The McGill Department of English Drama and Theatre Program presents Tom Fowler’s katzenmusik, a darkly compelling exploration of social inequality and civil unrest in the fictional town of Burnside. Told in reverse chronological order, the play recounts a cat massacre that devastates the town and forever tarnishes its reputation. Each[Read More…]
Tag: Play review
‘Cult Play’ triumphantly faces dark truths of the need for belonging
Cult Play, a new play written by non-binary playwright and Concordia graduate Scout Rexe, recently made its world premiere at the Segal Centre. Presented by Imagos Theatre, the play follows Alex (Madeleine Scovil), a queer actress in Montreal who falls in love with a woman named Taylor (Kayleigh Choiniere). The[Read More…]
‘English’ asks provocative questions about the meaning of language
“HELLO. WHAT IS YOUR FAVOURITE COLOUR?” The militant aggression of Elham’s (Ghazal Azarbad) tone sends laughter rippling through the audience. She wants to go to Australia for medical research with a renowned professor studying gastrointestinal diseases. She has a fantastic MCAT score. She wants to help people. She’s failed the[Read More…]
David Paquet’s ’Wildfire’ is a blazing success
Although January in Montreal is synonymous with grey skies and plummeting temperatures, the city’s vibrant theatre community is still blazing—and nowhere is this more evident than in Talisman Theatre’s bold production of Wildfire by David Paquet. A triptych of intergenerational trauma, the play depicts the lives of a set of[Read More…]
Play review: ‘Angélique’ demands that Canada confront a painful past
There’s a smug detachment that accompanies the way a lot of Canadians talk about their past. Despite our country's tradition of violence and systematic oppression, many Canadians perceive our history to be bemusedly boring—something to be admired from afar but never thoroughly confronted or engaged with. We too often have[Read More…]
TNC’s ‘Stop Kiss’ is a familiar yet enchanting love story
Stop Kiss—written by Diana Son and directed by Alex Levesque—takes place, like so many other plays, in the West Village of Manhattan. It is there, amid the ubiquitous brownstones and manicured greenery, that Callie (Maha Nagaria), lives by herself, working as a traffic news reporter. Meanwhile, just a couple subway[Read More…]
“Intractable Woman” tells story of gendered journalism and censorship
In the 9/11 gallery theatre of the Newseum in Washington D.C., a quote by Rod Dreher is marked on the wall like a silent, certain truth: “There are three kinds of people who run toward disaster, not away: Cops, firemen and reporters.” Imago Theatre is an independent theatre company located[Read More…]
AUTS’ “Heathers: The Musical” brings teen angst, musical numbers, and murder to Moyse Hall
[metaslider id=49996] Since its release in 1988, Heathers has become a cult classic. Taking a jarringly dark approach to teenage angst, the original film follows Veronica (Winona Ryder) and her homicidal boyfriend J.D. (Christian Slater) as they seek unorthodox revenge on their classmates. A black comedy, Heathers finds hilarity in[Read More…]
TNC’s Ghost World brings the graphic novel to life
[URIS id=47252] Fans of indie classics, rejoice; Ghost World has been adapted for the stage, right on McGill soil. Following the fragile relationship between best friends Enid (Beky Seltzer) and Becky (Sarah Foulkes), Ghost World is a portrait of a bond that unravels under the strain of growing up. Told[Read More…]
Play Review: Never Swim Alone is much more than absurd
Daniel MacIvor’s Never Swim Alone is an ironic parody of gender as well as a mildly unsettling piece of theatre. Directed by Katey Wattam, Never Swim Alone is not the kind of play an outsider would come to expect from McGill’s Player’s Theatre. Everything about it is minimal in terms[Read More…]
