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EASTERN CONFERENCE

Atlantic

1. Boston Celtics

The ‘Big Three’ era in Boston officially ended as Ray Allen’s left for Miami this past summer. While the Celtics will miss Allen’s clutch 3-point shooting, they have gone a long way to filling the void by bringing in fellow sharpshooter Jason Terry. Boston’s best decision this offseason was to lock up defensive all-star Kevin Garnett to a three-year deal. ‘The Big Ticket’ will provide his usual snarl, and groom the Celtics’ future in Jeff Green and Jared Sullinger. Rajon Rondo, one of the best point guards in the league, is expected to take on a bigger offensive role. The Celtics also solidified their bench—a weakness last season—by acquiring shooting guard Courtney Lee in a trade. Expect a rematch of last year’s Eastern Conference Finals against Miami.

2. Brooklyn Nets

Pro sports are back in Brooklyn and the Nets are relevant once again. The superstar ownership tandem of Russian billionaire Mikhail Prokhorov and Jay-Z has put forth its best effort in creating a competitive team that will immediately challenge for a playoff spot. Much to the delight of the crowd at the new Barclays Center, Jay-Z will be dropping some beats to the tune of Deron Williams and newly acquired Joe Johnson, who should make a strong duo in Brooklyn. The Nets were wise to give up their pursuit of Dwight Howard and all the accompanying drama. Brook Lopez should do an admirable job as starting centre at a fraction of the cost. The emergence of the Brooklyn version of the Nets has strengthened the Atlantic Division.

3. New York Knicks 

The Knicks have long been New York’s team, but they might just lose their beloved title to the Nets. The truth is that GM Glen Grunwald has assembled a patchwork group that shows little promise. Knicks management seem to be experts in making bad decisions. Jeremy Lin might be an unpredictable talent, but replacing him with an old, oft-injured Jason Kidd is not the solution. Amar’e Stoudemire spends too much time on the injured reserve to be of any help to Carmelo Anthony. Even when the two are healthy, Melo prefers to create opportunities for himself, rather than rely on ball distribution. This team has too many question marks and chemistry issues to succeed.

4. Philadelphia 76ers 

Philly pulled off a gutsy move in shipping out Andre Iguodala in in exchange for the second-best centre in the NBA, Andrew Bynum. The biggest issue with Bynum is health. His knees have taken a major beating in his career and the big man is scheduled to miss the start of the season with more knee problems. Nevertheless, the 76ers had to take a chance, because Iggy never materialized into a true, team-carrying star. Now it’s up to coach Doug Collins to build on last season’s improbable run, which ended in a game seven Eastern Conference semifinal loss to the Celtics.

5. Toronto Raptors

Let’s make one thing clear: the Raptors won’t make the playoffs. In a division chock-full of stars and quality veteran players, Toronto will be hard-pressed to stay afloat 20 games into the season. This team is built with complementary players forced to shoulder the load of a star-less squad. Toronto’s unimpressive line-up of Andrea Bargnani, Landry Fields, DeMar DeRozan, Kyle Lowry, and Jonas Valanciunas is understandable given the team’s difficult task of luring free agents to play in Canada. A more realistic goal for the Raptors is to improve on last season’s miserable 23-43 record. This group of players must now learn to play together and blossom into a competitive team.

Central

1. Indiana Pacers

The Pacers return this season with the same starting lineup of George Hill, Paul George, Danny Granger, David West, and Roy Hibbert that led them to a 42-24 record in 2011-2012. Combine them with a solid supporting cast, and Indiana may be able to make a deep run in the postseason. Moreover, Hibert’s continued development will be crucial for the Pacers this year. Although Indiana is not a flashy team, solid team play will place the Pacers atop the Central Division this season, especially with the Chicago Bulls missing Derrick Rose.

2. Chicago Bulls

With Derrick Rose out with a torn ACL, Chicago is a completely different team from the one that’s finished atop the East the past two seasons. The Bulls will have to compensate for their lack of star power by trusting Head Coach Tom Thibodeau. It will also be crucial to see how well Kirk Hinrich will fill in for Rose, and whether or not Carlos Boozer can finally silence his doubters and live up to expectations. The Bulls seem like they will spiral downwards in the 2012-2013 season, though it wouldn’t be surprising if they finished first in the Central. It’s unlikely that Rose will be fully healthy this season, so the Bulls find it tough to advance past the first round of the playoffs.

3. Milwaukee Bucks

The major question for the Bucks as they enter the 2012-2013 season is whether or not the Brandon Jennings and Monta Ellis can co-exist in the backcourt. Ersan Ilyasova will be key to the Bucks’ success if he can build on his surprising season last year. It will be important to trace whether Head Coach Scott Skiles can convince his team to buy into improving their defence, especially with defensive anchor Andrew Bogut gone. Despite their explosive backcourt, it appears that the Bucks will be doomed to ninth- or 10th-seed mediocrity once more.

