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All Things Academic, Student Life

Learning beyond the classroom with the Arts Internship Office

In 2002, responding to popular demand, Anne Turner inaugurated the Arts Internship Office (AIO) to provide services meant to prepare Arts undergraduate students for that daunting and amorphous next step: Life after a BA degree. 

Housed in the Leacock Building, the AIO helps returning Arts students access and apply to internships aimed at enhancing their academic experience. For students hoping to pursue academic research, the AIO’s Arts Undergraduate Research Awards Program (ARIA) offers a unique opportunity to work on high-level scholarship under the direct supervision of a professor or faculty member. 

Throughout the application process, the AIO hosts workshops over Zoom to teach students the concrete skills they need to succeed. Charlotte Petitjean, U3 Arts, described the benefit of these workshops in an interview with The Tribune

“They offer a lot of workshops, like how to write a CV, how to do a letter of recommendation,” Petitjean said. “I feel it’s really helpful [.…] It motivates you to update your CV or implement a lot of recommendations, which are super important skills.” 

The AIO has also established an Arts Internship Mentorship Initiative (AMI) in collaboration with the Arts Undergraduate Society. The program pairs students with an AMI mentor—an undergraduate who has recently completed a successful internship or academic research project. These mentors guide students through the application process for obtaining internships and funding through the AIO, creating a network of support for navigating the complex application process and succeeding in unfamiliar research tasks. For interested Arts students, applications to become an AMI mentee are open until Oct. 14. 

Theresa Decius-Timothée, U4 Arts, spent her 2024 summer internship with the Montreal-based non-governmental organization Éduconnexion, working on gender-based violence and social healing.  

“This was one of those jobs where I was really able to apply my McGill knowledge into the workplace […], so it was really nice bridging that gap,” Theresa said in an interview with The Tribune. “It made me realize that embracing education doesn’t just mean getting a degree, it means seeking to be curious in every aspect of your life.” 

Describing her own internship experience as an undergraduate student, the AIO’s Liaison Officer Jade Perraud Le Bouter suggested that, whether good or bad, an internship teaches you about your own interests and capabilities. 

“You can learn from doing an internship you don’t love, because that can teach you a lot about what you want in the future, so it’s very valuable,” Perraud Le Bouter explained.   

These opportunities to grow in a new context can also be exciting, challenging, and memorable. Thelma Caye, U3 Arts, echoed this blend of nerves and excitement when describing her trip to Columbia for her internship this summer with Solidarité Colombie Québec

“I was on the plane to go, and I was like, ‘oh my god, this is not possible.’ I was shaking,” Caye said in an interview with The Tribune. “But after that, I realized there was a bit of nervousness, but I was mostly excited.” 

For Arts undergraduate students, the path after university can often seem nebulous and uncertain. In the sea of essays and theory, it can be difficult to discern what the real-world application of an Arts degree actually looks like. Decius-Timothée, Petitjean, and Caye, each suggested that their internship experience played a vital role in refining their own personal goals. 

“I think it’s imperative in terms of understanding what you want to do with your career. I know for myself, my career decisions have been heavily impacted by my work experience, and by my internship experience,” Theresa said. 

Whether you’re unsure about the process or already hoping to apply for a summer internship, the Arts Internship Office is there to support you throughout your decision, providing a space for each student to grow and learn.

Ask Ainsley, Student Life

Ask The Trib: Overcoming the fall season flu

Dear Tribune,

I caught a cold a few days ago and as the days pass by, my runny nose and rusty cough keep getting worse. I don’t feel like I can skip classes because we’re in the middle of midterm season, and I badly need to study. How can I recover as fast as possible?

Sincerely,

Ill Academic Weapon  (IAW)

Dear IAW,

The Tribune has you covered. Fall is officially back: Some were dreading it, others could not wait. Slowly but surely, sunny days are fading away while students’ spirits drop every morning when they open their weather app. Apart from the constant din of construction on campus, the invading sounds of sneezes and coughs fill the ears of students who are courageous enough to brave the rain and declining temperatures. Fall entering the scene also means that the season of colds is back. 

After trying to escape the “Frosh flu,” first-years will now discover the joy of stepping into a library filled with viruses floating in the air. Looking around, it’s hard to miss the traces of microbes—the astonishing amount of tissues in the bins, a classmate’s unstoppable coughing fit in the middle of class, or the bright red colour of friends’ noses. Colds are all around, so here are some tips to cure them and be ready to face midterms. 

Honey-lemon hot tea

Most of us have been told—probably by a grandmother—that honey is good for soothing a sore throat. Making hot tea with lots of honey is a great way to soothe a sore throat, or you can skip the tea and just make hot water with honey, optionally along with the juice of a lemon. Ginger is also a classic for home sore-throat remedy recipes. Although the research on honey, lemon, and tea for sore throats is spotty, and there’s some concern that the acidity of the lemon may be irritating for certain sore throats, follow your grandma’s advice and do what works for you.  

Steam inhalation*

Blowing your nose into a tissue when it’s all stuffed up can be frustrating, and it can get painful if your runny nose lasts for more than a few days. Some may use salted water to clean their noses, but using a homemade inhalant is the best way to go. 

