Latest News

a, Student Life, Student of the Week

Student of the week

Aurélie Lanctôt, a first-year law student at McGill, is taking a stand against the Parti Québécois’  (PQ) proposed Charter of Values. As a member of the non-profit organization Québéc inclusif, Lanctôt helped write an open letter opposing feminist pro-charter arguments that freedom of religion jeopardizes previously actions toward gender equality.

As a member of the Feminist Collective of McGill Law and correspondent on Radio-Canada’s Bande á part radio show, Lanctôt was already invested in matters of gender equity in the Montreal community. Lanctôt first became involved with Quebec inclusif when she was asked by “friends, and friends of friends” to be among the ‘premier signataires’ for their manifesto. Approximately 40 academics, lawyers, journalists, and students signed the manifesto when it was released in September.

“[Quebec inclusif] was born just after the PQ released the first draft about the charter,” explains Lanctôt. “It was just a spontaneous gathering of people that share some values.”

According to Lanctôt, the manifesto is not a political statement, but rather an expression of philosophically based arguments about how the charter would deny the province’s citizens—and specifically minorities—of fundamental rights.

Lanctôt said she personally views the charter as “xenophobic and racist.”

“I think it plays on the little fear in the population, taking advantage of people’s ignorance,” she said. “I feel it’s dividing politics and it’s not very healthy for society.”

Since it came out in September, the manifesto has garnered significant support, with 26,681 signatories from diverse backgrounds.

This past week, Québéc inclusif caught the attention of mainstream media outlets again when a smaller group of individuals from the organization felt the need to react to a letter written by Quebec TV personality Janette Bertrand.  Bertrand’s letter suggests that the proposed charter promotes gender equality by preventing men from using religion as a means to dominate women. Québéc inclusif’s letter criticized these sentiments.

“The emancipation of women cannot be achieved by the imposition of a paternalistic measure like banning conspicuous religious symbols,” the letter reads.

Lanctôt stresses that feminism and freedom of religion are not necessarily in conflict, but can go hand in hand. While historically, men have used religion as a way to subjugate women, women may see the ability to express their religion as a means of asserting their own agency.

While Lanctôt says she is uncertain about what Québéc inclusif will do in the future, she says she is pleased with the response from the McGill community so far.

“I think there are a lot of students at McGill who share these ideas about the charter—francophone, anglophone, everybody,” she says. “The McGill community is very receptive.”

 

As a child, what did you want to be when you grew up?

I went through a lot of phases. For most of my childhood, I said I wanted to be a lawyer, but I don’t know anymore even if I want to study law.

If you could meet one person from history who would it be?

I would really like to sit for a coffee with René Lévesque. When I was younger, he was my idol. He still fascinate[s] me as a character that was [so] special and unique, with very strong and interesting ideas. But he also had a lot of flaws, which make him very interesting.

What’s your favourite place in the world?

Les iles de la Madeleine. I spent all the summers of my childhood there, and its just so beautiful.

If you could have any skill what would it be?

I’d really like to teleport.

What do you like about Law at McGill?

There’s a political side to law that really interested me. Here at McGill it’s a very philosophical approach.

a, Sports

McGill offence silenced as season winds down

The introductions for the McGill Redmen’s (3-4) homecoming game on Saturday had a different theme than previous matches this season. Instead of meeting the starting lineup for McGill, the audience bid adieu to all those graduating at the end of the year. For these players it was likely their last home game members of the Redmen. After a  28-3 loss at the hands of the Université de Montréal Carabins (5-2), however, festivities and celebrations were dampered.

McGill’s offence, which put up 29 points against eighth-ranked Bishop’s just two weeks ago, ground to a halt. In fact, it took until just under three minutes were left in the first half for the Redmen to even get a first down.

The most-called name for the Redmen was punter-kicker Samy Rassy. Though Rassy played well, as he has done for most of this season, it is nearly impossible for a team to get on the scoreboard —let alone win games­­­­— when the kicker is taking a third of the team’s snaps.

Struggles to move the ball led to poor field position throughout the half, and McGill ended up taking safeties twice in order to prevent strong positioning—and easier scores— for the Carabins.

Although the game was still within reach at halftime, McGill’s offence failed to improve in the second half. They mustered just 159 yards of total offence on the day, the vast majority of which came towards the end of the game when the outcome of the match was no longer in question.