4. Detroit Pistons

The Pistons have successfully rebooted their franchise. With a young core, consisting of Andre Drummond, Brandon Knight, and Greg Monroe, the Pistons will enter the season looking to reinvigorate the Palace of Auburn Hills. Monroe has improved in relative anonymity in Detroit, but his talent is very real and will be needed this season. The spotlight will also be on Drummond, the Pistons’ first round pick. He has both high bust potential and high star potential, but has looked good so far in the preseason. Expect the Pistons to contend for the eighth spot in the East or land just outside of the playoff bracket.

5. Cleveland Cavaliers

Cleveland is rebuilding in the right direction. 2011-2012 Rookie of the Year Kyrie Irving’s continued excellence on the court will be the cornerstone of this franchise as it moves forward in the post-LeBron era. Irving’s ability to stay injury-free will also determine the Cavaliers’ fate this season. After being drafted fourth overall, Dion Waiters will be under much scrutiny. The Cavs are excited about Waiters and his ability to put the ball in the basket, so it will be interesting to see whether he lives up to the hype. Depending on Irving’s health and Waiters’ scoring ability, the Cavs may end up battling for the eighth seed in the East.

Southeast

1. Miami Heat

Miami is by far the best team in this division, with talent and depth throughout their entire lineup. The ‘Big Three’ will continue to dominate this season, and the addition of veteran guard Ray Allen will only make the Heat an even tougher opponent for the rest of the teams in the Southeast division. One player to keep an eye on is Mario Chalmers. The 26-year-old had an impressive showing in the playoffs last year and will look to continue his success in the 2012-2013 season.

2. Atlanta Hawks

The Hawks had a busy offseason, trading away Joe Johnson and bringing in Devin Harris. In the end, neither trade has really made them more of a threat to overtake the Heat for the division title. That said, the Hawks did address their issues at the point guard position, and by trading Johnson, they have freed up some cap space. Expect the Hawks to have no trouble making the playoffs, but unless they acquire a huge star via trade or free agency, they will be in the Heat’s shadow for the foreseeable future.

3. Washington Wizards

Third place in the Southeast is a toss up between the final three teams, but the Wizards seem to be the only one of those teams that is trending upwards. John Wall will continue to be a dominant force in the backcourt, and sophomore forward Jan Vesley will be looking to improve upon a solid rookie season. The real X-factor for the Wizards is 2012 first round pick Bradley Beal. He has been touted as a potential Rookie of the Year candidate, but it remains to be seen whether he can contribute enough to help the Wizards reach the postseason.

4. Orlando Magic

It was a tough summer for Magic fans and it’s only going to get worse. Orlando finally ended the year-long drama with star center Dwight Howard when they traded him for multiple first round picks and other assets. This season marks the beginning of what will likely be a long rebuilding effort to restore the franchise’s image. Truth be told, the only interesting thing to observe about the Magic is how long it takes the fans to call for the coach’s head. Fewer than 20 games seems a likely time frame.

5. Charlotte Bobcats

The Bobcats are a mess. After finishing with the worst winning percentage in NBA history last season, the Bobcats also managed to lose out in the draft lottery, and settle for the second pick. The franchise didn’t make any significant roster changes over the summer, so expect the same sort of miserable performance this year. There are two things to pay attention to here: will the Bobcats break their own record as the worst team in NBA history, and how long will it take before Michael Jordan comes out of retirement to help his own cause?

WESTERN CONFERENCE

Pacific

1. Los Angeles Lakers

The Lakers always seem to end up acquiring great players, and the addition of Dwight Howard and Steve Nash immediately make them title contenders. Howard is much more dynamic than Andrew Bynum, and Nash will help Kobe by controlling the ball and getting him open looks. The bench, however, remains an issue. Steve Blake and Chris Duhon figure to play a lot as Nash’s minutes will be reduced, but they will have no answer for some of the league’s top point guards. Like Miami, when it first assembled the ‘Big three’, the Lakers will take some time to gel. But when they do, look for them to be in the NBA Finals.

2. Los Angeles Clippers

Year two of Lob City is about to get underway. The Clippers added a bunch of new players, and it will be hard to distribute the bench minutes between Grant Hill, Jamal Crawford, Matt Barnes, and Lamar Odom. Even though L.A. seems like the perfect place for Odom, he appeared out of shape during training camp and struggled in the preseason. Interior defence continues to be a problem for the Clippers, as both Blake Griffin and DeAndre Jordan struggled against quality big men last year. With Chris Paul running the point, the Clippers should be a playoff team, though they will struggle against the Lakers, Thunder, and Spurs.

3. Phoenix Suns

It will be hard to replace first-ballot Hall of Famer Steve Nash, but it was inevitable that he would leave Phoenix at some point. Nevertheless, the Suns have added a few good pieces to their roster: they stole the amnestied Luis Scola off the waiver wire, signed Goran Dragic, and traded for Michael Beasley and Wesley Johnson. In addition, their first-round draft pick Kendall Marshall should be a serviceable backup to Dragic. Centre Marcin Gortat was a splendid surprise last year, averaging a double-double. If the new guys mesh together early and the team improves its defence, they could contend for the eighth playoff spot in the Western Conference.