Ingredients:

  • 10 cups of boiling water (or enough to fill up a large bowl)
  • 2 tbsp each of peppermint, lavender, and thyme
  • 2-3 drops of essential oil (optional but recommended)

Steps:

  1. Pour the boiling water into a large heatproof bowl.
  2. Mix all the herbs together and put into the bowl. Add the essential oil.
  3. Cover the bowl and let it steep for 10 minutes.
  4. Place your face over the bowl and cover your head with a towel to keep the steam in. Make sure the water has cooled a little bit first—you don’t want to get burned from the steam!
  5. Close your eyes and inhale through your nose for 10 breaths, then inhale through your mouth for 10 breaths and repeat. Do this for a maximum of 10 minutes.

Sleep

Another crucial way to overcome a bad cold is by sleeping. While it can be hard to make time for sleep during midterm season, our bodies combat infections when we are asleep because that is when we produce cytokines—a type of protein in our immune system that targets infections. Getting a good 7-9 hours of sleep is vital to boosting your immune system for recovery. 

Protect yourself and others

While it’s best to stay home from classes if you are feeling sick, if you must go to campus, it’s important to wear a mask when you enter a shared space such as a library or a classroom. Masks are available for free in several buildings on the downtown campus. And don’t forget that at the end of the day, your health comes first. If you are too sick, don’t hesitate to go to the hospital or take a few days off. It may not seem like it, but your studies can wait.

Get a flu shot

As they say in the medical industry, an ounce of prevention is worth a pound of cure. While it can be easy to forget about yearly flu shots when living away from home, it’s a crucial part of keeping yourself and others healthy for the winter. Go online now to schedule an appointment at your local pharmacy—pharmacies typically book one to two weeks out. Also, it’s often possible to book a COVID-19 vaccination at the same time as your flu shot.

*The inhalant recipe was adapted from Herbal Reality’s steam inhalation recipe.

In Competition With, Sports

McGill Squash(es) the competition at home opener

The McGill Squash team had a weekend to remember, hosting their only home match of the season against the Ottawa Gee-Gees and the Queen’s Gaels. The energy at the Webster Squash Courts was palpable as the players took to the court, eager to showcase their skills and lay down statement victories in front of home-crowd support. 

The men’s team kicked off the tournament with a convincing 6-1 victory over the Gee-Gees. The match was highlighted by dominant performances from several McGill players. Grayson Wheeler, U3 Arts, cruised to a straight 3-0 win, showcasing his exceptional shot-making and court coverage. Co-captain Mo Kamal, U3 Science, also delivered a commanding performance, utilizing his powerful shots and tactical awareness to overwhelm his opponent. The Gee-Gees battled valiantly but ultimately fell short against a determined McGill side. The second match against the Queen’s Gaels proved to be a much closer affair. The men’s team fought hard but ultimately fell by a narrow 4-3 margin. Kamal and Zachary Llewellyn, U0 Management, led the way for McGill, securing emphatic wins. However, the Gaels proved to be a formidable opponent.

Speaking to The Tribune about the progression in quality and dedication of the team, Kamal explained the consistent improvements to the McGill Squash program in the last few years. 

“Our first tournament, we show up in cars, unmarked clothing, everyone’s wearing random stuff,” he said. “And then we became more and more legitimate throughout the season, we were training more, winning games, and here we are. McGill squash is on the rise.”

The Redbirds will look to bounce back from their disappointing loss to Queen’s and continue the season in good form. Kamal is hopeful for the rest of the season.

“The women’s team were the only team last year to beat [Queen’s], and so we finished first in the league,” he said. “On the men’s side, we finished fourth last year. So we’re hoping to start to push that, maybe get top three, aiming for second at least to Western.

The women’s team also enjoyed a successful weekend, sweeping both the Gee-Gees and the Gaels. Against Ottawa, the women’s team dominated from start to finish, winning all seven matches in straight sets. Co-captain Ava Bicknell, U2 Arts, was particularly impressive, displaying exceptional skill and athleticism to cruise to a 3-0 victory against her opponent. 

The victory over Queen’s was a more challenging test for the women’s team, but they ultimately prevailed by a score of 5-2. Bicknell and Lialah Mavani, U2 Arts, led the way, winning their matches in straight sets. Bicknell fought hard to a 3-0 victory. Meanwhile, Mavani pressured her opponent, Gabriella Waite, to a four-game victory for the first time in the pair’s four-match history—a huge moment for her in front of the home crowd. Bicknell shared her story on the squash court.

 “It’s a family sport for us [….] I started when I was eight years old,” Bicknell recounted. “After playing the Junior League in high school, I stopped during COVID, [and] I didn’t know I was going to pick it back up until I came to McGill. I’m so happy that I tried out. The team is my family.”

As the season progresses, the McGill Squash program will look to build on this weekend’s success and achieve even greater heights. With a talented group of players and a supportive home crowd, the future looks bright for the team.

Moment of the game: 

Mo Kamal had back-to-back victories against the UOttawa and Queen’s number 1 seeds (one of whom was ex-McGill Squash player Sayeed Mavani). 

Quotable:

“One of my favourite parts of the day was getting to see the rookies’ first tournament experience as a team. Seeing their nerves turn into energy and excitement built up so much momentum for the rest of the season.” — Women’s co-captain Chloe Stoneburgh.

Stat corner: 

McGill’s women’s squash team won 12 of 14 matches , and the men’s team won nine of 14 matches. 

Current Sports Editor Lialah Mavani is on the women’s squash team but was not involved in the writing of this article.

