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a, Sports

Winter team previews

Redmen basketball

The McGill Redmen basketball team has a target on its back this year. After a spectacular 2012-13 season, which culminated in winning the RSEQ championship for the first time since 1986 and finishing fifth at the CIS nationals, McGill is hungry to repeat that success and appears to have the capability to do so. Seven players are returning this season, and their development should play a vital role in the team’s success. Sophomore shooting guard Thomas Lacy is one of those players, and has already shown flashes of brilliance with 19 and 20-point scoring outings so far this season.

“We lost a few key guys, but we picked up some real talent and depth from our rookie class,” Lacy explained. “We definitely have the potential to make noise come March, [but] right now we have a lot of learning to do.”

The Redmen must integrate a whopping nine rookies into the program this season—a tall order for fourth-year Head Coach David DeAveiro. These rookies will have to adjust to the pace and style of the CIS to quickly have an impact on the team’s season. Leading McGill will be guards Simon Bibeau, an All-Conference player, and Vincent Dufort, last year’s team MVP. However, a lack of size up front—no current player stands above 6”5’—and the challenges of integrating this many young players will make the early season an uphill battle.

This challenge is evidenced by the Redmen’s 5-6 record in the pre-season. Nonetheless, the team ranks ninth in the nation and has won their lone game against an RSEQ opponent—a narrow 62-59 victory over Laval in which freshman guard Dele Ogundokun led the way with 15 points. The Redmen open their season on Nov. 21 against the Concordia Stingers at Love Competition Hall.

 

Marlet basketball

The McGill Martlets are undoubtedly the team to beat in the RSEQ this season. They are coming off back-to-back RSEQ Championships and appearances at the CIS National Championships. Their fifth-place showing last year is their most successful so far under 11th year Head Coach Ryan Thorne.

The squad has nine players returning from last year’s roster. Headlining the team will be Gabriela Hebert, Dianna Ros and Mariam Sylla. Hebert, a junior forward, was recently named to the All-Tournament team of the Redbird Classic. Ros is back to orchestrate the offence in her role as point-guard, and is fresh off of an appearance with Team Canada this summer at the Summer Universiade.  in Kazan, Russia. Sylla is the reigning CIS Rookie-of-the-Year, and was also named the MVP of the Redbird Classic. Sylla is a force to be reckoned with on the boards and the paint, and should be a nightmare matchup for opposing teams.

The Martlets currently boast a 5-1 overall record, which includes their three-game sweep and ensuing tournament victory at the Redbird Classic. The team looks primed for another league championship behind their standout players. If they can withstand the rigours of the regular season and develop solid depth from their group of four rookies, a medal at the national championships is not out of the question. The Martlets are currently ranked ninth in the CIS after coming off of a gritty 44-33 victory over Laval. They host the Concordia Stingers on Nov. 21 in their first home game of the regular season.

a, Student Life

One man’s TRH is another man’s treasure

Word of a skateboard park inside a bar often elicits stares of disbelief. TRH Bar (pronounced ‘trash’) is a near-mythic bar that no one ever really believes exists until they’ve been there. You may never have heard of TRH or even noticed it in passing, but inside is a fully functional skateboard park with a ramp on the second floor and a bowl on the first. A popular bar for snowboarders, surfers, and skateboarders alike, it’s easy to find if you know to keep a look out for its small, black and red sign and the packs of skateboard-baring youths outside its door.

When I ventured into the bar just south of Tokyo Bar on St. Laurent, the first thing I noticed was the graffiti. It’s on the walls, the doors, and even on the mirrors in the bathroom—no need to check how your makeup or hair is holding up anyway. Other items decorating the walls are stickers from various skate and surf companies such as Hurley and Roxy, as well as numerous skateboard decks, all of which add a cool and colourful atmosphere.

In TRH, comfort is the rule. I watched the action in the bowl from one of the many couches and worn-in chairs scattered around the space, reminiscent of the comfortable furniture in the SSMU lounge. This relaxed set-up and atmosphere made TRH feel like a night out at someone’s house; it’s a non-threatening environment that falls within most people’s comfort zone.

This laid-back attitude was also evident in the clothes the patrons wore—apparel included sweaters, baggy jeans, beanies, loose shirts, snapbacks, and snowboarding jackets.

