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Arts & Entertainment

Michael Bublé: Christmas

Michael Bublé brings class to Christmas classics and Christmas is solid all the way through. It’s got charm, personality, and brings a new, fresh flavour to songs that get overplayed every holiday season. There are elements of jazz, some contemporary pop, a bit of swing, and even some big band-esque 1920s sound. 

The standout track is Bublé’s lone original, “Cold December Night.” No matter how much we may want to fight it, the cheesy lyrics fit his velvety voice and the sentiments of the season will warm your heart like a cup of hot cider. 

The big band backing and his varying inflections on “Blue Christmas” are mindblowing. The musical interlude is grand, fun, and it pushes a melancholy song to a new level of enjoyment. Bublé also covers Mariah Carey’s “All I Want for Christmas Is You,” but adds his own twist by slowing down the tempo. It sounds like a completely different song that is noteworthy in its own right. 

He even includes an opening track in which he wishes his audience a  merry Christmas. What more could you want from a Yuletide album?

 

—Lauren Pires

Arts & Entertainment

Being Elmo pulls on heartstrings

Many of us would define success by how recognizable our face is. Imagine how puppeteers must feel, since their main responsibility is to stay entirely out of their audience’s eyesight. Kevin Clash, the innovator behind the world’s most popular puppet—Elmo—doesn’t seem to mind. 

Being Elmo: A Puppeteer’s Journey documents Clash’s lifelong passion for puppetry. His fascination with Sesame Street inspired him to create 85 of his own homemade puppets in elementary school. His talents raised his classmates’ eyebrows until he began earning a living through his performances in schools, in pediatric hospitals, and eventually on Baltimore television by age 18. By the time he graduated high school, he landed a role on network television and was named “Most Likely Millionaire” by his peers in his graduating class.

Clash is the sole reason that Elmo is so iconic. The red puppet’s features are visually uninteresting, and, were it not for Clash putting his own warmhearted personality into the puppet, Elmo would have gone largely unnoticed next to kid favourites like Big Bird, Bert & Ernie, and the Cookie Monster. The film describes the hand motions of elite Sesame Street performers who have learned their techniques from Clash, now a storied veteran within the industry. The puppets’ facial expressions, muscle movements, and personalities must all be meticulously crafted. This type of skill requires sharp attunement to human behavioural quirks, and Clash’s knack for reading body language shows beautifully in the way he develops the personalities of his own vast puppet collection.

Those outside of this ‘puppet inner circle’ know Jim Henson as the poster child behind the Muppet Empire, much in the same way we consider Steve Jobs to be the pioneer of the digital era. The documentary presents Henson as an angelic soul on the surface, but suggests ever so subtly that, if the layers of his private persona were peeled away, left exposed would be a man who had intense expectations of himself and his peers. The film is a superficial but deeply endearing tribute to Henson’s contributions; the secret behind his managerial talents, his relationships with coworkers, and his untimely death are unfortunately avoided here. Sure, this is Clash’s movie, but the film quietly hints at the untapped potential of a Henson biopic.

As for Clash, he created a character that has made Sesame Street a marketing phenomenon among children, with Tickle Me Elmo selling millions of units since 1996. But more importantly, Clash’s charity appearances put smiles on the faces of children who have been struck with terminal illness or who are living in poverty. Elmo is the definitive achievement of his career, and Being Elmo tells the story without injecting any unnecessary, saccharine climax or digging up some half-baked Sesame Street industry dirt. No feathers are ruffled, there is no shocking exposé, nor should there be. There is only Mr. Clash, whose humble disposition is legendary on Sesame Street, but whose puppetry genius will pass by the rest of us on Main Street. Something tells me he’s perfectly fine with that.

Arts & Entertainment

Holiday Movie Preview

Usually the movies that come out during the holiday season fall into one of two categories: Big budget blockbuster flicks sure to draw in restless crowds emancipated from work and school, or last minute Oscar bids hoping to become critical darlings.

Either way, December is a good month for movies. Whether you’re a casual moviegoer or a proud film buff, a winter trip to the cinema won’t leave you disappointed. 

All this said, some of the most anticipated movies of the 2011 holiday season are breaking tradition. It seems that the ones with the A-list stars, high-profile literary source material, and hefty studio budgets are the ones that in all likelihood will be running for Academy Awards as well. 

The Girl With the Dragon Tattoo: December 23

Along with an international bestseller for source material, stellar cast, and director extraordinaire, The Girl With the Dragon Tattoo has one of the best trailers in recent memory (featuring “Immigrant Song” covered by Trent Reznor and Karen O). Based on the first book in Stieg Larsson’s Millenium Trilogy, TGWTDT is a mystery-thriller that follows brilliant hacker and private investigator Lisbeth Salander (Rooney Mara), and jailbird journalist Mikael Blomkvist (Daniel Craig) as they investigate a missing person case that’s 40 years old. The book is the ideal source for a gripping movie—it’s dynamic, terse, shocking, and Lisbeth Salander, a fiery, punk, sociopathic biker, is an endlessly intriguing character. We’re in good hands with director David Fincher (Fight Club, Se7en, The Social Network), a filmmaker known for his stunning yet edgy cinematography, art direction, and editing. If anything, the only worry we could have about this movie is that it sounds too good to be true.

