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Montreal, News

Bat found with rabies

A deceased bat found September 10 at the corner of Sherbrooke and McGill College has tested positive for rabies, according to Montreal public health officials.

Officials are looking for anyone whom the bat may have scratched or bitten. One person was bitten while trying to put the bat in a box, La Presse reported Friday, and officials have urged anyone else who may have been in contact with the animal to seek medical assistance or examination, even if they have no visible symptoms of rabbies.

“In the case of a bat, [the] bite can be very small and not cause you concern,” said a notice from the Montreal Public Health Department.

Rabies is transmitted when infected saliva enters the bloodstream, which can take place through an open cut, the mouth, or the nose. If left untreated, rabies is fatal, but an infection can be treated easily within the first 21 to 90 days of initial contact.

According to the Gazette, the bat was captured and taken to the Biodome for analysis. Last week, test results were issued indicating that the bat was carrying rabies.

Most of Montreal’s bat population is harmless, while only a small percentage are rabid, according to the Gazette. In 2000, a Quebec resident died after being bitten by an infected bat. Although deaths in North America are rare, 50,000 people die of rabies each year around the world.

Officials have posted warnings around the McGill campus, and are asking people with information or questions to call Info-Santé at 811 or McGill Health Services at 514-398-6017.

McGill, News

McGill no longer subsidizing French classes

After several years of subsidizing French as a Second Language class fees for international students, McGill has determined that it can no longer afford to offer the program at such a low cost.

Last spring, the university decided that it would raise international tuition rates for FRSL classes in to improve McGill’s severe deficit.

According to Students’ Society Vice-President University Affairs Joshua Abaki, the Ministry of Education subsidized the fees which allowed international students to pay Quebec tuition rates for French classes at McGill until 2008.

“When [the Ministry of Education] stopped providing that subsidy because of deregulation of international tuition, McGill still continued enabling international students to pay Quebec rates,” he said.

The lower tuition rates were offered as part of the Principal’s Task Force on Diversity, Excellence and Community Engagement’s policy of encouraging international students to learn French and better assimilate into the Montreal community. After the Ministry of Education stopped subsidizing the fees, McGill continued to offer the lower tuition rates, but has since decided that this is no longer possible.

“The university is severely underfunded,” said Deputy Provost (Student Life and Learning) Morton Mendelson. “It simply cannot afford to deliver services like this for free.”

The change has raised concerns about the way it was adopted and the time frame for notifying students.

“Normally [McGill] does such a good job of telling the students [about fee increases], and they always give students enough time to plan ahead,” Abaki said. “This time that wasn’t done.”

Mendelson, however, said the university made numerous attempts to let affected students know of the tuition increase for FRSL classes.

“Websites were updated in early April to convey this information to students and an email was sent to students registered in the courses in order to give them enough time to change their programs, if they wanted to, without penalty,” he said. “For the summer term, students who were newly registered for the programs were notified in early May.”

Abaki maintained that students were not realistically given enough time to “actually plan ahead and budget.”

Abaki also pointed out that the fee increase schedule has been pushed back for graduate students, giving them more time to take FRSL classes with lower fees.

Ryan Hughes, VP external of the Post-Graduate Students’ Society of McGill Univeristy, explained that graduate students were not informed of the fee increase until September 1 2010, so the administration did not increase these fees for the fall.

“The waiving of fees for the Fall semester was not [the PGSS’s] doing,” he said.

Hughes added that although graduate students have had more time to prepare for the changes, he is unhappy with McGill’s decision.

“I find these increases problematic considering our diverse student population and their ability to both comfortably perform at McGill and appreciate the vibrant culture of Montreal,” said Hughes. “Obviously McGill is trying to balance the budget and of course, we are in hard economic times, but what the administration is doing is extremely short-sighted.”

The issue will be addressed at Wednesday’s Senate meeting, and Abaki is hoping a resolution can be reached so that McGill can make a commitment to provide all students the opportunity to enroll in FRSL courses if so inclined.