4. Golden State Warriors

The Warriors will have a tough time making the playoffs this year. Instead, they should focus on the rehabilitation of their point guard Stephen Curry and centre Andrew Bogut. After trading Monta Ellis last season, Klay Thompson stepped up nicely, averaging 18 PPG as a starter. David Lee continues to play well offensively, but his defence is a liability. Rookie Harrison Barnes should be a productive scorer in the NBA, and will compete with Brandon Rush for a starting spot. If their roster remains healthy, the Warriors should be a decent team—but that’s a big ‘if.’

5. Sacramento Kings 

Good news: the Kings are staying in Sacramento for the time being. Bad news: they’re not very good. Tyreke Evans, Demarcus Cousins, and Jimmer Ferdette each have their own question marks. Evans had a great rookie season, but has struggled since and could be traded this year.  Cousins, on the other hand, improved dramatically last year, but still has some maturity issues.  Jimmer was so bad in his rookie year that he may not even be in the league after his first contract expires. On the bright side, there is a lot of young talent on the roster with the backcourt tandem of Isaiah Thomas and Marcus Thornton. First-round draft pick Thomas Robinson should help the team. The present is pretty bleak for the Kings.

Northwest

1. Oklahoma City Thunder

OKC looked set to repeat a very impressive 2011-2012 campaign with another chance at winning the Larry O’Brien trophy. However, its hopes came crashing down when they traded their super-sub James Harden this past weekend. The Thunder are still arguably the best team in the Western Conference, but this move definitely hurts their chances against teams like the Lakers. Without Harden, the Thunder will struggle to generate their drive and kick offence. Jeremy Lamb—one of the players they received for Harden—is much too young to start. The move may turn out well in the future, but for this season, their chances have taken a severe hit.

2. Denver Nuggets

The Nuggets got in on the Dwight Howard trade by acquiring Andre Iguodala, one of the premiere defensive shooting guards in the league. This team is a defensive powerhouse and perhaps one of best in the league. Kenneth Faried is entering his second year with a lot of promise, Ty Lawson is becoming one of the best point guards in the league, and Danilo Gallinari’s dynamic offensive game should come together this season. Pair them with Andre Miller and Iguodala, and this may be one of the best teams in basketball. The Nuggets are an exciting team and will probably be for years to come.

3. Minnesota Timberwolves

Between Ricky Rubio’s retro style and Kevin Love dominating the paint, the Timberwolves were a lot of fun to watch last season. Many analysts believed that Minny was poised to make the playoffs this year, until Love broke his hand a few weeks ago. He will be out for a few months and Rubio is also still recovering from his torn ACL and doesn’t expect to be back until January. Relying on Derrick Williams to replace Kevin Love is a toss up. Poaching Brandon Roy out of retirement could prove to pay big dividends, and Andrei Kirilenko should help a lot on defence. This team will be flat out scary when fully healthy, but for now with the present injury situation, the T-Wolves are in some trouble.

4. Portland Trailblazers

Portland is still feeling the effects of Brandon Roy’s departure, but the Blazers are showing signs of recovery, and could rise to contender status very soon. Rookie point guard Damian Lillard is intriguing; critics were wary of his coming into the draft, as he did not play at an elite level of competition in college. Lillard will start right out of the gate, and if he turns out to be a gem, Portland is going to compete in this division. LaMarcus Aldridge is one of the best and most consistent power forwards in the league. Nicolas Batum is quickly turning into a potent small forward, and Wes Matthews will spread the court with his deadly three-point shooting ability. Don’t be surprised if Portland is in contention past the All-Star break.

5. Utah Jazz

Utah has looked toothless since former Head Coach Jerry Sloan stepped down, and a turnaround isn’t likely this season. Star center Al Jefferson consistently puts up good offensive numbers, but unfortunately for Utah, he simply cannot protect the rim. The Jazz have a bright spot in Derrick Favors, who has shown glimpses of becoming an elite player. If he takes the next step this year, Utah could surprise. He will be fighting for minutes on a nightly basis with other young big-man Enes Kanter, which may limit his production.

Southwest

1. San Antonio Spurs 

After leading the Western Conference with 50 wins last season, the San Antonio Spurs chose to preserve last year’s roster over the offseason. The veteran trio of Tim Duncan, Manu Ginobili, and Tony Parker return with Boris Diaw and Kawhi Leonard rounding out the Spurs core rotation. With Coach Gregg Popovich putting a focus on defence this season, there is little doubt that the Spurs will be one of the best teams in the conference. However, the San Antonio’s championship aspirations are questionable. The Western Conference is extremely deep, so the team will need someone to step-up come playoff time to win a title.

2. Memphis Grizzlies

This could be the last chance for the Grizzlies’ elite group of Zach Randolph, Rudy Gay, and Marc Gasol to take Memphis deep into the postseason. The franchise currently sits $3 million over the salary cap, and a change of ownership is pending. All signs point to a complete restructuring of the team if the three cannot prove that they can lead a team past the first round of the playoffs. Over the offseason, the Grizzlies lost O.J. Mayo, but managed to sign former Raptor Jerryd Bayless to help the occasionally lacklustre offence. While a playoff berth is highly likely, the current scenario does little to promise a deep run in the playoffs.

