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News

McGill Rare Disease Day presents an optimistic future for patients

The Medical Students’ Society (MSS rareDIG) commemorated Rare Disease Day on Feb. 28 with a cocktail event and speaker series in the McIntyre Medical Building. Rare diseases are defined as those which affect fewer than one in 2,000 people, which often makes finding treatment for them more difficult than it is for common illnesses.

Eight McGill students founded rareDIG in 2017—two of whom have rare diseases themselves—and joined activists in over 80 countries around the world to raise awareness for the millions of individuals affected by rare diseases.

The first speaker was Natalie Cinman, a patient of Osteogenesis Imperfecta (OI), also known as brittle bone disease. Cinman explained that this disease is associated with a collagen deficiency, which leads to fragile bones and increased risk of fractures. As a result, she was in and out of Montreal’s Shriners Hospital frequently as a child.

“At Shriners, what was great is that not only did [the medical staff] know how to care for me, but it was a support system and they became a family,” Cinman said. “You know everybody, and they know you, and they know how to take care of you.”

However, once she was transferred to an adult hospital, Cinman found that the healthcare services were not as accommodating as at Shriners. Cinman encourages those suffering from rare diseases to express their medical needs to their healthcare specialists.

“I think it is really important for someone with a rare disease to not be shy,” Cinman said. “We need to be the best advocate for our own medical care.”

Joseph Galli–director of the Loeys-Dietz Syndrome (LDS) Foundation of Canada (LDSF Canada)–and his wife Johane gave the second talk. Galli co-founded LDSF Canada in 2011 following his wife and children’s diagnosis with the disease, which affects connective tissues in many parts of the body and causes premature fusion of skull bones, abnormal scarring, and enlargement of blood vessels. LDSF Canada aims to implement a multi-year strategic plan to raise awareness, drive research, and provide support for patients and their families affected by LDS. One of its main goals is to encourage young scientists to take an interest in rare diseases.

“If we were to do a series of grants to young investigators, give them $25,000 for something that was a little outside the box, and then help them with collaborations and getting other grants, eventually, they can make a difference on a global scale,” Galli said. “The idea is to give a whole bunch of young people who have good ideas money and the opportunity to collaborate with other people around the world.”

The series’ third speaker, Adrian Thorogood, a lawyer and academic associate at the Centre of Genomics and Policy at McGill, suggested to clinicians and researchers the promise of using big data to combat rare diseases. Thorogood emphasized that, given the unlikeliness of encountering rare diseases, it is crucial for medical professionals to share what they with each other.

“To establish large enough data sets to better understand the cause of disease, there needs to be collaboration,” Thorogood said.

Eric Shoubridge, a professor and chair of the Department of Human Genetics at McGill, was the final speaker. Shoubridge explained that the peculiarities of rare diseases can provide knowledge about generating a treatment for more common diseases.

“By studying rare diseases, you can figure out how physiology works, how biochemistry works, how the body works,” Shoudbridge said. “Many rare diseases have led to insights into more common forms of disease.”

Science & Technology

Five science documentaries to binge this Reading Week

Reading week has finally arrived. For many eager students, this well-deserved break only moves their academic pursuits from the lecture halls and libraries to the comfort of their own homes. While the semesterly grind may leave students feeling bogged-down and stressed-out, kicking back and relaxing with a good documentary, in place of a textbook, is a great way to keep spirits high.

Here are The McGill Tribune’s ‘need to watch’ Netflix documentaries that will keep those neurons firing this Reading Week.

Resistance (2015)
In this multifaceted approach to scientific reporting, Director Michael Graziano uncovers the role of antibiotic resistance in modern medicine. Resistance questions the 80-year-old history of the antibiotic revolution, using the power of hindsight to investigate how the drugs that were designed to save lives are now helping take them by the hundreds of thousands. This documentary features the first-hand accounts of individuals suffering from bacteria that have evolved antibiotic resistance, coupled with expert analysis that provides an in-depth look at the profound challenges that antibiotics have brought into everyday life. The growing prevalence of antibiotic resistance has changed the way hospitals treat patients, and is known to have adverse effects on the food supply. Resistance challenges viewers to weigh the pros and cons of taking antibiotics for a multitude of conditions that can be treated without medication, and the future adverse effects if the industry continues to overmedicate.