“If that means setting aside a lot of money raised from tuition for financial aid specifically for those courses, that would definitely help the situation,” Abaki said.

“Of course another thing would be to consider postponing the tuition increases maybe until the winter semester, or until next year, just so that students have enough time to plan ahead,” he added.

“Charging tuition that we must, and which we are entitled to charge, shouldn’t be seen as a lack of support for international students who are trying to engage more fully with the Quebec community and society,” Mendelson said. “We do, of course, try to help students who find themselves in financial need and in this case students were invited to contact the Scholarships and Student Aid Office if they needed help.”

News

In Italy, Patients Anaesthetized by Doctors an Ocean Away

You are about to undergo invasive surgery, and the anaesthesiologist begins to administer the drugs that will put you to sleep while he sits in a lab 8,000 kilometres away.

This situation is now a reality thanks to an interface developed by Dr. Thomas Hemmerling and his team from McGill’s department of anaesthesia.

Several years ago, Hemmerling created McSleepy, a software system that automatically infuses anaesthetizing drugs into patients. On August 30, his team operated the software remotely, using an Internet connection to monitor patient body signals, transmit system commands, and video chat with doctors performing the surgery abroad.

“It’s an extraordinary technological development that could be enormously useful to help with anaesthesia in remote locations,” said Fernando Cervero, director of McGill’s Anaesthesia Research Unit.

Collaborating with Dr. Cedrick Zaouter’s team at the University of Pisa, Hemmerling’s group sat at their “anaesthesia cockpit” in Montreal and anaesthetized 20 patients undergoing thyroid surgery in Italy. In addition to using automated systems, Hemmerling conducted a preoperative assessment of the patients using Skype video conferencing, including discussion of patient history and measurement of patients’ airways using rulers held by staff in Italy.

“We had two automated systems communicating with each other [and] communication was controlled through an automated system with us here in Montreal,” Hemmerling said.

From the cockpit, Hemmerling’s team gave the system commands to administer the drugs for general anaesthesia.

“The systems are specifically designed so that they deliver anaesthesia in the safest possible way, probably even safer than if you do it manually. There are many, many safety checks,” he said.

During surgery, laptops showed four video screens monitoring the surgery and various biological signals of the patients, providing doctors with the same information they would have if they were present in the room.

“If for some reason the local doctors don’t like what the automated system is doing, they can always stop it or override it,” Hemmerling said. “Even if communication breaks down, the local automated system would still function during our re-establishment of the connection.”

A particular focus of the test procedure was to determine the frequency of manual overrides or Internet misconnections. Neither problem occurred in any of the surgeries, though.

Hemmerling and other anaesthetists envision multiple potential uses for the combined technology of video conferencing and automatic anaesthesia.

“There is big incentive from the World Health Organization to develop more and more of what we call ‘telemedicine,” he said. “Transcontinental anaesthesia is definitely part of this.”

Many countries in Africa have very few anaesthesiologists. An automated system, Hemmerling said, could make anaesthesia more accessible even in remote areas.

“At this point, we do not have enough specialists in remote areas, even in Canada when you go to rural areas up north,” Hemmerling said. “Even if you are a specialist, you might have to deal with very complicated cases where you would prefer to have an automated system helping you and an expert team as a backup, with whom you can consult in real time.”

Besides helping isolated doctors, Hemmerling said he foresees the possible use of the technology as a teaching tool for training residents and for providing preoperative assessments remotely without having patients travel to the hospital.

Groups in the military and space industries have also expressed an interest in making use of the technology for surgery in locations with few or no specialist doctors available.

Steven Backman, chair of McGill’s department of anaesthesia, emphasized the novelty of Hemmerling’s process.

“You are able in real time to get a lot of biological information about the patient and also control the delivery of drugs over a long distance,” Backman said. “It’s important to bear in mind that it doesn’t replace the anaesthesiologist, but it certainly allows you to provide anaesthesia care with the input from doctors over any distance.

