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Commentary, Opinion

Ushering in a new future for McGill’s museums

Museums: A quintessential aspect of family vacations, school trips, and artsy dates. For centuries, they have offered visitors the chance to explore conceptual, social, scientific and artistic heritages. But museums hold more weight than most realize; they are inherently political and consistently perpetuate racism. Non-Western cultures are frequently misrepresented in exhibitions, and artifacts that were looted through colonial practices remain proudly on display. To create a space where non-Western cultures are respected, museums must be openly accessible, and institutions like McGill must embrace their role in sharing underserved historical narratives..   

Although museums often showcase foreign cultures and underrepresented aspects of history in an attempt to make them more widely available, the institutions themselves are all too inaccessible. Due to class and educational disparities, many people, particularly people of colour, lack access to the cultural and historical resources that museums can provide. This inaccessibility perpetuates the mythicization of various cultures and transforms museums into white spaces where people of colour no longer feel welcome, internalizing the concept of othering.  

McGill’s Redpath Museum holds 17,000 archaeological and ethnological artifacts. Approximately 2,500 of these objects are from the African continent and are said to have been collected since the beginning of the 20th century, when British imperialism was in full swing. One cannot help but wonder about the origins of their acquisition, and what practices of colonial violence may have taken place in order for them to be present on McGill campus today. Considering the recent debate over whether the display of Egyptian mummies in Western museums is culturally insensitive or not, it is time for McGill to reconsider the presence of these artifacts in the Redpath Museum. 

Historically, many countries outside the Western world have had their histories stolen from them. Since formal colonialism came to an end, a widespread practice of concealing its atrocities from the public consciousness has developed, and museums have contributed to this cultural erasure. Further, following the death of Queen Elizabeth II, many aspects of the Crown’s colonial history are being revisited. Calls are growing in South Africa for Britain’s royal family to return the world’s largest known clear-cut diamond, mined by the South African colonial authorities and handed over to the British monarchy in 1905. Many diamonds and other precious gems and artifacts that the French and British Empires looted are displayed in museums as a proud representation of a dark colonial past. 

Neocolonialism can be combatted by making history more accessible. Western museums that hold stolen artifacts should be returning them to their countries of origin. Not only will this empower cultures that have suffered and continue to suffer at the hands of colonialism, but it would offer those most affected by colonial erasure to expand on their own personal histories. Further, McGill should be using the spaces dedicated to preserving history to educate students about Canada’s shameful colonial past that is currently being upheld in museums across the country. 

Many remain unaware that the majority of the McCord Museum’s collections are owned by McGill and that the museum has a contractual agreement to manage McGill’s Canadian History Collections. It would be a great step forward for McGill to have this museum expand on the aspects of history that students may not be informed about. The institution should be providing students and Montrealers—particularly those who have been impacted by colonialism, such as racialized people—with better access.
It is important that spaces dedicated to preserving history are transparent about all parts of the story, even those that may not be the most comfortable. There are many parts of history that have been concealed, like the fact that James McGill was a slaveholder, and it is high time that this type of historical information be made widely accessible. Universities play a central role in discovering and teaching history, and McGill must take its role more seriously while also disseminating non-white-washed history to all those looking to learn. 

Laughing Matters, Opinion

On becoming the Plateau man

Yeah, I’m a Plateau man. No no, I don’t live on the McGill side of St. Laurent, not near Jeanne-Mance; I’m on the other side, the real Plateau. There are, like, no McGill students here, not like if you’re on Aylmer or something. I crave authenticity and you just don’t have that in the bubble. But in the Plateau…that’s the real Montreal.  

I live so far from campus that it literally takes me like 30 minutes to walk there. But obviously, I have a bike; it’s a fixie. You don’t have a bike?! I got mine on Facebook Marketplace, you wouldn’t believe the deal I got. 350 dollars! You’ll probably see me riding home from campus on it. I’ll often stop by Mamie Clafoutis to pick up a baguette. The Plateau is literally exactly like France. Have you been to France before?… Me neither. 