War Horse: December 28

The upcoming film War Horse, directed by Steven Spielberg, has taken an odd route from children’s novel, to London and Broadway play, to blockbuster film. Young British stage actor Jeremy Irvine will play protagonist Albert Narracott, who is separated from his beloved horse Joey at the outbreak of World War One. Both Albert and Joey fight on the Western Front, and the equine star for both the British and German armies throughout the war. Along with action sequences that somehow make the trenches and scarred no-man’s land of WWI France look beautiful, War Horse promises an emotional rollercoaster. It appears that Spielberg will return to one of his tried and true themes: the power of friendship against all odds. The play was criticized for having too little plot, but was lauded for its staging and artistic vision, and the cinematic adaptation promises spectacular cinematography and art direction too. Here’s hoping that Spielberg will avoid his recent heavy-handed Aesopian morals and emotional manipulation and flesh out a compelling story. We all know the Saving Private Ryan director can make a spectacular war movie.

Tinker Tailor Solder Spy: December 9

Judging from the trailer alone, Tinker Tailor Soldier Spy will be a tense, intriguing, and well-acted thriller. Set at the height of the Cold War, the film, based on the 1974 novel by exceptional espionage writer John LeCarré, follows M16 agents as they investigate their own service in the hunt for a Soviet double agent. Gary Oldman stars as the reserved but brilliant George Smiley, an M16 intelligence agent, and is joined by Oscar winner Colin Firth and fangirl favourite Benedict Cumberbatch as fellow British intelligence officers. The plot travels from England to Turkey to Russia, through shocking revelations, gritty action scenes, and mind-bending battles of wits found only in the spy genre. Plus, it opened to rave reviews earlier this year at the Venice International Film festival. With Oldman’s latest, expect a film that lives up to the name thriller.

Coriolanus: December 2

Coriolanus is a modernized version of the tragedy the Bard wrote after Othello and King Lear, and this latest Shakespearian adaptation promises to be filled with blood and gore galore. The film is directed by Ralph Fiennes who also stars in the lead role—is there anything You Know Who can’t do? The film’s eponymous star is a contentious character. Caius Martius Coriolanus first honours Rome as a heroic general but goes on to stir up a revolution, and leaves the country he loves branded as a traitorous exile. Coriolanus soon joins forces with his sworn enemy, Tullus Aufidius, played by action flick veteran Gerard Butler. Up and coming acting talent Jessica Chastain plays Coriolanus’ wife, Virgilia. The dynamic themes of the play—revenge, betrayal, and revolution—should translate well in a contemporary setting. And for those who still see Shakespeare as synonymous with boring, the trailer promises explosions, and lots of them.

Sherlock Holmes: A Game of Shadows: December 16

Director Guy Ritchie’s 2009 film Sherlock Holmes took Sir Arthur Conan Doyle’s classic detective stories to a whole new level. Holmes retained his brilliant, brooding, and abrasive personality, but added bare-knuckle boxer and action hero to his resume—and of course Robert Downey Jr. was the ideal choice for the role. Jude Law brought a level of suave to Holmes’ assistant Watson, helping the character step out of the clueless persona he’s been relegated to in many adaptations; Law’s interpretation was quickly nicknamed “Hotson.” Sherlock Holmes: A Game of Shadows promises to amp things up even further when we meet Professor Moriarty, Holmes’ arch nemesis, and Sim, a crime-fighting Roma fortune-teller. Their adventure takes them across Europe as Holmes and Watson investigate the murder of the Crown Prince of Austria and do battle with Holmes’ intellectual double and moral-void mortal enemy. Sound exciting? No doubt. If all bodes well, Sherlock Holmes: A Game of Shadows will be the same thrilling blend of boxing brawn and suave Victorian wit that it was two years ago.

Arts & Entertainment

She & Him: A Very She & Him Christmas

I’m not the biggest fan of Christmas music, but A Very She & Him Christmas has some renditions so refreshing and sweet they actually make me excited for a holiday I don’t celebrate. Zooey Deschanel’s charming voice is at the forefront accompanied by minimal instrumentation, mainly guitar and ukulele from M. Ward.

She & Him cover all the classics, but in such a way that makes the album relaxing and only hints at Christmas. While at times overly sprinkled with schmaltz, the album remains genuine and enjoyable, and the slight imperfection of Deschanel’s quirky voice makes these Christmas songs that much more pleasant.

The most unique on the album is “Baby, its Cold Outside,” a retro-style duet where you can practically see the duo singing to each other beside a fireplace sporting tacky Christmas sweaters, sipping on spiked eggnog. 