3. Dallas Mavericks

The Dallas Mavericks avoided any serious financial commitments over the offseason, but still managed to completely change their roster. After missing out on coveted All-Star point guard Deron Williams, the Mavericks managed to land free agents Chris Kaman, O.J. Mayo, and Darren Collision. While the Mavs have a number of interesting pieces, the success of the season again rests on the shoulders of Dirk Nowitzki. If the big man can recover from knee surgery and return to the court soon, the Mavs will have a serious shot of finishing in the top five in the conference. Without Dirk, however, the team will struggle to contend with the West’s best teams.

4. New Orleans Hornets

After another inactive offseason, it looks as though the Hornets have turned to their own roster in order to fill the void left by Chris Paul’s departure. Luckily for the Hornets, there is no shortage of options. Their core is made up of two borderline all-stars, Eric Gordon and Ryan Anderson, alongside the 2012 number one draft pick Anthony Davis, and high scoring prospect Austin Rivers. As a young club, the team will need to endure some inevitable growing pains. How talents like Davis and Rivers react and learn from these challenges will ultimately determine whether this young group can surprise this season and become a major threat in the future.

5. Houston Rockets

After a botched attempt to secure Dwight Howard this offseason, the Houston Rockets have been left with a roster destined for failure. In an attempt to make room for Howard, the Rockets unloaded the majority of its roster and were left with a mismatched lineup filled with young, unproven players. The addition of James Harden will help, but he has yet to prove he can carry a team. The Rockets also managed to snag Jeremy Lin from the Knicks; and while Linsanity may fill seats, he isn’t likely to fill the win column. Expect the Rockets to take up residency in the basement of the Southwest.

 

The Redmen dominated ball possession, but couldn’t fill the scoresheet. (Mike King / McGill Tribune)
a, Sports

Two losses seal fate as Redmen miss playoffs

With their backs against the wall and two matches remaining in the regular season, the struggling  Redmen desperately needed a win as they faced the fourth-ranked UQTR Patriotes last Tuesday. Only the top four teams will advance to the playoffs, and the stakes were high as fifth-placed McGill was tied with Patriotes going into the match.

Two small mental blunders at the back were all it took to sink the Redmen, and they fell to the Patriotes in a heartbreaking 2-0 loss. McGill failed to register a goal, despite three efforts that clanged off the posts and a number of acrobatic saves by UQTR keeper Raphael Belanger-Vaillancourt. This lack of offensive production has been the club’s major flaw all year. McGill exits the 2012 campaign with only 12 goals—tied for second-last overall in the RSEQ.

Despite the disappointing loss and the goalless effort, there were bright spots for the Redmen. They dominated the possession of the ball all game, consistently dictating the contest’s flow against their physically smaller opponents. In the end, the difference between the two teams was simply the winning team’s ability to finish.

The loss hit harder for certain senior Redmen, who were playing their final games at Molson Stadium. Captain Jeremy Hurdle, two-time All-Canadian Alexis Pradié, and Winston Pool are all graduating.

A crestfallen Hurdle articulated this feeling after the game, and weighed in on his time at McGill. “It’s a heartbreaking loss. I thought we didn’t play too badly, but we didn’t have the finishing touch. [UQTR] is in a hot streak right now; they finished their chances and we didn’t. Credit to them,” he said. “Right now, it sucks, but overall, five years, I’ve loved every second of it. I wish it could have ended on a better note, but I’ll never forget playing for this team.”

Mike King / McGill Tribune
Mike King / McGill Tribune

First year Head Coach Jose Valdes lauded the three graduating players and all their work for the team after the game.

“I’m sad I only had them for one year. I only took over in January … so this was my only fall season I had with them,” Valdes said. They’re great guys, great leaders inside the room, good guys to know and good friends too. I thank them and I wish them the best.”

In spite of the loss, a heavy-hearted McGill still had a chance for a playoff berth. They needed a blowout win over Sherbrooke, in addition to a win by their foes, the Patriotes.  Unfortunately, this too fell short as the Redmen fell 3-1 to the Vert-et-Or on Sunday.

With the season now over, Valdes and Hurdle discussed the future prospects for the team.

“We’ve been able to move the ball around even with a bunch of new guys, so it’s promising for the indoor season coming up and future years as well,” Valdes said. “The keeper Max Leblond … Will Hoyle … and Olivier Lacoste, those [three] guys are the exciting core going forward.”

“We have a very young team this year,” Hurdle said. “If they stick on the team and keep working hard, in a couple of years. I’m sure this will be one of the best teams in Quebec.”