And I love how francophone the Plateau is. At the grocery stores they always speak French to me. When the cashier says “est-ce que blah blah blah un sac, I reply “Nôn” (because I brought my Cinema L’Amour tote bag), and when they ask how I will pay, I say credit, but don’t pronounce the “t”. It’s so refreshing to finally put my bilingualism to use. 

My style has gotten so much better in the Plateau. Everyone’s so well dressed. These thrift stores on St. Laurent have everything, and I’m basically best friends with the clerks at Chainon. I look so much like a poli sci student now. Don’t you think I look like I’m in poli sci? My closets are so packed with Dickies and Dime hoodies that I don’t know how I’ll bring them all back to Toronto. I’ve also started painting my nails now, aren’t they super cool? But if anyone asks, I’m straight….if you’re wondering….

But anyway, the area is so great if you’re living on a budget. Have you heard of Segal’s? It’s so cheap! Provigo and Metro will make you go broke these days; I never set foot in there. It really helps me to keep to my parents’ $1,000-a-month budget. How am I even supposed to go to Datcha on that?? Do you also hate your parents? I do. I only call them once at the end of the month, if you know what I mean.

The Plateau is also so diverse—it really gives you a flavour of what Montreal is really like outside the bubble. There’s such a unique blend of cultures here, like there’s this little Portuguese community, so many people from France, and … um yeah… isn’t diversity so cool?

The apartments here are also the epitome of Montreal charm. Mom said my place looks like a shithole, but I don’t care; I have exposed brick. But sometimes, it’s a bit of a struggle. There’s this strange smell emanating from the basement cellar the landlord locked off, and it takes me five minutes to figure out how to unlock the 100-year-old door every morning. I also really need a bed frame because the floor is freezing in the winter. But I like it; I feel like such a bohemian living there.

I’ve also started smoking cigarettes- hand-rolled, of course. It’s the culture of the Plateau. I love having a cigarette on my porch overlooking the street. I honestly think I like cigarettes more than weed. But I also really like weed; I smoke it so much. My favourite strain is Yellow Kush. Do you like weed?

I also really love the local deps and…

…Oh. You need to go back to your friends? That’s cool. I should probably go back to my group as well, haha. But, hey, you think I could maybe get your Snap or something??

Rugby, Sports

Redbirds rugby power to victory over Gee-Gees in front of whiteout home crowd

On Sept. 17, the Redbirds (2–0) took the field to face off against the University of Ottawa Gee-Gees (1–1) for their second RSEQ game of the season. After a win over the Carleton Ravens last week, the Redbirds dazzled a rambunctious whiteout crowd with a 31-19 victory on home turf. 

The Gee-Gees opened the scoring with an early try, but failed to convert the kick to earn the extra two points. Despite conceding first, the Redbirds fought back. Leading scorer and captain Monty Weatherall stepped up and calmly converted a penalty kick shortly afterward. Then, fourth-year flanker Zachary Auger pierced the Gee-Gees’ defence to score the Redbirds’ first try. Weatherall’s subsequent conversion allowed the Redbirds to take a 10-5 lead into the break.  

The second half worked much more in the Redbirds’ favour. A quick try by winger Ferreol Amigues invigorated fans. Weatherall delivered another poised kick to secure the additional two points. The Gee-Gees, however, did not go quietly and fought back to cut the lead to 24-19—only a try away.

With their opponents within striking distance and cheered on by their boisterous fans, the Redbirds began firing on all cylinders. The game’s climax, Alex Pantis’ try in the last minute of play, electrified the stands. One final Weatherall conversion capped off the night as the referee blew the final whistle. On cue, the crowd erupted into cheers as the team saluted them.

Over the 80 minutes of play, Weatherall added 11 points to his tally. The fourth-year fly-half from Amersham, U.K. was on the mark for all four conversions, as well as for the lone penalty. Wingers Ferreol Amigues and Alexandre Laurendeau also chipped in their first tries of the season, contributing to a balanced offensive effort. Finally, senior tight-end prop Alex Pantis broke through the defence to earn his third try of the season and cap off the win.

