Latest News
JOKE ISSUE: The Francophone Conspiracy: confuse Anglophones
When I moved to Quebec to attend McGill, I knew I would have to learn a little bit of French. I saw this challenge as an exciting opportunity to learn something new – but I never imagined it would be so phenomenally difficult. French is riddled with words that sound exactly alike, yet have completely different meanings.
Consider, for instance, the French word for “without,” sans, and the French word for “100,” cent. These words sound the same to me, and I’m never sure if my friends are talking about going to the bar without me, or with 100 of me. To further complicate the issue, the French word for “blood,” sang, sounds exactly like the previous two words. Finally, the word for “sense,” sens, is also confusing. These similarities can make interpreting complex sentences such as, “We want to go without 100 bloody senses to the store” next to impossible.
The sans–cent–sang–sens phenomenon is not the only occurrence of similar phonetic sounds in the French language. Just the other day, when I went to order a sandwich, I was certain that the woman asked me if I had seen the kills (les tues), when in fact she was asking me if I wanted lettuce (laitue). I was so confused by this that I ended up ordering mushrooms on my sandwich when I tried to reply, “he’s a champion” – il est un champion.
When French people speak of their mother, they refer to her as ma mere, while the sea is la mer, and the mayor, la maire. When they decided upon these words, they didn’t consider the striking phonetic similarities. Now when I go to vote in municipal elections, I’m always confused as to why we need to vote for a new mother. I’m even more confused when my French friends tell me about what the sea told them this morning.
One of the most embarrassing incidents of mistaking French words occurred a couple of weekends ago. I was talking to a lovely young French woman at a bar, and we were hitting things off quite nicely. I noticed that she had a very nice, light complexion, and I told her so in my poor excuse for French: ta peau est comme le laid. Well, little did I know that “milk” is actually lait, and laid means “ugly.” She smacked me so hard that my tete spun en repete.
They say that French is the language of love, well I say mais non, moine sieur! – “But no, sir penis!” C’est la langue du similitudes! The French need to straighten up their language. It is becoming so difficult that they’re even having a hard time understanding it themselves. These two cultures, Quebec and France, are too pretentious to change their language – but it needs to change, and fast, before I end up telling my friend about the bier I had last night. Again.
JOKE ISSUE: Snoop D-O-double-G-P-S
Owners of the TomTom GPS navigation system can now choose to “roll down the street, sippin’ on gin and juice” with rap superstar Snoop Dogg (who does not, in any way, advocate drinking and driving) as their guide. The voiceskin is available for purchase from TomTom for $12.95. Snoop offers a departure from the generic voice of most GPS systems.
“It was really because when I be riding in the cars and I be hearing the boring-ass lady that be doing it all the time, it just be vibing me hearing her voice,” says Snoop, “I felt like this is something that’s big … to be in vehicles all over the world, where my voice is controlling the navigational system.”
Snoop’s voiceskin offers a more relaxed feel, with commands like “Sharp left, so fly” and “Bear left, yeah, just like that.”
Users of the GPS system can also look forward to potentially new features, including: Where Am I (What Street is This)? and Road Trip Eruption. TomTom subscribers can hope that more celebrities do voiceskins for the GPS service, such as Stephen Hawking, which might bear a striking resemblance to the original voiceskin.
JOKE ISSUE: Adventures in abstinence
Let me make things perfectly clear: I am a virgin. Never been kissed, disrobed, or had my hand held. Now let me make something even clearer: I’m not a virgin because no one wants to have sex with me, but because I’m incredibly good-looking – think an 11 on a scale of 10 – and I can get anyone I want.
Even though I’m a virgin in every conceivable way, I’ve had many awkward – and universally hilarious – experiences that I’ve decided to share with you in this column space. Let’s start at the beginning. I went on my first date when I was 18, a few months before I journeyed east for the bright lights of Montreal. Suffice it to say, it was life-changing.
I remember the phone ringing and my mother picking it up, shouting that it was for me. But I already knew that – it was Mr. Teen Supreme, my adolescent crush and the ex-boyfriend of my second best friend’s cousin’s uncle. Super awkward, I know.
“Want to go to the mall?” he asked. I shivered with delight. Goodbye virginity!
Mr. Teen Supreme picked me up in a Lexus at 3:57 p.m. He was seven minutes late, and I was freaking out. When he pulled into my driveway, I immediately walked to the driver’s side of the car, and the door hit me in the shins as he clambered out. I started to cry. Not a good start.