A Very She & Him Christmas will put a smile on your face, offering a unique spin on the monotonous Christmas music most of us are sick of hearing during this time of the year.

—Alex Knoll

Sports

Top Ten of 2011

Ryan Reisert

#10 – Rugby World Cup

#9 – Manning’s Injury

#8 – St. Louis Cardinals

#7 – Green Bay Packers

#6 – Women’s World Cup

#5 – Tragedy in the NHL 

Tragedy struck the NHL this past summer with three NHL player deaths. Derek Boogaard, Rick Rypien, and Wade Belak, all prominent NHL enforcers, passed away, leading some to link fighting and the enforcer role with depression and substance abuse. The question of whether the NHL should ban fighting from the league became a hot topic for all hockey fans. The deaths came in the wake of renewed controversy over head shots in the NHL, which specifically grabbed headlines following Sidney Crosby’s concussion as a result of a hit to the head at the Winter Classic. The morale of hockey has suffered mightily, and NHL fans hope the league returns to its more innocent days. 

#4 – Boston Bruins Win and Vancouver Riots

For the first time since 1972, the Boston Bruins hoisted the Stanley Cup, denying the Vancouver Canucks their first championship in franchise history. The Bruins victory was to the chagrin of Canuck fans and of many Canadians. The story of the Cup finals was Bruins goaltender Tim Thomas, who only allowed eight goals in the seven games. For his efforts, he was rightfully named Stanley Cup MVP, topping off his legendary performance with a shutout in the series’ seventh game. Nevertheless, Vancouver fans weren’t left without a consolation prize, as some were able to riot against their own city—fun times to say the least. 

#3 – Dallas Mavericks and the Demise of the Miami Heat

“Once the game starts, it’s going to be easy,” LeBron James said, at the Miami Heat’s ‘modest’ welcome party to introduce the ‘Big Three’ (LeBron, Dwayne Wade, and Chris Bosh. I know, it should be the ‘Big Two-and-a-half’). Was it as easy as expected for the ‘Big Three’ and crew in the NBA playoffs? The Heat dominated the Eastern Conference and looked poised to shut down all the critics. However, Dirk Nowitzki and the Dallas Mavericks ruined their party. After an incredible display of fundamental team basketball, the Mavs won their first NBA championship, and saved the NBA. LeBron also mentioned at the welcome party that the Heat would win up to seven championships—so far, so bad.

#2 – NFL and NBA Locked Out

The NFL endured a work stoppage from April to August, and after months of tearing fans’ hearts out, the league came out fairly unscathed, aside from a shortened training camp period. Since Jul. 1, the NBA’s players and owners have bickered over a new Collective Bargaining Agreement. Finally, we can see the light, as the two sides reached a tentative agreement on Nov. 26. The season will likely get underway on Christmas Day with a mammoth triple-header: Bulls-Lakers, Heat-Mavs, Celtics-Knicks. You can’t tell me the owners and players didn’t have this planned from the onset. You are cruel, NBA.

#1 – Joe Paterno

It’s not pleasing to end on a sour note, but the number one sports story of 2011 is the firing of Penn State Head Coach Joe Paterno, arguably the most famous college football coach ever. He was dismissed in early November after holding the head coaching position for 46 years. The Penn State Board of Trustees’ decision came in the wake of a scandal involving sexual abuse of minors that led to the indictment of Paterno’s former defensive co-ordinator Jerry Sandusky. Questions were raised about whether Paterno knew of the sexual abuse and neglected to bring it to the authorities. This is the biggest story of 2011 because of its relevance to everyone, not just sports fans, and we hope to never see something similar happen again.  

Arts & Entertainment

Can you write 50,000 words in 30 days?

This month, men have been wearing their charitable aspirations on their upper lips, sporting Movember ‘staches of all sizes and descriptions. Meanwhile, across the globe, a vast cohort of people have been letting their imaginations, rather then their facial hair, run wild. Less visible than sporting a ‘stache, but no less charitable, National Novel Writing Month has been quietly underway since the first, and is set to conclude at midnight (in your local time zone) on Nov. 30.

NaNoWriMo’s charitable outlet, the Young Writers Program, tries to get young students in K-12 programs involved in writing during November, connecting youth librarians, homeschooling parents, and standard schools with educational resources and motivational tools to encourage creativity and literacy. NaNo also engages with Room to Read, a nonprofit that builds libraries for children in countries like Laos, Vietnam, Nepal, and Cambodia. Participants are invited to donate through the main website, and proceeds from NaNo merchandise like shirts, bags, coffee cups, and journals also help keep servers running and young writers inspired.

NaNoWriMo was founded in 1999 by freelance writer Chris Baty as a way to kickstart the actualization of creative projects that flounder in the back of the brain, and to bring a sense of togetherness to often isolated writers-to-be. Since then, NaNo has become incorporated under The Office of Letters and Light, a nonprofit based in Oakland. In 1999, 21 people participated and six achieved the event’s goal, or ‘won,’ by writing 50,000 original words within November’s 30 days. 