“We dominated the first half in terms of possession and territory, but didn’t come home with the points, a couple of errors, [the] scrum was very strong, [the] lineout was a bit of mess—we got to work on that,” said head coach Ian Baillie, assessing the team’s performance to The McGill Tribune. “Our goal this year is to host a playoff game and give ourselves an opportunity to win the final.”

Gaspard Poire, a second-year team fullback, echoed that there were some things to improve on, but also expressed gratitude for the immense crowd turnout.

“We conceded a try at the beginning and it’s a very difficult way to start a game when you are losing, as it affects the confidence, but we built and built and we won,” explained Poire. “But we are lucky to have the chance at McGill to have energy from the crowd.”

“The crowd was fantastic, [the] best crowd in the world, everyone was cheering us on, it really really makes a difference. I can’t express how grateful we are for people to spend their Saturdays [here], come out and cheer us on,” added captain Weatherall. “The team is full of so many leaders, it’s a great group of guys. We’re just really happy to just get a win in our first home game.” 

Catch your Redbirds back at home against the Sherbrooke Vert et Or on Oct. 8 at 3 p.m. for more rugby mania. 

Quotable: “Look me in the eyes, hustle, hustle, all hustle!” —Alex Pantis overheard during a mid-game huddle

Moment of the Game: TRY TIME by Alex Pantis in the final minute of play—the veteran punctured the Gee-Gees’ defence, sending both the crowd and the players into a frenzy. 

Stat Corner: The McGill Redbirds have won their past five games against the Ottawa Gee-Gees.

Arts & Entertainment, Film and TV, Pop Rhetoric

Mo representation, Mo problems

Mo, a Netflix comedy-drama show released in late August, centres around the life of Palestinian-American Mo Amer in a story based on his lived experiences—navigating legal illegitimacy by selling bootleg merch, working at a strip club and a Texan olive farm—as an asylum seeker in the U.S. The show has received critical acclaim, with a rating of 100 per cent on Rotten Tomatoes.

I was first introduced to Mo Amer’s work at a stand-up show in Amman in 2019, where my good friend Zayd Lahham opened for him. I, like many of my peers, were proud when we heard he was working on a show, and were excited to see what he could do with a Netflix budget. I was disappointed to get a show that is politically insensitive, orients itself towards a white, outsider audience, and depicts half-baked and one-dimensional Palestinian identities.

The show is so politically misinformed that even a Zionist publication wants you to watch it. In the first episode, Mo tries to dismissively wrap up an argument by saying that, if he had it his way, Palestine and Israel would go back to the 1967 borders. No Palestinian wants to go back to ‘67 borders, especially not if their family is from Haifa, like Amer’s. The context of this comment frames it as some kind of age-old religious conflict—a common Western misrepresentation of the occupation. But more importantly, the quip neglects that the ‘67 borders are in violation of international law under the UN Resolution 242

Mo contributes to a longstanding practice of watching TV shows as a means of learning about another culture and its sensitivities, particularly on Netflix. Reviews of the show by white critics, despite their acclaim, carry an air of condescension, if not pity. Such critics describe Mo as a “big teddy bear” who “buoyantly bounces” between cultures, and claim that Mo’s story brings us closer to understanding each other. The show acts like it was made to humanize Arabs for the white viewer. And if Arabs like it, it’s partially because they like that they’ll be more “understood.” One Arab IMDB user was excited that Mo portrays Arabs as “normal humans”, part of families that have normal “dysfunctions and contradictions.” This racist sentiment celebrates a pathetically low bar.

The erasure of Palestinian identity is a significant tenet of the Zionist project. For us, there is power in just hearing the word Palestine. Yet, I was really disappointed that the kind of representation Palestinians are getting has to appease the ignorant politics of inclusion and stay within the comfort zone of white America. Granted, the writers’ room (initially Mo Amer and Ramy Youssef) was hyper-aware that they needed to represent their ethnic identities. But, unfortunately, the conversation seems to have gone as follows: I’m Palestinian, therefore, I need to write about hummus and carry around a bottle of olive oil everywhere I go. I’m Palestinian, therefore, I need to make an exaggerated caricature of Palestinians as a reference for Americans. Television shows don’t need calls to action or trauma porn to make the Palestinian plight feel like more than an afterthought, but any worthwhile piece of art should have nuance beyond the tired stereotypes employed in the show.

