On February 9, Max Silverman wrote an article that viewed the aid effort in Haiti through the prism of Naomi Klein’s “shock doctrine” theory. The shock doctrine posits a theory of “disaster capitalism,” where practitioners take advantage of emergency or upheaval to force free market reforms onto a rebuilding country.
Latest News
LETTER TO THE EDITOR: Tribune misses the point of the endless Dr. Cornett letters.
Re: “Dr. Cornett’s favorite play? Monty Python’s Spamalot.” by Anait Keuchguerian (9.2.10) Under the banner of academic transparency, a recent student letter advocated the screening of Alanis Obomsawin’s documentary about the remarkable teaching style of Norman Cornett, a professor whom McGill let go three years ago.
LETTER TO THE EDITOR: Fostering open dialogue.
Re: “Why Gaza Remembrance Week misses the point” by Adam Winer (26.1.10) Although Adam Winer’s commentary concludes on a somewhat optimistic note – calling on us to have open dialogue and broaden our knowledge about the Arab-Israeli conflict – the manner in which he wrote his op-ed makes clear that he has yet to follow this important piece of advice.
CD REVIEWS: Rebecca Ramone: The Flood
Rebecca Ramone’s debut EP, The Flood, doesn’t start with a bang. Instead, the opening track features a repeating blues riff beneath Ramone’s delicate-yet-strong voice. The song shifts when the blues riff accelerates, hitting a grungy overdrive with thrashing symbols.
CD REVIEWS: Holly Miranda: The Magician’s Private Library
Holly Miranda is better known as the frontwoman for The Jealous Girlfriends, a Brooklyn-based rock band. Now flying solo, the indie-pop newcomer’s full-length debut, The Magician’s Private Library, shows that she’s got a flavour of her own. Produced by Dave Siteck of TV on the Radio, the album was reportedly recorded primarily between 7 p.
Cop Out lives up to its title
Kevin Smith’s supposed comedy, Cop Out, aims to be a big-budget action movie but falls flat with a potentially talented but ultimately disappointing cast. Combine Smith’s lackluster directing efforts with a poor script written by Mark and Robb Cullen and mediocre performances by both Bruce Willis and Tracy Morgan, and you have a two-hour long movie that feels more like four, with only a handful of scenes that are laugh-out-loud-worthy.
We Are The City take on the rest of the country
After recently winning Vancouver’s first-ever Peak Performance Project, a contest created by radio station 100.5 The PEAK and Music BC to encourage up-and-coming artists based in British Columbia, We Are The City is humbly starting to realize that what lies ahead for them is going to be a huge departure from their beginnings.
CD REVIEWS: Jay Malinowski: Bright Lights & Bruises
Jay Malinowski is best known as the singer/lead guitarist for Bedouin Soundclash, but his solo album, Bright Lights & Bruises, shows that he can stand on his own. It conspicuously lacks the reggae feel of Bedouin Soundclash’s repertoire, but for non-reggae fans this is all the more reason to give Bright Lights & Bruises a chance.
Hometown hero comes full circle by suiting up for the Habs
Officially, the game between the Montreal Canadiens and the St. Louis Blues on January 20 was the 102nd of Mathieu Darche’s 10-year professional career. But in many ways it felt a lot like his first. On that cold Wednesday night, Darche played his first game for the Canadiens – the team he idolized while growing up in St.
Dead wives and daydreams test Leo’s sanity in Shutter Island
Shutter Island, Martin Scorsese’s new psychological thriller, has dominated the box office since its release on February 19. Grossing a mean $40.2 million, it also marks the illustrious director’s most successful opening weekend to date. Though not on par with his best films, Shutter Island reflects Scorsese’s genius simply by being meticulously put together, well-cast, and generally captivating – a feat that many films currently in theatres have failed to achieve.