Senior quarterback Jonathan Collin was brought in on the last drive of the third-quarter to replace starter Pierre-Luc Dussault, but the small spark the substitution provided was too little too late. Dussault and Collin have battled for the starting role all season, but injuries and inconsistency have prevented either from becoming the clear-cut choice.

If McGill can take one positive from the game, it is that their defence was for the most part solid. A corps that has been somewhat inconsistent so far this season tallied four sacks and forced two turnovers. Although they gave up 28 points, the number was still less than their season average for the year. That can be partially chalked up to the offence’s inability to stay on the field —McGill spent just under 20 minutes with the ball.

With Sherbrooke (2-5) losing to undefeated Laval (7-0) on Sunday, McGill still holds on to the fourth and final playoff spot. The loss to the Carabins is a huge blow to the Redmen’s playoff hopes. A win would have clinched a playoff spot and given them a chance to rest their starters, a number of whom are dealing with nagging injuries.

Instead, the Redmen will need to enter next week’s rematch against the Bishop’s Gaiters ready to play. McGill controls its own destiny – if the Redmen win the match, the team will move onto the post-season. A loss, however, coupled with a near-certain Sherbrooke win over last-place Concordia (0-7), knocks the team out of the playoff race.

Although McGill has far exceeded pre-season expectations in the wake of numerous winless seasons, missing out on the playoffs after this campaign would still prove  tobe a big disappointment. This Redmen squad has shown the ability to compete toe-to-toe with the top programs in the province. For players in their final year on the team, the task now is to make sure that next week’s match against the Gaiters is not their last in a McGill uniform.

a, Arts & Entertainment, Music

Krewella DANS la ville

Krewella is one of music’s most fascinating emerging acts. Their debut album Get Wet was released last month with a strong chart performance, and the group landed in 44th place in the DJ Mag Top 100 this past week. Consisting of sisters Jahan and Yasmine Yousaf, as well as Kris “Rain Man” Trindl, the Chicago trio is often categorized under the term Electronic Dance Music (EDM).

However, vocalist and songwriter Jahan says the group “wants to take dance music in a different direction.” Not only do their songs come from the convergence of different elements like pop, dubstep, and live vocal performances, Jahan also cites a multiplicity of diverse artistic influences.

“I like people [who] go against the grain,” says Jahan. She cites artists like Lady Gaga and M.I.A. who use their “[voices] to draw attention to important issues.”

EDM is a very male-dominated industry, but the predominantly female group says that they “never felt [they] should be treated differently.” Referring to the fact that famous women are often arbitrarily judged for their beauty rather than their achievements, Jahan noted, “I would like to see women become powerful for different reasons.” She also pointed out the small percentage of women compared to men in lists of the world’s wealthiest individuals and conceded that societal realities can make it difficult to succeed as a female artist. The trio’s rising influence and genuine talent certainly seems to put it on a trajectory to falsify that statement.

Jahan explains, however, that success doesn’t necessarily seem to be something Krewella needs to be validated by: “We don’t see ourselves on a pedestal; there’s no subject or object.”

Reaching out to fans is something Krewella takes very seriously, using social media as their primary method of communication. The dialogue inherent in that relationship isn’t one way either, as it could be sending a letter to a P.O. box—which the group has only recently acquired. Jahan recalls receiving the brief but poweful message, “you’ve saved my life” from a fan. Clearly, to their audience, and to themselves, it’s more than party music.

Krewella hasn’t stopped producing while they’re on tour, either. Their next album is already in its early stages with their debut record released only last month. It may not be out any time soon but the group is aiming to “re-invent their own production.”

Jahan acknowledges that Chicago is Krewella’s favourite city to play, as their hometown and the “nucleus” of their fan base, but they enjoy Montreal and vowed that the city should prepare for a unique show.

Krewella perform Oct. 24 at 10 p.m. at Telus Theatre (1280 St. Denis). Tickets are $40 online.

 

a, Science & Technology

WildCard app acquires an academic spin

When does add/drop end? When will the finals schedule be released? These are all questions many McGill students struggle to find the answer to online, and that is where WildCard comes in.

Tom Zheng and Randeep Singh started WildCard with a simple concept in 2011. According to Zheng, “It started as a card that provided people with monetary incentives to go out—a free drink at a club, free cover on certain nights.” Their aim was to connect businesses with students who enjoy nightlife.