— With files from Adam Sadinsky

 

Mother Mother tours its latest album, The Sticks. (Todd M. Duym / www.mothermothersite.com)
a, Arts & Entertainment

From the sticks to the limelight

After the recent launch of their fourth, full-length album, Vancouver indie band Mother Mother is back, kicking off a nation-wide tour on November 7. While the band has been on and off the road this year, opening for Our Lady Peace, appearing at summer festivals, and headlining shows of their own, the upcoming tour will mark the first time they draw material from their latest album, The Sticks.

“Releasing a record is like letting free a caged bird,” says lead singer Ryan Guildemond. “It flies away, quickly out of eye shot, and you start to forget all about it. Going on tour is our turn to be a bird in a cage, doing tricks. The only thing that matters in a day is getting better at our tricks.”

While every band needs to practice their tricks, Mother Mother is no stranger to the business of touring. While continuing to deliver quality tracks, they’ve consistently toured every year since the release of their first album, Touch Up, in 2007. They’ve even garnered enough attention to tour internationally several times—a milestone for every indie band.

“It’s the difference between getting invited to a sort-of-friend’s party where you don’t really know anyone, and throwing your own party where you know everyone,” says Guildemond, when asked about how recent shows compare the recent shows to their early gigs. “The former, you have to execute your gestures with grace and precision to win ‘em over. The latter, you have more leeway to blunder. That said, no one really likes a sloppy host, so we tell ourselves that every additional impression is a first impression.”

In between dominating the nation’s indie-music industry, touring, and experimenting with reverb chamber closets in the studio, it’s hard to imagine that Mother Mother actually has time to sit down and write music.

When asked where the inspiration comes from, Guildemond responds, “Music is a very fun medium of creative expression that offers a wonderful escape from the mundanity of the everyday. Once you experience that, you realize that staying prolific is to the soul’s benefit, so you best not be lazy.”

Mother Mother’s music falls somewhere along the spectrum of “a random clash of pop and rock that just happened to sound amazing,” and plain noise. They have standouts that stick in listeners’ ears long after the first listen, as well as tracks which border on the quickly-forgettable;  both darker songs that experiment with multi-dimensionality, and those for easy-listening.

“How we come off to others  [in terms of] challenging versus easy music is likely to show inconsistencies, and which of the two I prefer, I don’t really know. I just want to do what appeals to me and the band, because you can’t please them all,” says Guildemond. “The indie-diehards will say we’re banal while the mainstreamers will say too weird, and therein lies the meaningless subjective beauty of art.”

Still, their repertoire is broad enough—it’s a little bit of what mainstreamers love, and just enough of what indie kids don’t.

Mother Mother play on November 21 at the Corona Theatre (2490 Notre-Dame West). Tickets are $26.90

Dan Deacon’s latest delves into exploration and discovery. (www.reeperbahn.com)
a, Arts & Entertainment

Dan Deacon on smartphones, classical music, and America

When I finally reach Dan Deacon after a frustrating number of dropped calls, he apologizes for the poor reception, and tells me, in high spirits, that he’s “somewhere rural.”

Deacon is currently traversing North America in support of his third album, and Domino Records debut, America. As the title suggests, the album deals with land and landscape—in particular, with travel, including jaunts to the frontiers of mobile reception.

America is inspired by the sweeping scope and immense diversity of the country Deacon calls home. Its very name possesses, according to the album’s press release, “an infinite range of connotations, both positive and negative.”

Deacon, moreover, appreciates the novel aspects that touring across the country brings to his music.

“Travelling with new people, and some people who haven’t travelled before, brings a newness and a freshness to it,” says Deacon; the experience has only reinforced his ideas about the diversity of the land.

This freshness, and its consequent broadening of horizons, seems to be a recurring theme for both the man and the album. Indeed, a good deal of media attention has focused on the changes evident in America, a record which moves away from the energy-charged pop intensity of Deacon’s hit debut Spiderman of the Rings. The changes, however, are less drastic than critics may suggest.

Sophomore record Bromst (2009), while lacking the amount of song-suite-epicness in this latest offering, marks an indubitable transition from the pop ecstasy of former days. Deacon began work on America as soon as Bromst was finished, and shows have featured material from America for quite some time.

The live performances, however, won’t differ too much from what fans have come to expect.

“There’s largely the same energy to the show,” says Deacon. “It’ll be pretty sweaty… people dance quite a bit.”

The break between Deacon’s last two releases can, in large part, be attributed to the fact that he’s been rather busy. His diversions have included scoring Francis Ford Coppola’s Twixt, and several classical music projects, including two compositions which were performed at Carnegie Hall earlier this year.

“They changed the way I think about sounds, instruments, music … they definitely had a big influence,” Deacon says of his side projects. He has a real interest in working with different media, wanting “to try as many different forms as possible … they all have their own forms, settings, contexts.”

When it comes to working with someone else’s vision, such as during the Coppola project, Deacon is amazingly positive—perhaps surprisingly so, for a man who custom-built a recording space for one of America’s tracks to ensure full creative control.

“It’s always nice to work within limits,” he says. “It gives you something to push the boundaries of.”

This penchant for experimentation is not limited to Deacon’s lesser known projects. Audiences on his present tour will be treated to some Deacon-style performance innovation, such as his concert mobile app.