If you want to participate, all you have to do is pay a $1 fee and sign a waiver.

The bowl—an obstacle requiring very little pushing—allows the skateboarder to focus on technique while undertaking lots of tricks.

People weren’t trying to do anything too crazy—mostly 180s, ollies, and aerials on occasion. For spectators, it’s also amusing to watch the odd wipeout—not to worry though, the bowl and ramp are netted off to protect from flying skateboards. The boarders took turns and either after a spill or a couple good runs they would switch out to let another skater have a go.

Everyone I met at TRH was incredibly friendly and welcoming, which was a welcome change from the Montreal club scene. We danced and bonded over the incredible drink deals: $2 shots. At $5, a beer isn’t too hard on the wallet either.

Just a warning—the TRH vibe may not be right for everyone. If you plan on going to TRH you have to be able to roll with the punches and have a good time. Televisions played an odd Jackass-esque video where a group of guys tried to fit condoms over their heads. I also had beer literally thrown in my face when two guys fell over while dancing to the remixed dance rap pumping from the speakers for most of the night.

Nevertheless, TRH has a great vibe and provides boarders with an awesome venue for skateboarding throughout the winter season in Montreal. Since everyone just does his or her own thing, it’s a great place to practise whether you’re a beginner or have been skateboarding for years. For a different way to spend a night out, TRH is definitely a spot to check out.

 

3699 St. Laurent

(514) 419-1416

Tues.-Sun: 8 p.m.- 3 a.m.

http://www.trh-bar.com

a, Student Life

Should I stay or should I go?

Whether you’re interested in learning another language, gaining work experience, or simply experiencing another culture, McGill’s student exchange opportunities provide a vastly different student experience from the one in Montreal.

Currently, McGill has over 150 exchange partnerships with universities across Europe, the Americas, Asia, and Oceania. Although each location offers a unique experience, all exchanges provide some common benefits.

“The experience is invaluable in that it teaches students about independence, other cultures, flexibility, [and the] ability to adapt to change,” Kelly Cassidy, a student advisor in the Faculty of Engineering, said. “Universities have different specialties [and] concentrations. An exchange can allow a student to get a taste for [a] specialty that perhaps they would not get at McGill or in Canada.”

According to Darlene Hnatchuk, director of McGill’s Career Planning Service (CaPS), an experience abroad doesn’t just provide students with an opportunity for personal growth; it also shows potential employers that you have valuable skills.

“If you have studied abroad, that means you have adapted to a new culture, a new way of doing things, a different type of structure or scheduling,” she said. “Studying abroad also means you’re quite a curious person. Employers seek curiosity in their employees as well because they want to innovate; they want to find new solutions to problems.”

McGill offers several different types of study abroad experiences. The most well-known programs are bilateral exchanges, in which you swap places with a student from one of McGill’s partner universities.

Although they still require a lot of advanced planning and paperwork, McGill is more involved in the process amd provides more support in bilateral exchanges. However, your choice of host university for a bilateral exchange is limited to the list of McGill’s partner institutions. While there are plenty to choose from, it is important to ensure that you apply to a university that accepts exchanges from your program.

“Some faculties may set up agreements for exchange directly with specific institutions,” Cassidy said. “Sometimes […] the host university has only expressed interest in the one faculty (or vice versa) or the exchange only works for the one faculty. For instance, some universities only have technology [or] engineering programs or only have management programs.”

When planning an exchange, Hnatchuk recommended that students take their own needs and interests into consideration to decide where they would like to study abroad.

“If you know that for the type of work you’re going to be doing later on that it’s important to have a work experience abroad, maybe you can try and tag that onto your study abroad,” she said. “If you know that learning a third language is going to be extremely important because you want to be working elsewhere in the world and want to have that flexibility, then that’s what’s going to be important for you.”

If the institution you’re interested in doesn’t appear on the list of McGill’s partner universities, you can participate in an independent study away program. This means that you apply directly to the university where you want to study, and pay their tuition instead of McGill’s.

While studying and living abroad may seem like an additional strain on your wallet, financial aid is available. For example, the Mobility Award grants a base sum of $1,000 dollars per semester to students studying abroad.

No matter what kind of exchange you’re interested in, it’s important to start thinking about the process well in advance of the first deadlines in January.

