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The Sound City Studios helped launch the careers of many, including Neil Young and Fleetwood Mac. (www.collider.com)
a, Arts & Entertainment

A golden-toned eulogy to a place where history was made

Waves of progress often sweep away the obsolete from society without a second thought, but Dave Grohl makes Sound City Studios a rare exception. In his first film, the Nirvana drummer and Foo Fighters front-man turns his sights to a musical landmark whose greatness few, apart from hardcore rock ‘n’ roll fans, would have understood prior to this project. Sound City chronicles the rich history of the eponymous studio that brought together four decades of musicians on the outskirts of Los Angeles.

Sound City was first conceived by Grohl in 2011, when the studio decided to call it quits after a 42-year run. Hearing the news, he talked to its manager about buying their custom- made Neve recording console for Studio 606, his personal studio.

The transaction was completed, but salvaging the machinery alone did not satisfy Grohl. He felt that there was a story to be told about the studio and its role in the greater context of rock ‘n’ roll, so he assembled a cast that could help him do it justice.

Enter the heroes of Sound City Studios: Neil Young, Fleetwood Mac, John Fogerty, Tom Petty, Rick Springfield, REO Speedwagon, Rage Against the Machine, Queens of the Stone Age, Weezer, Nine Inch Nails, renowned producer Rick Rubin (looking like he never left Woodstock), and the studio’s loyal staff. There is a genuine excitement and candid quality in the musicians that talk about their Sound City experience.

Many bring up the friendliness of the staff and the family-like atmosphere that developed in the studio. In several cases, the recordings done there were followed by a huge commercial breakthrough for the artists. Had it not been for Sound City, Mick Fleetwood never would have heard a tape by Buckingham Nicks, the dating duo he recruited to Fleetwood Mac that would help launch them to superstardom.

No musician felt shy about calling Sound City an absolute dump. It’s located in a dingy row of industrial warehouse spaces, and the interior area is equally unappealing. Very little had been altered since 1969, including the tasteless brown shag carpet on the wall. The only times the walls saw improvements was when another gold or platinum record was put up.

As Studio Manager Shivaun O’Brien puts it, “Sound City was a place where real men went to make records.”

The essence of Sound City is its appreciation of the lost art of analog recording. It is refreshing to hear Grohl, Young, and many of the other featured artists speak so affectionately of the recording process on the studio’s Neve console. The documentary expertly highlights the fact that while digital recording may provide convenience and opportunities for sound manipulation, it cannot reproduce the pure cohesiveness and authenticity of its analog counterpart.

Although Sound City is a documentary, Grohl still delivers a strong performance. He is constantly overflowing with zeal for the studio and revels in the scope of its effect on the rock community. Somehow, it’s satisfying to watch him jam out with many of the artists he interviewed (and a surprise guest legend) while recording on the rebuilt Neve console. Those tracks have been released on an album accompanying the documentary called Real to Reel.

Grohl delivers in his first documentary and benefits from its all-star cast. Neil Young famously proclaims in the 1979 song “My My, Hey Hey” that “It’s better to burn out than to fade away.” By creating Sound City, Grohl ensures that one of the more prolific sites in rock ‘n’ roll history will burn out brilliantly.

Sound City is playing until Feb. 7 at Cinema du Parc (3575 Avenue du Parc). Under 25 tickets $8.50.

a, Arts & Entertainment, Music

Richard Thompson: Electric

The title of Richard Thompson’s new release, Electric, hints at vitality and novelty from one of the British Isles’ best guitarist/songwriters. Forty-five years into his career, Thompson still succeeds in rendering spirited ballads, oscillating from heartfelt to ornery. Whether you are a longtime admirer, or a newcomer to his funky guitar and eclectic songwriting, Thompson’s latest release promises something for everyone.