“We’re very excited about this,” he added. “We look forward to seeing how this is going to evolve. It’s very, very new technology.”

News

TaCEQ Gears up for a Second Year

The Quebec Student Roundtable (QSR, or TaCEQ in French), a provincial student lobbying group, is gearing up its campaign for the coming school year.

TaCEQ represents the student associations of the undergraduate and graduate students of Laval University, the graduate students of the University of Sherbrooke, and the Students’ Society of McGill University. According to SSMU Vice-President External Myriam Zaidi, the organization represents roughly 65,000 students in total.

“We’ve been working already in conjunction with these associations that are a part of TaCEQ right now,” Zaidi said. “We meet once a month, at a roundtable of the associations.”

TaCEQ, which was started last fall, spent much the last year drafting its bylaws and campaigning to introduce paid practicums for Education students. This year, however, TaCEQ plans on tackling a number of issues facing Quebec universities, including the tuition hikes scheduled to be rolled out in 2012.

“We are trying to get different actors in Quebec to endorse alternative solutions to underfunding instead of tuition increases, whether it’s businesses, university administration, or the government,” Zaidi said.

The coming tuition hikes are being approached in different ways by the different student lobby group, throughout the province. Others include the Quebec Federation of University Students (FEUQ), and the Student Union Solidarity Association (ASSE).

“They all go at it differently to a certain extent just to make sure that they offer something different to their constituents,” Zaidi said. “We will be going at it in the sense that we really want increased government funding for universities.”

This differs from FEUQ’s campaign, which, according to their website, is focused largely on the management of finances in university administrations.

However, there is some overlap when these different groups come together at the Table of University Partners (TPU). “It’s a roundtable of all the partners in Quebec universities. That includes student groups, professors’ unions, teaching assistant unions, and others,” said Zaidi.

TaCEQ is in the process of obtaining recognition by the Quebec government, which would allow them to get government funding. Zaidi is also working on increasing the group’s visibility at McGill by promoting TaCEQ’s English-language acronym, QSR.

News

Safety Week Delights

Starting as “Safety Day” at McDonald Campus and continuing downtown over the next four days, the second annual Safety Week took place at McGill last week. The event was opened by Principal Heather Munroe-Blum, and included a series of presentations, games, and a closing barbecue.

“Safety Week’s purpose is really to get as much of our information out to the community, and for the community members to know exactly what we do, and who we are,” said Pierre Barbarie, associate director of university safety.

A Safety Week tent was located on Lower Field where tables representing security, emergency measures and fire prevention, and environmental health and safety were accessible to students and staff.

In addition, some student clubs, such as McGill First Aid and McGill Walksafe, were at the tent, as well non-McGill organizations like the Commission for Health and Security at Work (CSST), who showcased what they do for the university community.

“That was a positive for us too, to really get our partners involved in Safety Week,” Barbarie said.

Issues including hostile intruder, ergonomics (health and safety), and self-defence were among the topics of the presentations. Ten different sessions were held throughout the week, which people could attend by registering online.

While last year’s concept was kept the same in terms of what McGill Security offers to the community, Barbarie explained the marketing and advertising aspects were done differently this time around. Emails in the form of “All-notes” to students and staff were used as an attempt to attract more people, and the registration was done through myMcGill, which brought a lot of positive feedback.

“We tried to get out there a little more in terms of trying to attract more people, so we did a little more advertising,” Barbarie said.

On average, attendance increased to 25 people per presentation compared to six or seven last year according to Barbarie. The number of people who came into the tent and stopped at the tables was also greater than it was last year.

“We really want to keep this an annual thing [and] visibility is huge, so we definitely want to increase the numbers,” Barbarie said.