The company launched a mobile app in January 2012 to act as a platform to satisfy this need of connecting businesses with students. Zheng, former VP academic for the Arts Undergraduate Society (AUS), realized that the problems faced by the AUS and businesses were pretty similar.

“How do you connect with people who would actually benefit [from] connecting with you?” explained Zheng. In the pursuit of answering this fundamental question, Zheng and his team embarked on a journey to bridge students needing this information and societies, like the AUS, who are providing it.

As VP Academic, he interacted with many U2 and U3 students who were posing questions such as “What is the meaning of primary curriculum on Minerva?” despite having attended the school for several years. These types of questions made Zheng pay attention to this communication barrier.

“There was no uniform place to give all this important and pertinent academic information to students,” Zheng said. The existing channel was just not efficient. According to Zheng, listservs have an opening rate of about 20 per cent, and even then, not all those clicks mean that +the student has thoroughly read the email.

People also do not often use Facebook and Twitter profiles to check school-related information.

“People go on to Facebook or Twitter to waste time,” said Zheng. “To look at things like ‘25 reasons not to do something’ [… they go online] with an aim to socialize.”

Zheng explained that these forms of media are not the appropriate channels to be relaying serious or academic information.

“McGill not being able to fill up stadiums for games is being attributed to apathy,” said Zheng. He continued to explain, however, that there are students who really want to be a part of the community, but are unable to find the relevant information.

All of these factors led to the question, ‘Can an app be a solution?’ Zheng argues an app for these societies do not need to be as interactive as Facebook or Twitter, but merely act as a platform and a channel to send push notifications about important deadlines and events.

“Wouldn’t it be great if you got a reminder one day before add/drop period ends so you don’t forget?” He asked.

Some of the most noticeable features of the app are its simplicity in design. Compared to its past use in nightlife deals, the app’s primary function is now to act as a portal to information. Settings subscribe users to notifications according to their year and major. The app also included bonus features, such as shortcuts for ordering food and a link to call a cab directly—which, as Zheng explained, were extremely useful during frosh. WildCard was also mindful in picking a taxi service provider that accepts credit cards so students are not faced with the problem of not having enough cash on hand.

To date, the company is working with three university organizations at McGill, two at Concordia, and have expanded to Queen’s and HEC (École des Hautes Études commerciales de Montréal).

To conclude, Zheng remarks, “If we could measure an increase in the number of students informed about what is going on at McGill that is what I would consider as success for the product.”

 

Download WildCard for Android or iOS.

a, Sports

Nesta bids Montreal farewell as Impact steals victory

Karl Ouimette, a 21-year-old fullback for the Montreal Impact, electrified the crowd of 18,993 in Stade Saputo when he headed in his first career goal in the 84th minute of the Impact’s final home game of the 2013 season to give the squad a 2-1 victory over the Philadelphia Union. Ouimette’s goal, a redirection of midfielder Justin Mapp’s curling free kick, could not have come at a more opportune time as the Impact had headed into the game locked in a three-way tie with the Chicago Fire and the Union for the final two playoff spots.

Marco Di Vaio, now a grizzled 37-year-old veteran, was once again impressive for the hosts as he made his mark on the scoresheet for the 20th time this season in the MLS, a mark that sees him tied atop the scoring race with Fire forward Mike Magee. Di Vaio’s goal came in the 64th minute off of an assist from team captain Davy Arnaud. The shot finally ended the Impact’s goalless streak of 330 minutes. Their late season struggles to find the scoreboard are reflected in the standings, as Montreal had a six game losing streak heading into Saturday’s showdown. This problem has plagued the Impact in both of its seasons in the MLS, with their streak matching the club record, a figure that was set over the final six games of their inaugural season in 2012.

Both squads’ centre forwards had a profound impact on the flow of the game, albeit in different ways. Conor Casey of the Union established a physical presence early in the match by using his large frame to overpower Montreal’s backline. Di Vaio on the other hand was used as a target man and oftentimes looked to start attacks by receiving the ball in the middle third. Both were also the recipients of their teams’ yellow cards. Casey received his for jawing with the referee, while Di Vaio launched into Union Goalkeeper Zac MacMath following an alleged handball in the penalty box that wasn’t called.