“I think it’s important that students choose an opportunity or find an opportunity that’s going to allow them to succeed,” Hnatchuk said. “Plan early, think about it early, talk to other students who have gone abroad, and explore all the different resources that are available at McGill.”

 Erica Friesen 

How to apply for a bilateral exchange:

1) Request approval through the Minerva Exchange Request Form, by mid-January (exact due dates differ by faculty).

2) After your faculty has approved the request, the Student Exchanges and Study Abroad office (SESA) will nominate you to a partner institution.

3) Apply to your host university. Once you’ve been accepted, you’re ready to start preparing for your exchange!

 

To be eligible for an exchange, you must: 

1) Have a minimum 3.0 Cumulative GPA.

2) Be registered as a full-time McGill student.

3) Have completed at least one full-time year of study at McGill by the time that your exchange program begins.

4) Meet any other faculty-specific criteria.

5) Possess a passport valid for a minimum of six months after the end of your exchange program.

See http://www.mcgill.ca/students/international/goabroad for more details

Oh, the places you will go!

Five students share their experiences abroad

 

Sam Daviau 

(U3 Finance and Accounting) 

Tsinghua University, Beijing

Why: “I wanted to break the bubble and experience something new.”

The experience: “Beijing was a hard place to live in; the pollution was really bad, the people were pushy, and no one spoke English. But I felt like I learned what it’s like to feel truly foreign, which is something I’ll carry with me for the rest of my life.”

Highlights: “The group of friends that I met [was] awesome. I had 30 friends that I could always go out with, who were from all over [….] I was also able to take weekend trips to surrounding countries like Cambodia, Thailand, and South Korea.”

Advice: “It will be an experience going there, and it will be hard […], but I gained a lot [….] You have to be prepared for [the culture shock], and just be positive and outgoing no matter what comes along.”

 

Jonathan Rosenbluth

(U3 History) 

National University of Singapore

Why: “I always wanted to travel to Southeast Asia and test my boundaries, but because Singapore is an English speaking country and is pretty developed, I could still feel comfortable and at home.”

The experience: “Singapore was nothing like I’d seen before. It was interesting and dynamic, with a government still evolving [….] Even though [Singapore] is the most expensive place to live in Southeast Asia, it’s still way cheaper than a semester in Montreal.”

Highlights: “The food, the warm climate, and the diverse group of people that I met [… and professors who] understand that you’re on exchange and don’t just want to sit in class while you’re there.”

Advice: “Don’t think twice about it; just [go on exchange] and don’t worry.”

 

Annie Shiel

(U3 International Development Studies)

Universidad del Salvador in Buenos Aires, Argentina

Why: “I already spoke Spanish so I wanted to go somewhere where I could use it and learn to speak it better.”

The experience: “Very few people spoke English, but people were still really friendly [….] Half my classes were in Spanish and half were in English, so I was able to become friends with the international students and the Argentinean students [….] Argentina is also insanely diverse, so I was able to see the Iguazu Falls and go skiing while I was there.”

Highlights: “I went to see the Superclásico, which is one of their famous soccer games; it was incredible, I’d recommend it to anyone staying in Argentina [….] I’d also recommend seeing La Bomba Di Tiempo which is kind of like a bigger version of Tam Tams.”

Advice: “You have to be smart because [Buenos Aires] is a dangerous city with plenty of petty theft. Just be careful of your belongings, don’t walk alone after dark, and always take cabs.”

 

Zac Worztman 

(U3, History and Political Science) University of Western Australia, Perth

Why: “I wanted to escape the big city to somewhere relaxed.”

The experience: “Perth is pretty isolated, with huge parks and beaches [….] There’s a lot of surfing, gold, cricket, and lawn bowling [….] It was not a difficult place to get used to because the language, history, and social life were very similar to Canada.”

Highlights: “I met a lot of good people and it was cool to just live in another country.”

Advice: “Mention that you’re Canadian [….] They love Canadians. They’ll think you’re the most interesting person there.”

 

Chloe Jacobs 

(U3, International Development) L’Institut d’Études Politiques de Paris (Sciences Po), France

Why: “I’ve always dreamed of actually living in Paris and being able to fully immerse myself into the Parisian life.”