On the way to the mall I plugged my iPod into the car’s sound system, and we sped down Main Street listening to “My Heart Will Go On.”
We ended up watching Bruno after our trip to the mall, which was funny, but also a little uncomfortable because I was also a newcomer to on-screen nudity.
He drove me home and I thanked him for the “wicked ride.” Then came the moment of awkwardness I’d been dreading all afternoon: the leaning-backslap-fist-bump-hug. He leaned forward, and I followed suit. He extended one arm, and so did I. As I went for the full-body embrace, though, he turned away and mumbled something about not wanting to date an 18-year-old who had never watched a movie without her family. My face burned as I walked up the stairs to my room.
The next day, I spent hours reading the comments on his Facebook wall and trying to discern the extent to which he was plagued by self-doubt. I sent him a few messages, but that only resulted in him deleting me as a friend. I called his phone, then his mother’s phone, demanding that he grow a pair and provide me with a legitimate reason for breaking up. I never got through to anyone, and after a week, I realized that he had changed his number.
I never stopped thinking about Mr. Teen Supreme – I’m thinking about him now – and this is probably not the last time you will hear about him. Since then, I’ve gone on three other dates to the movies, usually with a group of girls. The thought of being sentenced to a lifetime of leaning-backslap-fist-bump-hugs keeps me awake at night, but as I bide my time waiting for Mr. Right, I can still offer you some of the best non-sex advice you’ve never needed.
JOKE ISSUE: Journalists diagnosed with Stockholm Syndrome
McGill University’s Chief Medical Examiner Dr. John Bringham diagnosed three Tribune news editors and four McGill Daily editors with acute cases of Stockholm Syndrome on Monday. The Students’ Society’s biweekly Legislative Council meeting, he determined, was the chief cause.
“The diagnosis was clear,” he said. “At first, they hated SSMU Council, they desperately wanted their lives back. But after a few months, they fell in love with it.”
Tribune Editor-in-Chief Joel “Frat-boy” Drivel contacted Bringham two weeks ago following an incident at SSMU’s last Council meeting.
Council ended at roughly 10:30 p.m. As councillors and executives were leaving, the three Tribune editors and four Daily editors in attendance freaked out, throwing their Apple laptops to the floor, barricading the exit and demanding Council to reconvene.
“They were yelling, cursing, blowing smoke in our face,” said SSMU Councillor Mary Anne-Marie. “We weren’t allowed to leave, literally, they forced us to sit down, shut up, and adopt a new agenda. They were crazed.”
After adopting a new agenda, Council debated at length whether bottled tar-sand oil should be sold in Shatner. The meeting continued until security guards brandished the sign-in book at 1 a.m. Tribune News Editor Barry Mansfield tackled Jerry, bringing him to the ground. Police arrived shortly thereafter, arresting the three Tribune editors and four Daily editors. The editors were dragged kicking and screaming from the Lev Bukhman room. After the editors were processed, the police drove them to McGill Mental Health for further examination.
CD REVIEWS: Seabear: We Built a Fire
Björk and Sigur Rós may have put Iceland on the musical map. But Seabear – the seven-person collective that just released their sophomore album and made their North American debut at South by Southwest – have proved themselves to be the most promising new Icelandic indie export. Started as the solo project of Sindri Már Sigfússon, labeled the “Icelandic Beck” by Rolling Stone, Seabear’s lo-fi yet lively folk-infused indie pop has reached new heights on their second album, We Built a Fire. As the album and song titles suggest, We Built a Fire features nature themes and an outdoorsy, campfire-songs vibe reminiscent of Fleet Foxes and The Low Anthem.
Intro track “Lion Face Boy” sets the tone for the album with a beautifully crafted melody featuring a multitude of voices and instruments such as trumpet and accordion. On “Cold Summer,” a nostalgic, strings-backed ballad which mourns the loss of youthful summers, Sigfússon’s alluring voice calls to mind the meditative, melancholic tunes of Sufjan Stevens’ Seven Swans. But “Fire Dies Down” is unquestionably the highlight of the album, with lush harmonies and idyllic lyrics: “The fire died down/ carried it there into the house/uncover your eyes/ let it all glow.” The song epitomizes what Seabear does best: earthy yet ethereal lo-fi melodies that begin slowly and delicately, eventually erupting into a crescendo of myriad voices and instruments.