Following the Grammy nomination of his last release, Dream Attic, Thompson has widened his range in Electric from the rushed and upbeat tempo of the opening track “Stony Ground”—whose very first tones are proof of Thompson’s legendary guitar riffs—to the more calming and relaxed “Salford Sunday.” Thompson’s trademark lyrics— poignant, yet slightly bitter— are catchiest in “Good Things Happen to Bad People.” The album is a testament to Thompson’s versatility and his unique satirical view of the most ordinary emotions.

While he may not have achieved the same level of fame as his contemporaries, Thompson has always avoided being flashy. He recently joked that with this album he may have invented a new ‘folk funk’ genre. This is not difficult to believe. His folk rock funk has both Celtic and blues undertones, which makes him stand out from the conventional rock ‘n’ roll scene. Electric lives up to this style and is a true Thompson classic, reminiscent of his days as a member of Fairport Convention and the brooding dulcet duets with his ex-wife, Linda Thompson.

a, Music

Tegan and Sara: Heartthrob

After spending a decade in the music industry, and crafting six albums that have cemented the band as a powerful indie-rock duo, Canadian twins Tegan and Sara decided to take the plunge into the world of pop by recruiting producer Greg Kurstin (Ke$ha; Katy Perry). Replacing guitars with synth-pads, simple refrains with stadium-filling anthems, Tegan and Sara create a new sound that aggressively fuses conventional pop with an indie rock edge. Enter Heartthrob.

This genre departure is a natural evolution for Tegan and Sara, who started exploring new areas last year through collaborations with Morgan Page and Tiesto. Now 32 years old, their maturity is delivered through reflections on passion. For the first time, Tegan and Sara explore erotic themes with “Closer,” an intense number about sex and all its tribulations. Look to “I Was a Fool” for the classic Tegan and Sara love ballad, albeit updated with a pop ambience.

For every moment spent reflecting on regret, there is an equal and opposite moment spent thriving in an electrical, euphoric universe, making Heartthrob Tegan and Sara’s most polished and balanced record. This new sound is undoubtedly more commercial, but it’s also deeper, catchier, and overall better than anything Tegan and Sara have accomplished before. For those new to the band, there has never been a better opportunity to give the duo a chance. This departure for Tegan and Sara will attract even those who remotely enjoy pop—whether they’d like to admit it or not.

a, Music

Portage and Main: Never Had The Time

Well, it’s February: the Monday of months. The nasty hangover after the wild weekend that is Winter Break. For those that could use some sort of pick-me-up, Portage and Main’s new album Never Had The Time is just what the doctor ordered. It offers a smooth respite from the grey Canadian winter, going down like hot chocolate with a dab of peppermint. This Vancouver six-piece’s sophomore effort is a ten-song album spearheaded by the vocal harmonies of chief songwriters Harold Donnelly and John Sponarski.

Fans of Wilco, Neil Young, and The Band will enjoy the rootsy sounds of Never Had The Time, which has been well received since its release last week. Portage and Main has performed at North by Northeast, Canadian Music Week, and other renowned Canadian music festivals.

The album is strong as a whole, but the song to be whistling to until the ice thaws is the title track, “Never Had The Time.” The vibrato- heavy pedal steel guitar glides through the background of the mix, and weaves in and out with a huge organ that manages to stay consistent with the volume and dynamics of the vocals. At no point does the listener find himself distracted by a specific instrument. Congratulations are in order for keyboardist Georges Couling, who produced and engineered the album.

This record is simple, but in no way minimalist—there’s a lot going on with the various instruments in each track, but Never Had The Time will never overwhelm the listener.

Alice Englert as Lena Duchannes. (www.fanpop.com)
a, Arts & Entertainment

Supernatural creatures are beautiful too

Beautiful Creatures, a soon to- be-released fantasy flick, depicts the turbulent love story of Lena Duchannes (Alice Englert) and Ethan Wate (Alden Ehrenreich), as the teens navigate Lena’s family of witches (or ‘casters’, as they prefer to be called), and the inhabitants of their close-minded Southern town.

