From exploring dusty old houses in A Farce About Time Travel to a complicated reunion with old friends (or more than friends) in Coping Mechanisms, the McGill Drama Festival (MDF) had something for everybody. With prizes handed out for Best Script and Best Directing, the festival’s only real loser was[Read More…]
Tag: Players Theatre
“The Road to Hell” is paved with quirky duos
Before I saw “The Road to Hell,” nobody would tell me anything about it. The play is modern and relatively unknown, so a cursory Google Search reveals very little. I learned that it consists of two one-act plays, with two actors in each act. A new, mysterious play with a[Read More…]
Opening the curtains for the Montreal theatre scene
ACT I //Enter Canadian Theatre.// In 1949, Vincent Massey led the Massey Commission in an investigation of Canadian cultural and intellectual production. After its completion, the commission declared the country guilty of ignoring home-grown artistry in favour of foreign cultural products. While the American monopoly over publishing was a part[Read More…]
‘God of Carnage’ marks Players’ Theatre’s return to in-person theatre
One hundred years after starting the company, and three years after closing their stage for renovations and COVID-19, Players’ Theatre finally returned to in-person shows with Yasmina Reza’s God of Carnage. Despite the play having only four characters and being produced in a small black-box theatre, the show was full[Read More…]
Actors shine through screens in ‘Inaccurate Conceptions’
Players’ Theatre’s production of Inaccurate Conceptions, written by Sharon Reichert and directed by Kiara Pollice, U2 Education, ran from March 25-27. The 30-minute play, cleverly adapted to be performed live on Zoom, explored romance, gossip, and breakups. During the brief and intimate runtime, the audience glimpsed a relationship between four[Read More…]
Players’ Theatre proves that the show must go on
Theatre-lovers everywhere are mourning the days of live performances with sold-out venues, elaborate production designs, and most importantly, a sense of collective belonging. COVID-19 has caused major disruptions for McGill’s theatre community, especially since Montreal moved into its Red Zone earlier this month. Understandably, theatre clubs at McGill have struggled[Read More…]
Clubs still struggling to find spaces
In March 2018, the University Centre, commonly known among students as the “SSMU Building,” closed for much-needed renovations. While the building was scheduled to open by the end of that year, this date has been pushed back to April 2020, 16 months past the initial deadline. During this two-year period,[Read More…]
Arcadia delves into discussions of science, sexuality, and existentialism
Past and present overlap in playwright Tom Stoppard’s Arcadia, a curious exploration of sex and love, mathematics and nature, and the pursuit of knowledge. Presented by Player’s Theatre and directed by Steven Greenwood (PhD candidate in English), Arcadia portrays the curiosity and determination of young scholars in this brilliant rendition of Stoppard’s 1993[Read More…]
SSMU building closure disrupts campus clubs
Student clubs and services previously housed within the Students’ Society of McGill University (SSMU) building encountered logistical burdens in their search for alternative work spaces after the building closed on March 17. The closure was the the first step in a long-term schedule of renovations and repairs which are planned[Read More…]
Players’ Theatre closes indefinitely following safety inspection
Players’ Theatre’s office, located in Room 309 of the Students’ Society of McGill University (SSMU) building, was closed indefinitely on Feb. 12 after tests performed in preparation for the upcoming building construction showed high levels of disturbed asbestos in the space. Although SSMU staff retrieved musical instruments from the room[Read More…]