“If you think about [smartphones as] lights and speakers …you can synchronize and utilize those in a way that adds to the performance,” says Deacon.

Having just last week been implored by Dan Mangan to “all put away our phones and just be here,” I can’t help but comment to Deacon that his embrace of smartphones runs counter to the impatience and frustration many other artists express.

His response is that the app “changes the way that people think about the phone. That’s what I like about it. It’s no longer about the individual phone … Our app is deliberately not interesting if you use it by yourself. You can’t really use it by yourself, you have to use it at a show … it needs a critical mass of people to make it work, to make it exciting.”

This latest experiment certainly should be; it’s the latest in a long line of crowd-participation techniques from a man who’s long been known for the unified energy and synchronized dancing of his live shows—Deacon even performed earlier this year to energize crowds at the Occupy protests. This current tour is just the beginning—he is “still figuring out how it all works” this time around, but already looking ahead to writing music specifically to be used with the app in the future.

But where does this interest in getting folks involved come from? “Ah… I don’t know… I think it’s just a weird neurosis that I have,” Deacon replies.

Whatever the source of his talent, working up a crowd is something which the man has mastered. Deacon’s tour hits Montreal on November 10, and a fantastic time is all but guaranteed.

For those who don’t have a smartphone, fret not.

“It sounds cheesy,” Deacon admits, “but the light literally shines on us all… we don’t all need to have the phone.”

Of the show itself, Deacon says, “it’s better to go with an open mind and with no expectations, people might have a better time that way.”

Dan Deacon plays on November 10 at the SAT (1201 Boulevard Saint-Laurent.) Tickets are $17 advance, $20 at the door.

a, Arts & Entertainment

Could Be Good

Theatre: Hamlet

Is your life short on Shakespeare? Fear not! Over the next week and a half, Persephone Productions will be performing Hamlet, perhaps the bard’s most resonant play. If you miss out, you may have to wait for a few decades—the last time Montreal had an English production of Hamlet was 1976.

Hamlet runs at the Calixa-Lavallée Theatre (3819 Calixa-Lavallée), November 1-10, and Victoria Hall (4626 Sherbrooke Street West), November 17-18. Student admission $12.

Film: Masterpieces in 35mm

In the upcoming week, Cinema du Parc revives a set of classic 35mm films. The menu opens with Joseph von Sternberg’s The Blue Angel, which marks his first collaboration with the great Marlene Dietrich. Luis Bunuel’s surrealist masterpieces, Un Chien Andalous and L’Age D’Or follow.

The Blue Angel will be showing November 2-4, at 9:15 p.m. Un Chien Andalous and L’Age D’Or will be showing November 5-7, at 9:15 p.m.

Film: Wine From Here

Fancy a movie and a drink? Look no further than the screening of Wine From Here, a documentary dealing natural Californian wineries, their histories, and their goals. Afterwards, take part in a winegrower-led panel discussion, taste some wine, and sample the canapés.

Catch the one-off showing of Wine From Here next Monday, Nov. 5, at Cinema du Parc. Admission is $20, and includes one movie ticket and wine-tasting.

Audio Art: Lounge

Inspired by 1950s-era Montreal piano bars, Lounge delves into what the act of listening entails. The performance features Seth Horvitz’s “Eight Studies for Automatic Piano,” and Laura Cetilia’s cello.

Lounge takes place at the PHI Centre (407, Saint-Pierre Street), at 9 p.m., November 10. Admission is free with a pass, available at the PHI Centre.

Dance: La Danseuse Malade

After a whirlwind tour of Japan and Indonesia, Jocelyne Montpetit’s La Danseuse Malade is returning to Montreal. Named Best Dance Performance of 2011 by La Presse, Montpetit returns with her exploration of Japanese choreography, or butoh.

La Danseuse Malade will be playing at the Segal Centre for Performing Arts (5170 Chemin de la Côte-Ste-Catherine), on November 8, at 8 p.m. Admission is free. Warning: onstage nudity.

a, Arts & Entertainment

When language fails

As a university student studying English literature, I am a firm believer in the role of language as a mode of cross-cultural and cross-temporal expression. Yet, if there is one thing I have also learned after more than two years of engaging critically with different literary forms, it is the obvious incapacity of the written word to accurately communicate certain experiences. Language simply falls short, for example, when trying to say something meaningful about a preliterate society that was dependent on entirely different verbal and natural modes of expression.

The MAI (Montreal, arts interculturels) is a venue for interdisciplinary art practices that seeks to overcome this shortcoming by exploring non-verbal media for intercultural dialogue. From October 25 to 27, MAI staged the multi-sensorial trans-cultural dance-theatre production, Colonial. The show, which toured globally, uses the human body, music, and visual arts to tell the complex story of the colonization of the Philippines by the Spanish in the 16th century, and the American occupation three centuries later. Colonial is a collaboration of five Filipino artists, each using their artistic talent to address their cultural heritage, and explore how to align it with a modern Philippines that now identifies with Western ideals.