Indoor season ends in defeat
While the average women’s soccer fan at McGill might point to the team’s impressive conference record and harvest of major year-end awards as signs of a successful 2009-10 campaign, the Martlet players and coaching staff aren’t nearly satisfied with the season’s results. McGill failed to capture a Quebec championship for the second time in five months, falling 1-0 to the Montreal Carabins in indoor soccer action on Sunday in Trois-Rivières.
“They were very disappointed,” said Head Coach Marc Mounicot of his team. “A lot of people don’t count the indoor league [to be] as important as the fall [outdoor season], but when you see the disappointment on [the players’] faces, you realize how important it is to them. They weren’t fooling around after the game – they were really pissed.”
The Martlets cruised through the indoor schedule, compiling a 5-1-1 record in regular season play and scoring convincing wins over UQTR and Sherbrooke in the first two rounds of the playoffs. Once again, though, McGill couldn’t find a way to prevail against a team that has had their number all year. Montreal’s Virginia Levesque scored from close range off a set play in the 14th minute of play, and the Martlets struggled to capitalize on their chances in the offensive third.
“[We] were dominant in the first half and had a lot of chances,” Mounicot said. “Montreal went into our half maybe one or two times, and we gave up a stupid goal. It was almost exactly like the goal we gave up a week ago [against Sherbrooke] on a set play. Montreal got more physical [in the second half], and we didn’t have the same fluidity, maybe because of fatigue. In general, it was a very positive game. It’s just too bad that we couldn’t tie it because we deserved it.”
While a few McGill players were forced to play with nagging injuries, Mounicot denied that the team’s overall health was a significant factor in the defeat. Instead, Mounicot stressed the need for more of a killer instinct next season, and the importance of fielding players who can dictate the flow of the game under pressure.
“We have a clear problem finishing,” he said. “It’s not a problem when we play against weaker teams, and we have some players who are able to make a difference, but against a solid team like Montreal, we should have scored – we don’t have a game-breaker player yet. We need a girl who can change the game. The team was playing so well as a unit, and they played so well with respect to the game plan and moving the ball, but we should have scored, and that’s what we were lacking.
“It is very encouraging [that we can compete with Montreal]. The team we had this winter was very young, and it’s just disappointing because we were due to beat [Montreal] and we didn’t. I was hoping yesterday that we would see a different result. That was disappointing.”
The coaching staff will certainly look to address the team’s mental toughness next season, and Mounicot hopes that some of his incoming rookies will be ready to step into important roles. Despite the disappointing finish to a promising second half of the season, the program continues to be one of the most consistently successful at McGill, and the outlook is promising for the coming year.
“Recruiting is going well,” Mounicot said. “The class will be solid, and I am very positive about next year. But I have a very bitter taste in my mouth after yesterday.”
CD REVIEWS: Plants and Animals: La La Land
Montreal-based Plants and Animals’ newest release La La Land is a fun, upbeat record that showcases why the band has been gaining recognition in the indie music scene for a few years now. Their first full-length album, Parc Avenue, was nominated for two JUNO awards in 2009 and was short-listed for the Polaris Music Prize in 2008. The band began as a more experimental group, recording long instrumental tracks on cassette tapes that played on particular themes and folk sounds. While recording Parc Avenue, singer Warren Spicer started adding vocals to the tracks, and the new incarnation of Plants and Animals was born.
La La Land is more polished and put-together than Parc Avenue, but the band hasn’t lost their signature sound. The album is entertaining from start to finish, mixing horn-filled dance-rock like “American Idol” with slower tracks like “Game Shows” that show their roots as an experimental instrumental band. However, this influence doesn’t weigh down the record with too much abstraction and experimentation, but rather adds an interesting dimension to a more typical-sounding rock song.
Overall, there is very little to complain about with this release – it’s easy to see why Plants and Animals have succeeded where so many other Canadian rock bands have gotten lost in the shuffle.
CAMPUS: Recycling documentary to raise awareness
McGill alumni Jodie Martinson and Emmanuel Cappellin, both Arts 2006 graduates, worked over the summer to prepare a 30-minute documentary on the state of recycling at McGill that will premiere in the Lev Bukhman room this Thursday. The film also seeks to determine who is responsible for what they describe as McGill’s failures with respect to recycling and to propose long term solutions for individuals and for the administration.
The two environmentalist-filmmakers see a gap between knowledge and action at McGill.
“McGill as an institution has all sorts of experts on things like recycling and environmental issues in general,” Martinson said. “So why is it then, with so much expertise, that we have this disconnect between what we know and what we do on our campus? So while lots of people could talk to you about the importance of recycling… in actual fact we have a recycling system that is not doing that well.”