Most commercial novels are between 75,000 and 90,000 words, making NaNoWriMo’s target word count a solid step, for many, toward the dream of being a published author. Dozens of authors have indeed gone on to publish works they began with NaNo. For a rare few, the pressure of a deadline and the supportive community of fellow strugglers found through NaNo’s online forums is just what’s needed to transform aspiration into reality. 

Those who go on to publish their NaNo novels are a small fraction of an already elite coterie of people who actually ‘win’ in the 30-day period. (Where do those 720 hours go?) In 2010, there were a whopping 200,500 participants, but only 37,500 winners. The fraction of those who have won has remained consistently around 13 to 15 per cent during NaNo’s 11 years of existence. While that makes its track record as a motivational tool dubious, or says something about the staying power of the muscle we call the brain, there’s no doubt that the endeavour of NaNo itself can be a fun and inspiring exercise, win or lose. 

NaNoWriMo calls itself “30 days and nights of literary abandon.” Whether you abandon your sanity or your novel by the end of it is very much up to you—but participating is a rite of passage for many up-and-coming authors and philanthropists alike. 

Sharpen your pencils, get the crumbs out of your keyboard, and set the coffee pot to automatic. Don’t forget: there’s a whole year to train for next year’s authorial marathon. 

Arts & Entertainment

Top Ten Albums of 2011

Ryan’s Top Ten Albums of 2011:

10. Adele—21

This isn’t even a guilty pleasure. 21 is a collection of well-written and incredibly catchy, soulful pop songs with lyrics at once intensely personal yet universally relatable. Sometimes it’s just that simple. More pop music like this, please.

9. The Luyas—Too Beautiful to Work

The Luyas exist in a far off world of moodswingers, tiny heads, and spherical mattresses, and Too Beautiful to Work is the medium between theirs and ours. There are earthly elements (guitars, drums, keys), but they make them feel futuristic (see the industrial, mechanical hum of “Spherical Mattress” or the heavily effected French horn on “Tiny Head”). One of 2011’s most otherworldly offerings.

8. Braids—Native Speaker

The members of Braids might only be in the early stages of their 20s, but Native Speaker is a startling mature debut. Filled with musical ebbs and flows and enchanting vocals, it’s like the kind of dream where you never want to wake up. That they’re young certainly isn’t the most important thing to know except to get excited for how much more there is to come.

7. Colin Stetson—New History Warfare Vol. 2: Judges

On paper, New History Warfare Vol. 2 is a man with a saxophone and 20 mics around a room recording solo pieces in single takes with no overdubs or looping. In actuality, it’s an album of stunning virtuosity and mesmerizing, progressive compositions that continue to challenge, confound, and amaze with each listen. Description only goes so far—it’s something you have to hear to believe.

6. Bon Iver—Bon Iver

Following up For Emma… was going to be no easy feat, but Justin Vernon and his newly expanded company made a beautiful sophomore record in Bon Iver. From the opening riff of “Perth” to the end of “Beth / Rest,” the album is a bigger, more textured production than its storied predecessor, but it’s no less moving, and just as heartwarming as it is heartbreaking.

5. Dodos–No Color

No Color is a misnomer—guitarist/vocalist Meric Long paints songs with a palette of adept finger picking and ferociously strummed chords, and drummer Logan Kroeber punches out bright bursts of complementary percussive accents. It’s a formula they’ve quietly gone about perfecting since the blogosphere buzz faded post-Visiter, and No Color sees them firing on all cylinders.

4. Handsome Furs–Sound Kapital

The joys of travelling to far-off locales are always well documented in Dan Boeckner and Alexei Perry’s music, and their latest caught me in the middle of a semester wandering the streets of Europe. A little bit of “right place, right time,” yes, but this passionate electro-punk journey to the other side of the world hits just as hard on Canadian soil months after the fact.

3. Fucked Up–David Comes to Life

An honest-to-goodness rock opera, DCTL is ambitious even for a band as ambitious as Fucked Up. With 18 songs in 70-plus minutes, the convoluted tale of star-crossed lovers in Thatcher-era England is a lot to chew on, but bright guitars, pummeling drums, and Pink Eyes’ growl provide ample reason to invest the time. If speculation proves true and this is the last full length from this incarnation of the band, they’ve gone out on a high note.

2. Chad Vangaalen–Diaper Island

Chad VanGaalen reined in his more experimental side (relatively speaking) and came up with his most cohesive, straight-ahead, and arguably best record to date. Impeccably sequenced with psychedelic rockers fitting seamlessly beside quieter, introspective tracks, Diaper Island is the realization that being comfortable with the uncertainties of life is the only way to live.

