Articles by Ryan Taylor

With their self-titled debut, it’s easy to see that Toronto’s Sweet Thing have Top 40 ambitions. Whether or not they’ll get there remains to be seen. The album certainly contains elements that suggest they will: the punchy guitars of “Gun,” the shimmering synths of “Lazy Susan,” and the soaring vocals[Read More…]

Miranda Whist Miranda Whist You know you’re onto something when people decide to dress up as you for your Halloween concert, which was exactly the case with John O’Regan’s androgynous, glam rock alter ego Diamond Rings at his show on Sunday. Taking the stage in a relatively subdued matching vintage[Read More…]

Let’s be thankful that PS I Love You are better at writing songs than they are at picking band names. While the moniker is ripe for ridicule, the 10 tracks that make up Meet Me At The Muster Station demand far more respect. Hailing from Kingston, Ontario, vocalist/guitarist and bass[Read More…]

nyctaper.com The glitzy, gender-bending alter-ego of Toronto’s John O’Regan, Diamond Rings brought his ‘80s-inspired glam pop to Le Divan Orange Saturday afternoon as the not-so secret guest. With his kitschy costumes, cheesy dance moves, and dinky keyboard lines overtop of programmed beats, there’s a lot to not like about O’Regan’s[Read More…]

billions.com The idea of Montreal’s Think About Life playing a free show at the tiny Le Divan Orange during Pop was a great idea. Except that the show was at 4 p.m. on a Saturday. So while the venue was packed for their late afternoon set, the things that make[Read More…]

Holly Stewart There may have been a mini-monsoon Thursday night, but that didn’t stop droves of people from making the trek up Park Avenue to Espace Reunion for a 2 a.m. set from Toronto’s Holy Fuck. Taking the stage clad in a “Poo Teens” t-shirt (talk about catering to a[Read More…]

With hundreds of performers gracing more than 50 stages across the city, Pop Montreal can be downright overwhelming. The good news? That means there’s something for everyone. The full schedule can be found online (popmontreal.com), but here’s a list of some big names, up-and-comers, and special events worth checking out.[Read More…]

With their self-titled debut, it’s easy to see that Toronto’s Sweet Thing have Top 40 ambitions. Whether or not they’ll get there remains to be seen. The album certainly contains elements that suggest they will: the punchy guitars of “Gun,” the shimmering synths of “Lazy Susan,” and the soaring vocals of “A Change of Seasons” are all perfectly pop rock enough to satisfy any fan of the genre, but they still have a long way to go.

Dropping out of nowhere this summer, the All Delighted People mega-EP (the thing is 60 minutes long) is Sufjan Stevens’ long-awaited return to song-based material. The EP is an all-encompassing affair and serves as an both an excellent reminder of Stevens’s work to date and a crash-course for the initiated.

If you believe the hype (and the blogs), California’s Best Coast have made a life-changing, must-own debut record in Crazy For You. I’m not as convinced. Sure, frontwoman Bethany Cosentino and partner Bobb Bruno have crafted a warm, hazey, washed-out record with reverb-soaked vocals and some pretty killer melodies, but that can describe most noisy, pop-punk garage bands operating today.

This year’s North by Northeast music festival featured close to 650 bands on over 40 stages throughout Toronto. Often playing second fiddle to the similarly named, but unrelated, South by Southwest festival, 2010 seemed to be NXNE’s coming-of-age. From scoring big-name headliners like Iggy and The Stooges and De La Soul, as well as a good number of up-and-coming buzz bands like Surfer Blood and Avi Buffalo, this year’s line-up demanded attention.

A little over two years ago, the future of You Say Party! We Say Die! was bleak. It was week 14 of a 16-week European tour – an exhausting amount of time for even the most seasoned touring musicians. Fatigue had set in for the Vancouver band, communication had broken down, and everything came to a head when singer Becky Ninkovic attacked drummer Devon Clifford during an argument at a bar in Germany.

Until now, if the name Aidan Knight sounded familiar, it’s likely because of his numerous backing contributions to bands in the Victoria/Vancouver music scene. But take a few listens to his debut Versicolour and it’s hard to imagine Knight backing up any musician other than himself.

Zeus’ debut album Say Us may want to make you skip spring altogether: it’s got summer written all over it. Getting their start as Jason Collett’s backing band, the men of Zeus have crafted an album of hooks, harmonies, and good ol’ fashioned rock. And I mean ol’ fashioned when I say it; almost everything from the guitar tones to the aforementioned harmonies have a strong retro vibe that recall the best of the sixties.

Alphababy really isn’t a respectable name for a rock band, especially if you’re a good one. Just ask Yukon Blonde, the Vancouver four-piece who played 300 shows as Alphababy from their formation in 2005 until late 2008. “We used to get, ‘Are you guys a kink band?'” laughs guitarist/singer Brandon Scott.

The Luyas are on cop watch. At least that’s what lead singer/guitarist Jessie Stein says as she attempts to drive and talk to me on the phone at the same time – an illegal activity. Add in the fact that it’s snowing, and I start to get worried that this interview could be hazardously cut short – which would be a tragedy for one of Montreal’s most promising bands, especially one with so much on the horizon.

It’s clear from the opening track of Heart of My Own, the follow-up to her Polaris-nominated debut Oh My Darling, that Basia Bulat isn’t content with her previous success – she’s trying to soar to new heights. As a singer whose music too often gets the “sweet” label (which it undoubtedly is), it’s refreshing to hear her really going for it.

If We Are Beautiful, We Are Doomed was Los Campesinos! dimming the lights, then Romance Is Boring is them living in the dark. Billed by the band as “a record about the death and decay of the human body, sex, lost love, mental breakdown, football, and, ultimately, that there probably isn’t a light at the end of the tunnel,” RIB is not the Campesinos! of their Hold On Now, Youngster… debut.

Quickly glancing at the hundreds of year-end “best of” lists, it would appear 2009 was the year of the animal in independent music: The Antlers, Grizzly Bear, Phoenix, Animal Collective, and Dirty Projectors’ Bitte Orca to name a few. But it would be careless to neglect the equally fantastic (though less hyped) non-animal albums of the past year as well, like St.

Spirit Guides, the full length debut from Jonas Bonnetta under his Evening Hymns moniker, is also the newest release from the Trinity Bellwoods musical community (that features the likes of Timber Timbre and Ohbijou). Fortunately, it’s a good indication of the music coming from West Toronto’s indie music scene.