The Tribune

Well before Shout Out Out Out Out even stepped on stage Thursday night, their presence was felt among the crowd. Flocks of college kids gathered outside the venue and later filled the moderately sized La Tulipe to the brim. The level of excitement was palpable, setting the bar of expectation for the evening very high.

What does Ramblin’ Jack Elliot, a 75-year old country folk guitarist, have to do with Pop Montreal, the city’s ecstatic embrace of the “next big thing”? Perhaps the most significant asset that Elliot’s Wednesday night set at the Ukrainian Center brought to the festival was authenticity.

I wish I could make it that everyone who sees the Soft Skeleton has to drink Guinness, says Emily Haines, Metric’s cool, commanding and completely sexy front woman, as she takes another swig, “but it’s okay if you’re having, like, a vodka soda. I just don’t think you’ll totally get what we’re doing, but that’s okay!” Despite the absence of Guinness anywhere in the general vicinity, last Monday night’s show at Le National Théâtre was not lost on many.

Even though he died 36 years ago yesterday, his music is among the most timeless and influential ever produced. Jimi Hendrix arguably changed the electric guitar sound more than any other guitarist in history. He was the guitar player who brought deft use of overdrive, feedback and the wah pedal to the masses and following in the footsteps of Eric Clapton’s days with Cream and John Mayayll’s Bluesbreakers, was among the first to swear by the Marshall Stack (amplifier) to give him one of the loudest, most blistering guitar sounds to accompany his legendary playing technique.

Unending curiosity regarding the content of the evening’s set list was likely at the forefront of a Snow Patrol fan’s mind on their way to the band’s Sept. 12 Metropolis performance. In 2004, the Irish heartthrobs relased The Final Straw Stateside and it was among the 30 best sellers in the U.

A little over two years ago, the future of You Say Party! We Say Die! was bleak. It was week 14 of a 16-week European tour – an exhausting amount of time for even the most seasoned touring musicians. Fatigue had set in for the Vancouver band, communication had broken down, and everything came to a head when singer Becky Ninkovic attacked drummer Devon Clifford during an argument at a bar in Germany.

She & Him’s Volume 2 makes a slight departure from 2008’s Volume 1. Actress Zooey Deschanel and singer-songwriter M. Ward’s second album is full of Beach Boys-inspired harmonies and twangy California guitar, maintaining the duo’s penchant for a retro sound.

Montreal-based Plants and Animals’ newest release La La Land is a fun, upbeat record that showcases why the band has been gaining recognition in the indie music scene for a few years now. Their first full-length album, Parc Avenue, was nominated for two JUNO awards in 2009 and was short-listed for the Polaris Music Prize in 2008.

Björk and Sigur Rós may have put Iceland on the musical map. But Seabear – the seven-person collective that just released their sophomore album and made their North American debut at South by Southwest – have proved themselves to be the most promising new Icelandic indie export.

In 1980, when Dr. Hy Goldman first brought Boston’s Klezmer Conservatory Band to Montreal, not many people believed that the near-forgotten musical tradition of Klezmer could be revived. Roughly defined as the music of Eastern European Jewry, Klezmer had all but disappeared after the Second World War.