The first of the production’s three parts transports the audience back to the pre-colonial jungles of the Philippines. Filipino-Canadian dancer-choreographer, Alvin Erasga Tolentino, gracefully dances on the small stage; a long and narrow mask covers his head, preventing him from seeing the audience or noticing anything beyond the small natural world of jungle sounds and shrubbery he moves in. Gradually, the background music swells in intensity, the rustling of leaves and bird-song are replaced by beating drums, and the sound of church bells makes itself heard in the distance, announcing the arrival of the Spanish colonizers.

The production’s second part begins with Tolentino crawling onto the stage and throwing himself into an uncontrolled, maniacal dance, as images of European and American cultural artifacts surround him on all sides, relentlessly imposing themselves on his natural space.

In contrast to this overt expression of the individual’s battle against overwhelming external influences, the production’s third and final act features a Tolentino who seems to have regained a state of inner equilibrium, his dancing becoming more controlled: we’ve returned to the present, in which the Philippines has gained its independence, but remains irreversibly changed by its colonial past.

Colonial is a fascinating and innovative interpretation of the past and present of the Philippines, and an excellent example of the interdisciplinary artistic vision of the MAI.

The MAI is located at 3680, rue Jeanne-Mance, bureau 103. For more information visit http://m-a-i.qc.ca/en

a, Arts & Entertainment

Move over, Edward Cullen—there’s a new undead in town

The Twelve is the second book in Justin Cronin’s compelling trilogy about a pseudo-vampire apocalypse, brought about by the volatile combination of ambition and stupidity on the part of several rogue scientists. Following The Passage (2010), The Twelve begins in the aftermath of the second uprising of the virals, or vampires. The storyline takes several chapters to settle in, but it’s worth the effort. What sets Cronin’s work apart from other novels in this genre is his realism: there are believable resolutions to different situations. Familiar characters die; such portrayal makes the story much more engaging.

The prologue opens with a brief recap of the virals’ rise, and introduces Amy, the leading lady chosen by God to save the earth. As one might expect in a story about good and evil, Cronin vividly illustrates the conflict between God and the Devil. Thankfully, this dimension does not overpower the storyline. From then on, Cronin enlists average Joes to wage the second war on the ghouls. From his scenes of harvesting in the communal corn fields with the constant threat of being “taken-up” (converted) by a rogue viral, to those of working in the oil refineries on the Texas coastline, Cronin creates a world we could believe ourselves a part of. The most intriguing aspect of the book is the introduction of a mysterious cloaked woman who, though sharing human features, is working with the virals to destroy the remnants of mankind. Alicia, who was infected with the virus at the end of The Passage, rendering her viral-human hybrid, also blurs the line between her human allegiances and her newfound viral blood. Just when readers relax, the tables turn, and, in Cronin’s words, “you’re running for the hard-box.”

As an English professor at Rice University, it is little wonder that Justin Cronin knows how to craft a trilogy with the power to stay. His home in Houston, Texas, provides the real-life setting that inspired the small southern towns of his novel. The remote settings in the book add to the sense of isolation that mark the characters’ plight, and help Cronin to focus on developing each character’s story with no extraneous detail.

The Twelve’s best feature is its breadth of story. Jolting the reader between characters and plot lines, Cronin teases readers with open-ended stories so that one is never completely sure of who lives, who dies, and who goes viral. That said, when Cronin focuses on one character at a time for several hundred pages, the book can become mundane and tedious. These sections lack the pizzazz we have come to expect from him—it’s a good four pages of action packed, into fifteen chapters.

Although the story assumes an end-of-days tint, don’t let all this talk of the humanity’s demise deter you from picking up Cronin’s latest. It’s actually an optimistic story:

“Everything that deals with ‘the end of the world—is actually a creation story,” says Cronin in an interview with The Independent. “Otherwise, it’s completely nihilistic and nobody would read it.”

At some 1500 pages already invested in this trilogy, this is a creation story not to be breezed through. So pace yourselves. But remember: when in doubt, run.

Plants and Animals looks ahead. (jemzz.wordpress.com)
a, Arts & Entertainment

Montreal trio on new beginnings

Montreal’s own Plants and Animals are no strangers to the music scene. The talented trio, consisting of Warren Spicer, Matthew “Woodman” Woodley, and Nicolas Basque, met at Concordia University and took what seemed like the natural step forward to form an indie-rock compilation.

In the beginning, the trio was heavily reliant on improvisation, taking small stages around Montreal. Spicer (vocals) was quite shy at first, and it was only when he allowed his silence to grow into his signature melodic vocals that the band really took off.

“We’ve become something like a chicken sandwich. Warren is the meat, Woody is the bread that holds us all together and I like to think I’m the sauce that tends to get all over the place,” says Basque.

The majority of their inspiration stems from music in the ‘60s, as well as modern theatre and dance.

“It’s really tough to pinpoint what inspires you musically as a band,” says Basque. “We all have many creative friends, such as Katie Moore and Michael Bryan, that radiate wild, loose, and experimental waves. We find that kind of exposure very healthy.”