1. Destroyer–Kaputt

It’s always cooler when you don’t care if people think you’re cool, and Kaputt is an album of uncompromising aesthetic, drawing on the soft rock and smooth jazz of the 1980s to craft some of the slickest and breeziest songs in recent memory. Borrowing from decades past for musical inspiration isn’t as novel as it used to be, but it’s never sounded better.

 

 

Nick’s Top Ten Albums of 2011

10. Frank Ocean—Nostalgia, Ultra

Frank Ocean is a member of OFWGKTA, the up-and-coming rap collective that deserves most of the credit for Nostalgia, Ultra’s viral success last Spring. Ocean’s perception of himself teeters from gloomy (“Novacane”) to pure loathing (“Swim Good”). The question still remains whether this street-savvy ladies man can overcome his unfortunate label as a featured guest on the tracks of more tenured artists.

9. Drake—Take Care

The minor flaws that held “Thank Me Later” back are all corrected here. There’s larger input from in-house producer Noah “40” Shebib, a catchier midsection courtesy of Ross and Minaj, and lyrical content that is both heavier and more expressive. Drake’s hesitance around fame is addressed frequently and without the usual braggadocio. This time around, I believe him when he says he still thinks about his old crew.

8. The Beastie Boys—Hot Sauce Committee Part Two

The sound is a different, harsher type of funky electronica, but that’s not to say that “Hot Sauce” is uncharted musical territory for the Beastie Boys. They go easy on the New York City worship here, choosing instead to pimp themselves out with characteristic hilarity.  And the distorted sounds, scratchy mic feedback, and poor EQ actually serve their aggressiveness nicely.

7. Cut Copy— Zonoscope

Is this Cut Copy’s attempt at a release that is party-friendly and danceable from front to back? While it fails insofar as it embraces some of the cheesier aspects of the new wave, it does so only sparingly. This is their strongest album to date, just be sure to avoid the music video for “Need You Now” if your appreciation of “Zonoscope” is sacred.

6. St. Vincent—Strange Mercy

I’m unfamiliar with her attitude on her other two albums, but
I like how Annie Clark understands that accessing her dark side doesn’t necessarily require feigning edginess. Her demeanor is infectious, many of her songs have incredibly rewarding climaxes, and her voice is simply mesmerizing. “Strange Mercy” is a rarity—its pleasing enough at the surface to hook you after early listens, while its inner monologues will wait until you’re ready to dig deeper.

5. The Weeknd—House of Balloons

He’s an R&B singer, yes, but unlike his contemporaries there’s nothing sweet and adorable about his romances, if you can even call them that. The Weeknd is dark, his private life scandalous. The album campaigns pretty heavily in favour of the cocaine lifestyle, yet I’m not sure I’d trust this devilish Casanova around any intoxicants, illegal or otherwise. I suppose that’s the whole point.

4. M83—Hurry Up, We’re Dreaming

One of 2011’s most expansive releases, Hurry Up is a sprawling two-disc experience enriched by ‘80s synth-pop, an artistic soft spot for Anthony Gonzalez. Duran Duran, Peter Gabriel, Phil Collins—the list of artists who influenced the direction of this album is enormous. “Intro,” “Midnight City,” and “Reunion” is a hell of an opening set.

3. Panda Bear— Tomboy

More tidy and lacking the awe-inspiring 12-minute tracks from his previous album, Tomboy nevertheless builds upon Noah Lennox’s dreamy neo-psych ambitions. The songs are spacey, the vocals are heavily echoed, and the lyrics are welcome peripherals, as always. The comparisons to Brian Wilson are coming more frequently this year, and never have they been more deserved.

2. Ry Cooder—Pull Up Some Dust and Sit Down

Cooder’s post-Lehman Brothers skepticism of American government isn’t revolutionary, but Sit Down, which is steeped in irony, frustration, and barstool politics, provides an entirely unique approach to the craft. With an eclectic mix of blues, Americana, and country to provide the structure, Cooder’s bitter war stories (“Christmas Time This Year”) are brutal, spiteful, and extremely important.

1. Fleet Foxes—Helplessness Blues

Capable of gracefully navigating from singer Robin Pecknold’s inner tranquility to his whimsical psychoanalysis to contemplations of suicide, Helplessness Blues is an inspiring and humbling case study. And though it seems Pecknold may not possess the strength to change his damaged lifestyle, the journey makes him appreciate the greener grass of an honest living. A nearly flawless work of art.

News

SSMU Midterm reviews

Maggie Knight: President

From renegotiating the MoA to leading the charge on GA reform to assisting pepper-sprayed students on Nov. 10, Maggie Knight has been the face of SSMU throughout the semester. Her clear vision, approachability, and determination have helped voice students’ concerns to administration in this politically-charged semester. 

The Tribune especially commends Knight’s diplomacy and political tact since she took office. She has managed to navigate controversial situations like the MUNACA strike and MoA negotiation while remaining objective and always putting the needs of her constituents above her personal views.   