Among my least favourite arguments in support of Mo is that which says it’s headed in the right direction. There are over 20 Palestinian short films and movies made by Palestinians on Netflix and thousands more elsewhere that display real resistance and confront the apartheid regime and Zionism head-on, such as the works of Elia Suleiman. Even if realistic depictions of Palestinian Americans didn’t exist (they do), we shouldn’t just settle unquestioningly for whatever Netflix decides to fund. Accurate minority representation isn’t the be-all and end-all of curing racism—and it’s not enough to overlook the problematic elements of the media we consume. We’re allowed to expect more than hummus Habibi content from our Arab comedians, and we deserve films and TV that are produced on our own terms.

Mo is currently streaming on Netflix.

Soccer, Sports

Martlets and Redbirds soccer defeat UQTR in home double-header

Sept. 16 was a particularly good night for McGill soccer teams as both the Martlets (2–3) and Redbirds (1–1–2) recorded shutouts on home turf. The evening began with the Martlets winning 2-0 against the Université de Québec à Trois-Rivières (UQTR)’s Patriotes and ended with the Redbirds taking a 1-0 win over the men’s team, marking their first victories of the season.

Emotions ran high during the Martlets’ game as the team witnessed several injuries, with two Martlets exiting the field during the first half: First-year midfielder Hana Yazdani injured herself after trying to retain the ball, then defender Ariel Carignan had to be carried off the field after a defensive play took a toll on her left leg, forcing the team to adapt quickly. 

The Martlets struck first with fourth-year forward Thalia Krauth-Ibarz scoring early on in the first quarter, assisted by second-year Zoe Gardiner. The quick goal set the tone for the rest of the game. While there were several scoring opportunities for UQTR, they were swiftly denied by the Martlets’ defensive core and goaltender Sophie Guilmette.

The second half of the game saw a change in dynamics, with opportunities arising on both sides. 

First-year winger Aaliyah Kamdar, however, sealed the deal for the Martlets with a second goal late in the game, triggering intense pressure from the Patriotes who remained unsuccessful. 

Martlets’ head coach, Jose-Luis Valdes, emphasized the importance of continually improving as the season continues. 

“[We need to work on] being consistent with what we want to do and establishing our game plan defensively, having a little bit more cohesion,” said Valdes in an interview with the The McGill Tribune.

Netminder Guilmette emphasized the importance of the team’s unity to this shutout victory at the Percival Molson Stadium.

“A big thing for us is just getting back together as a group, and that all of us stay focused on the game […] especially with injuries,” said Guilmette in an interview with the Tribune.

The second game of the night was marked by energy and tension for the Redbirds, starting right from the opening face-off. The beginning of the match seemed particularly defensive, with several opportunities for the Patriotes forcing McGill back on their heels. Right before half-time, the crossbar came to the rescue, preventing an opposing midfielder from opening the score. UQTR’s offensive play continued in the second half of the game, although their momentum waned. The Redbirds took advantage of this when first-year forward Pedro Gulli revived the game at 69 minutes with the lone goal off an assist from second-year Reese Carlow.  

For Redbirds’ head coach Marc Mounicot, this match is part of a larger picture.

“Right now we are in the process. It’s not about winning, it’s about improving, and  they do that quite well,”  Mounicot told the Tribune.

Despite their efforts, the Patriotes left empty-handed and the Redbirds picked up their first win of the season. 

The Redbirds then headed to Laval to face the Rouge et Or on Sept. 18, where they drew 1-1.

“We have to produce the same kind of performance,” Mounicot said. “We have done a lot of work over the last few weeks to absorb the pressure and the quality of the opposing teams.” 

Moment of the Game:  Ciociola kept calm during frantic final minutes of play and preserved victory for the Redbirds with a brilliant diving save.

Stat Corner: Redbirds’ goalkeeper Ludovyck Ciociola made five saves, while Martlets goalkeeper Sophie Guilmette made 10 saves, earning them each a shutout.


