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OLYMPIC PREVIEW: Skeleton

Remember the name Melissa Hollingsworth: you’ll be hearing a lot about her this month. The Alberta native finished third in Turin, but is the consensus favourite to win gold in Vancouver. Canada has more than one medal threat in this event as well – Amy Gough has slid her way onto the team by posting strong times at World Cup events. For the men, Canadians Jeff Pain and Jon Montgomery are the medal hopefuls. Athletes to watch: Jeff Pain and Melissa Hollingsworth. Pain is looking to improve on a silver-medal finish in 2006, while Hollingsworth dominated the skeleton circuit this year – she’ll be disappointed with anything less than a gold medal.

Predictions:

Women:

Gold: Mellisa Hollingsworth, CANSilver: Shelley Rudman, GBRBronze: Katie Uhlaender, USA

Men:

Gold: Martins Dukurs, LATSilver: Jeff Pain, CANBronze: Jon Montgomery, CAN

Sports

OLYMPIC PREVIEW: Speed skating

The fastest human-powered sport in the world will offer plenty of excitement for the fans in Vancouver. In the “short-track” events – where skaters race against each other on a track about the size of a hockey rink – South Korea will attempt to repeat their dominating performance in Turin, where they won six out of eight possible gold medals. Montrealer and 1000m world record holder Charles Hamelin will try to hold them off in the men’s 500m, 1,000m, and 1,500m. 2007 Dancing with the Stars champ Apolo Ohno needs one more medal to become the most decorated athlete in short-track history.

In long-track speed skating – where the athletes post individual times on a 400m oval – 23-year-old Dutchman Sven Kramer will try to continue his reign over the 5,000m and 10,000m. Watch out for American Shani Davis in the shorter events, who is the world-record holder at the 1,000m and 1,500m. Saskatchewan sprinter Jeremy Wotherspoon will try to crown his brilliant career with the gold medal he has sought since Nagano. Calgary’s Cindy Klassen, who won five medals in Turin, is one of several Canadian women who will try to overcome stiff competition from Germany’s Jenny Wolf and the Czech Republic’s Martina Sablikova.

Athletes to watch: Tyson Heung – he skates for Germany. Heung received his B.Ed. from McGill in 2005.

Predictions:

Men’s short-track 1,000m:

Gold: Lee Ho-Suk, KOR Silver: Charles Hamelin, CANBronze: Apolo Ohno, USA

Women’s long-track 500m:

Gold: Jenny Wolf, GERSilver: Wang Beixing, CHNBronze: Lee-Sang Hwa, KOR

Sports

OLYMPIC PREVIEW: Men’s Hockey

For many Canadians, anything less than a gold medal in the Olympic men’s hockey event is unacceptable. Four years ago in Turin, the Russians stunned an entire nation when they blanked Canada 2-0, preventing the Canucks from advancing to the semi-finals. The 2010 edition of the Winter Games is nothing less than a chance at redemption for the tournament favourites.

Mike Babcock, a 1987 McGill grad and current coach of the Detroit Red Wings, has the pieces he needs to win Olympic gold. Canada is deepest down the middle, but the defence is also mobile, fixing what management thought was Canada’s Achilles heel in Turin. As always, Canada is backstopped by three world-class goaltenders – headed by the legendary Martin Brodeur.

Athletes to watch: Joe Thornton. Pegged by many as an underachiever in high-stake games, he must play well if he wishes to silence his critics.

Predictions:Gold: CANSilver: SWE Bronze: RUS

Sports

OLYMPIC PREVIEW: Women’s Hockey

Olympic gold is Canada’s to lose in Vancouver. After winning easily in Salt Lake City and Turin, Canada will be relying on experience to guide them to the top of the podium once again. Canadian legends Kim St. Pierre and Hayley Wickenheiser are back, along with superstar McGill goaltender Charline Labonté, but the team will be without veteran Danielle Goyette for the first time since the 1998 Games.The road to the championship, however, will not be a walk in the park – Team USA will be good competition for the Canadians this year. After the 2006 Olympics, Canada won gold at the 2007 International Ice Hockey Federation World Championships, but had to settle for silver in the same tournament for two consecutive years, falling to the United States both times.Kim Martin – named best goaltender at the 2006 Olympics – and her Swedish squad will attempt to upset both Canada and the United States, while Finland hopes that they can build on their third place finish at the 2009 IIHF Tournament.