Editorial, Opinion

As climate crises reach an unprecedented scale, Canada needs to rethink eco-justice

The climate crisis in Canada is worsening every year. In 2023, wildfires burned six times their historical average, polluting Montreal’s air quality to the lowest level in the world for two days. In 2024, 32,000 hectares of Jasper National Park burned down, rapidly eliminating critical local biodiversity and natural ecosystems. Across all of northern Canada, the permafrost is melting, destroying the ecosystems which sustain local Indigenous communities. In August, Montreal received more rainfall than it had in 100 years due to Hurricane Debby, causing flooding and the most costly damage in the city’s history. Meanwhile, as 2023 was revealed as the hottest year on global record, studies revealed Canada as the fastest-warming country in the world

While Canada as a whole is on track to reduce emissions by about 35 per cent by 2030, Quebec is falling behind, projected to reduce emissions by just 26 per cent. Quebecers took to the streets on Sept. 27 to demand more transparency and concrete climate action in the province. Like many places around the world, Quebec is prioritizing economic growth at the expense of sustainability. And while its goals for economic development include investment in Indigenous communities, they ignore the reality of Canada’s systematic eco-racism, and the fact that no investment in marginalized communities will promote systematic equity if climate justice is not first and foremost addressed.

While the climate crisis affects everyone, certain communities feel its effects much more severely. In Canada, Indigenous and low-income communities without the resources to escape or protect themselves against the disastrous effects of climate change bear the greatest burden of the crisis. The ability to evade wildfires or floods by car, or to survive deadly heat waves with air conditioning, is a potentially lifesaving privilege available only to those who can afford it. These same heat waves are destroying crops both in Canada and abroad, hiking up food prices and exacerbating Canada’s already high food insecurity and cost of living. Meanwhile, the damage to biodiversity, especially in Northern Canada, puts Indigenous communities at unique risk, as they rely directly on the land and its ecosystems for much of their food security. 

McGill—as an institution and as a student body—has the potential to hugely influence Quebec’s policies and initiatives towards climate action and climate justice. McGill has made important steps towards addressing its own complicity in the global carbon footprint by divesting from fossil fuels in December of 2023. While decisions like these deserve due credit, they are not enough; McGill’s vast room for improvement cannot be hidden under micro-scale band-aid initiatives, such as upgrading to an electric heating system or expanding campus green spaces. McGill continues to propagate environmental racism through expansions such as the New Vic Project, which is located on unceded Kanien’keha:ka territory and is potentially home to unmarked Indigenous graves. 

A recognition of global citizenship and a responsibility towards a healthy planet for future generations is the defining task of this generation. On the provincial level, Quebec must enact tangible policies which rethink climate issues from the bottom up, and construct infrastructure with the changing climate in mind first, and economic growth second. McGill must move away from performative greenwashing towards more divestment from companies invested in fossil fuels such as Royal Bank Canada. It must use its state-of-the-art STEM facilities and faculty to make progress towards new sustainable technologies, and it must work in any and all ways possible towards substantive reparations for the Indigenous communities whose land and history McGill has violently disrupted. Finally, the McGill student body must recognize and utilize its own power—the power that successfully pushed McGill once before to divest from fossil fuels—and find space in its activism every day for climate action and climate justice.

Features

The Illusion of Inclusion

As an American who came of age during the tumultuous Trump era, with the 2016 election marking my first real exposure to the complexities of national politics, I couldn’t wait to move to Canada. Amid the chaos of increased polarization, inflammatory rhetoric, and escalating tensions that defined U.S. politics, Canada seemed like a beacon of reason across the border. Its political landscape seemed a world apart: Less divisive, less extreme, and free from the overt racism that had become normalized within American politics. However, as I settled into Montreal, and my daily scroll through the New York Times was soon accompanied by CBC and the Montreal Gazette, it became clear that this divisive rhetoric was not a uniquely American issue, but a deeply-rooted and distinct phenomenon in Quebec. 

Quebec headlines warning of “immigrants threatening national cohesion” and conflating immigrants with “conflict, extremism, and violence” echoed the narratives I’d seen perpetuated throughout American media for years. These sentiments, thinly veiled within Quebec’s rhetoric about protecting the French language, reveal a political tactic that exploits cultural concerns for expediency. By framing immigration as a threat to Québécois culture, politicians deftly manufacture public anxiety about demographic changes, scapegoating newcomers for broader societal issues. The same arguments I’d heard from the Trump administration about immigrants straining public resources or taking jobs from locals were being voiced by Coalition Avenir Québec (CAQ) politicians, as they blame immigrants for housing and healthcare crises. It was a harsh lesson that anti-immigration sentiment transcends borders, even in a country which actively portrays itself as multicultural, welcoming, and inclusive.

Quebec’s immigration policies under the CAQ government represent a dangerous fusion of economic opportunism and cultural fear-mongering, exploiting immigrants while simultaneously disparaging them. Dissecting the CAQ’s contradictory stance on immigration exposes how seemingly progressive societies can weaponize identity politics to exclude and marginalize newcomers. Understanding these tactics is crucial for dismantling the dangerous narratives that threaten both immigrant rights and societal cohesion, not just in Quebec, but wherever such divisive political strategies are wielded.

A History of Discrimination

To understand Quebec’s current immigration policies, we must first acknowledge Canada’s long history of discriminatory practices. From the late 19th to mid-20th century, Canadian immigration policies were designed to maintain a white settler society. The government actively recruited immigrants from Britain, the United States, and northern Europe, systematically excluding or limiting immigration from Asia, Africa, and other parts of the world deemed “undesirable.” They employed informal mechanisms like border inspection regulations to exclude non-white immigrants, effectively halting the immigration of Black farmers from Oklahoma to Saskatchewan and Alberta in the early 20th century.