Quotable: “It’s our first game at goal, it definitely felt good! Especially coming into the game, we knew this was a team to beat because they play the way we want to play.” —Goaltender Sophie Guilmette

Arts & Entertainment

“INCIPIT – COVID-19” exhibition is a jarring reminder of the past

Photographer Michel Huneault’s latest exhibition, INCIPIT — COVID-19, was commissioned by the McCord Stewart Museum at the start of the COVID-19 pandemic. On Sept. 16, over two years later, the display finally opened to the public. The exhibition features 30 photographs and three projections of over 150 videos and photos that capture quotidian early-stage pandemic life. To create an eye-catching multimedia aspect, Huneault collected anonymously handwritten notes from the chain of subjects he photographed. Huneault used this word-of-mouth chain of subjects to evade isolation-induced creative myopia. INCIPIT is a beautifully raw collection of photographs showcasing diverse perspectives of the people impacted by the first wave of the pandemic. 

The exhibition does not stray from its core purpose: To showcase a series of photographs and videos captured during the beginning of the global pandemic. Though the content can feel predictable, Huneault’s hauntingly nostalgic snapshots of places, experiences, and people at this point in time do not disappoint. The exhibition’s name translates from Latin to “here begins,” reflecting the inception of the health crisis that globally changed lives. The photographs range from makeshift hospital rooms, to abandoned streets, to an upside-down cart, and to a delineated, socially-distanced Costco line-up (a personal favourite). They capture a reality that now—with society desperate to return to a pre-pandemic “normal”—seems a thing of the past, jarring and almost absurd.

Huneault was granted carte blanche by the McCord Stewart Museum and exclusive access to many healthcare facilities, which allowed him to pull back the curtain and reveal things that people might be aware of, but haven’t seen firsthand. These moments create an intimacy between the viewer and the photograph, mimicking the isolative mindset of the early pandemic. So similar to the period of desperation felt at the beginning of the pandemic, viewers of these photographs feel as if they are secret observers of often uncomfortably vivid perspectives. Many of the subjects make direct eye contact with the viewer, their gaze challenging one to face their own past.The most compelling part of the collection is the handwritten letters. Feeling himself slip into creative complacency, Huneault decided to do a series of portraits where his next subject was recommended to him by the previous one. He asked each of them a question: What’s on your mind? Twelve endearing scrawls of worries, fears, joys, and even drawings remind the viewer that the pandemic and the prevalence of quarantine resulted in fragmented perspectives where individualism reigned. Huneault pieces together each person’s experiences to delve into how different states of mind developed at the beginning of the pandemic. 

Though a myriad of struggles are portrayed, there is a somewhat confusing lack of adolescent representation. Only one photograph of the main 30 centrally features a child. As school shutdowns and province-wide restrictions affected the lives of every Montrealer, the viewer is left wanting more. Including photographs of younger people from the thousands of Huneault’s un-exhibited photographs would help shift the focus away from the adult experience.

Huneault’s exhibition focuses on the healthcare system and everyday life, and all of his photos are accompanied by commentary that straddles the line between satire and seriousness. A photo of a lone, masked biker on an empty road reminds viewers of the paranoia surrounding the lack of medical information given to the public. After having lived through it, we see some humour in hindsight, but Huneault does an excellent job of reminding us of the real fear that permeated throughout society.


The exhibition is open to the public on Sept. 16 and will run until Jan. 22, 2023. Tickets are available for purchase online. On the first Sunday of every month, admission is free for all Quebec residents.

Cross-Country / Track, Sports

Cross country teams open season with a bang at McGill Open

McGill’s cross-country squads opened their seasons on Sept. 17 at Parc Mont Royal. The weather was cool and sunny as the women started the day, with their race kicking off at 12 p.m. The six-kilometre race went into the mountain and included four repeats of a one-kilometre loop before spitting back out into the park and finishing right beside the starting line.

Third-year medical student Ann-Rebecca Drolet was the Martlets’ first finisher, edging out a Sherbrooke runner to come in 12th overall with a time of 23:11. Thirty seconds later, the Martlets’ second finisher, second-year Sophie Rashid-Cocker, crossed the line, finishing 21st overall. 