Into the Inferno (2016)
Ever thought about climbing up a volcano? This daring activity is just part of a day on the job for Clive Oppenheimer, a volcanologist at Cambridge University. In Into the Inferno, acclaimed German filmmaker Werner Herzog follows Oppenheimer, documenting their around-the-world trip to some of the planet’s greatest volcanoes. Herzog takes the audience on a journey of personal, social, and scientific discovery. With inspiring images and sublime footage, Herzog engages with the large community of volcanologists scattered across the globe. The film also includes various indigenous groups such as the Melanesian Ni-Vanuatu, whose religious and spiritual practices are centred around volcanoes. Herzog refers to the volcanoes as “magical”—a sight that must be seen to believe, and one which the director captures exquisitely throughout the film.

Terra (2015)
According to the film’s official website, Terra explores humanity’s existence on Earth. A story told in the first person from the perspective of humanity itself, this documentary searches to define the relationship between modern humans and our ancient ancestors. The film address prevalent social and conservation issues from across the world, including poaching on the African savannah, pollution of heavy metals into the atmosphere, and the rise of genetically modified organisms (GMOs) in the food supply. Through an optimistic lens, the film’s directors Yann Arthus-Bertrand and Michael Pitiot show audiences that in order to dictate our futures we must first understand the past, including not only the origins of the human race but every other species we share this planet with. By furthering our understanding of the world, from the soil beneath us to cultural phenomena, Terra takes no prisoners in its starkly beautiful depiction of human life on Earth.

The Secret Rules of Modern Living: Algorithms (2015)
This tongue-in-cheek BBC documentary special demystifies the hidden world of algorithms hard at work under the noses of the unsuspecting public. Marcus du Sautoy, a professor of Mathematics at Oxford University, takes the viewer on a 2,000-year journey to uncover algorithms used by Euclid, a Greek mathematician of the fourth century B.C., moving forward until the present-day, explaining the inner workings of Google, the world’s most popular search engine.

“Algorithms run everything,” Sautoy narrates in the film. “From search engines on the internet to satellite navigation systems and credit card data security,they even help us travel the world, find love, and save lives.”

Sautory also explores the future of algorithms, using interactive explanatory shorts to show the audience everything from the achievements of algorithms to how they can even self-program. This is a sure-to-thrill film for any aspiring programmer or mathematician.

BBC’s Planet Earth, Episode Four “Caves” (2006)
Having won an Emmy award for Outstanding Nonfiction Series in 2007, BBC’s Planet Earth is a classic nature documentary that refuses to be forgotten. The 11-episode series, which was rebooted on its 10th anniversary in 2017 for a second season, includes everything there is to be admired about filmmaking in the wild. Episode four of the original series takes its audience to new depths, exposing the inner workings of our planet, descending into the biological time machines that are caves. The episode showcases caverns around the world, both remote and well-known. From the 400-metre vertical shaft at the Cave of Swallows in Mexico to the crystal-filled chambers of Lechuguilla in the United States, Caves gazes deep into our planet and the beings, both human and animal, that call it home. Viewers descend with the cameras as they capture underwater caverns, bats in the millions, and diverse, complex ecosystems previously unseen by the human eye. With breathtaking visuals that will leave the audience stunned, Planet Earth maintains its magnificence over a decade after it was filmed.

Arts & Entertainment, Creative

Is the Academy Award for Best Sound Editing bogus?

In celebration of the 2018 Oscars, Arts & Entertainment editors Dylan and Ariella try their hand at sound editing (or “foley”) to see if the profession really deserves it’s own Academy Award, or if it’s as “dumb, bad and also easy” as Dylan says.

Footage shown from The Secret World of Foley
Featuring Dylan Adamson & Ariella Garmaise
Video by Noah Sutton
Music by Ryan Little

News

Students angered by Grad Ball ticket confusion

The process of buying tickets for the 2018 AUS x SUS Graduation Ball at Le Windsor proved controversial after many students were unable to secure tickets in the first rounds of sales. The event, hosted by both the Arts Undergraduate Society (AUS) and the Science Undergraduate Society (SUS), saw rapid sell-out rates and technical difficulties with the payment system used, inconveniencing students and organizers alike.

Since 2016, the AUS and SUS have used a multi-tiered ticket sale scheme in which tickets are sold in three rounds, each at a different volume, with a different price, and on a different date. This year, tickets for the gourmet dinner and dance were sold first at $98 in tier one on Feb. 18, then at $103.20 in tier two on Feb. 21, and at $108.35 in tier three on Feb. 23. Students also had the option to buy tickets for the dance alone for $62, but these were only made available in the second and third tiers.