This racial hierarchy embedded within Canadian immigration policy was not just implicit; it was legally codified. The 1910 Immigration Act, for instance, included a “continuous journey” provision specifically designed to prevent immigration from India. The Chinese Immigration Act of 1923 effectively banned all Chinese immigration for over two decades. These discriminatory laws continue to shape contemporary discussions, providing historical precedent for exclusionary rhetoric and policies. Present arguments about the preservation of cultural homogeneity mirror historical attempts to maintain a specific vision of national identity within Canada.

While these overtly racist policies were gradually dismantled in the latter half of the 20th century, more subtle forms of systemic discrimination persisted in Canadian immigration practices. The seemingly objective points-based system introduced in 1967 still largely favours Western immigrants due to its language requirements and education criteria. As Yasmeen Abu-Laban, a political scientist at the University of Alberta, said in an interview with The Tribune, “The shift away from race, to skills and then to ’human capital’ in Canadian immigration policy has obscured, but not eliminated, discriminatory outcomes.” 

Visa applicants from Africa face a higher visa rejection rate than any other continent, exemplifying the pervasive biases ingrained within Canada’s immigration system. From 2015-2016, the approval rate for temporary resident visas for African applicants fell by 18.4 per cent. Meanwhile, for European applicants, the approval rate rose 4.4 per cent during the same timeframe. This imbalance in accessibility restricts mobility for many, while affording more convenient visa processes to applicants from wealthier, predominantly white countries.

The CAQ’s Contradictory Stance

In Quebec, the province’s unique position as a francophone enclave within a predominantly anglophone country has long fueled concerns about cultural preservation, although outside of Montreal, Quebec is Canada’s least racially diverse province and studies demonstrate that the use of French in the Quebec public sphere has remained stable over the past 15 years, despite increases in migration numbers. Nevertheless, these anxieties continue to frame the CAQ government’s paradoxical approach to immigration.

Quebec, like many regions, faces significant labour shortages across various sectors. The CAQ government has acknowledged this and recruits temporary foreign workers to fill gaps in industries such as agriculture, food manufacturing, and hospitality. Since 2018, the government has conducted over 60 international hiring missions, spending millions to attract workers from countries like Brazil, Mexico, and Morocco. 

While recognizing vital immigrant contributions to Quebec’s pressing labour needs on the one hand, the CAQ administration also portrays newcomers as threats to the province’s cultural fabric and social infrastructure. This conflicting rhetoric leads to irresponsible policies, fostering an inconsistent environment for immigrants, where they are initially recruited for their labour but are then met with insufficient support and resources upon arrival. 

It’s hard to square this economically-motivated migration with Legault’s repeated warnings that increased immigration—including the temporary workers that his government has actively sought out—could be “suicidal” for the French language and Quebec’s cultural identity. This framing creates a false dichotomy between immigration’s economic benefits and Quebec’s cultural health, ignoring the potential for immigrants to contribute positively to both spheres. 

This exclusionary mindset perpetuates a cycle of precarity for many immigrants. The CAQ fails to recognize that long-term economic stability and growth often depend on immigrants putting down roots, starting businesses, and becoming fully engaged members of their communities.

Scapegoating Immigrants: Housing, Education, and Healthcare

While actively recruiting immigrants to address labour shortages, the CAQ government simultaneously blames them for social issues, particularly housing, education, and healthcare.

In May 2023, Legault claimed that the housing crisis was “100 per cent” the fault of temporary immigrants. This statement not only oversimplifies a complex issue but also conveniently deflects responsibility for years of inadequate housing policies and underinvestment in affordable housing.

The CAQ’s policies further expose the hollowness of their claims tying immigrants to the housing crisis. In late 2023, when the Canadian government announced a program to welcome 11,000 people from Colombia, Haiti, and Venezuela who have immediate family members in Canada, Quebec declined to participate. This decision particularly impacts Quebec’s significant Haitian community, as 87 per cent of Canadians of Haitian origin reside in the province. It also starkly contradicts Legault’s assertion that immigrants are completely to blame for the provincial housing crisis. By opting out of Canada’s nationally instated family reunification measures, the CAQ overlooks an opportunity for newcomers to be housed with their existing family members. Instead, the government continues to prioritize temporary workers, underscoring how the CAQ’s anti-immigration sentiments are rooted in nationalist ideologies rather than the realities surrounding housing infrastructure. 

Similarly, with regard to education, Legault has pointed to the “explosion in the number of immigrant children” as a primary cause of teacher shortages. However, education experts argue that the real issues are long-standing problems such as poor working conditions, low pay, and an aging workforce. The government’s rhetoric deflects attention from the CAQ’s failure to address these systemic issues, placing the blame instead on immigrant families.

François Rocher, emeritus professor of Political Studies at the University of Ottawa, expounded on the reductive correlation between social crises and immigration in an interview with The Tribune.

 “Immigrants can play a role in those issues, but not a significant one. It’s a factor among others. All of these issues: Housing, teacher shortages, are structural problems which predate increases in immigration. Immigrants are targeted [by Legault] as a source of the problem,” said Rocher.