Rashid-Cocker felt a home-course advantage, despite the difficulty of the terrain.

“It was definitely nice for us because we practice on that loop a lot. It was a pretty hilly course, I guess that is expected when running on the mountain, but there were two sizable hills every loop, which definitely added up,” said Rashid-Cocker in an interview with The McGill Tribune.

Even after training on the mountain, Rashid-Cocker admitted that the first meet of the season was a gruelling feat.

“Personally, it was a little tough. I feel like 6k is always a shock to the system your first time going all out, so I definitely felt myself getting drained as the race went on,” said Rashid-Cocker. “But coming down the home stretch, everyone is super lively and I feel like I got my extra gear to get a strong finish.”

In 2021, the COVID-19 pandemic prevented the team from getting the correct permits to race the normal loop and forced them to run a course that just went straight up and down the mountain. This season also welcomed schools such as Queen’s University, and larger teams from Laval and Sherbrooke, which Rashid-Cocker appreciated as it felt like normalcy had returned.

At 12:50 p.m, the men set off up the mountain, with nine runners donning the Redbirds’ uniform. Last season’s rookie of the year, Matthew Beaudet, did not run in this year’s McGill Open, as his summer season only recently came to a close. PhD student Jack Stanley was the first finisher for McGill, coming in seventh with a time of 19:14. 

Stanley was content with his performance in the season opener and eager to improve.

“The first meet of the season is always super exciting and it is always good to do it at McGill because there is lots of hometown support,” said Stanley. “For me, I felt pretty good, I felt fit. I think my summer training paid off. I didn’t quite have a kick at the end but that’ll come as the season goes on.”

Other notable performances on the men’s side were the Redbirds’ second finisher, fourth-year Noah El Rimawi-Fine, who finished just three seconds and four places behind Stanley, and first-year Jerome Jacques, who finished in 13th place, two places behind El Rimawi-Fine to close out McGill’s top three.

While he didn’t compete in the race officially, fourth-year Henry Wellenstein completed the entire six-kilometre course while juggling three balls. Although his place was not recorded, he finished in the middle of the pack, a truly impressive feat. 

Looking ahead to the rest of the season, Stanley explained that a strong performance at the USports Championships is the ultimate goal. 

“I think we have a really solid team this year, so it’s good to practice with these guys. The goal as a team is definitely to finish as high as possible at USports, and I think we can do that this year.”

The men and women both race next on Oct. 2 in Ottawa. 

Science & Technology, Science Rewind

From humans on Mars to the expanding universe

Staring at an image of the Milky Way, James Peebles, the 2019 Nobel Prize winner in Physics,  verbalized what his audience was thinking: “Isn’t that beautiful?”Just about everyone can agree that our galaxy is a remarkable sight. 

It was Sept. 16 and Peebles was visiting McGill to deliver the annual Anna McPherson Public Lecture. Peebles addressed what we know of the expanding universe, while acknowledging that the path to this now widely-accepted theory was not an easy one. 

The theory of the universe’s expansion began with Percival Lowell in the late 19th and early 20th centuries. An astronomer from a wealthy family, Lowell was convinced that an advanced civilization resided on Mars. He established an observatory in 1894 to look for what he claimed were man-made canals built on the planet’s surface. Though his theories of Martian civilization were seen as an embarrassment to the scientific community, Peebles believes that Lowell set a precedent for where observatories were placed and the way we use them. 

“Herman Weyl was one of the first to understand Einstein’s general theory of relativity, and one of the first to recognize the evidence that galaxies seem to be moving away from us, and the first to make a quasi theory of this expanding universe,” Peebles said. “But it wasn’t very good. Alexander Friedmann had the theory of the expanding universe, but unfortunately died before there was evidence.It was George Lemaître who, in 1925, put the two sides together—the theory and the observations.”

According to Peebles, Einstein had initially found this concept of a constantly expanding universe doubtful. He, and many other scientists of this period, believed that the universe was static and unchanging. But Einstein eventually changed his mind about the Big Bang Theory and abandoned his cosmological constant, a numerical value that made his equations work in a static universe. To the audience’s amusement, Peebles remarked on Einstein’s mistake, saying, “well, we’re all human beings.”