A different quantity of tickets were sold in each tier; only 70 out of 500 total dinner and dance tickets were made available for purchase in the first tier, which sold out within 16 seconds of going live, sparking outrage among prospective attendees. Claudia Belliveau, U3 Science, was among them: After she was unable to buy one of the first 70 tickets, she grew concerned that the limited number sold in tier one indicated that the planning committee had underestimated the number of students who wanted to attend the ball.

“I think [AUS and SUS] should try to find a venue that can hold at least all the graduates, because only having 500 [dinner] tickets for two large faculties’ graduates is crazy,” Belliveau said.

In an email to The McGill Tribune, AUS Vice-President Social Nathan Greene clarified that there are 500 dinner and dance tickets, 300 dance-only tickets in tier 1, and 400 more dance-only tickets, adding up to a total building capacity of 1,200 people.

Greene explained that the value of selling tickets in tiers is twofold: First to create interest in the event, and second to encourage students to buy their tickets as soon as possible, leaving organizers with more time to plan.

Firstly, and most obviously, the tiered ticket system generates buzz,” Greene wrote. “It is [a common misconception] that Grad Ball reaches all ears as soon as the event is dropped [….] There are a fair amount of people who miss the first ticket tier, only coming in time for second and third tier tickets. The buzz generated around the event helps us sell tickets for both dinner and dance, thus maximizing our chances to sell out.

Several students who secured their tickets in the first tier reported further difficulties with payment. While some students were charged twice for single tickets, others reported that they had been charged without receiving their tickets at all. Emily Stimpson, U3 Arts, was part of the former group.

“[The Graduation Ball website] did bill me twice because there was a PayPal issue, which I know a lot of other people experienced,” Stimpson said.

According to Greene, the high frequency of PayPal purchases overloaded the system, affecting approximately 15 students. His team has since taken steps to address the issue.

“For Tier 3, we made sure to up our server capacity and also switched our payment service provider to Stripe,” Greene wrote. “These changes remedied the issue.”

While frustration over ticket purchases was most prominent among ticket purchasers, Greene noted that the confusion has taken a similar toll on the event organizers, who are all unpaid student volunteers.   

“There has been a recent, reoccurring rhetoric of entitlement that has taken hold around the purchasing of Graduation Ball tickets, which has [led] to the dehumanization of Grad Ball organizers,” Greene said. “I get frustrated when I hear individuals on my committee telling me stories of how they had to return home from a rough midterm only to face an inbox full of misdirected hate mail. We are students too, we are working on this event for [students’] sake, so please do us one courtesy and think before you send that angry message.”

Representatives from the SUS did not respond by publishing time.

Creative

Solin Hall is the rez we should all want to live in

Maxime Lakat, an entering student in U1 Management for Sustainability and the VP Environment at Solin Hall talks about his recent collaborations with Student Housing and Hospitality Services to make the residence more sustainable.

The large scale project will include revamping thermostat and tap systems to reduce energy and water waste. Lakat talks about the process of moving forward on such a project, and how it benefits the students, McGill, and the environment.

How can we, as students, push for a more sustainable McGill? New progress at Solin hall provides a map to collaborating with McGill and making our residences, and our school, more sustainable.

Featuring Maxime Lakat
Video by Tristan Surman

Arts & Entertainment, Theatre

TNC’s ‘Autobiography of Red’ is enchantingly poignant

Adapted by writer/director Phoebe Fregoli (a fourth-year Concordia student studying women’s studies and creative writing) from the Anne Carson novel-in-verse by the same name, Tuesday Night Café Theatre’s production of Autobiography of Red is a Greek myth transposed to mid-20th century rural southern Ontario.

According to ancient legend, the play’s protagonist, Geryon, is a fearsome monster with one body and three heads who is brutally killed by the divine hero Herakles. In Red, Geryon, played by musician and actor Mich Cota, is reimagined as an artsy, sensitive, teenage boy, burdened by a pair of red wings that he hides under his trench coat. He is moody but endearing and feels sorely misunderstood by almost everyone. He’s the kind of guy who’s always being interrupted in the middle of his contemplative inner monologues. His self-documentation becomes a recurring motif throughout the play. When we are first introduced to Geryon, his autobiography is a sculpture that he’s making out of things he finds around the house.