The experience: “Paris was absolutely amazing [….] France is like the extreme of Montreal—they’re against multiculturalism; there’s a lot of animosity to foreigners, and the people weren’t friendly. But that’s part of the experience of living there [….] When you finally get one to smile or can communicate with them, it’s the best feeling.”

Highlights: “I loved just walking around the city because there was always something new to see that I hadn’t noticed before [….] I always felt safe because the city never sleeps, people are out all night long, and there are always groups of people around.”

Advice: “Living was very expensive [….] You can live cheaply though—you just have to figure out how. I basically lived on cheap wine and baguettes.”

 

 

– Hailey MacKinnon

 

a, Behind the Bench, Sports

Fighting depression in sports

Sports culture dictates a very specific image of what an athlete should be. In the worst cases, this can cause emotional trauma in those who play sports, preventing them from expressing their emotions or asking for help when they feel overwhelmed. Neither fame nor money can protect someone against mental illness, which is why a support system needs to be put in place for these athletes.

The demand for high performance occurs both on and off the field. Athletes lay the blame and responsibility for success—particularly in individual sports—on themselves. Playing a sport is more than just about the game itself. The need to be accepted into a team environment on a social level can be so great that a player may sacrifice his or her own well-being for the benefit of the team. For example, when the Miami Dolphins’ offensive tackle, Jonathan Martin was left racist and abusive messages by teammate Richie Incognito, Martin was deeply affected by the bullying and left the team due to depression. Martin was initially afraid of voicing his unhappiness in fear of retribution from his teammates.

The general nature of professional sports can be another source of depression, as athletes face the inevitability of a short, yet intense sporting career. Athletes train for years in preparation for one particular event, and once that event passes, they may lose their sense of purpose. This same feeling occurs with an early career-ending injury. In both cases, athletes are left unfulfilled after their careers are over. The sport has consumed their entire life for years, leaving a void once they can no longer play. It may take professional help—such as talking to a career counsellor—for athletes to realize they have other options.

While career-ending injuries are oftentimes conspicuous in appearance, there is another type of injury that is more covert but is nonetheless a direct cause of depression: head injuries. NHL players Derek Boogaard, Rick Rypien, and Wade Belak all committed suicide in 2011. Although the official causes of death were linked to mixing alcohol with painkillers, Rypien and Belak were depressed, and Boogard suffered from severe trauma. Serious blows to the head catalyze a change in the hormonal balance of the brain, which causes depression to occur. Furthermore, addiction to depressants such as painkillers and alcohol—which can be caused by the long-term side effects of concussions—perpetuate the depression. Unfortunately, the pressures to play through injuries, the expectations of coaches and teammates and the overall ‘culture of resistance’ present in sports stopped these players from properly seeking the help that they required.

The pressure to play while injured and to sacrifice one’s body goes beyond the athlete and the team to the spectators of sporting events. Fans love the thrill of a good fight in hockey, or a solid tackle in football; these are the reason that there is an enforcer position in hockey. There is an entertainment value to sports that athletes must try to uphold. However, in doing so, they put their bodies and minds at risk

These same spectators will argue that athletes know what they are getting into when they play a sport. Players do indeed acknowledge the risk of participating, and they get richly compensated for these risks. Yet depression is a consequence of sport, just as shin-splints, broken bones, fame, and fortune can all result from playing. There is a lack of support in the mental stability of players in this high-pressure environment. If the idea of having an on-call physiotherapist is considered necessary in the sporting world due to the amount of injuries, then players should have the same accessibility to a psychiatrist­—because mental health problems are just as common.

 

 

a, Arts & Entertainment

West coast state of mind

Birds, Metals, Stones & Rain contains just the types of poems you might expect from a West-Coast Canadian lyrical poet like Russell Thornton, and then some, which is one of the reasons it manages to avoid clichés and remains engaging throughout.

With Thornton’s Vancouver home as a primary backdrop, his prolific compilation of poems balances familial themes with natural settings and their relation to the urban landscape. Thornton writes in free verse, but many of the poems could be considered lyrics—not the kind that rhyme, but personal meditations governed only by a steady cadence.

The epigraph to the McGill alumnus’s fifth poetry collection opens like this: “Birds, metals, stones, and rain are mother, father, daughter, and son,” After first reading those introductory words, my thoughts were that he was probably making some kind of overarching metaphorical statement about how the parts of the natural world resemble a traditional family structure—but Thornton had more literal ideas.