Peebles then moved on to a discussion of his own research. In the summer of 1964, more than 30 years after the Big Bang Theory was first proposed, Peebles and his colleague David Wilkinson were tasked with answering a complicated question: Is it possible to detect residual radiation from the early universe? Encouraged by Robert Dicke, a physicist who worked on developing radar technology during the Second World War, Peebles and Wilkinson built a radiometer, a device used to measure radiation intensity. 

Peebles told the gathered students that Dicke’s encouragement determined his career path. 

“David and I followed Bob’s instructions—and we’re still going!” said Peebles.

If radiation was detected, then it would serve as another form of evidence that the universe is expanding. Ultimately, Peebles and his colleague detected radiation, contributing to our understanding of the cosmic microwave background—the oldest electromagnetic radiation in the universe. Peebles later proposed a theory that not only explained the cosmic microwave background but also predicted the presence of dark matter—one of the many contributions that won him the Nobel Prize in Physics in 2019.

From the work of Peebles and his predecessors, it is clear that scientists have progressed tremendously—from first thinking there were people on Mars to creating a comprehensive explanation of the origins of our ever-expanding universe. 

At the end of his lecture, Peebles answered questions from the approximately 300 attendees. One audience member asked what his favourite moment of his career was. At 87 years old, Peebles did not hesitate to respond with “right now.” 

Off the Board, Opinion

Crossword crannying? A morning ritual, say

I began doing the New York Times Mini Crossword during the pandemic, and after a year of practice, I could proudly complete it in under a minute almost every time. It was a solitary experience, a permanent fixture in my routine where I could compete with myself from the comfort of my couch. 

A year or so later, I began doing the crossword during breakfast at my girlfriend’s house. To my girlfriend and their roommates’ dismay, this meant I required full concentration, no interruptions, and an occasional pat on the back whenever my time shamefully surpassed 60 seconds. They ogled with contempt, insisting that my obsession was just another iteration of my strange habits. Slowly, however, they became more interested, asking questions here and there. My girlfriend started participating in the silent morning ritual, waiting for me to finish the Mini before even talking to me. Suddenly, when Wordle, the global sensation, was purchased by the New York Times, my friends succumbed to the temptation of the New York Times Games. Aha! I got them!

Eventually, we were all doing the crossword. Sometimes in silence in the kitchen, our coffee mugs full and getting colder, and sometimes on our own- but always reporting back to our group chat to display our scores: “46 seconds today!” “How do you do it?” “Guys…I’m sorry, this is so shameful. Two minutes.”

The Mini then evolved into the “long one.” The same routine ensued. Deep into our obsession, we discovered that the New York Times crossword has a rather particular way of functioning. Mondays are the easiest, and the crossword increases in difficulty as the week goes on. Saturday is the hardest and, contrary to popular belief, Sunday has the same level of difficulty as Wednesday, but it is longer, so it appears to be more difficult. Sometimes, the crossword was a collaborative effort, with all of us around the kitchen table shouting four-letter words that start with “f” and have an “e” in the middle. We also eventually caught on to the New York Timescruciverbalists’ favourite words: “edam”, “ire”, “LGA”, and “emote”. 

After a few weeks, it became obvious that the way we played and talked about our strategies reflected our personalities and sometimes even our values. For example, my friend Maddy refuses to do the crossword when it gets too difficult. She usually only does Monday’s and Tuesday’s, and stops when “it gets too upsetting.” As I came to learn, Maddy is terrific at taking care of herself and has boundaries that not even the New York Times can breach. My girlfriend Louise will painstakingly go through each clue and reflect on it until they find the correct word. They are thorough, clever, and have impeccable timing. Iza does not engage in our childish tomfoolery. She is a busy woman and has no time for that, except when we need her expertise in cocktail names and Hollywood stars. 

My strategy differs from those of my friends. I go quick, not wasting time on difficult clues and surfing through the easy words. I recognize patterns and remember old clues, using my experience completing the crossword to guide me through each new board. How I go about the crossword sums up how I go about life: Integrating what is new and what is familiar while trying my best to figure out what it all means when I put it together. 

