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History faculty members address BP Gulf oil spill at forum

McGill history professors Jason Opal, Thomas Jundt, and Daviken Studnicki-Gizbert spoke at a public forum on Wednesday to address last April’s oil spill in the Gulf of Mexico.

The aim, according to Opal, was to tackle “the legal, cultural and political dimensions of deep-water drilling in and near American waters and relate it to the American sphere.”

The speakers took a historical, rather than strictly environmental, approach to the subject. The idea for the forum, Studnicki-Gizbert said, began by discussing how the Deepwater Horizon disaster could be a turning point in the environmental and political consciousness of the United Sates.

“We said, ‘If we did some history on this, we could look at how environmental crises feed into environmental consciousness, environmental politics, and in particular issues of regulation,'” he said.

History Students Association VP Internal Marni Isaacson coordinated the forum and reached out to the professors.

“They were all very enthusiastic about coming together with the McGill community to both share their insight on the topic and hear what the public had to say,” she said.

The forum, though long after the initial oil well blowout, took place just 10 days after the U.S. government announced that the spill was officially over.  

The forum and discussion were  pertinent to the summer-long fiasco, and allowed academics, students, and the public to reflect on, as Opal said, “what we find to be most troubling, what we find to be most compelling, and above all perhaps where we are now and where we are going to head in terms of environmental disasters and the political response to them.”

On April 20, a fire erupted early in the morning on the drilling rig Deepwater Horizon.  The failure of a “blowout preventer” resulted in a massive explosion, the death of eleven workers, and the release of a continuous stream of crude oil into the Gulf of Mexico.

Each professor approached the disaster differently. Opal, who studies early American history, compared aspects of the disaster to the 19th century American frontier.  

“British Petroleum had a reputation as ‘cowboys.’ The terminology of the frontier suffused this disaster and is everywhere if you look carefully,” he said. “A frontier, or horizon, relates to or describes a specific relation of peoples to the environment and the people living there.”

The notion of untouched tracts of wilderness, Opal said, gave people the sense that anything they conquered would be theirs, and the frontier was the future. Now, he said, we see the consequences of similar attitudes regarding oil, and “a sense of being impotent in the face of crisis.”

Studnicki-Gizbert, on the other hand, who researches mineral and resource extraction in Latin America and the involvement of Canadian mining companies in these activities, discussed the spill in the context of other environmental disasters. He linked the spill to similar ones in the last century, like the spills of the Exxon Valdez or the Newtown Creek in Brooklyn.  

“It was a highly mediagenic event, because of the kind of historical resonances with other disasters and other events,” he said. “We inherently relate images of today’s crises to those for which we already have an understanding. This in turn dictates our reactions to current disasters.”

Jundt, an environmental historian, took the most straightforward approach to the disaster.

“In the case of the BP spill, it speaks quite loudly in terms of being representative of issues that characterize 20th century United States history,” he said. “It reflects a long-standing tension between protecting the environment and promoting the economy.”

Jundt discussed the issue of responsibility, and where the blame should lie. While all of the presenters agreed there was no clear-cut answer, Jundt explored the complex relationship between excessive corporate power and governmental involvement.  

“The U.S. government, through tax exemptions and lackadaisical egulation, has helped big companies get a foothold in this deep-water drilling,” he said.

Over five months after the enviromental disaster took place, McGill faculty and students were able to analize the issue from a historical perspective rather than the traditional environmental view, by relating and comparing the oil spill to previous events of the same nature.

News

McGill grad wins Emmy with UBC documentary team

Blake Sifton, a McGill graduate, along with nine other University of British Columbia journalism students,  became the first group of students ever to win an Emmy Award last week.

The group produced the documentary: Ghana: Digital Dumping Ground as part of an international reporting class at UBC’s Graduate School of Journalism. The film picked up two nominations at this year’s news and documentary Emmys, and won the award for Outstanding Investigative Journalism.

Ghana: Digital Dumping Ground aired on PBS’ Frontline/World, where it was described as “A global investigation into the dirty secret of the digital age—the dumping and dangerous recycling of hundreds of millions of pounds of electronic waste across the developing world.” It documents poor workers–often children–burning the European and American computers that recyclers ship to developing countries, and sifting through the toxic residue to salvage and sell tiny pieces of precious metals.

The film also documents another problem: functioning hard drives that contain Westerners’ personal documents and sensitive information. In a particularly memorable scene, one of the teams purchased a hard drive containing sensitive details about U.S. government contracts with one of the country’s largest military contractors, Northrop Grumman. Ghana is adjacent to Nigeria, which Sifton describes as “the epicentre of cyber-crime.”