He alludes here to poems in the anthology that share the connections listed—some uplifting and sentimental, others disturbing. The inspiration for “Playing With Stones” is Thornton’s revered daughter, who has a ritual of collecting the smooth stones outside their apartment when they arrive home. “Blade,” on the other hand, details the painfully tense relationship Thornton shares with his father through a dream in which they face each other, ready to strike with razor-sharp metal blades. These two poems say a lot about their author’s mindset and style: much of his work stems from everyday ruminations about the natural fixtures of Vancouver and the joys of being a father, but he never shies away from bleakness and harsher convictions.

For instance, “Nest of the Swan’s Bones” laments the local industrial and environmental changes that have taken place in Thornton’s lifetime alone: “The wild white swan is dead. Where I caught trout as a child, no trout swim now.” Holding himself to a standard of accountability for his surroundings, Thornton writes, “I am a person. I soil the cage in which my heart flings and flings itself against the bars.” “Nest” begins with an epigraph from a Robinson Jeffers, an American poet considered an icon of the environmental movement. Other authors and works that warrant an introductory quotation in this collection include Euripides, the Book of Exodus, and renowned Canadian poet (and fellow McGill graduate) Irving Layton. In an interview with Canadian Literature, Thornton cites an encounter with one of Layton’s works as the catalyst that hooked him into seriously pursuing poetry.

Thornton is at his best with poems that explore temporality and relative change. My favourite poem in the anthology was “When the Big Hand Is on the Starfish,” a journey through time and space within the Art Deco-style Vancouver Marine Building. Once the tallest structure in the British Commonwealth, the building is a canvas for depictions of the nautical flora and fauna found in the nearby Pacific Ocean. Thornton uses the iconic clock in the lobby of the building, which has replaced numbers with marine creatures, as the central device of the poem, his jumping off point for a delve into the region’s past. It’s a history lesson compressed and disguised as a beautiful daydream-like meditation.

Thornton proves with Birds, Metals, Stones & Rain that he is a polished poet, both in the flow of his verses and in their content. The animals, landscapes, and overall elements of Vancouver and their intersection with his revealing personal life give the volume a clear aesthetic. It’s a combination that makes all the poems feel thematically linked, but still varied enough to feel like we’re not reading the same retread words over and over.

a, Arts & Entertainment, Music

Sky Ferreira – Night Time, My Time

With so much recent attention on Sky Ferreira’s private life—most notably her September arrest for ecstasy possession—it’s a relief to finally hear some of her music. Thankfully, her first full-length release, Night Time, My Time is exciting and moody, featuring a wide array of potential singles.

Although first single “You’re Not the One” may be the album’s highlight, it fits in nicely with catchy tracks like “Love in Stereo” and “Heavy Metal Heart,” with each song displaying a different facet of Ferreira’s pop-punk sound. For example, “Heart” is a stomping, stadium anthem with the chorus of a danceable pop song; basically, it’s a cross between Sleigh Bells and a Lady Gaga track.

The album’s titular song, however, takes a much darker tone, and is similar to Cat Power’s brooding early sound (circa Moon Pix). This moodiness is mirrored in “Nobody Asked Me (If I Was Okay)” and “I Blame Myself”; both hint at a sense of abandonment and forced independence. This time, though, the moodiness is only prevalent in the lyrics, as each song has a rather upbeat tune.

Herein lies the album’s best quality: Ferreira convincingly jumps from an accessible, poppy sound to a dark, foreboding groove within the space of one album—and, sometimes, even one song. However, there’s still room for improvement: Ferreira’s vocals often suffer, especially when paired with the album’s lush production.

Still, Night Time, My Time is adaptable, and certainly anything but bland—especially when compared to the majority of mainstream pop music these days.

 

a, Arts & Entertainment, Music

Deep cuts

Headlights

Artist: Eminem ft. Nate Ruess

Album: The Marshall Mathers LP 2

Released: Nov. 5, 2013

“Headlights” is Eminem’s written apology to his mother. This may come as a surprise to fans of the rapper, as the bitterness harboured towards his mother has been far from secret. “But I’m sorry mama for cleaning out my closet, at the time I was angry,” he raps, making reference to his highly acclaimed 2002 single, “Cleaning Out My Closet.” Ruess’ signature voice, rare and salient, embodies the song’s emotional eminence. “Headlights” is indisputably a highlight of The Marshall Mathers LP 2—if not the rapper’s career. Just when fans thought he could not get more real, the hip-hop icon proves us wrong.