In healthcare, the same narrative runs parallel, with Legault stating that immigration in Quebec is “hurting our healthcare system.” This rhetoric frames immigrants as a burden on the system, despite evidence suggesting that recent immigrants tend to be younger and healthier than the general population, often underutilizing healthcare services. The CAQ government also conveniently disregards the significant contribution of immigrant healthcare workers to Quebec’s medical system. By 2020, nearly 20 per cent of nurses and 35 per cent of doctors in Quebec were immigrants or born to immigrant parents, highlighting the essential role they play in contributing to—rather than straining—the province’s healthcare infrastructure.

Scapegoating serves a dualistic purpose: It provides a simple explanation for social issues that the provincial government has failed to address, while simultaneously reinforcing the notion of immigrants as “others”—not fully part of Québécois society. It’s a narrative that ignores the economic necessity of immigration while fueling social divisions and Quebec’s cultural protectionist narrative.

Language Policies and Lack of Integration support

Stephan Reichhold, director of the Table de concertation des organismes au service des personnes réfugiées et immigrantes (TCRI), summarized the unjust situation in an interview with The Tribune

 “There is a disconnect between the discourse that says we need immigrants and the measures that are put in place to welcome them. We’re not giving ourselves the means to properly welcome and integrate the people we’re inviting to come here,” Reichhold said.

Quebec’s language policies further illustrate the CAQ government’s paradoxical approach to immigration, highlighting the government’s failure to provide adequate support for successful newcomer integration. Bill 96, implemented in 2022, mandates that after six months in Quebec, immigrants must interact with government agencies—including critical resources such as healthcare, social services, and employment assistance programs—exclusively in French. While actively recruiting workers to fill labour shortages, it imposes linguistic demands that can severely hinder their ability to fully participate in Quebec society, long before they’ve had a reasonable opportunity to develop fluency.

Moreover, the government’s approach to language learning support is woefully inadequate. While free French courses are theoretically available, they are often inaccessible due to long waitlists, inconvenient schedules for working immigrants, and limited availability in rural areas. According to data from the Ministère de l’Immigration, de la Francisation, et de l’Intégration (MIFI), as of 2022, the average wait time for government-sponsored French courses in Quebec was 4.5 months, with some regions experiencing wait times of up to eight months. Out of the 50,000 immigrants eligible for these courses annually, only about 30,000 were able to enroll due to capacity constraints. Moreover, 62 per cent of enrolled immigrants reported difficulties attending classes due to conflicts with work schedules. This lack of accessible language training directly impacts immigrants’ ability to integrate into the job market and society at large. In 2021, nearly 60 per cent of university-educated immigrants were forced into jobs below their qualifications, not due to lack of expertise, but because they didn’t meet French language requirements for positions matching their skills.

The discrepancy between the CAQ’s ostensible prioritization of French language protection and its failure to provide adequate programs for immigrants to learn French raises questions about the true motives behind Quebec’s language policies. This inconsistency suggests that language politics in Quebec may serve as a proxy for exclusionary and racially biased agendas, rather than genuine concerns of maintaining French culture. Selective Francophone preservation is echoed in Quebec’s new tuition policies for international students at McGill University: Despite French being an official language in 28 countries worldwide, most of which are in Africa, reduced tuition rates are offered exclusively to students from France and Belgium. This policy, disguised as an attempt to attract Francophone students, only further entrenches a system that prioritizes white, European French speakers.

Reimagining Quebec’s Immigration Paradigm

Quebec’s current approach to immigration is not only unsustainable but fundamentally at odds with the principles of inclusivity it claims to uphold. It’s hypocritical and deeply unfair for the government to recruit immigrants to fill labour shortages, only to blame them for problems the CAQ itself failed to adequately address. To proceed, Quebec must reconcile its economic needs with its cultural anxieties, and call on the CAQ government to implement policies that genuinely support immigrant integration rather than creating barriers. This requires a multi-faceted approach: Quebec must significantly expand accessible French language programs and job integration resources, and foster a political discourse that celebrates diversity rather than weaponizing it. The CAQ government must be held accountable for its contradictory policies, and voters have a responsibility to demand a more coherent, equitable approach to immigration.

Ultimately, Quebec stands at a crossroads. It can continue down the path of exclusion, and the same tired narrative of “us” versus “them.” Or, it can embrace a future where immigrant contributions are fully recognized and integrated, understood as enrichments rather than threats to Québécois culture. The choice is not just about immigration policy—it’s about the kind of society Quebec aspires to be.

Science & Technology

The science behind the beat

Imagine a world where every sound makes you want to move. Why is it that some sounds, like the rhythm of a song, spark an irresistible urge to dance while others, like everyday conversation, leave us still and focused?

Benjamin Morillon, who completed his postdoc at Montreal Neurological Institute-Hospital (The Neuro), tackled this puzzle in his recent lecture at the Feindel Brain and Mind Seminar Series, revealing the ways our brain distinguishes between music and language and how these differences shape our responses to these sonic stimuli.

On Oct. 1, Morillon presented his work on the neural dynamics that underlie music perception and speech comprehension. His talk, Neural Dynamics and Computations Constraining Music and Speech Processing, explored the intricate ways our brains process these auditory experiences.

Morillon’s talk began with a question many of us might not have considered before: Why do we instinctively dance to music?

“Why do humans dance? It’s completely weird,” Morillon questioned. “You have a vibration in the ear that you perceive thanks to your sensory systems, and then you spontaneously move yourself. It’s completely ridiculous.” 

Central to his research is the idea that the brain’s auditory and motor systems work together to anticipate the next beat in a song. This process of “predictive timing” is what causes us to naturally want to move to music. 