Athletes to watch: Catherine Ward, who graduated last year as the highest scoring defender in Martlets history, will make her first appearance with the Canadian Olympic team this year. The 22-year-old Montrealer was part of the senior team that took home silver in 2009, recording four assists in five games.

Predictions:Gold: CAN Silver: USABronze: SWE

Behind the Bench, Sports

THIRD MAN IN: Tiger, Elin, and Sex rehab

So it looks like Tiger has decided to do something about his errant wood, and it’s not what most people would have expected. In late December, the most recognizable athlete in the world checked into a sex rehabilitation clinic in Hattiesburg, Mississippi. Predictably, this news led to some backlash in the national tabloids, but if Tiger and those around him feel that he has a problem – and judging by recent events, this seems likely – then it’s good to see that he’s actually doing something about it. Good for him: Tiger finally recognized that he needs to get his marriage and personal life back together before returning to golf.

Mississippi Sex Rehab also happens to be a good public relations move for Tiger, and will at least quiet the rumors that he is living with a mistress on a yacht. Tiger is ostensibly taking the first steps to fixing what he so dramatically broke apart and that’s commendable. Another good move in the wake of a serious misstep: donating a reported three million dollars to Haiti relief efforts.

But, man, what a ride this has been for Tiger. This recent catastrophe has been a long time in the making – the telltale signs of a failing marriage have been there for years. Remember when Tiger won the 2005 Masters? Or the 2008 US Open? Check out his celebrations on YouTube – the lack of visible affection between him and his wife, Elin Nordegren is telling. I’d like to say that I called him out on his infidelity just from seeing the “Tiger Pat”, but I didn’t. My mom did.

Going to sex rehab could change Tiger’s personality for the better, but it’s definitely going to hurt his game. Ever since he was a teenager, Tiger’s been constantly told that he is golf’s version of Jesus Christ, and a complete failure if he doesn’t crush everything in his path. It’s easy to see how this sort of egomania would translate from the sporting to the romantic sphere of Tiger’s life. If he’s told that his sexual instincts are misguided, it will be interesting to see what effect that has on his (pretty much identical) golf instincts. Michael Jordan had gambling, Theo Fleury had alcohol and cocaine, and Tiger has cocktail waitresses and porn stars. Checking into sex rehab, I’m sure he’s scared he’ll lose his edge.

2010 will be a big year for Phil Mickelson and Sergio Garcia, even if, or when, Tiger comes back. It’s no secret that many on the Tour, especially those two, hate his guts for one reason or another. Mickelson will finally have a psychological advantage over Tiger. Ditto for Garcia, who dealt with his own heartbreak last season when his fiancée dumped him in March. Imagine Tiger on the 72nd tee at Augusta this year, tied with Mickelson, with the green jacket on the line. They’ll make eye contact, and Lefty will flash his awful, irritating grin, that seems to say: I used to be terrified of you, but not anymore. Tiger won’t have a chance.

– Gabe PulverContributor

Sports

OLYMPIC PREVIEW: Bobsleigh

While Jamaica will not be participating in bobsleigh next week, there’s no need to fret, as this will remain one of the most exciting events at the Olympics. The biggest stars in the sport will be out at the Whistler Sliding Centre to compete in the four-man, two-man, and two-woman events. Canada will be represented by two men’s crews, led by Lyndon Rush and Pierre Lueders, and two women’s crews, piloted by Kaillie Humphries and Hellen Upperton. As always, the Games will feature elite crews from Germany and Switzerland, the world’s top sliding nations. André Lange of Germany will be looking to add another gold medal to his collection, after winning three in Salt Lake City and Turin. Also joining the field is reigning World Cup champion Steven Holcomb of the USA, who will try to win his first Olympic medal in Vancouver. Canada’s top medal hope should be the two-woman team of Humphries and Heather Moyse.