Geryon lives with his naïve but well-intentioned mother (Annah-Lauren Bloom) along with his cruel and tactless big brother (Connor Miles, Year 2 Building Engineering at Concordia University), Geryon first meets Herakles, played by Stephen Lawrence (in his final year of a Communications Masters at Concordia), at a bus stop and falls deeply in love with him. Learning about photography from Herakles, Geryon decides his autobiography will instead become a photographic essay, excerpts of which are projected onstage throughout the play. Years after Herakles breaks Geryon’s heart for the first time, the two men reunite in Argentina and Geryon finds himself the unwitting third member of a tempestuous love triangle made up of himself, Herakles and Herakles’ sexy Peruvian boyfriend, Ancash, played by José Carmago.

Driven by language and emotion rather than plot, Geryon’s story unfolds slowly and carefully. In place of sensationalism and theatrics, Red has a placid, introspective quality that allows the viewer to absorb the play in all of its complexity. Both the setting (Terrance Richard) and costuming (Ali Hendra) are muted yet elegant, their simplicity only serving to make Geryon stand out, rendering his character all the more otherworldly. His red wings punctuate the otherwise neutral-coloured and prim dress of the characters around him. Despite the second half of the story taking place in Argentina, the set maintains its campy, small town aesthetic, with vintage memorabilia cluttering any available surface.

Apart from the set, Fregoli uses other visual components to play up the magical-realist elements of the story. In one scene, a drunk Geryon is passed out face first on a table in a hole-in-the-wall Argentinian café while a velvet-clad flamenco dancer tangoes seductively around the dimly lit stage. The dancer, of unknown name and gender, then proceeds to speak with Geryon once he awakes about a school trip he once took to an aquarium where he saw a tank full of beluga whales and how guilty they made him feel. Whether the dancer is real or imagined is unclear, but, in Red’s juxtaposition of Greek myth with southern Ontario environs, it feels entirely beside the point.

Although each actor delivered an even and moving performance, Cota was the undeniable standout of the show. Cota brought to life a winged red monster who speaks only in poetry in an entirely believable and human way. Geryon’s character is loveable and complicated—heartbreaking and hilarious all at once. Although his grandiose monologues almost always contain some flowery musing about the ocean or the stars, and he speaks at length about his love of German Stoicism and other such pretentious subjects, it is difficult not to be completely enthralled by whatever Geryon happens to be saying, so absorbing is Cota’s portrayal of him.

Autobiography of Red is the story of a soulful Greek monster who grew up somewhere between Hades and the Kawartha Lakes. It is a strange and intricate tale of love, trauma, and the peculiarity of growing up. Geryon’s story will undoubtedly worm its way into the audience’s hearts, and stick around for days after leaving the theatre.

TNC’s Autobiography of Red is playing from Feb. 28 – March 3 at 8 p.m. in Morrice Hall in the Islamic Studies Building, 3485 Rue McTavish. Tickets are $6 for students and $10 general admission.

 

Album Reviews, Arts & Entertainment

Album review: Twin Fantasy (Face to Face) – Car Seat Headrest

Before 2016’s brilliant Teens of Denial cemented his status as one of contemporary music’s most fascinating figures, Will Toledo spent years recording songs on his personal computer, uploading new records on Bandcamp under his Car Seat Headrest moniker at a frequency matched only by Lil B. For his 11th record, the 25-year old decided to return to his lo-fi roots and rework his first great release with the major label production value it deserves.

Twin Fantasy (Face to Face) is a re-recording of Toledo’s cult classic Twin Fantasy (Mirror to Mirror) (2011). The album is loosely conceptual, focusing on the singer/songwriter’s borderline-obsessive relationship cycle with an unnamed young man. It is about first love, first break-up, coming out, depression, and the potentially fatal consequences of smoking. The themes are heavy, but offset this by using the same off-kilter humour that has made Toledo one of the great lyricists of the genre. From the lyrics on “Beach Life-in-Death:” “I pretended I was drunk when I came out to my friends/I never came out to my friends,” to  when he sings “I got so fucking romantic/I apologize,” on “Cute Thing” or  “Stop smoking/We love you/And we don’t want you to die,” on “Stop Smoking,” Toledo communicates bleak truths under blunt verses.