Knight has a clear version of SSMU—one that is democratic, transparent, and accountable. Knight has done everything in her power to uphold one of her campaign promises: a commitment to increasing transparency. This semester’s strategic summits and town halls—while often sparsely attended—have proven to be an excellent forum for discourse. However, the GA lost quorum and the strategic summit to reform the GA was under-attended. Despite Knight’s best efforts to reform many parts of SSMU, students haven’t reciprocated, and these events have been sparsely attended, leading some to wonder if student apathy is here to stay.

Carol Fraser: VP Clubs and Services

Carol Fraser, SSMU’s VP Clubs and Services, has done an excellent job with such a broad and expansive portfolio. She’s been very informative and fulfilled her duties effectively in the face of a number of challenges this year, including the MUNACA strike and SSMU’s new Memorandum of Agreement with the McGill administration. She has worked closely with clubs regarding name changes, advanced room bookings, and information regarding building hours under the strike. She has also been very accessible, holding office hours and keeping in close contact with heads of clubs, and has been a source of positive energy in a tense and stressful semester.

Shyam Patel: VP Finance

Shyam Patel has been an effective VP Finance so far. Earlier in the year, Patel stated that he wanted to make the budget more accessible, and he has done just that. Patel’s presentation of SSMU’s budget was almost as clean as his suits. Earlier in the year, Patel had plans for a student-run café and claimed that he would resign if it didn’t come to fruition. The café seems to still be under-wraps, but for the pure sake of keeping Patel around, we hope it opens soon. Students should hope to see more of this hands-on VP in the semester to come.

Joël Pedneault: VP External

Although the Tribune has had a difficult time deciphering the correct pronunciation of the VP External’s first name, Pedneault has demonstrated a strong capacity and dedication to the fulfillment  of his portfolio. Communicating as eloquently in French as he does in English, Pedneault is a competent representative of the undergraduate student body. He campaigned extensively on the issue of tuition increases, so his strong work promoting accessible education this year comes as no surprise. He has appeared multiple times this semester in local and national news, discussing the MUNACA strike, the disciplinary action levelled against him, and the police actions of Nov. 10.

From his work with the Mob Squad and other activist groups, it is clear that Joël is immensely passionate and works incredibly hard for the causes he believes in—including workers’ rights as it pertains to the MUNACA strike and tuition hike increases. The Tribune appreciates Joël’s commitment to these issues and commends his work thus far as an executive who can clearly articulate students’ concerns.

That said, next semester we hope to see a clearer bigger distinction made between his personal activism and his role as a SSMU exec. The VP External represents the student body to the outside world—a diverse group of over 20,000 students who have differing views. As an example, while it was important for him to speak at a press conference for MUNACA in early October, his unwavering support for MUNACA’s demands may be at odds with the views of some of the SSMU members.

Emily Yee Clare: VP University Affairs

This semester, Emily Yee Clare, SSMU’s VP University Affairs, faced several challenges in terms of negotiations with the administration. Along with Maggie Knight, Emily played a pivotal role in the negotiation of SSMU’s Memorandum of Agreement and the Shatner lease with the administration. In particular, she fought hard to keep the use of “McGill” in the names of clubs and services. The Tribune commends her decision to abstain from the Council vote on the MoA. As a negotiator, she believed she had a vested interest in the matter.

Throughout the semester, Clare demonstrated tremendous commitment to SSMU activities and was a regular face at the many strategic summits, town halls and consultation events the executives have organized. She has been effective in establishing dialogue with different sectors of the administration. Finally, the Tribune admires Emily’s dedication on the night of Nov. 10, when she spent several hours at the SSMU office providing support and company to students who were affected by the riot police. She has demonstrated that she cares for students and deserves recognition for her dedication. We are confident that whatever curveballs next semester brings, she will face them head-on.

Todd Plummer: VP internal

You might recognize the name Todd Plummer (aka “Plumm Sauce”), SSMU
‘s
VP Internal, from the listservs he periodically sends to all SSMU members. This year, he changed SSMU listservs from a long email with too many ads into a brief paragraph with a link to the SSMU website, containing all the week’s notices for those interested. The Tribune really appreciated the new system, and was somewhat confused as to why halfway through the year, he returned to the old system.

Todd also oversaw Frosh, now called Orientation Week, and successfully implemented the administration’s new rules on alcohol consumption. Four Floors, one of SSMU’s staple events of the year, also occurred smoothly and successfully, and Homecoming was a much smaller event this year—probably for good reason. Overall, Plummer has done a great job in fulfilling his portfolio. We look forward to the exam time puppies he has promised throughout the year during Council. The puppy event is now just a general dog event, where students can come to pet dogs to de-stress, but we appreciate it all the same.

News

Reforms to McGill’s structure discussed

Ryan Reisert / McGill Tribune

On Nov. 24, McGill’s Mob Squad held a communal assembly to discuss McGill’s governance and to propose changes to the way the university is run. 