Athletes to watch: Jesse Lumsden. The Edmonton Eskimos running back joins the ever-growing fraternity of multi-sport athletes, and will serve as Pierre Lueders’ brakeman on both the two-man and four-man crews.

Predictions:

Men’s two-man:

Gold: Beat Hefti, SUISilver: Ivo Rüegg, SUIBronze: Andre Langé, GER

Two-woman:

Gold: Cathleen Martini, GERSilver: Sandra Kiraisis, GERBronze: Kaillie Humphries, CAN

News

Level II varsity teams face dramatic funding cuts in 2010-11

With a proposed 67 per cent funding cut for the upcoming year, McGill Athletics’ Level II teams will face some drastic changes in the near future.

Funding for McGill varsity teams is based on a three-level tiered system. The 2010-11 McGill Athletics and Recreation budget proposal, released last week, would cut Level II funding by $147,871, making the total amount $73,163, compared to $221,034 last year.

Level I teams, which include football, hockey, basketball, soccer, swimming and women’s volleyball, receive a total of over $850,000 of financial support and are set to receive an additional $15,801 in the proposed budget. The Level II teams are cross country, track, rugby, badminton, rowing and men’s volleyball. The budget for Level III teams, also known as intercollegiate clubs, which consists of all other athletic teams, is set to double next year to $60,000.

Tom Fabian, the president of the Varsity Council and a member of the volleyball team expressed concern about what these funding cuts would mean for the Level II teams.

“Take the volleyball team, for example,” he said. “Our operating budget is about what’s left for all the Level II teams next year. So it would be impossible for us to be in our league, let alone go to two tournaments each year.”

Drew Love, director of athletics at McGill, explained that McGill’s sports model is based on prioritizing funding for Level I teams in order to help them be successful.

“We have always taken the approach that we fund our Level I sports in order to give them the opportunity to be competitive, and depending on how much funding we have available after we do that, we would then find a way to divide the remaining money up among the Level II teams,” he said.

Love added that this did not necessarily mean that these Level II teams would be forced to drop down to Level III.

“The pot of money for Level II teams is decreasing, but that doesn’t necessarily mean that those teams won’t exist,” he said. “But it means that some of them will be competing with less support from the Athletics department than they’ve had the last few years.”

In addition to the $125,000 Athletics will lose due to the Overhead Recovery Fee – a new charge that redirects a percentage of Athletics revenues to the central administration – the proposed budget includes significant cuts in contributions to Athletics from Student Life and Learning. Deputy Provost (Student Life and Learning) Morton Mendelson explained that these are part of cuts made across the board in his departments due to the university’s difficult financial situation.

“The budget situation in the university is very serious. We do not have the money to do what we want to do … so it’s a matter of weighing priorities,” Mendelson said. “In the end we had to make the choice that the university cannot contribute to athletics to the same extent it has in the past.”

While Fabian said he understood the difficult situation facing Athletics, he questioned whether many of these Level II teams would be able to survive.

“I respect what they’re doing, but for many teams, if their funds are being cut, it’s a nice way of saying your program is cut,” he said. “Many teams can’t operate without it.”

Both Fabian and SSMU President Ivan Neilson expressed particular concern with the loss of a $65,000 contribution towards playoff expenses from Student Life and Learning.

“Overall, I’m pretty disappointed with some of the money that’s being pulled out, especially for playoff expenses,” Neilson said. “It’s important that McGill show a commitment to Athletics. Obviously we understand that the university is in a very difficult financial position … but it’s unfortunate that so many of the cuts will affect students so directly.”

Love, however, was confident that this loss of financial support would not prevent qualifying McGill teams from attending important playoff competitions.

“We’re going to have to find funds from other parts of the budget in order to support the playoff funding,” he said. “Certainly we wouldn’t ask a team that was heading off to a provincial or national championship to have to fund their own way to that championship.”