But the real story is “that we’re poisoning the Third World, not that some African is going to steal your family photos,” said Sifton.

Socially conscious journalism is nothing new for Sifton, who first “got into journalism from activism” during his years at McGill.

Sifton, who graduated from McGill in 2007 with a joint honours degree in political science and international development studies, was involved with a group called Students Taking Action in Chiapas during his time at university, which “raised awareness of and money for the plight of indigenous population in southern Mexico.” He travelled with the group to Chiapas in 2004 and 2006 with donations and to volunteer in communities there.  

On his second trip, Mexico was caught in the middle of an election crisis, and Sifton eventually turned the trip into a feature for the McGill Daily. He managed to take a picture of one of the electoral candidates in the midst of an enormous throng of people, which the BBC later published on their website.  

“[That] was this really incredible experience that taught me that I could do that, that I wanted to watch history unfold like that and be a foreign correspondent,” Sifton said.

He later used the feature in his UBC application.  

This may be the first student-driven documentary to win anything as prestigious as an Emmy, but for project leader and multiple-Emmy-winner Professor Peter Klein, student involvement can add an important dimension to this kind of project.

Students, Klein said, bring a lot of fresh ideas and smart questions to such projects.

“Working journalists kind of get into certain patterns and certain ways of doing things, and you kind of just accept those norms,” he said. “Students question things in ways that experienced journalists don’t. And in that respect I think it actually improves the project. It improves the ethical approaches and the quality of the reporting.”  

Klein helps his students by bringing expertise and connections to the media world. For the students, many of whom are employed at major news organizations, winning an Emmy at such a young age is a promising career start. In a few weeks, Sifton will be joining Al-Jazeera as a deputy news editor in Doha, Qatar.  

As for Ghana and other e-waste recipients, Klein said the situation has not changed significantly since the program aired last year. Regarding what students can do, Sifton advises researching the recyclers you use to dispose of your computer products to ensure they are being as responsible as they claim so that they don’t “destroy your hard drive.”

News

At Green Drinks, Mehdi discusses climate change’s effects

Jessica Batalitzky

Last Tuesday night, another Green Drinks Montreal Chapter  event took place at Thomson House. Bano Mehdi, a PhD candidate in the department of geography, presented a talk titled “Climate Change Impacts on Agriculture in Canada.”

Mehdi addressed the small but attentive crowd and attempted to dispell the common belief that climate change is negative. Instead, she argued that “climate change vis-à-vis agriculture is seen as good.”

Focusing on three main points—how the climate has changed in Canada over the past century,  future climate predictions for the country, and the possible impacts of climate change on Canadian agriculture—Mehdi presented statistics that revealed clear evidence of temperature changes, but also possibilities for adaptation.

According to her presentation, there was  an overall increase in temperature of 0.9 degrees C across Canada over the past century. The change came with variation, though, and the temperature decreased at times.

Mehdi also said that Canada has had a 12 per cent increase in precipitation over the past eight years.

“Expect Canada to be warmer and wetter with occasional variations,” she said. “This changing climate will be more welcoming to high-value crops, such as grapes, which need specific temperatures at which to grow.”

Along the mid-latitude regions of the northern hemisphere, where Canada is located, there is the most potential for longer planting and harvesting seasons and new crop types. In the coming century, Mehsi said, most of these areas will be able to maintain a climate that will allow for optimal planting and harvesting.

The same cannot be said for mid-latitude southern regions. Only a minority of the world’s climatic regions, Mehdi said, will experience changes in their climates that will give them beneficial conditions.

But even for countries like Canada, the changes in temperature and precipitation have variability and cannot be predicted accurately enough to prevent natural disasters. Mehdi warned that no systems are currently in place to deal with such events, which could destroy crops.

Mehdi argued that it is up to farmers to adapt their methods to the climate. “They must have good soil and a ready water supply,” she said.

She also said that to ensure food security, the government will have to step in to help farmers with these burdens through access to knowledge, technology, and funds.

 “The agriculture sector is very adaptable” Mehdi said. “But if not enough attention is paid to these changes, Canada would not be able to keep up and therefore have a very difficult time feeding itself.”

Chris Wrobel, a Master’s student in plant science, is a member of the Post Graduate Students’ Society Environment Committee and a co-founder of Green Drinks Montreal, an informal organization that seeks to promote discussion on environmental issues. He explained that issues like the one addressed in this talk are what Green Drinks tries to promote.

“[The organization aims to] provide a forum for environmentalists with different views,” he said, asserting that “sustainability is a binding force” and that through them common projects amongst many groups can be undertaken.