 

Team

Artist: Lorde

Album: Pure Heroine

Released: Sept. 30, 2013

Lorde has taken the music industry by storm with the release of her first studio album, Pure Heroine. At just 16 years of age, the New Zealander possesses maturity well beyond her years. “Team” is a shout-out to her fans. “I’m kinda over gettin’ told to throw my hands up in the air,” she sings, suggesting that the classic adage of pop music may be worn-out.  Showing off her rich tone and compelling rumble with this song, Lorde makes it known that she intends to pave her own lane in the realm of pop—proudly deviating from what has become the norm.

 

I’ll Be Gone 

Artist: Linkin Park (Vice Remix ft. Pusha T)

Album: Recharged

Released: Oct. 28, 2013 

With DJ Vice putting forth an exciting EDM arrangement to a song originally produced by musical genius Rick Rubin, it’s no wonder the remix is so appealing to the ear. G.O.O.D. Music artist Pusha T makes a fine appearance, delivering solid verses. Band member Mike Shinoda puts impressive rhymes to the test as well. The remix takes the form of a great electronic song, but with an atypical fresh feel—as opposed to just another good beat-dropping electronic compilation.

 

Normal Person

Artist: Arcade Fire

Album: Reflektor

Released: Oct. 29, 2013

In one of Reflektor’s more critical songs, Arcade Fire questions whether a ‘normal person’ exists, while successfully tackling the band’s rock and roll roots in the track’s musical arrangement. This song sounds like a well-blended mix of Bruce Springsteen and The Pixies, with a touch of Neil Young thrown in.

a, Sports

McGill stays in sync at annual Invitational

On a crisp weekend in Montreal, the Memorial Pool heated up as eight universities converged to participate in the McGill Invitational Synchronized Swimming meet.  While the Invitational does not contribute to national rankings, all teams were eager to set the tone for the rest of the year and gauge their skills after a long off-season.

“The Invitational was an opportunity to develop sharpness and [endurance],” Head Coach Erica Messore said.

The event also highlighted the fantastic work the Martlets had put in over the off-season as McGill was the highest ranked team in four of the seven events they participated in. This was a welcome departure from last year, when the Martlets saw their streak of eight consecutive CUSSL (Canadian University Synchronized Swimming League) championships cut short and were forced to settle for second place.

The team has set a high standard for itself and the season ahead, which is unsurprising given the longstanding precedent of success that it has enjoyed. Despite the team’s achievements, the the Martlets are determined not to rest on their laurels.

“We won [Nationals] eight times in a row when I first came here,” player-coach Hannah Ungar said. ‘‘We have a new coach who has brought in a lot of new knowledge and energy [to the side and] everyone is working so hard.”

The event was received with much excitement, as the crowd was treated to athletic flips and tightly choreographed dance routines performed to a variety of musical genres, including electronic dance music (EDM), hip-hop, and pop. The University of Ottawa had the most intricate costumes and styled their performance off of Baz Lurhmann’s rendition of the Great Gatsby.

Despite the presence of flashy competitors, McGill proved to be the most successful team in attendance. The McGill White team narrowly edged out the John Abbott College A’s with an energetic performance that garnered 65.500 points in front of a full capacity crowd to earn the best senior team performance. Senior performer Carrie Mouck came first in the solo event with a captivating routine that earned the highest score of the Invitational with 66.5000 points. Mirroring the performance of the seniors, the novice team placed first in both the team event with 53.8333 points, and the solo event with 55.5000 points. McGill placed fourth in the duets &  trios competition and second in the Novices duets & trios competition.

According to Ungar, the journey back to a Gerry Dubrule Trophy is underway, but is still in the stages of infancy.

“Immediately, we are looking to increase fitness and endurance,” Ungar explained. “We have a really good thing for our routine right now, good music selection, good choreography, [but we need to continue] practicing our routines over and over again to really achieve that top level.”