According to Emmy Rossum, one of the film’s stars, Beautiful Creatures portrays “females in the Duchannes family as having all the power,” while also hinting at a “girlpower battle” between her character and Lena, the focus of the movie. Rossum says this is what ultimately sets the film apart from others of its genre. Adapted from a successful trilogy of teen novels, Beautiful Creatures is a re-imagining of the classic star-crossed lovers tale.

Rossum says she “gravitate[s] toward strong female characters,” as she was raised by a single mother. Having been cast in “good girl roles as a teen,” she became tired of trying to fit the mould. Playing glamourous, supernatural Ridley Duchannes was a chance for Rossum to explore new waters, and a significant departure from her most prominent role to date: the down to earth Fiona Gallagher in Showtime’s gritty dramedy series Shameless.

Alden Ehrenreich, who was scouted at age 14 by Stephen Spielberg at a Bat Mitzvah, tells the Tribune that Beautiful Creatures is a fresh take on the ubiquitous teen fantasy flick.

“You need a device that brings it down to a human level, to a human understanding,” Ehrenreich says. “To me, the humour keeps the film grounded in a more relatable reality.” His co-star, newcomer Zoey Deutch, singles out the film for its unique portrayal of men.

“I don’t know who came up with this idea that it’s not sexy or cool for men to be vulnerable … but Alden plays it so well,” Deutch says.

Recently, comparisons have been made between Beautiful Creatures and Twilight, since both began as successful young adult books, and feature passionate love stories with supernatural elements.

In response to these claims, Ehrenreich says, “It’s the same demographic and the same audience base and the same genre, but I haven’t seen the Twilight movies so I don’t know how similar they actually are.” He adds that he hopes people feel even “a fraction of the enthusiasm” for Beautiful Creatures as that shown for the Twilight franchise. Alice Englert, daughter of New Zealand director Jane Campion, agrees.

“I understand why the comparisons are being made. It’s very natural, because it’s such a new genre to have such a large audience,” Englert says.

Beautiful Creatures was also a chance for many of its young cast to learn from some of Hollywood’s strongest actors; Emma Thompson, Jeremy Irons, and Viola Davis also star in the film.

“The older actors that we worked with were just so nurturing and open to teaching us everything they knew. It was the greatest acting class watching them work,” says Thomas Mann, star of last year’s Project X.

Is there a franchise in the works? Rossum hints that the actors are all “signed for sequels.”

“If people embrace the series and want it to continue, I would love to reprise the role,” Rossum says.

Beautiful Creatures hits theatres Feb. 14.

Dianna Ros fought hard to bring the Martlets back in the fourth quarter. (Remi Lu / McGill Tribune)
a, Sports

Streak snapped: Martlets fall to Concordia

The Martlets entered Love Competition Hall on Friday evening in support of Shoot for the Cure— a fundraiser for breast cancer research— in the annual “Pack the House” game. McGill was looking to extend their seven game winning streak into February against the Concordia Stingers. However, despite a strong showing by point guard Diana Ros and forward Mariam Sylla, the Martlets fell to the Stingers 71-66 for the first time since November.

The first quarter was quite competitive, as both teams appeared evenly matched. Concordia had made tremendous adjustments since the last time the two rivals met, when the Stingers were blown out 75-44. On the other side of the court, McGill played with tenacity on offence, crashing the offensive boards, and running the floor every chance they had. The quarter finished an even 16-16.

While the Martlets focused on pushing the tempo in transition and pounding the ball down low to star rookie Sylla, the Stingers sniped from beyond the arc. Concordia’s shooters recorded an outstanding 61.5 per cent field goal efficiency from three-point range in the first half.

The second frame, however, was all about Ros, as the secondyear point guard put on a clinic. She scored the first five points for the Martlets and scored he remaining 10 points in the second quarter, including an ankle-breaking crossover on a Stinger defender. She teamed up with Sylla to put the team up by seven at the 7:09 mark.

Unfortunately, Ros was the lone bright spot for McGill in the second. The team proceeded to collapse, allowing Concordia to come roaring back with a barrage of threes. The Stingers entered halftime with a 42-34 lead.