Arts & Entertainment, Music

Snoop Dogg – The West Coast Blueprint

In celebration of Priority Records’ 25th anniversary, hip-hop legend Snoop Dogg runs through his catalogue of West Coast favourites in The West Coast Blueprint. With a few well-placed interludes, Snoop guides the album along like a radio DJ, providing insight and commentary on California hip-hop’s golden age. Blueprint has tracks that any casual hip-hop fan will recognize and also includes some forgotten gems. Tracks like “Pay Ya Dues” by Low Profile and “Playaz Club” by Rappin’ 4-Tay have bass and G-Funk vibes, but they failed to earn the universal respect that “Eazy-Duz-It” and “Alwayz Into Somethin” achieved.

It’s clear that Snoop Dogg put some thought into selecting these tracks, but it’s hardly as comprehensive a tribute as he’d like you to think. Sure, gangsta rap was at its peak from the birth of N.W.A. to the death of Tupac, but since he ignored the 2000s, the album comes off as incomplete and, to be honest, a little lazy. Snoop also filled the album with his own material. Six tracks on the album credit him: three are interludes, two are his own material, and one features his hip-hop posse The Dogg Pound. But then again, what is hip-hop without blatant self-promotion? The rest of the tracks are all well selected. The classics are here, but it’s the unknown songs that make the album shine. Regardless of how much you like hip-hop, The West Coast Blueprint should at least give you a track or two to add to your iPod’s pre-drink playlist.

Arts & Entertainment, Music

Iron Maiden – Final Frontier

At first glance, the new Iron Maiden album reads like an epitaph. But the British heavy metal giants are very much alive, kicking, and rocking out.

When their latest album, Final Frontier, was announced many began to worry that this would be the last we’d hear of Iron Maiden. Lyrics in the opening number seem to signal a farewell: “I have lived my life to the full / I have no regrets / But I wish I could talk to my family / To tell them one last goodbye.”

Thankfully, the album is set on an expanding frontier, not a terminal one. Final Frontier satisfies with the usual Maiden blend of driving, layered performances and powerful lyrics, and still pushes forward as a modern album. Contemporary topics such as consumerism and the media are explored in fantastical, historical, and supernatural allegories. The guitar riffs and solos are edgier than we’re used to, and the experiment pays off.

Final Frontier is a solid entry in an already impressive Maiden catalogue. It’s definitely worthy of multiple listens and head-banging sessions. Highlights include the electrifying single “El Dorado,” the anthemic “Coming Home,” and, of course, “When the Wild Wind Blows”-an instant Maiden classic,. The monumental final song runs 11 minutes, but in typical Maiden fashion, leaves you wanting much more.

Arts & Entertainment, Music

Boxer the Horse – Would You Please

Comprised of lead singer and guitarist Jeremy Gaudet, drummer Andrew Woods, Isaac Neily on keyboard and Richard MacLeod on bass, Boxer the Horse is a home-grown Canadian band with lots of kick. The boys hail from Charlottetown, where the music is crude and the coastal vibe is real.

After the release of their self-titled demo shortly followed by their EP, “The Late Show,” the band gained a strong following in the Maritimes. With the national release of their first full-length album, Would You Please, the band is slowly moving west and making waves beyond their island home.

The band’s ability to shoot straight and maintain a clearly defined sound should never be underrated. There is never too much going on at one time, making it easy to focus on the distinct components of each song. Loud and clear, they master their own sound, and give a kind shout out to Montreal between the up-beat blasts in “Pot Valiant.”

These boys are fresh and hold lots of potential. Would You Please is fun to listen to, and the band’s honest sound is a fresh addition to the indie rock scene. Contrary to the title of their first track, I’m finding it hard to see any “Bad Apples” in this bunch.

Arts & Entertainment, Music

Teenage Web Wonder

brittanykwasnik.com

Nowadays the Internet can be used for everything, including finding up-and-coming stars.

 

This Wednesday, local Internet sensation Brittany Kwasnik will perform an acoustic set at Le Cagibi. The 16-year-old singer-songwriter made her online debut about two years ago and is now signed to Montreal-based Justin Time Records, with her first album, I Don’t Know Me, set to be released in January.

 

Kwasnik’s success story has humble beginnings. Given a guitar when she was just nine, she taught herself to play via the Internet.  She then began writing music and lyrics.