Both teams played with urgency throughout the 90 minutes of play, which resulted in multiple tussles. Philadelphia manager John Hackworth attributed this to what was at stake for both squads.

“This was a playoff game without the playoffs,” Hackworth told Canadian Press. “Both of us had to win. We did a good job in the first half, but we couldn’t finish it off.”

The first 45 minutes were indeed controlled by the visitors as the Brazilian duo of Kleberson and Fabinho joined together to put the Union ahead with deft passing and clinical finishing. However the hosts took over in the second half as Impact head coach Marco Schällibaum implored his squad to do better.

“At half time, we discussed how we felt that we wanted to win, but wanting wasn’t enough,” Schällibaum said. “I told the guys that I believe in them. After such a difficult week and some tough results, it’s a great moment, and I’m very proud of the guys.”

Defensively, the Impact were led by former A.C. Milan star and living legend, Alessandro Nesta. The stalwart centre-back, now 37, exhibited the same dominance he showed throughout the length of his storied career. Prior to the match, Nesta was thanked by the franchise for his service to the club and the sport as a whole, as he will hang up his boots following the culmination of the regular season. Unfortunately, Saturday’s match may have been Nesta’s last as he went down clutching his leg following a challenge. A stretcher was brought onto the field but he refused to be carted off and instead limped off on his own power, to the sound of a standing ovation from the raucous and emotional crowd.

The Impact now head to Toronto for the final game of the regular season on Oct. 26. Despite sitting in third place in the Eastern Conference, the game is a must-win as five teams are within three points of each other in the battle for playoff contention.

 

a, Arts & Entertainment, Music

Black Milk – No Poison, No Paradise

Black Milk’s sophomore album, No Poison, No Paradise, is the perfect blend of smoothly laid hip-hop beats and a techno-synth vibe.

The Detroit rapper-emcee introduces a new kind of soulful lyricism mixed with a story-teller vibe that was largely absent from his 2010 release Album of the Year, a mix focused more on heavy drum beats and ephemeral themes. Now, after taking time off to perfect his skills in sound mixing and engineering, the 30-year-old rapper is back with a clean-cut sound that shows a new level of maturity.

Taking on the role of ‘Sonny,’ Black Milk spins rhymes focused on the troubles affronting any child growing up in the inner city, best played out in the combo track “Sunday’s Best/Monday’s Worst.” Unlike his past work, this album is less about the rhymes and more about the music. Black Milk takes time to let the vocals fade out so the listener can focus in on the smoothly mixed tracks, which artfully display techno beats melded with jazz interludes.

For a prime example of his expertise in the field of sound engineering, just look to “Sonny Jr. (Dreams),” an all-encompassing track that features strong drum beats overlaid on a mellow bass to make the listener feel like they themselves are laying in the bed of a young Curtis Cross getting ready to start a new day in Detroit.

While slower than most popular rap/pop compilations of today’s music, No Poison, No Paradise has the ability to appeal to both novices and veteran listeners of the hip-hop scene.

 

a, Arts & Entertainment, Theatre

tick, tick…BOOM! is no bust

It’s a musical where “everybody we know wants to be something else.” With a cast of three actors and a live four-piece band, Tuesday Night Cafe (TNC) presents tick, tick..BOOM!, by Jonathan Larson, best known for bohemian rock musical Rent. Choosing love, success,  or passion as life’s top priority is one of the many relevant themes at work in TNC’s latest feature.

This autobiographical piece centres on Jon (Brendan Macdonald) as he frets over his fast-approaching, much dreaded 30th birthday and his lack of success as a ‘promising young composer.’  It was originally written as a one-person show, where one actor portrays Jon and every other character in his life as he explores New York City through his own psyche. TNC and director Jon Corkal chose to portray a posthumously edited version of the musical with three actors. One (Macdonald) plays Jon, another (Nathaniel Hanula-James) mainly plays Jon’s lifelong best friend Mike, as well as every other minor male role, and a third (Teodora Mechetiuc) principally plays Jon’s girlfriend Susan, in addition to every other minor female role.

This musical does not present the typical musical tropes—there are no large choruses, no complex dance routines, and no overly cheerful characters. Besides the spontaneous singing and omnipresent band, it remains firmly centred in everyday reality—or, at least, Jon’s interpretation of reality.