Remi Lu / McGill Tribune
Remi Lu / McGill Tribune

“[In the second quarter], we slowed the pace down [and] started walking,” Martlets Head Coach Ryan Thorne said. “And then, [Concordia] was able to do different things; they ran a good ball screen action, got some open shots. We didn’t play it properly, so they got good looks out of it, and that was it.”

McGill unravelled further in the final half, as Concordia came out of the locker room on fire. The Martlets continued to struggle to defend the three-point shot, and could not convert on offence. McGill’s turnovers added to their troubles, and they trailed 61-45 by the end of the third quarter.

The Martlets huddled up before the start of the fourth, when Coach Thorne helped his team regroup.

“Coach just [told] us that we had to communicate; that we have to play with more character, and that we are better than what we are doing. Everyone got pumped up and we started to do what we do best,” Sylla said.

This motivation appeared to work its magic, as McGill played with incredible energy in the final quarter and got back to what gives them offensive success—namely, their inside-out passing, transition baskets, and offensive rebounds.

The hard work paid off, as the Martlets made a comeback behind Sylla and veteran forward Helene Bibeau. Following an 18-2 run, Sylla put McGill up by one with three minutes remaining in the game. Ultimately, Tamara Pinard-Devos and Kaylah Barrett kept composure down the stretch for Concordia, and helped the Stingers seal the 71-66 victory.

Despite Friday’s loss, the Martlets remain in first place in the RSEQ, with a conference record of 8-3. However, Coach Thorne does not want McGill’s position atop the standings to affect his team’s approach.

“We won the conference last year, so we’ve had a target [on our backs] since the season started,” he said. “We have to take the approach, which is to go out there and play everyone as tough as we can. … We’re going after another championship.” Ros added that the team will continue to work hard before the playoffs.

“We’ve been working since the beginning of the season [to stay] first,” she said. “We’ve been here before so we just want to stay here and work as hard as we can [to] have home court advantage [in the playoffs].”

The Martlets battle Laval on Feb. 7 in Quebec City, before returning home to play UQAM on Feb. 9. The RSEQ playoffs begin at the end of February.

a, Sports

January transfer window round up

Implemented in 2003, the January transfer window presents an opportunity for soccer clubs around the world to strengthen their squads mid-season. This season, the English Premier League topped worldwide spending with a remarkable £120 million (188 million CAD) outlay—up 50 per cent from last year—but still far from the record setting £225 million (353 million CAD) of 2011. Italy’s Serie A spent the second most, trailed by the French and German leagues. Spain’s lacklustre economy shone through, with La Liga residing among the lower spending leagues. While rash deals are occasionally handed out—like the £40 million (63 million CAD) Fernando Torres transfer two years ago—there are definitely some great bargains to be found in January. For instance, Mark van Bommel was purchased for next to nothing in 2011, and played a pivotal role in Milan’s Scudetto triumph that year. Let’s take a look at some of the winners and losers of this past January transfer window:

WINNERS

A.C. Milan

The Italian giants made one of the biggest splashes, bringing in the enigmatic striker Mario Balotelli. Balotelli is perhaps better known for his antics off the pitch, but there is no questioning his talent. For years, he was lauded as having the potential to become the best player in the world, and to date he has shown flashes of being just that. Look no further than Italy’s dramatic victory in the 2012 Euro Cup semi-final against Germany, when Balotelli chested down a ball and rifled it top corner, past the world class keeper Manuel Neuer. His fee of €20 million (27 million CAD) looks reasonable, and many feel that a return to Italy is best for him, considering Milan was where he first made a name for himself as a youth.

Paris Saint-Germain (PSG)

Finalized in August, PSG’s signing of Lucas Moura from Brazilian club Sao Paulo looks to be a good bet. With a hefty price tag of €45 million, many questioned the move. But does his fee really matter? PSG’s new ownership has shown over the past few summers that money is no issue. Lucas is an exciting, young attacker, who will free up space for Zlatan Ibrahimović up front, and cause problems for defenders throughout France. PSG also purchased David Beckham, but from an on-field perspective, he will provide next to nothing for the club. Beckham’s signing will mostly result in substantial jersey revenue for PSG, and the media attention he will bring to the squad and Ligue 1 will be beneficial for all involved.