Since their formation in 2002, Plants and Animals released a self-titled debut album, in 2003, followed by an EP and three full-length albums. Basque explains that the band’s three newest albums are meant to resemble the transitions between childhood, adolescence, and adulthood.

Parc Avenue (2008) definitely has a naïve aspect to it, along with it being precious and welcoming. La La Land (2010) is much darker and psychedelic, and reflects the experimental stage in someone’s teenage years. We then finally arrive at The End of That (2012), which radiates a certain sense of nakedness, maturity, and simplicity.”

Though each album’s sound was developed quite differently, each one is recorded close to home.

“We love to record and rehearse at the Treatment Room here in Montreal. All of our gear is there, we know the place like the back of our hand, and we know the people so well. It’s home to us,” explains Basque.

When asked to describe Plants and Animals’ signature sound in a few words, Basque calls it a “vibrant and real with an organic quality.” It is something that “moves a lot, and moves together simultaneously as the chemistry is sonically dynamic.” Compression and saturation in order to please radio standards is something they shy away from, and instead strive for the notions of experiment and surprise.

The End of That sparked an undeniable buzz in Montreal, as well as other provinces, eventually catching on across borders. Previously touring with Wolf Parade, Gnarles Barkley, and Grizzly Bear, Plants and Animals have shown a ready appeal to national audiences.

Following the end of their tour, which winds down in mere weeks, the trio plan to buckle down and get back to rehearsing.

“The direction in which our sound is now going is really exciting for us. We want to try to do something with more texture and depth that is challenging both for us and our listeners,” says Basque.

No matter where this new direction takes them, their sound is nothing short of accessible. What will remain constant are the recurring emotional curves that emerge when listeners least expect them.

“Our ideal fan is someone who can party to one of our groovier songs, and mellow out during a slower one,” Basque says. “Whoever can keep up with the highs and lows of our pieces is welcome at any show of ours.”

Plants and Animals are playing Nov. 16 at The Corona Theatre (2490 Rue Notre-Dame West.) Tickets are $20.

a, Arts & Entertainment, Music

Macklemore & Ryan Lewis: The Heist

After Macklemore & Ryan Lewis partnered up to bring us the acclaimed The VS. EP in late 2009,  some fans feared a sophomore slump. Instead, the duo’s latest release, titled The Heist, plays like a veteran rapper’s ‘best-of’ compilation.

In a surprising turn for a rap album, The Heist provides an invigorating instance of straight talk. In direct contrast to the belief that ostentatious displays of wealth and bravado are de rigeur in rap (see Zadie Smith’s interview with Jay-Z), Macklemore, whose real name is Ben Haggerty, writes only what he knows. The record’s subjects range from the agonizingly candid “Starting Over,” where Haggerty struggles with the shame and disappointment of relapsing into cough syrup use, to the jaunty “Thrift Shop,” an ode to second-hand stores. Haggerty’s songwriting, however, is at its peak in “Neon Cathedral,” the young rapper’s elegy to the solace that drinking provides the hopeless. The theme of substance abuse is well-trodden ground for an artist whose most personal track prior to The Heist was “Otherside,” a song lamenting the cough-syrup epidemic stifling both hip-hop and his own life. The tone, however, never verges on the moralistic—Haggerty readily admits that he’s not a judge, only a storyteller.

Lewis, the duo’s producer and DJ, plays an invaluable part in this process. Since the two began working together, Lewis has coupled Haggerty’s tracks with some of the most captivating beats in recent memory, often employing dense, intricate layers, with his own skill on show in the instrumental “BomBom.”

With Haggerty’s incandescent delivery, and Lewis’ expert production, Macklemore & Ryan Lewis have brought out the most impressive record of 2012. Welcome to The Heist—you’ve pulled it off.

 

a, Arts & Entertainment, Music

Mellowhype: Numbers

Unless you’re a well-versed hip-hop fan, it’s possible that your familiarity with rappers Left Brain and Hodgy Beats only stems from their frequently cited Odd Future involvement. The pair of artists, however, also make up the separate rap group Mellowhype, which recently released their third studio album, Numbers. In comparison to their previous work, the album features toned-down and introspective tracks, and showcases the pair’s recent shift away from adolescent antics to musical, and perhaps even personal, maturity.

In other words, Numbers is less hype, more mellow. In some instances, this leads to artistic breakthroughs, such as with “Under 2,” in which Left Brain touchingly raps about his newborn son. Other times, however, the mellowness is monotonous, leaving longtime fans wishing for some of the adolescent anger and intensity present in their earlier work. Frank Ocean’s appearance on “Astro” adds some star power to the album; the track features beautiful crooning by Ocean with a great Left Brain beat. Earl Sweatshirt, on “P2,” adds excitement as well, though disappointingly mumbles throughout much of his verse.

In sum, the album could use more energy and variety in its use of beats, sounds and features. As the first effort of a more cultivated Mellowhype sound, however, it can be considered a step in the right direction.

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