Corkal uses an extremely minimalist set for this performance, which works both thematically and practically. With the small space of the TNC theatre and the band (John Castillo on electric guitar, Josh Loke on bass guitar, and Ben Mayer-Goodman on drums) taking up a third of the stage, Corkal wisely chooses to keep physical objects to a minimum to ensure ample moving space for the actors. Without the distraction of excess furniture or decorations, the audience is forced to focus on the cast and their relationships—the life and purpose of the show.  Due to the small theatre size, microphones are unnecessary for the casts’ beautiful, natural voices to easily be heard, enhancing the intimacy of the show.

Macdonald, Hanula-James, and Mechetiuc carry a lot of pressure in this show with no external support, and each one gloriously succeeds in the execution of each character. Macdonald at first appears a bit flat or uninspired, going through monologues as if bored and only picking up energy during songs, but this is merely how Jon is meant to be played. As the plot progresses and Jon faces increasingly emotional events, Macdonald portrays exact changes and believably shows Jon’s emotional state, no matter how subdued it is meant to be. Contrarily, Hanula-James and Mechetiuc constantly pour out energy in each line’s delivery, whether spoken or beautifully sung. Each of the actors’ voices can be distinctly enjoyed in their solo songs “Real Life” and “Come to Your Senses.”

The band fuels the show with constant energy and momentum, driving each song without inadvertently drowning out the singers. The band members also had a few lines, making them not just a live soundtrack, but truly integrated as well.

Ultimately, Corkal chose an ideal musical to perform at a university: the themes of career choice, relationship problems, fading friendships, and the pursuit of intrinsic happiness over commercial success—all fully explored—are omnipresent at McGill. Just as the characters must choose between a safe, comfortable life, and an exciting but dangerous one, you can choose to continue your life without the experience of this play, or instead try something new: an inspiring play with great music, occasional laughs, and terrific acting.

 

tick, tick…BOOM! plays from Oct. 23-26 at 8 p.m. in Morrice Hall on McGill Campus. Student tickets are $6.

a, Recipes, Student Life

Fall baking

Apple Crisp

Serves 6

Ingredients

4 cups sliced pared tart apples (about 4 medium)

2/3-3/4 cup brown sugar, packed

1/2 cup all-purpose flour

1/2 cup oats

3/4 tsp cinnamon

3/4 tsp nutmeg

1/3 cup butter or margarine, softened

light cream or vanilla ice cream

Instructions

1. Preheat oven to 375°F

2. Grease 8x8x2 inch pan

3.  Place apples in pan

4. Mix brown sugar, flour, oats, cinnamon, nutmeg, and butter in bowl thoroughly

5. Sprinkle mix over apples

6. Bake 30 minutes or until apples are tender and topping is golden brown

7. Serve warm with ice cream

 

Best Apples for Baking

Cortland: Slightly tart and juicy, these apples are great for all types of baking!

Golden Delicious: One of the best baking apples because of its ability to retain shape while baking. The soft sweet flavour goes well in any baked dish.

Granny Smith: A go-to for baking with apples. These apples are crisp, tart, and sour which makes them great for crisps, and go well when mixed with other sweet apples.

Jonathan: These apples are quite tart and full of flavour. They also maintain their shape in the oven.

Winesap: Sworn by some to be the best apple for cooking, these sweet-flavoured apples are firm and have a spicy kick to them. They serve as great baking and sauce making ingredients.

 

Eat but don’t bake

There are some apples that are just bad news when it comes to baking. Many of these apples fail to hold their shape in the oven, leaving behind a mushy mess. The use of these apples in a baked dish will turn a winning recipe into a failure, even when followed exactly.

Gala, Macouns, Red Delicious, Fuji, Lady

 

a, News

Parents Weekend merged with Homecoming due to budget cuts

Last weekend marked the first year that McGill’s Parents Weekend was fully integrated into Homecoming, an annual  three-day event that welcomes alumni back to the university.

Although the two occasions were advertised separately in previous years, parents were informed this year that McGill would not be hosting a seperate Parents Weekend, but would instead invite parents to participate in events alongside alumni as part of Homecoming.

Derek Cassoff, Director of Communications for Development and Alumni Relations,  said that the merging of the two events was motivated by numerous factors, including the provincial government’s cuts to McGill’s budget announced last December.

“The budget cuts […] have forced us to look at all of our programming across the board and see if there are opportunities to streamline things,” Cassoff said. “In this case there won’t be any major differences for parents who would normally come.”