“Dance is the expression of an oscillatory entrainment. Your body is entrained to the sound of music and is anticipating the next beat within the audio-motor loop,” Morillon explained in his talk.

This entrainment happens within the dorsal auditory pathway, a brain pathway that helps determine the source and location of sounds. While auditory regions track the rhythm of a song, the motor system uses this information to anticipate when the next beat will occur, leading to the desire to move in time with the beat. Interestingly, this response works best for rhythms that occur around 2Hz—or two beats per second—a frequency that aligns with natural movement patterns like walking or nodding. 

“The motor system is actually quite simple; you can do stuff at 2Hz, and you can anticipate things in time at 2Hz. That’s quite limited for cognitive function that was evolutionarily selected for its flexibility,” Morillon remarked. 

Additionally, the motor system engages more when music follows a moderate level of complexity. If a song is too simple, we lose interest; if it is overly complex, it becomes difficult for us to synchronize our movements. This “sweet spot” of syncopation triggers a “groove”—a sense of wanting to move to the music.

After discussing music, Morillon transitioned to another fundamental human behaviour: Speech comprehension. Like music, speech engages specific brain regions along the auditory pathway. Speech comprehension involves the brain adapting to different acoustic features, particularly when speech is presented in challenging conditions, such as when it is compressed, sped up, or layered with background noise.

Morillon’s findings also touch on the concept of “channel capacity”—the brain’s ability to manage and process multiple streams of information simultaneously, such as different acoustic or linguistic features in speech.

Morillon demonstrated that different features of speech, including syllabic rate and pitch, impact our comprehension to varying degrees, with the syllabic rate being one of the most influential factors. 

Through human intracranial recordings, Morillon’s team found that the auditory cortex processes syllables and phonemes at different time scales, allowing for parallel processing of speech signals. While the brain is decoding the syllabic rhythm of speech, it is simultaneously processing finer phonemic details—a remarkable example of neural efficiency. 

Morillon’s research sheds light on the fascinating ways our brains juggle the rhythms of music and speech, offering a glimpse into how these neural processes shape our everyday experiences—whether we’re moving to the beat of a song or engaging in a conversation.

McGill, News

“This is a union campus”: AMPL permanently ends its strike

This is a developing story.

On Oct. 6, the Association of McGill Professors of Law (AMPL) officially ended its strike, after striking periodically since April. A few days prior, on Oct. 1, the union announced that it would suspend its strike and resume classes for law students effective Oct. 3. The initial suspension was pending an agreement on a federated system for collective agreements (CAs) at the university. This system will allow some policies to be applied university-wide and other aspects of CAs to be negotiated by individual faculty unions. 

Under this new framework, AMPL, The Association of McGill Professors of the Faculty of Arts (AMPFA), and the Association of McGill Professors of Education (AMPE) established a “confederation for negotiating university-wide working conditions with the University.” Through this system, AMPL secured McGill’s commitment to halt its judicial review against the union’s certification—a process which had been ongoing since AMPL was certified in November 2022. This agreement was announced in a joint statement from Provost and Executive Vice President (Academic) Christopher Manfredi, AMPL President Evan Fox-Decent, AMPFA Interim President Cathrine Leclerc, and AMPE Interim President Dennis Wendt.

“Following this agreement McGill University undertakes to discontinue its judicial review of AMPL’s certification by the Tribunal administrative du travail by October 8, 2024, as well as its challenges to AMPE and AMPFA as appropriate bargaining units on a Faculty basis,” the statement wrote. 

In an interview with The Tribune on Oct. 1,  AMPL Vice President (VP) Kirsten Anker highlighted that her union sees this federated system as a step towards securing their CA. Anker explained that part of McGill’s rationale for its de-certification efforts was that it believed that policies should be applied across faculties instead of negotiated with individual faculty unions. Hoping to standardize policies across faculties, AMPL said that the university had been unwilling to give up its unilateral authority to change the terms of AMPL’s CA after it had been signed. Over the course of negotiations, AMPL maintained that McGill’s position had been contradictory to the nature of a contract. According to Anker, this new system represents a compromise that will help both parties move forward. McGill and AMPL will now continue their CA bargaining with an arbitrator.

Despite over a month of delay to the start of the term for Law students, the announcement of the agreement stated that students will complete Law classes on time.

The Law Students Association (LSA) organized a rally in solidarity with AMPL on Oct. 2. Carina Cutillo, 1L, attended the event and told The Tribune that she believes the strike has strengthened bonds between students and professors.

“I think the students have come together in a lot of ways, and I think that hopefully we come out of this with an even stronger alliance between the students and the profs, and can make this year even better than previous years because of that,” Cutillo said

The rally hosted representatives from unions across campus who called on the university to bargain in good faith. 

“McGill’s realized the ship of having no faculty unions has sailed,” McGill University Non-Academic Certified Association VP Communications, James Newman, told the crowd. “This is a union campus!”

In a speech to the crowd, Fox-Decent expressed his appreciation for the support that students and other unions have shown to AMPL during its strike.

“The best things we do in life, we seldom do for money, and the best things we do in life, we never do alone,” Fox-Decent said. “And that could not be more true of what we have done over the past several months.”

Anker underlined that McGill’s strength comes from the collective contributions of its staff and students.

“To students: Thank you for your solidarity. I hope we can show up for each other in the future, because this is our community [….] We are McGill. McGill is nothing without its professors. It’s nothing without its support staff. It’s nothing without its students [….] We should think of ourselves as in this together.”