If (Mirror to Mirror)’s genius was buried under the album’s lo-fi production, (Face to Face)’s is unmistakable. Now signed with Matador and supported by a band, Toledo takes full advantage of the larger budget and studio time. Vocal and guitar harmonies are omnipresent, the sound is light-years cleaner, and the dance-y drum patterns are startlingly original on a rock album.

Lyrics have been switched here and there, and the climatic “Famous Prophets (Stars)” now culminates in six minutes of gorgeous piano melodies and vocal collage. Otherwise, the record is quite faithful to the original. This slight conservatism sometimes bogs it down:  “Nervous Young Inhuman’s” spoken word outro has little to no replay value, and the first 10 minutes of “Famous Prophets (Stars)”  drag on. Yet, in revisiting their back-catalog, Car Seat Headrest confirms their status as indie-rock’s next big thing and hints at their bright future.

 

Editorial, Opinion

Inclusive hiring requires more than a quota

Dalhousie University has recently come under fire for limiting its search for a new vice-provost student affairs to “racially visible persons and Aboriginal peoples,” in an effort to boost minority faculty representation. Critics have condemned the policy as discriminatory against white people, and argue that hiring based on race, rather than merit, is misguided. While Dalhousie’s blunt approach to race-based hiring raises some issues, such as the multitude of identities encompassed within the definition of “racially visible,” the Halifax university’s transparent approach to representative hiring is worth considering. McGill should take a cue from Dalhousie, not just in prioritizing faculty representativeness but in communicating these initiatives—and their progress—to its student body and staff.

Hiring tactics such as Dalhousie’s are implemented in an attempt to undo a longstanding legacy of white privilege in Canada. Affirmative action is not actually intended to be progressive—it’s remedial. According to Dalhousie’s 2016 census, only 11 per cent of employees identified as “racially visible,” and a mere 1.9 per cent were Indigenous. Affirmative action policies like Dalhousie’s are not designed to hurt white people. Rather, they acknowledge the systemic barriers that Indigenous peoples and racial minorities continue to face.

Dalhousie’s policy poses some issues worth addressing. First and foremost is the vague definition of “racially visible,” which collapses a multiplicity of races and lived experiences into one category. Furthermore, the histories and experiences of Indigenous peoples and racial minorities who have settled in Canada are distinct from one another, and each perspective deserves recognition in its own right. Dalhousie must unpack blanket minority identities, and ensure that a diverse set of individual experiences are represented beyond the white/non-white binary. The self-serving PR aspect of such a highly-publicized gesture also warrants skepticism.

Still, one positive aspect of Dalhousie’s transparently affirmative action-oriented policy is that its message is clear: Diversity and representation are on Dalhousie’s radar, and the university is implementing concrete steps to achieve these goals. In October 2016, McGill published a report on systemic discrimination among its faculty. The report outlined some worthwhile recommendations to achieving greater diversity and eliminating sexism and racism from the workplace. These included hiring “with particular attention to historically underrepresented groups,” and creating a senior administrator position “with a mandate to promote diversity and inclusiveness.” McGill’s report is a significant step toward improving faculty representation, since it acknowledges discrimination and outlines clear steps for solving it. However, there has been no progress update since on how the recommendations are being implemented.

Another legitimate concern with race-based hiring is that the chosen hire, no matter how qualified, may be tokenized, or seen as less competent and assumed to have been hired only on the basis of their race, rather than their qualifications. Beyond filling quotas or appearing diverse, it is important for university faculty and administration to represent the vast collection of identities within Canada and Indigenous identities. It will take much more than one targeted job posting to achieve this.

The conversation around increasing minority representation and combatting discrimination at McGill is a vital one that must continue.

Diversifying academic leadership is essential. It is crucial for minority students to see themselves reflected in senior positions, otherwise, talented young people may be hesitant to pursue a certain career in an environment that seems unwelcoming. Increased minority representation benefits the entire student body, since it promises an education that incorporates multiple perspectives, rather than playing into typical university echo chambers reinforced by a homogenous, primarily white, male faculty.

The conversation around increasing minority representation and combatting discrimination at McGill is a vital one that must continue. McGill shouldn’t merely follow Dalhousie’s lead, it should go even further, and implement the systemic changes needed to alter a system built to privilege white people. This is a multi-faceted, long-term goal: Apart from hiring practices, building and maintaining a representative faculty also means ensuring inclusivity among masters and PhD candidates, and fostering widely-accessible opportunities from the undergraduate level. McGill’s report from 2016 outlines some viable paths to start achieving these goals—but the University needs to better communicate what it’s doing to implement these recommendations, and to make sure that the conversation on minority representation is ongoing. Moreover, students themselves must look at how they help—or hinder—representative spaces on campus, through inclusive hiring in student groups and clubs, but also through their day-to-day interactions.