Martinson and Cappellin’s documentary presents a multi-factor analysis of the failure which takes many reasons into account as opposed to pointing the finger at one individual or office.
“Perhaps it’s a lack of funding, perhaps a lack of user awareness, perhaps it’s a structural problem with McGill administration and a big disconnect between people that run the environment office and the people that actually do waste management at McGill,” Martinson said. “There are all sorts of communication and administrative problems. And then, there is just a lack of vision from up high at McGill. We don’t have anyone saying that it’s very important that we become an environmental leader in our community.”
The filmmakers pointed to the lack of proper marking at recycling stations as an example of part of the problem. By not labeling slots for paper, cans and bottles at some recycling stations, individuals accidentally end up improperly recycling, perhaps by putting a juice box in the paper stream, which contaminates the recyclables.
According to the Sustainable McGill Project, of 57 recycling bins sampled only 18 of them had no contamination whatsoever.
Manager of the Department of Environmental Health and Safety Wayne Wood said that in many ways an institution’s recycling is a reflection of the services available by the municipality.
“In terms of financial incentives for recycling, they are less in Montreal than in most other municipalities,” said Wood.
Wood pointed to the low cost of disposing waste in Montreal as part of lack of incentives.
“[McGill] pays a company to dispose of its waste. It’s about thirty-five dollars per ton to dispose of waste in Montreal. The cost of disposing of waste in Toronto is much greater than that. So in Toronto if you recycle and divert a ton of waste into recycling, even if you don’t get any money from your recycling, you save more money. Take that same amount of work, that same amount of effort, that same amount of energy, and you’re only save half as much in Montreal,” he said.
Echoing the filmmakers concerns, Adela Maciejewski, Sustainable McGill Project Counsel Member, said that there is a lack of communication between the department of Environmental Health and Safety and building services.
“I think that a lot of the problems we have are, at least in part, due to the fact that it’s not altogether clear who’s responsible,” said Maciejewski. “Environmental Health and Safety is responsible for bringing about bins and monitoring how well the system works, whereas facilities is actually responsible for the system itself. But from our perspective, it seems that there is not enough communication between the two.”
Martinson said that the issue is complex and comprehensive and stems from within all of us.
“I think that a lot of students make simple arguments like ‘the administration needs to pick this up’ and ‘why aren’t they doing more on this?’ And we do think that the administration needs to take a much more active role in providing leadership for everyone at McGill on sustainability issues. But we’re also exploring this divide that happens among all of us between knowing better and not doing enough,” Martinson said.
For Cappellin, the best solution is to get students involved, which will ultimately force the administration to make changes as well.
“The ultimate aim of this documentary is to target students and tell students to get involved,” Cappellin said, “and if that involvement and awareness is increased and if our knowledge is put to action, I think that that ultimately changes the way that the administration conducts itself because it puts a great pressure on it.”
Martinson expressed her hope that the documentary would at least serve as a move in the right direction.
“We all have a role to play in these sorts of things on campus. We all just need to do a lot better. Recycling is not going to solve all of our problems, but it’s certainly a good first step.”
The documentary will premiere on Thursday September 28th at 7:00 p.m. in the Lev Bukhman Room.”
CD REVIEWS: She & Him: Volume 2
She & Him’s Volume 2 makes a slight departure from 2008’s Volume 1. Actress Zooey Deschanel and singer-songwriter M. Ward’s second album is full of Beach Boys-inspired harmonies and twangy California guitar, maintaining the duo’s penchant for a retro sound. However, the album sounds almost too retro, evoking a kind of nostalgia that neither Deschanel nor Ward were alive to witness in the first place. To its credit, though, V2 feels like an album; the songs consciously flow together to create an easy listening experience. In an age of individual tracks and playlists, it’s refreshing to be able to listen from start to finish without skipping a song.
While V2 seems less cemented in the stripped-down concept of boy, girl, and a guitar, it definitely doesn’t stray far from it. More polished than V1, it incorporates a variety of instruments and voices for a fuller, more upbeat sound. Like on V1, however, Deschanel’s voice and personality are the central focus of every song. Her voice is pretty but lacks range, and without the harmonies sung by Ward, she runs the risk of being blatantly average.
Overall, the retro, California inspiration seems to be working for She & Him. Volume 2 is catchy, whimsical, and perfect for a summer road trip. The writing isn’t brilliant, and the concept is a bit cheesy after a while, but when you’re in the mood for something light and easy to listen to, it just might do the trick.