Arts & Entertainment, Books

Sally Rooney’s latest masterpiece: ‘Intermezzo’

Since the release of the wildly popular television adaptation of her novel Normal People in 2020, author Sally Rooney’s books have been garnering obsessive attention from young people everywhere. Her three poignant past novels—two of which have been adapted into TV shows—captivated both international fans and those from Rooney’s home country of Ireland. Her latest novel, Intermezzo, was published on Sept. 24 and is already the fastest-selling book in Ireland this year, also reaching similar heights on U.K. and U.S. charts.

The story follows two brothers, Peter and Ivan, as they deal with the recent loss of their father and their complicated relationships with both women and each other. Peter is a successful lawyer who is emotionally detached from seemingly everyone in his life besides his ex-girlfriend, Sylvia, who remains a close friend despite breaking up with him after a tragic accident. He struggles to balance this relationship with his new, chaotic younger lover, Naomi. 

Ivan is a socially awkward chess prodigy who fears that his talents are declining until he meets an older woman named Margaret at a chess tournament. They fall into a thorny relationship, plagued by Margaret’s age, marriage, and past. The tension between the women, the age gaps, the brothers, their careers, and the finishing touch of their father’s death make for a messy and evocative story. 

As in her previous work, Rooney demonstrates her talent for balancing such complicated characters and plotlines with immense grace. For many authors, the act of writing can seem like a limiting form of media, as it necessitates simplifying the intricacies of real life into a digestible story. It is a near-impossible task to thoroughly explore every angle of every character needed to understand their complete reality, which is typically far more multidimensional than stories allow. However, Rooney has always masterfully fought against this; she allows her characters to be flawed and elaborate, without making her writing too decorative or wordy. This level of honesty and realism is what resonates with so many readers and is the common thread running through all of Rooney’s work. 

Unlike her previous novels, however, Intermezzo prominently features the theme of existentialism. Peter’s troubles with drug use and sleeping echo the nihilism of Ottessa Moshfegh’s My Year of Rest and Relaxation, which attracted a similar fanbase of young people grappling to find meaning in a cynical world. Nearly every other character in Intermezzo has a moment in which they seem to question their entire existence. Rooney’s trademark choppy sentences, which are even more exaggerated in Intermezzo than in her previous works, add to this feeling of a fast-paced and almost hollow reality. This existential tone is more intense than it has been in her past books, potentially reflecting a society that is becoming increasingly hard to navigate and extract meaning from. However, it is carefully balanced with comforting moments of peace and strong emotion, usually occurring in intimate scenes between lovers. 

This stark contrast between existentialism and sentimentality pushes readers through scenes that deal with difficult topics in hopes that there will be another moment of joy and love. Rooney never disappoints; although her work can be described as existential and painfully realistic, it is nevertheless hopeful and ultimately optimistic. 

Throughout the novel, Rooney develops a sense that life, even one that is subpar in most aspects, is still worth living because of its special moments. She boldly trumpets that love, be it romantic, platonic, or familial, is what gives meaning to a nonsensical world. Her characters agree; after sharing an intimate moment with Sylvia, the cynical Peter thinks to himself that “To love just these few people, to know myself capable of that, I would suffer every day of my life.” This powerful theme alone makes Intermezzo worth the read. 


Intermezzo was published on Sept. 24 and is now available for purchase.

Arts & Entertainment, Music

The stories and sounds of Montreal’s Black women DJs

Montreal’s cultural fabric is shaped by its artists. From writers and sculptors to fashion designers and chefs, there is a scene for everyone. When it comes to musical history, the city’s Black communities hold great significance. The music scene extends to DJing, with events like Igloofest and Aire Commune, along with collectives like Boiler Room, showcasing its vibrancy and diversity. Given this cultural backdrop, I sought to explore the experiences of Black women DJs whose perspectives are underrepresented despite their significant contributions. I interviewed three Black women DJs to understand what the art means to them—and how their identities influence their artistry. 

Drawing on her Cameroonian heritage and upbringing in France, Inès, who performs under the name Ms Baby, skillfully blends traditional and contemporary African and European electronic influences with the richness of popular African American music. The result is a sound that resonates beautifully within Montreal’s diverse landscape. Playing African music, especially traditional tunes, holds immense significance, as countless African artists have shaped music globally while going unrecognized for it. For Inès, it’s not just about playing songs; it’s her mission to give those artists their flowers, honouring and celebrating their contributions to the music world. 

Another voice in the scene is Asha, a Toronto-born DJ with Guyanese parents who entered the electronic music scene after living in Berlin. Like Inès, she noted that many DJs draw from diverse global influences, but the creators behind the sounds are often overlooked. She emphasized that DJing involves much more than playing music; it requires research and proper crediting of the artists.

“If there’s one thing I wish people understood better, it’s how much weight the music you play carries,” Asha explained. “When you take on the role of a DJ, you’re not just spinning tracks; you’re also a curator of culture and history.” 

Asha noted that this awareness is not only about respecting artistry but also about recognizing the political implications of music selection. “In my opinion, DJing is political,” she asserted. “It’s about acknowledging the producers you support and the cultural energies you’re promoting.”

For Janelle (IAMNOTMYHISTORY), the music she chooses to play is largely influenced by her Trinidadian background. When asked about her DJ name, Janelle shared that it reflects her awareness of how Black history is often simplified or distorted in educational contexts. She pointed to the importance of recognizing the depth and complexity of her heritage beyond a single narrative. 