Throughout Canada’s existence, white people have prospered at the expense of Indigenous peoples and people of colour. Prioritizing minority-based hiring is necessary to ensure that our university faculties are representative of Canada’s demographic makeup. There’s a whole lot of merit in that.

Science & Technology

SpaceX blasts through expectations

February kicked off with a blast as private aerospace company SpaceX sent its most technologically advanced rocket, the Falcon Heavy, out into space on Feb. 6. This was a momentous occasion for anyone with dreams beyond our atmosphere, as the Falcon Heavy can reportedly carry a record 64 tonnes into orbit at one-third of the price of the next best vehicle. SpaceX founder and CEO Elon Musk has applied his business expertise to his most recent venture by minimizing costs, maximizing payloads, and publicizing bold marketing stunts.

The development of the Falcon Heavy is an example of entrepreneurs using the incrementalism of space travel to their advantage. SpaceX’s earlier, smaller Falcon 9 modelwhich has completed 47 successful launches—might not be as exciting, but its flights were crucial for testing reusable boosters.

“The concept of flying back and re-using the first stage had been around for a long, long time,” Andrew Higgins, associate professor in the Department of Mechanical Engineering, said in an interview with The McGill Tribune. “What SpaceX did that was a real game changer was to attempt it on commercial launches that were already paid for so they could learn and improve on subsequent flights, until they nailed the landing every time.”

The Falcon 9 operates by leaving enough fuel in its first stage to safely fly back to a launch platform. Business Insider estimates that about half the costs of each $62 million Falcon 9 flight can be recovered by having its components land in reusable conditions. Forbes is skeptical of how much money this technique actually saves, but supplants that with the prediction that reusable technology will be integral in Musk’s plans to colonize Mars.

“Previously, rockets had been designed from scratch to meet the specification of a mission,” Anthony Ubah, avionics lead of the McGill Rocket Team, wrote in a message to the Tribune. “What SpaceX has done is different. Rather than develop a new rocket from scratch to meet performance specifications required in heavy lift and/or higher Earth orbits, they’ve taken a flight proven rocket design, modified it, and strapped three of them together.”

Combining three Falcon 9 rockets  saves the expenses incurred by having to create a new, larger spacecraft. This leaves the Falcon Heavy with a staggering 27 engines. Launches cost $90 million, with an estimated $40 million in savings per launch, according to Business Insider, thanks to reusable boosters.

“Just like we combine inexpensive, mass-produced computers to make supercomputers, SpaceX is taking the same approach with rocket engines,” Higgins said. “The Russians tried something like this with the N1, a giant rocket with 30 engines that was key to their moon program in the 1960s. The N1 blew up every time it was launched, however, and aerospace engineers became skeptical it was possible to combine that many engines together and control them, but SpaceX has shown it can be done.”

The larger payloads made possible by the 27 engines will have sizeable effects on astronomical activity. Falcon Heavy’s is most powerful rocket currently in use, until NASA’s Space Launch System program is operational with a 70-tonne payload around December 2019.

“The Falcon Heavy is comparable in payload to NASA’s Space Launch System, which has been under development to launch astronauts on deep space missions but is running far behind schedule,” Higgins said. “For the time being, Falcon Heavy will be used to launch big communication satellites into orbit 40,000 kilometres above Earth, which is the market where the big money is for now, and not astronauts.”

Despite these successes, SpaceX is not content to rest on its laurels and is already planning its next model: The Big Falcon Rocket will be designed to carry up to 150 tonnes. One of SpaceX’s primary rivals, United Launch Alliance, has unveiled plans to develop its own reusable rocket, claiming their model will reduce costs from $350 to less than $100 million per launch. Meanwhile, NASA’s outmatched Space Launch System may also find new wings, with some suggesting that it be repurposed for military applications.

Above all, the publicity surrounding this launch will revitalize the space industry. The sheer gall of launching Musk’s Tesla Roadster into space on Feb. 8, equipped with a dummy dubbed “Starman” and Ziggy Stardust on loop, is ideally representative of the extraterrestrial adventures we can look forward to.

 

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