As for decisions regarding possible changes in the level classification of teams, Love said no decisions will xbe made until teams’ seasons are complete, and will be based on various criteria.

“The decision would be made by the administration,” he said, “and there are a number of issues that are looked at, including popularity, feeder systems, interest within both the McGill and the Montreal communities, success, and competitiveness.”

Fabian, for his part, said he hopes that any decision-making process should be made clear to all athletes.

“This needs to be done based on the right criteria, and it needs to be transparent,” he said. “Right now we don’t want to worry anyone. At the end of the season, everyone will know what’s happening. Now it’s just the waiting game.”

Arts & Entertainment, Film and TV

Do as the Romans do and stay away from When in Rome

Having endured recent atrocities committed in the rom-com genre (The Proposal, Leap Year) audiences deserve a watchable flick. Unfortunately, When In Rome – which opened in theatres on Friday – is another dreadful dud. Anyone who has seen the trailer or gaudy bumblebee-yellow movie poster already predicted this, but for the well-being of everyone else, it’s worth restating.

The plot revolves around Beth (Kristen Bell), a curator at the Guggenheim who is both beautiful and an independent career woman – the genre’s favourite version of feminism. Fed up with her busy yet man-free life, Beth travels to her sister’s wedding in Rome with her own agenda to find love. Apparently this twenty-something bombshell, with a job that treats PhDs like high school diplomas, can’t land a man … right!

On the wedding night, feeling single and sorry for herself, Beth downs a bottle of wine and spitefully snatches five coins from “The Fountain of Love.” Strange magical powers then make the original coin owners instantly fall in love with her. Beth’s suitors include a sausage salesman (Danny DeVito), a street magician (Jon Heder), a male model (Dax Shepard), and an Italian painter (Will Arnett). Then there’s Nick (Josh Duhamel), an ultra-hunk sports reporter with whom Beth feels a genuine connection. But is he just under the spell of the fountain or could he truly love her?

When in Rome attempts to mask its dismal script by bombarding its audience with excessive cameos. Anjelica Huston, Kristen Schaal, Kate Micucci, Alexis Dziena, Efren Ramirez, and Shaquille O’Neil are meaninglessly injected into the film at unexpected moments and then disappear with no further mention. Shaq, for example, shows up at a party, gets mad at Nick for spelling his name wrong, and then disappears, all in under 10 seconds. The film doesn’t even try to tap into the talent of its many hilarious actors, and instead produces unmemorable characters (I have never seen more wasteful use of Angelica Huston or Will Arnett), lifeless jokes, and a sorry excuse for romance.

Kristen Bell and Josh Duhamel could have been great in a different romantic comedy, but unfortunately they got stuck with this one. Any chemistry between these two is crushed by their preposterous lines: “I never want to see you in pain,” “I got hit by lightning,” and “You don’t love me, you’re just under a spell” come to mind as particular buzz-killers.

When in Rome is not worth the admission fee, nor the 90 minutes of your life. Instead watch Roman Holiday, the 1953 William Wyler film starring the oh-so-endearing Audrey Hepburn and swoon-worthy Gregory Peck. It will remind you that romantic comedies can be lovely.

 

Arts & Entertainment, Music

CD REVIEWS: Joey Stylez: The Blackstar

The question of whether music can ever be objectively good or bad has plagued musicians and critics alike for decades. Joey Stylez’s debut album, The Blackstar, has finally answered it. His music is absolutely the worst combination of sound I’ve ever heard, and for me, he’s redefined the concept of bad music. The screeching of his voice combined with his attempts to combine electro and alternative make his songs both painful and headache-inducing.

Listening to his tracks is an excellent way to feel your own brain cells dying rapidly. Highlights of the under-worked album include rhyming words with themselves and using grunts to stay on beat, such as in the chorus of the song “Sugar Cane,” which goes, “She’s comin’ home with me / she’s all alone with me uh huh.” Most unnerving are Stylez’s lyrics, as they lack the wit to legitimize their offensive nature. Beyond being underdeveloped, most are simply nonsensical. For instance, in “Gorgeous Gangster,” Stylez sings, “Drugs in my pocket / money in my pocket / she gets me high call her bottle rocket / kitty go purr / staring in the mirror cause’ I’m feelin’ myself.” Stunning lyrics like these superimposed over poorly-constructed songs make this album a disgrace to the music industry.