Janelle emphasized that her name is also a personal declaration. “I don’t want to be defined by my past,” she explained. “I am not just my history; I am so much more.” Her perspective embodies her desire to remain present and open to growth, allowing her to evolve as an artist and an individual. “While my background informs my music, I want to continue creating and exploring new avenues without being confined by what I’ve already accomplished,” she said. 

All three women highlighted the unique challenges of being Black women DJs in a male-dominated industry. Inès emphasized the importance of representation, noting that seeing other Black women DJing fostered a sense of belonging. She described the frustrating expectation for Black women DJs to simply be grateful to be given opportunities, which often results in low performance expectations and relegation to less prestigious slots. Despite these obstacles, the three women expressed empowerment in their journeys, citing the joy of sharing music in the city as a key source of their success.

As Black women artists like Inès, Asha, and Janelle navigate the complexities of being minorities in the DJ scene, they are carving out spaces that honour their heritage while also embracing their multifaceted identities. In a city where a shared love of music fosters creativity and collaboration, these DJs remind us that the past does not define one’s future; instead, it serves as a foundation to build limitless possibilities. As they continue to break barriers and inspire the next generation, the unique contributions of Black women DJs enrich Montreal’s artistic landscape, ensuring that their voices are heard in the sound of the city.

McGill, Montreal, News

Hundreds rally at Montreal’s “Every Child Matters” march

Hundreds called out “Land back!” and “No justice, no peace!” at Montreal’s Every Child Matters March on Sept. 30, the National Day for Truth and Reconciliation. The rally, which began at the Sir George-Étienne Cartier Monument and ended at Place du Canada, honoured the children killed in and the survivors of Canada’s residential schools, as well as their families. The Native Women’s Shelter of Montreal and the David Suzuki Foundation organized the event with help from POP Montreal and Resource Movement.

Before beginning the walk, Nakuset, the executive director of the Native Women’s Shelter of Montreal, invited several speakers to address the crowd. Kevin Deer, a Faithkeeper at the Mohawk Trail Longhouse, led a tobacco-burning ceremony and gave the opening speech.

“We’re all gathered here to commemorate some sadness that happened in our collective history as Native people,” Deer said. “Hopefully we can write a new page and a better future, learning from the past, validating all of the hurt and the pain, understanding why this happened [….] Let’s do what our ancestors agreed [on] with your ancestors, because they said that this treaty would endure as long as the sun shines, the grass grows, and the water flows [….] We’re in the time of the Indigenous spiritual resurrection.”

After Deer’s speech, the crowd listened to a song by songcarrier, composer, and activist Jeremy Dutcher, an address from residential school survivor Noëlla Mckenzie, and drumming from the Sacred Wolf Drummers before taking to the street.

Protestors formed a sea of orange as they poured into Avenue du Parc, waving posters that read “Every Child Matters” and “Bring our children home.” Jen Jerome led call-and-response chants with a megaphone at the front of the crowd, shouting, “We are not invisible!”

As the rally approached the Roddick Gates, Jerome denounced McGill’s treatment of the Kanien’kehá:ka Kahnistensera (Mohawk Mothers), who are currently involved in an ongoing legal battle with the university over possible unmarked graves at the site of McGill’s New Vic Project. Before joining the rally, a group in support of the Mohawk Mothers held a vigil at the New Vic site to bring attention to their fight to stop construction and have a comprehensive investigation at the site. 

According to the McGill Media Relations Office (MRO), archeological work at the New Vic site is being carried out according to the recommendations of the archeological panel that was jointly appointed by the Moahawk Mothers, McGill, and the Société québecoise des infrastructures (SQI). The university maintained that archeological work has been undertaken in the presence of cultural monitors, as per the settlement agreement that the Mohawk Mothers reached with McGill, the SQI, Royal Victoria Hospital, the City of Montreal, and the Attorney General of Canada

However, Rajendra Kapila Basdeo, a coordinator for the Kahnistensera Solidarity Committee at Milton Parc Citizens’ Committee who addressed attendees at the vigil, alleged that construction has destroyed evidence of possible unmarked graves and urged the university to meet the Mothers’ demands.

“The destruction of evidence from a genocide is part of the genocide,” Kapila Basdeo said. “We demand that [McGill] stop construction until a complete and final report on the work has been approved by all parties of the settlement.”

Outside the Roddick Gates, a host of speakers, including Mohawk artist and activist Ellen Gabriel and Director of the Quebec Indigenous Mentorship Network Alex McComber, who is also an assistant professor in the Department of Family Medicine at McGill. McComber underlined that reconciliation between settlers and Indigenous communities will require work over the course of several generations. 

“When [settlers] learn, they become responsible to then become changers of their nation, […]to teach their children so that their children and our children will get along better. They’ll make that new world in that good way,” McComber said.

Barbara Diabo, a Mohawk dancer who blends Pow Wow, Haudenosaunee dance, and mainstream contemporary styles, performed before the rally moved on to its final stop at Place du Canada.

In an interview with The Tribune, Cael Dixon, an Anishinaabe student at Concordia University, shared how intergenerational trauma has impacted his family and noted that events held in honour of the children impacted by the residential school system have been an important part of his family’s support system.

Indigenous storytellers and artists shared several more stories and songs and encouraged attendees to continue doing the work of reconciliation outside of the event. At around 4:30 p.m., demonstrators held onto each other and danced to the beat of a victory song performed by the Sacred Wolf Drummers, bringing the march to a close.

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