Democracy and accountability were the major topics of the night, held at Café Alternative on Parc Ave., where the newly formed McGill Governance Reform Project (MGRP) met. The MGRP, a working group comprised of 15 students, was created in response to the events of Nov. 10th. Around 100 people attended the meeting, which was held off-campus so that MUNACA members could attend. The event included large numbers of students, faculty, staff, alumni, and community members, all of whom expressed concern about the way McGill operates.  

Set up like a town hall, the meeting began with a discussion of McGill’s current governing system. The group went over the guidelines of the MGRP, using Robert’s Rules to allow anyone in the room to motion to make changes, most of which were semantic. The end goal of the meeting was to allow nominations for the 12 spots on the commission and vote on them; it was required that the commission contain at least one undergraduate and one graduate student, one non-academic staff member, one faculty member, one alumnus or community member, and one francophone. These quotas were to account for the diverse array of perspectives that form the McGill community. 

Niko Block, former news and features editor of the McGill Daily and a founder of the MGRP, discussed the proposal they planned to present to the university on how to best restructure McGill’s administration. 

“[The goal is to] create a viable commission that will do research and prepare a proposal by Jan. 31, 2012 that everyone will stand behind and benefit from,” Block said.  

The general consensus was that in order to have a Board of Governors (BoG) that represents the needs of the McGill community, key decision making must be done by faculty, and the rest of the McGill community should also have a say. 

Daniel Simeone, a former McGill senator, member of the BoG and VP Internal of the PGSS, described McGill’s BoG as a place where people “don’t feel comfortable to speak their mind,” and pointed out that “the budget wasn’t presented in as much detail as it should have been.”  

“This lack of granularity stemmed from an increasing disconnect between the interests of the [Board of Governors] and the interests of the faculty, staff, and students, who interact with McGill on a daily basis,” Simeone said.   

A faculty member who wished to remain anonymous noted that this disconnect “reflects the fact that the real decision makers at McGill are no longer faculty members as they once were, but corporate executives who have little do with McGill.”  

“Since [2003], the McGill administration has become increasingly corporatized,” MFLAG member Kristin Norget said.

Upon its completion, a general assembly open to the entire McGill community will be held to ratify the proposal. It will then be petitioned, and when enough signatures are collected—it was suggested that the aim should be in the thousands—it will be presented to the McGill administration. Fraser added that possible public demonstrations similar to the ‘We are McGill’ gathering on Nov. 14 may be organized if the administration does not recognize the petition’s requests.

Attendance dwindled after the two-and-a-half hour debate over finer points in the commission’s statement of purpose preceding the election. When it came time to share nominations, there were only about 15 people left in the room and, as the group was about to elect 12 people to the commission, it was deemed inappropriate to hold such a vote with so few people present. After three and a half hours of deliberation, the organizers decided to adjourn and conduct the nominations and elections this week.

News

News analysis: the riot in perspective

Sam Reynolds / McGill Tribune
Elisha Lerner / McGill Tribune

The McGill student body is large and diverse, with a multitude of different interests that infrequently overlap. Rarely does an event on campus carry enough weight and importance to unite the entire school in  discussion.

Thursday, Nov. 10 is an example of such an event. On that night, the occupation by 14 students of Principal Munroe-Blum’s office quickly devolved into something larger. Riot police were deployed onto McGill’s campus for the first time since 1969. Students—protesters and library-goers alike—were tear gassed, pepper  sprayed, and by many accounts, hit, shoved, charged at, night-sticked, and intimidated by police in riot gear.  

The sequence of events remains difficult to decipher. The administration has condemned the actions of the police but cites reports of intimidation and violence by the occupiers; a police representative denied any knowledge of the incident in a Nov. 11 interview with the Tribune. Occupiers claim security services initiated the use of force, and students cry “police brutality!”

When the administration publishes accounts of student violence and the occupiers are pointing at the security guards with masks (allegedly) clenched in occupiers’ upraised hands, the truth must  be somewhere in between. This article is not intended to provide yet another account of exactly what happened on that night: McGill Dean of Law Daniel Jutras is conducting an independent inquiry, at the behest of the principal, that aims to do just that. An independent student inquiry is also in the works. 

This article will instead examine a few of the issues surrounding the events of that evening. The following days and weeks have found groups on campus divided on many different levels: on the specifics of the occupation, on the decision to call the police, on expectations of what’s next. The Tribune takes a look at these different opinions point by point. 

 

Police on campus 

The events of Nov. 10 have been a source of ideological division among and within many groups on campus. However, a consensus has been reached by almost all of the McGill community on one issue: to use Principal Munroe-Blum’s own words, the presence of riot police on campus was “shocking.” However, the exact sequence of events leading up to the use of riot police is where disagreement occurs.  

The reason behind the deployment of riot police on campus is unclear, though it was likely in response to the congregation of students around and in front of the James Administration Building. The riot squad was likely deployed by the police who were already dealing with the occupiers and the crowd around James Administration Building. Even this action has received mixed reactions from the McGill community.