With a last name including “style” in it, you might expect Stylez to have some of it himself. Instead, his album features enough atrocious hip-hop, rap, alternative and pop to piss off fans of each of these genres.

Arts & Entertainment, Theatre

The Rake’s Progress shows no sympathy for the devil

Opera McGill’s production of Igor Stravinsky’s The Rake’s Progress, an opera based on a series of 18th century satirical etchings by William Hogarth, combined intricate costumes and sets with raw musical talent – and the result was enough to convert any doubting opera-goer into a full-fledged fan.

Directed by David Lefkowich, the opera depicted young Tom Rakewell’s descent from shallowness and recklessness to despair and corruption when he unknowingly befriends the devil. In the beginning, Rakewell (played by Frank Mutya) was a daydreamer smitten with Anne Trulove (Véronique Coutu). The two seemed hopelessly in love, but were weighed down by Trulove’s father’s disapproval of Rakewell’s laziness. The arrival of stranger Nick Shadow (Philippe Sly) spun the story in a new direction when he unexpectedly informed Rakewell of his recent inheritance and suggested a trip to London to claim it. As the lovers parted ways, Shadow led Rakewell into an adventurous life of brothels, squandering money, and discovering the tragic neglect of true love.

Stravinsky is known for paying tribute to musical masterminds like Bach and Tchaikovsky, and in The Rake’s Progress he paid particular homage to Mozart. The acclaimed conductor and composer Julian Wachner brought his international experience to the theatre as the Principal Conductor of Opera McGill, and led the McGill Symphony Orchestra in a performance that paralleled the rising and falling action of the story, underscoring moments of both comedy and tragedy with music.

While the opera’s first few scenes were meant to contain little action, the lack of energy distanced the audience from the story, making it difficult to lose yourself in the experience. Fortunately, the energy level increased as the show went on, engaging the audience more and more with each scene.

Sly stole the show with an outstanding performance in his portrayal of Shadow, who leads Rakewell through his heroic downfall. Shadow acted as a puppet master, constantly convincing Tom to plunge deeper into immoral descent. A standout scene in act two involved Shadow toying with Rakewell’s opportunity for freedom in the song “Never Was I Saner,” to which both the audience and Tom fell victim. Coutu captured Trulove’s innocence and virtue in song, with her beautiful rendition of “No Word From Tom,” one of the opera’s famous solos.

The extent of Shadow’s influence over Rakewell was portrayed through the two character’s duets, the most impressive being the scene when Shadow convinced Rakewell to wager his soul in a game of cards. The stunning final scene featured chorus members dressed as psychiatric patients, with eerie lighting and disturbing choreography. The dark story had a hint of optimism – that beauty lies in the final realization of what truly matters, regardless of how long it takes to get there.

Overall it was a combination of musical talent and staged ability that, regardless of the extent of your previous opera experience, could not go unappreciated. Although there were occasional moments of voice clash – detectable during songs in which the lead vocalists were set to harmonize in unison – leaving some drowned out by others in both sound and articulation, overall there were few weaknesses in the vocal performances. The performance made tasteful use of humour and wit through costume design and choreographic accents, best seen in the entertaining brothel scene. The costumes were intricate and beautiful, while the characters came alive through the collective group dynamics of back and forth momentum. The clever integration of set mobility and adaptions of a variety of basic backgrounds provided a feeling of progression from one scene to the next. Precise lighting techniques are exemplified in scenes like the eerie depiction of the psychiatric hospital, making use of back lighting and revealing silhouettes of fidgety patients to perfect the mood.

Stravinsky created a graphic tale of morality, with delightful comedic relief and tragedy set in parallel from start to finish, and the Opera McGill production held true to his vision.

 

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