 

“I would write [music] when no one was home,” Kwasnik says. “I did it secretly because I thought I sucked. But one day I was caught by my friends and mom, and they started making me sing for them. I then started doing open mic nights.”

 

After recording a song at a studio in Montreal, her friends got a hold of the MP3 and uploaded it to YouTube with a picture of her. After three days it had amassed close to 37,000 hits.

 

The teen’s indie sound and heartfelt lyrics appeal in a way that is hard to pinpoint. It seems to always come down to her “rawness.” That’s not to say that her songs are unfinished, but they avoid the clutter that most people associate with modern pop songs (read: auto tune., synthesized beats, etc.). Her songs are carried by her lyrics and her voice’s subtle maturity.

 

“When I’m doing an acoustic show, I can be very acoustic,” Kwasnik says, “But when it’s produced, I like to call it relevant pop. To me, that means the angst and honesty of indie music with the fun of pop and electro pop. It’s a fusion between that. A lot of my stuff is indie, but when it’s produced it’s much more electro pop.”

 

Though Kwasnik’s musical influences include Tegan & Sara, Taylor Swift, and Colbie Caillat, her personal background is more relevant to her sound.

 

“A lot of my music is because of a foundation I’ve created called Nobody Knows,” Kwasnik says. “It’s to help people who live with siblings or parents who are mentally ill. When I was younger I lived with someone with a mental illness, and my music helps me express and deal with it. In the future I want to start a house for those people, someone and somewhere they can call to ask for help or just talk. “

 

However, there is more to her inspiration. What makes her songs so relatable isn’t just their emotional value-it’s also their candor.

 

“I’m also just a really big observer of other people,” she says. “I can just be walking down the street, and see other people, or my friend walking down the street and that can be inspiration as well.”

 

 

 

Brittany Kwasnik is playing a free show at Le Cagibi on Wednesday, September 15. Visit www.brittanykwasnik.com for more information.

Arts & Entertainment, Film and TV

Get off with the Help of your Friends

The latest movie to tackle the age-old convention of nerds trying to lose their virginity is aptly called The Virginity Hit. The film, with its newcomer cast, was produced by Will Ferrell. With the support of such a typically hilarious actor, one might assume that the movie promises to be as funny as some of his other film exploits. While it does have some funny moments, The Virginity Hit ultimaetly doesn’t hold a candle to Ferrell’s past work.

The film, which chronicles the mission of a high school nerd attempting to lose his virginity before graduation, is unique in that it uses a documentary-style aesthetic. Centering on the relationship between adoptive brothers, Matt, a painfully awkward boy with glasses, and Zack, a home movie enthusiast who spends most of his time with a camera attached to his hand, the movie’s ultimate goal is to see Matt lose his virginity-an exploit which happens to be entirely documented by Zack. Despite the fact that Matt has a long-term girlfriend, anxiety, fear, or possible homosexuality have left him the last virgin of the crew. His friends are no stallions, either-Zack is a portly ginger who aims to seduce girls by saying he’s going to “fuck the taste buds” out of their mouths.

The plot follows Matt as he tried to lose his virginity to whomever possible, ranging from a stranger on the Internet to his favourite porn star, Sunny Leone, and even his own adoptive sister. The gang hits several snags along the way, which they attempt to work around, demonstrating male camaraderie at its best. Matt’s friends will do almost anything to get him laid, whether he wants to at this point or not. Only after Matt is able to accomplish this supposed rite of passage to manhood will he finally have the privilege of taking a celebratory hit from a bong as his friends have done before him-the “Virginity Hit.”

Ultimately, the film rests on the clichéd assumption that boys who fail to lose their virginity before graduating high school suffer unbearable humiliation and embarrassment. But The Virginity Hit departs from past movies on this subject in its cast of unknown actors and its raw and personal cinematic style. The Virginity Hit is an apt portrayal of the  awkward­-yet at times amusing-trials of teenage years.

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