Cassoff said that merging the two programs did not produce marked differences in what McGill offered parents, aside from the cancellation of the Parents Association Annual Dinner.

“It’s more of a realignment of the services we provide all of our community members—alumni, parents, friends, donors,” he said. “What we’re trying to do is making homecoming more inclusive to include not just alumni, but also other members of the McGill community who migwht be interested in celebrating with us.”

Cassoff said that the merge was also motivated by the desire to maximize turnout from both alumni at Homecoming and parents at Parents’ Tent in August, when parents are more likely to visit the city.

“It’s really a question of being strategic with the resources that we had,” he said.

Linda Good, a McGill parent from Oklahoma who has attended Parents Weekend every year for the past four years, said she phoned the McGill Alumni Association when she heard that the weekend had been cancelled. Although Good did attend Homecoming in its place, she said she was disappointed that it had been integrated into Homecoming.

“[Parents Weekend] gave us a better picture of what McGill is like—the student body—from a parents’ perspective,” she said.

Cassoff said that Homecoming and Parents Weekend programming will continue to be hosted together next year, but that feedback from attendees and changes to Homecoming would be considered later on in the semester.

a, Opinion

A deficit of attention to overdiagnosis

The diagnosis of Attention Deficit Hyperactivity Disorder (ADHD) among primary school children has increased dramatically over the past several decades. Twenty years ago, approximately five per cent of American children were thought to have the disorder, compared to 11 per cent this year. While data from the US demonstrates the most extreme surge in diagnoses, the growing prevalence of children with ADHD is a worldwide trend. Such a steep and sudden proliferation of a congenital disorder has prompted skepticism; how is it possible for the prevalence of ADHD to have more than doubled in only two decades?

The answer is that an increasing number of children are being misdiagnosed.  ADHD has become a catch-all term for a host of other potential factors or conditions that result in similar symptoms.

Of course, this is not meant to trivialize ADHD; when properly diagnosed, it is a serious disorder with real effects on the ability to maintain focus and control impulsive tendencies. However, the recent increase of children being diagnosed with ADHD indicates the strong possibility that many of these cases can be attributed to other factors.

Our general approach towards education is changing. More and more focus is being placed on standardized testing, leaving less time for students to engage in subjects such as art and gym.  Some schools have even cut gym class altogether in an attempt to improve test scores by spending more time in the classroom. It is not surprising that when creative and recreational outlets are diminished and substituted with rote, repetitive exercises designed to increase standardized test scores, students become disinterested.

Yet parents, teachers, and doctors are increasingly blaming the children themselves by diagnosing them with a disorder, rather than addressing the underlying causes of their distraction.  It has even been shown that students with late birthdays, who are perhaps less mature than their classmates, have a higher rate of ADHD than their older cohorts, another indication that ADHD is being used as a go-to explanation for a student behind in class.

This leaves the question of whether these diagnoses are being made in ignorance or in spite of an understanding of these external factors. One possibility is that parents and teachers who are unable to control hyperactive children, or unable to provide adequate explanations for why they aren’t succeeding in school turn to ADHD as a convenient explanation. The frequency with which children diagnosed with ADHD receive medication to reduce their symptoms may indicate frustrated adults who don’t know how to cope with behavioural issues and learning obstacles in children.

While psychotherapeutic drugs such as Ritalin and Adderall have proven effective in managing the symptoms of ADHD, they are powerful stimulants that should only be used in cases of absolute necessity. Even proper use of such medicines could result in harmful side effects and dependency. The ease with which those diagnosed with ADHD may acquire prescriptions for these drugs means that their use among children has increased to such a degree that it is becoming mainstream. The prescription of Ritalin to children, for example, has doubled in recent years. Not only is this potentially harmful to the children to whom they are prescribed, but the effects of the widespread availability of these drugs are increasingly visible in universities, and even in high-achieving high schools where students have begun illegally selling and abusing ‘study drugs’ in order to gain advantages in competitive academic settings.

The widespread diagnosis of ADHD among young children, and the frequent prescription of drugs to fix their perceived problems is, indeed, an epidemic. It is necessary to identify and address the true causes of their difficulties. Otherwise, we threaten to restrict the life chances of an entire generation, and label healthy children with a disorder that they will carry with them into adulthood.

 

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