LOSERS

Arsenal

The mythical Arsène Wenger hasn’t looked too great this season. A string of poor results have put Arsenal in a dogfight for a Champions League spot yet again. Allowing stars like Cesc Fàbregas and Robin van Persie leave on the transfer market is embarrassing for a club as large as Arsenal. This January window, the club favoured David Villa, but a deal failed to materialize. Wenger has been given the funds to strengthen his squad, but instead, he has bought youth products who take years to develop. Once they do mature, however, he cashes in on them, leaving Arsenal without a competitive squad. It’s a vicious trend that doesn’t look like it will end during Wenger’s reign.

Manchester City

Roberto Mancini has been granted the resources to spend as much as he desires. However, he spurned that opportunity this summer, buying flops like Jack Rodwell and Javi Garcia. Man City has been exposed this season, competing with a more experienced Manchester United club that is back on top of the table and doesn’t seem likely to falter anytime soon. With purchases in attack and defence, Man City would have the potential to compete with the world’s best; instead, trophies are unlikely to grace the Etihad Stadium—at least not this season.

a, Sports

10 questions with Vincent Dufort

MT: When did you start playing basketball?

VD: I started when I was probably four or five years old. I’ve been playing my entire life; I played club ball in high school and elementary school—I’ve always played with my older brother too, so that helped a lot. I’ve just always loved it for my whole life.

MT: Why did you want to play basketball at McGill?

VD: Coach DeAveiro recruited me my whole last year. He came to all of my games; he showed me the campus and everything about the school, and I really liked it a lot. I met some of the guys on the team, and he explained to me that it would be the best balance for basketball and school, so I really bought into that. Obviously, basketball is really important, but so is education, and I got into the program that I wanted to here. I got recruited from a lot of schools in the OUA like Carleton, Queens— those were my other two main schools, but I was recruited all over the place. I just figured that McGill was the best balance for me [in terms of] basketball and academics.

MT: How do you feel about the team at this point in the season?

VD: I feel really good about it, actually. I think we’re starting to really gel, and the chemistry is really good. Obviously, we lost our starting point guard, which hurt a lot, but Simon Bibeau is stepping up as our point guard now. We’re really coming together as a unit and playing well, so I feel good about our team now.

MT: Tell me a bit more about the team chemistry and dynamic on and off the court.

VD: Well, there’s definitely a huge connection between the two, because we’re all such a tight group. On the court, we’re not afraid to maybe tell each other if we screwed up somewhere; we won’t take it to heart or anything like that. We’re so close and we’ve played together so much now, that you know where some guy’s gonna cut, you know where he’s going to be; so that helps a lot, and that’s just a huge part of basketball. I think—having good chemistry on and off the court is necessary to be successful.

MT: You guys have five games left in the regular season, what are the goals for the end of the season?

VD: Well we’d like to win all five, obviously and finish first in the league, because we want to improve every single year. We just went through a rough stretch playing the second and third place teams, and now we’ve got the forth and fifth placed teams to play for the rest of the season. We should come up with some wins if we play well together— and that’s what we’re expecting to do.

MT: How does this season compare to last season personally and as a team?

VD: Personally, I’ve learned a ton. Obviously, experience helps a lot. Just little stuff, mistakes. Coach really taught me to play hard for 40 minutes, and not take plays off here and there, so that definitely helps me a lot. As a team, we’ve all come up just, like I have. I’ve grown as a player; we’ve grown as a team, with everyone together. The chemistry comes into play again, where we all just know each other that much better now—one year makes a huge difference. Everyone worked really hard this summer, and we’ve taken a really big step forward.

MT: Looking forwa rd pas t McGill, where do you see your basketball career going?