Next semester, the synchronized swimming team will take part in the Eastern Canadian Championships and the CUSSL Championship. After such a bright start to the season, and with more months of practice to come, McGill Synchronized Swimming is well placed to continue its history of success. There will be another opportunity to watch this excellent squad at McGill in February, when the team performs at the McGill Water Show in Memorial Pool.

a, Sports

Point counterpoint

The culmination of the MLB season has brought with it the free agent frenzy that accompanies the colder months of the year. In most off-seasons, teams spend with free reign because the MLB does not have a salary cap. This week, two staff writers weigh in on whether or not baseball should institute a salary cap. 

 

Cap them!

“Having money isn’t everything, not having it is.” – Kanye West

Thinking of playing a professional sport for a living? The smart fiscal choice would be to focus on your swing and take a shot at the MLB. Year after year, the highest player salaries in North American professional sports belong to baseball. With no salary cap, teams can spend as much or as little as they please. The MLB is currently the only one of the four major North American sports leagues that doesn’t use a salary cap.

Because of this, critics often raise questions about whether baseball truly has a level playing field. Teams like the Tampa Bay Rays and the Oakland Athletics have some fans convinced that, so long as teams are playing “moneyball,” anyone can win. The reality is that in the past 20 years, just four teams have made the World Series with an opening payroll outside the top 15 in baseball.

Critics of the salary cap point to teams like the 2012 Red Sox, who finished last in their division despite having one of the highest payrolls in the league. They say that spending money doesn’t guarantee success. This is true. An example closer to home is the 2013 Toronto Blue Jays. Despite a payroll that increased by over $40 million from 2012 to 2013, the Blue Jays finished last in their division this season.

It’s clear that a high payroll does not beget success. The problem in baseball is that a low payroll does mean failure, at least in terms of championships. To re-work Kanye’s quote: spending money isn’t everything in baseball, but not spending money certainly is. Ideas about baseball parity are pure fantasy. As fans, we look back fondly on teams like the 2001 Arizona Diamondbacks and the 2004 Red Sox and label them underdogs. Put aside nostalgia, and you’ll see that the Diamondbacks had the eighth highest payroll in 2001 and the Red Sox had the fourth highest in 2004. The 2003 Florida Marlins are the only World Series winner that can be justly called an underdog with a $45 million payroll.

What the MLB needs now is a salary cap modeled after the NBA’s system. This style of salary cap involves a soft cap—teams can spend above the cap, but are forced to pay a luxury tax if they do so. The further above the cap a team spends, the higher the tax gets. A hard cap, which the NHL uses, is unrealistic, considering the strength of the MLB Player’s Association, and is also unnecessary. The New York Yankees, and perhaps a few others, would still spend above the cap, but they’d get less for their money. A salary cap would also mean a salary floor, which would prevent owners from spending so little that it is near impossible for their team to compete as we saw with the 2013 Houston Astros.

A salary cap won’t mean perfect parity in baseball, but it would help achieve it. To win, teams would still need smart executives, good coaches, talented players, and plenty of luck; but with a salary cap, teams wouldn’t have to rely on deep pockets, too.

Wyatt Fine-Gagné

 

If it ain’t broke, don’t fix it

Nine of the top 10 salaries in sports belong to major league baseball players. Of those nine, four play for the New York Yankees, with third baseman Alex Rodriguez earning an average of $59,000 per at-bat as part of his $28 million annual salary.

Moreover, each of the last few seasons have seen big money teams make splashes in the off-season. In 2011, the Marlins and Red Sox went all in, buying names like Jose Reyes and Adrian Gonzalez, respectively. This past year, we saw the L.A. Angels, L.A. Dodgers, and Toronto Blue Jays flexing their money muscles, hauling in the likes of Josh Hamilton, Albert Pujols, RA Dickey, and Zack Greinke. None of these free agent acquisitions ended well.

In an age where baseball’s television ratings are being diminished by more popular sports like football and basketball, the money somehow keeps on rolling into the big leagues. While a part of this trend can be attributed to richer team owners willing to dole out more money for wins, the majority of the new money in baseball is coming from TV contracts.

Most recently, the Dodgers inked a massive 25-year contract with Fox Sports West valued between $6 to 7 billion. That’s a cool $280 million on top of what was already one of the larger payrolls in the MLB.  To put that into perspective, the Houston Astros opened the 2013 season with a total payroll of $26 million.

