Running With Scissors. Having read Burroughs’ reminiscences of a homosexual boy with a 35-year-old boyfriend growing up in western Massachusetts in the late 70s, I was readily expecting golden phrases such as the former in the film’s adaptation.
FILM: A new Versailles
Audiences have been eagerly awaiting Sofia Coppola’s new film since her last offering, the critically acclaimed Lost in Translation debuted. Unexpectedly, Coppola brings us from the neon lights of the streets of Tokyo to the glittering hallways of Versailles.