VD: I would like to play pro in Europe if I would have that opportunity. I’m going to keep working hard over the next three years, and hopefully I’ll get that chance. But if not, it’s not the end of the world. I’ll start my career as a teacher, which I’m looking forward to as well, and hopefully get to coach some high school teams or something like that—I really enjoy that stuff too.

MT: Do you have a specific routine on game days, or are you superstitious at all?

VD: A little bit. As a team, we always go out for a team meal; then, we go back to the gym, hang out, and watch the girls’ game. At the start of the year, I always had shin splints; so I always got calf massages before the game and we won 11 straight games. Even though I don’t have shin splints any more, I still get the calf massage; so that’s my superstition.

MT: Who is your all-time favourite basketball player?

VD: Well, this might be contradicting to my favorite team, but I’ve gotta go with Vince Carter. I grew up watching the Raptors when he was on them, and I’ve just always loved him. Even though he kind of backstabbed us, I’ve always been a big Vince Carter fan.

MT: Do you play Fantasy Basketball?

MT: I’m actually in two different leagues; I’ll tell you the team that’s doing well. I’ve got Kyrie Irving, Andre Iguodala, Rudy Gay actually—I’ve got Chris Bosh, JaVale McGee, George Hill, Luis Scola. Iguodala is doing a little better now, but he’s been struggling abit. JaVale is frustrating too.

Marie-Christine Lapointe volleys it up. (Anna Katycheva / McGill Tribune)
a, Sports

Tears flow as season ends for Martlets

Tears flooded the court at the conclusion of the McGill Martlets’ last volleyball match of the season on Saturday evening. Although the Martlets fell in straight sets, the loss was not the main source of this outpouring of emotion. As with the end of any season, the Martlets had to say goodbye to their graduating seniors—and this year’s crop was a particularly talented and motivated group.

Setter and perennial All-Star Marcela Mansure will certainly be moving on next season, as she has used all of her five years of CIS eligibility. Joining her is Rebecca Canam, and potentially, captain and star power hitter, Geneviève Plante. Plante is graduating this year from a three-year program, but hopes to continue with the team in upcoming years, during a graduate degree.

Already eliminated from the playoffs, the Martlets still sought to finish the season on a positive note. First up were the Montreal Carabins on Thursday night, who rode the explosive talent of Sophie Bergeron- Leblanc and Marie-Sophie Nadeau, en route to a 26-24, 25-19, 25-15 victory. The Carabins closed out the last half of the season on fire, winning nine of their last 11 games to climb to seventh in the national CIS rankings.

Anna Katycheva / McGill Tribune
Anna Katycheva / McGill Tribune

To finish off the season on Saturday, the Laval Rouge-et-Or visited McGill. However, the result was much of the same for the Martlets. McGill looked a little taken aback by the power and ferocity of their opponent—as they have for much of the season—and had to play catchup from the beginning.

The first two sets finished an uninspired 25-21, 25-20. The lone bright spot arose in the third, when McGill took it to Laval on the backs of Plante and rookies Catherine Amyot, and Ashley Norfleet. It was the first time in the match that the Martlets did not seem intimidated by the size of their opponents. The Martlets built a lead, but a few unforced hitting errors gave the Rougeet- Or enough momentum to tie the game at 24 and ultimately come out victorious 27-25.

With no chance to replicate last year’s stunning bronze medal at Nationals last year, this season was undoubtedly a rebuilding year for the Martlets. Several starters from last year’s squad were lost to graduation, while 2012 Libero-of-the-Year, and Team Canada member, Daphnée André-Morin was absent the whole season with a knee injury. Morin’s absence left a gaping hole in the Martlet defence—one they failed to fill all year.

To add to this, while McGill was battered and inexperienced, the three other members of the league were really hitting their strides, each ranking in the CIS top 10, and making the RSEQ arguably the most competitive league in the country.

The Martlets battled with the weapons they had, and Head Coach Rachèle Béliveau did well in fostering the development of the freshmen, who were adjusting from the slower CEGEP—or high school— game to the more physical and powerful CIS volleyball level.