Our friendship is complex and full of layers, but the crossword is a time where our personalities are so distilled that we can truly appreciate the wonders of each other’s brains. Although I still think my strategy is the best (no one has ever beat my 22-second record on the Mini), I love nothing more than hearing Maddy scream, “I actually know this one!” or seeing Louise rush to tell me that they actually beat me at the Mini this time—a rare occurrence, for the record. 

It turns out that a simple game and daily habit has the power to showcase and complement the strong personalities of four McGill students looking to make it through breakups, midterms, and frigid Montreal winters. This small group of cruciverbalists can now confidently name “Dern from Hollywood” and navigate the infinite complexities of young adulthood and friendship.

Science & Technology

Developing a multi-dimensional picture of the Saint-Lawrence River Valley

A few days before former McGill Principal and Vice-Chancellor Suzanne Fortier stepped down, she attended the inauguration of the Adaptable Earth Observation System (AEOS) facility at McGill’s Gault Nature Reserve. The new building, buried between the modest peaks of Mont-St-Hilaire, serves as a home to a biology lab and an atmospheric sciences lab dedicated to studying the ecology and atmosphere of the Saint Lawrence River Valley (SLRV). After its recent opening, John Gyakum, professor and chair of Atmospheric and Oceanic Sciences at McGill, told The McGill Tribune in an interview that the AEOS would serve as a hub for future studies of the SLRV and as a monitor for regional climate change. 

Thanks in part to funding from the Canada Foundation for Innovation, the Quebec government, McGill, and Université du Québec à Montréal (UQAM), researchers from across the province and abroad will be able to study meteorological phenomena unique to the region in addition to their ecological impacts. 

Gyakum is one of the lead researchers running several projects out of the AEOS facility. He explained that, while the main building itself has a biology lab and an antenna on the roof for meteorological balloon launches, an adjacent tower serves as the primary tool for meteorological research. 

“The meteorological tower […] has a lot of instrumentation—upward of about $250,000 to $350,000 worth of equipment—on one tower with measurements not only of wind and temperature and humidity, but also cloud amounts and radiative properties of the atmosphere and when it is precipitating,” Gyakum said. 

The tower at the Gault Nature Reserve is part of a larger network that collects atmospheric data—such as those mentioned by Gyakum—from the SLRV. The SLRV is of particular interest to atmospheric and climate scientists because of a rare weather phenomenon that occurs in the region—freezing rain.

Freezing rain forms when frozen precipitation falls through a layer of warm air in the atmosphere, causing the precipitation to revert to a liquid. The liquid, however, is immediately transformed into ice when it hits frozen ground. This phenomenon is very dangerous as it creates a layer of ice that can cause trouble for those journeying through the affected area. Anyone who has driven during a Montreal winter can attest to the headache of navigating Quebec roads after a bout of freezing rain. 

Gyakum explained that Montreal is susceptible to such weather events because it is located at the intersection of north-eastern and south-western winds, which creates the proper temperature layerings in the atmosphere to allow for freezing rain.

“There is an enormous horizontal temperature gradient,” Gyakum said. “That front represents a location […] for wintertime precipitation because the air […] coming in from the United States and ultimately from the tropics is forced to lift and condense out and produce a lot of precipitation.”

In the long run, the AEOS will also contribute to our understanding of the impacts of the climate crisis. Gyakum explained that by closely monitoring atmospheric changes in the SLRV over time, researchers will be able to create a comprehensive study of environmental changes in the region, hopefully informing future environmental policies. 

“What we can do is observe some of the details of the extreme weather events which are really well-linked to climate change, for example, droughts, heat waves […] and also extremely heavy rains and thunderstorms,” Gyakum added. “Those details represent an important data point in identifying some of the extremes that are occurring in the context of global warming.”

Moving forward, Gyakum hopes to prove the adaptability of the AEOS by using the transportable equipment at his disposal to collect data not only from the Gault Nature Reserve, but from locations all across the SLRV.

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