While the no salary cap rule has been an integral part of baseball for generations, recent Collective Bargaining Agreements (CBA) have included measures such as revenue sharing and luxury taxes to combat inequality in the league. These help enforce parity, for example: the Yankees doled out a record $29.1 million in luxury taxes in 2013.  In the case of revenue sharing, a rising tide lifts all boats.

Ultimately, the greatest equalizer is greed. Having unlimited money to throw around can be both a curse and a blessing. In today’s competitive free agency atmosphere, signing a big name often means locking a player up for the rest of his career for more than $20 million a year. No matter what your budget is, a deal or two like that will leave a team crippled and inflexible for the foreseeable future. You only have to look at the Angels, who owe a total of $70 million to Albert Pujols, Josh Hamilton, and Vernon Wells in 2014.  That’s almost half of an already bloated payroll for three players who combined for a paltry 2.3 WAR (Wins Above Replacement). In comparison, the no. 35 ranked best outfielder in baseball this year had a WAR of 2.3 by himself. All three are on the tail end of their careers and have contracts that are heavily backloaded.

Spending immense amounts of money doesn’t mean that large payroll teams can get away with ignoring the development of their farm systems.  Free agent signings can be done prudently and in risk-minimizing fashion (for example, the Pirates’ signing of Marlon Byrd and Francisco Liriano down the stretch last season); having a blank cheque often leads teams to sign riskier deals with players well past their primes.

St. Louis survived the loss of Pujols in 2011 through smart drafting and development; Oakland defended their AL Central title in 2012 with cheap, low-risk free agent signings. Baseball has arguably never been on a more level playing field, with 15 different teams appearing in the World Series since 2000 despite growing payroll inequality. If it ain’t broke, don’t fix it.

— Elie Waitzer

 

Editor’s pick: cap them!

It’s time for the MLB to join its professional counterparts and institute a salary cap. Baseball’s parity is an illusion, and small market franchises are unable to sustain success in the long term. A restructured CBA highlighted by a salary cap mirroring the NBA’s is what the MLB needs to move forward as an organization.

a, Research Briefs, Science & Technology

Research briefs

FDA joins fight against trans fat

High levels of artificial trans-fat in processed foods have been known to cause 20,000 heart attacks and 7,000 deaths related to heart disease every year, according to the Centers for Disease Control (CDC). In an effort to reduce such diseases, the Food and Drug Administration (FDA) has recently decided to take steps to ban transfat, although a specific timeline has not been set up as of yet.

Since 2006, manufacturers are required to state the amount of transfat contained in products on the food labels. Still, the general population consumes large amounts of transfat on a daily level through processed foods, such as microwaveable popcorn, cookies, and frozen pie dough, just to name a few. Partially hydrogenated oils (PHOs) are also a major source of trans fat and if the FDA deems that PHOs are no longer considered to be generally safe, this could lead to a significant decrease of artificial transfat in foods. According to CTV News, Health Canada is being criticized for its lack of involvement in transfat regulation.

Until the ban takes place, FDA advises consumers to look at the nutrition facts and choose products that have the lowest amount of saturated fat, cholesterol and trans fat.

 

Tackling neglected diseases with new partnerships

Infectious diseases studied at the forefront of scientific research have led to many scientific advancements and a lower fatality ratio in the human population. These include leishmaniasis, sleeping sickness, and Chagas disease. However, according to a recent article in Scientific American, many infectious diseases that cause cognitive defects rather than death are often put to the side—especially those affecting developing countries. This has resulted in a lag in progress compared to more commonly known and deadly diseases.

A solution to this may very well be the recent partnership between the government of Japan, the UN Development Program, the Bill and Melinda Gates Foundation and several Japanese pharmaceutical companies. These organizations have decided to pool their resources together to create a fund to deal with these ‘neglected diseases.’ For instance, they aim to increase research towards the development of a drug to fight malaria.

Global Health Innovative Technology (GHIT) is the result of such a partnership with a focus on battling neglected diseases common in developing nations. Global Innovative Health Technology Fund (GHIT) CEO BT Slingsby told Scientific American that the cause is important because, “[HIV, malaria, tuberculosis, and other neglected tropical diseases] are the diseases that have the most unmet medical needs […] and lack innovations of technology.”

This type of collaboration could be a milestone in global health research and development to ultimately improve accessibility and health for the poor in developing nations.

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