Development will be crucial next year as André-Morin returns, and the team looks to be competitive once again. The one question mark looming on the horizon is the loss of Mansure, who has been the lone setter for the last four years of Martlet volleyball. Converted right-side hitter Marie-Christine Lapointe has played setter in the past, but never consistently at the CIS level, and listed sophomore setter Yasmeen Dawoodjee has failed to make her mark in the CIS game. This void will need to be addressed as the team moves forward to next season.

Although the CIS sanctioned competition is over for the year, Mc- Gill still has a series of upcoming exhibition tournaments, giving them an even greater opportunity to gel. Those tournaments compose the illustrious “Coupe du Québec,” which starts in March and runs through April.

Luke Orlando / McGill Tribune
a, Sports

Redmen slam rivals in full-house thriller

After a difficult loss to Bishop’s on Wednesday, the McGill Redmen were hungry to bounce back. The team battled the No. 10 Concordia Stingers on Friday night at Love Competition Hall. McGill Athletics chose the right contest for its annual “Pack the House” game, and the capacity crowd experienced a thriller.

McGill edged out their opponents 63-61 after Concordia guard Kyle Desmarais missed a last second shot that would have pushed the contest into overtime.

Luke Orlando / McGill Tribune
Luke Orlando / McGill Tribune

The matchup got off to a fastpaced start, with both teams’ raw athleticism on display. McGill dictated the flow of play early on, clearly inspired—while the Stingers appeared sluggish. The Redmen really took off after McGill third-year guard Simon Bibeau launched the offence with a three pointer. They continued to make most of their shots, while Concordia’s typically dynamic offence struggled to penetrate McGill’s defensive interior.

The crowd propelled the Redmen in the second quarter, as the team built a 13-point lead by the midway point. Concordia picked up their play by the end, but the Redmen held a 34-25 lead heading into the half. Bibeau, Vincent Dufort, and Aleks Mitrovic were all key to McGill’s dominant start.

The final half, however, played out very differently for the Redmen, as the Stingers slowly clawed their way back into the game. Despite McGill’s consistent defensive stands for McGill, the Stingers shots started to fall, and the crowd was taken out of the game for a stretch. Concordia second-year point guard Jerome Blake and fifth-year forward Evens Laroche led the Stingers comeback, which seemed to light a fire under the rest of the team.

Luke Orlando / McGill Tribune
Luke Orlando / McGill Tribune

The game’s turning point was in part, thanks to Concordia coach John Dore, who implemented a full-court press. As the game grew closer, the animosity between the two sides became apparent, and the contest grew more physical.

Redmen shooting guard Te’Jour Riley—by far the most effective player on the court in the second half—took his game to another level when the Stingers started their run. He was everywhere—diving on loose balls, stymieing Concordia’s offence in the paint, and contributing to the Redmen offence. Without his effort, the Stingers would have sealed the victory. Riley spoke after the game about what inspired his performance.

“It was all the crowd. It really lights a fire under the whole team when the fans get into the game like they did,” Riley said. “Especially because I am an emotional player, I really feed off of that energy.”

As the game went down to the wire, there was frantic play at both ends of the court, with McGill attempting to hold onto their twopoint lead. On the last possession, Riley got just enough of his hand in Desmarais’ face as he put up the game-tying shot, which clanked off the rim, ensuring a Redmen victory.

Other than a Concordia blowout in January, just five total points in their other three meetings this season have separated the two teams. Second-year guard Ave Bross, who has been increasingly reliable this year, commented on the great rivalry between the two up-and-coming programs.

“The dynamic of McGill [versus] Concordia games has changed this year. We used to feel like we needed to play above ourselves to win. We still respect them, but now we go in knowing we can, and should, win these games,” Bross said. “I think our team has really grown this year and our play on the court, especially against Concordia, shows it.”

The win puts the Redmen back into uncontested first place in the RSEQ, but they have a lot of work ahead of them, with a busy second half of the season looming. The Redmen will need to put together some similar performances if they hope to win the RSEQ, and make an underdog push at the CIS Championship in March.

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