Political science Professor Jacob Levy condemned the actions of the riot police, but attempted to explain—not excuse—the chain of events that led to their presence. 

“It is true that the occupiers were there illegally and that it is legitimate for the university to use security to try and remove them,” Levy said in an interview with the Tribune. “And it’s also true that the protesters in support of the occupiers were moving in on the bicycle police in a way that really predictably triggers police looking for other police back up.”

“Clearly, the police handled the situation badly,” political science Professor Steve Saideman wrote on his blog, Saideman’s semi-spew. “Sending in the bike cops … was absolutely the wrong thing to do, as people tend not to take them very seriously.”

 

Calling in the police 

Although the tactics of the Service de Police de la Ville de Montreal (SPVM) have been questioned, the decision to invite them onto campus has been the target of a debate more connected to broader issues on campus. It’s unclear what the university’s plan of action is when a protest turns violent and spirals out of control. However, anyone on campus has the authorization to call in the SPVM.  

 “[W]hen you call in the police, they don’t let you tell them how to do their job,” Principal Munroe-Blum said in an interview with the Tribune, the McGill Daily, and le Délit. “And I might add, as well: anyone can call the police. Anyone can pick up their cellphone and call [911].”  

However, it remains unclear what contingecy plans exist between the police and the university once the SVPM are deployed. 

“Hopefully, the investigation will reveal exactly what the position of the administration [is] when there’s something going on on campus: are they responsible for calling the cops?” said Prof. Saideman. “Do they actually have a chance to say no to the cops, or are they completely out of it? We have no idea who has what responsibility.”

 

Occupons McGill 

What led to that phone call was a planned occupation of the principal’s office that quickly went off-book. Different accounts have surfaced since that evening: an anonymous letter from the 14 occupiers, some of whom have since come forward, and a letter from seven employees who were in the office at the time. Many groups and individuals at McGill have been throwing around terms such as “confrontational” and “masked,” clearly at odds with other accounts (“nonviolent,” “legitimate”).  

“There are reports that some of the students’ faces were covered and I think that introduces a wholly different element to it,” Arash Abizadeh, a professor of political science, said in an interview with the Tribune. “I think there’s responsibility on a lot of different sides, depending on exactly what happened.”

Matthew Crawford, arts representative to the McGill Senate and a self-identified occupier, spoke about the debate surrounding the nature of the occupation. 

 “Three people went in with masks … as in a bandana covering just the lower half of  their face … Once we were in, only one person kept on their mask,” he said. “One of the words that’s being bandied about is ‘overpowered’ … The idea of ‘overpower’ is so strong as a verb that it seems to conjure up this idea that we were pushing up against the door and knocking people over, which is not the case. We simply moved o
ur way in and used our bodies to block doors from people closing them on us.”

However, others believe that, masked or not, peaceful or not, the occupiers have some responsibility for what came next.  

 “I think that whatever they were doing inside the building, whatever their intentions were, they were making the situation more complex and potentially more violent,” Prof. Saideman said. “I think the best nonviolent protests are exactly that: nonviolent protests where you put the onus entirely on the other side, and part of the problem with doing it inside the building is it takes away the key advantage of the protest, which is the visibility of it all … I think that’s what the mistake was; you go into a building, and then it’s your word against theirs.”

Most can agree, however, that whatever processes were in place to deal with such an event were entirely unsuccessful on Nov. 10.  

 “What I think that this action serves to do is that it highlights an alienation between students and administration. They didn’t know how to deal with a peaceful protest; nobody in the office, not security, not the administration, clearly,” Crawford said. “This does not mean that they’re wrong about everything; it simply means that there is a disconnect—this is what we wanted to highlight through our occupation, although not through what happened [later].” 

Professor Levy saw the devolution of control within the context of a broader movement across North America. 

“If I’m the head of security at a university, and I see a student protest movement that explicitly links itself to the occupy movements … I’m more nervous than I would have been a month ago,” he said. “I think I’m probably quicker on the trigger—and I use that word deliberately.”

 

Looking forward 

Beyond the policy or legal implications that any investigations may have, Abizadeh said that there is a “sort of moral responsibility of leadership … and I think that was what many of the faculty are hoping [the administration will address]—and we have good signs from the administration that they’re taking on that responsibility—so we’re hopeful.”

The inquiry’s results, to be released on Dec. 15, intend to address many of the questions raised by students, faculty, and administrators alike. An indepdent student inquiry will do the same, perhaps with different results. 

“My concern is to make sure that the other [legal] processes are also put into place,” said Abizadeh

“The proof is going to be in the pudding of ‘what does the university do?'” said Saideman. “That’ll probably be about the report, but it’s also going to be what’s not in the report … because you can have all the reports in the world but if you don’t change the behaviour, you don’t change the rules, you don’t change the training, you don’t change the doctrine, all that stuff, you’re just going to be repeating  [what happened] down the road.”

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