News

Online note service hits U of T

Notesolution, a newly released online points-based service allows students to electronically exchange notes with each other. Students earn virtual “credits” for posting their class notes which they can use to purchase others’ notes.

 The service, founded in December 2009 by University of Toronto alumnus Kevin Wu and released at the start of this academic year, has  gained popularity among U of T undergraduates. The site currently boasts over 1,000 registered users and has received positive feedback.

 The University of Toronto Student Union (UTSU), intrigued by the concept and wanting to support the ideas of alumni, formed a partnership with Wu over the summer.

 “I think that there is a clear need for students to have access to as much information as possible for their courses,” said Adam Awas, president of the UTSU. “Given the shortened academic year, it is often difficult to keep up with a full course load, working, and commuting.”

 Wu also cited the difficult transition to university classes as motivation for starting the company.   “Adapting to a new way of life takes its toll,” he said. “I felt there was not enough out-of-classroom course assistance for additional guidance to reach every student.”

  As with McGill’s note-taking clubs (NTCs), there is concern that students will see these services as an alternative to  lecture attendance, and use others’ lecture notes as their only class resource. But Wu said that his service “is not meant to be used as a substitute for regular lecture attendance.” Some students aren’t eager to use others’ notes, though, and instead prefer to rely on what they  picked up from a lecture.

 Victoria Bonar, a U0 Arts student, finds it difficult to imagine depending solely on her peers’ notes.

“During lectures, I just have to write what I’m thinking. It’s immensely valuable to go back and see what ideas I had during lecture, especially when it comes to essay time,” she said. “[However], there are times when the professor is just talking so fast and it’s very easy to miss a point.”  

Students have different learning styles. For some, the physical act of putting pencil to paper helps engrain material into memory and aids comprehension. For others, taking fewer notes during class and sharing notes with classmates later allows for better participation and concentration in class. Notesolution aims to provide a service for the latter group allowing students to collaborate with each other and gain access to supplementary material at exam time.  However, the anonymity associated with posting information online may lead some to doubt the quality of content posted.

 “Some students may be worried that the notes on Notesolution are not the best quality, or written by students who you would not ask if you knew them,” said Gavin Nowlan, president of the University of Toronto Arts and Sciences Student Union. “This could be one of the reasons why students may be wary to join up.”

 Notesolution uses a ratings system, and users rank a poster’s notes upon downloading. These ratings are averaged and displayed alongside a user’s profile and uploads.  Membership to the site is steadily increasing, and the company hopes to expand to universities across Canada in the near future.

Sports

Vert et Or aerial attack dooms Redmen

John Kelsey

At the annual McGill Homecoming, the Redmen failed to impress the alumni with a 34-8 loss to the Sherbrooke Vert et Or.

The match was televised live by CBC and was attended by over 1500 fans, many of whom were sporting McGill gear.

Almost every pass made early in the game by Vert et Or quarterback Jean-Phillipe Shoiry went to Simon Charbonneau-Campeau, who set a school record with 223 yards on nine receptions. However, the Vert et Or missed their first field goal, resulting in a rouge and only a 1-0 lead.

Though they were outshone, McGill’s distinguished wide receivers, Charles-Antoine Sinotte and Justene Edwards, were impressive in their own rights. Edwards, a freshman, has 267 yards over 16 receptions thus far this season. However, despite opportunities, the Redmen passing attack failed to score.

Sherbrooke’s offence dominated the game. With two minutes left in the first quarter, Charbonneau-Campeau caught a 78-yard pass from Shoiry for the game’s first touchdown. William Dion, the Vert et Or’s punter, converted the extra point and Sherbrooke advanced to the second quarter with an 8-0 lead.

Sherbrooke widened their lead at the start of the second quarter with two field goals by Dion. Undeterred by the scoring difference, the Redmen defensive line solidified. Senior defenders Patrick Bourgon and Ben Thompson broke up plays and slowed down the Vert et Or attack. Freshman linebacker Jesse Briggs completed crucial sacks, inhibiting the Sherbrooke offense. Junior defensive back, Matthew Quigley, also performed well. Though he’s been on the roster for three years, this season is his first on the field and off the DL.

 Kicker Austin Anderson put McGill on the scoreboard with a field goal.

With five minutes left in the second quarter, Shoiry went down due with an injury, bringing in backup James Goulet. The Vert et Or responded with an 83-yard punt return touchdown from Raphael Gagné. The second quarter concluded with Sherbrooke leading 24-3.

“We were a little flat coming out and we got down early and just couldn’t crawl back” said a disappointed defensive end Ben Thompson.

The Redmen couldn’t make up the difference in the third quarter. Junior running back Taylor Kuprowski was efficient rushing throughout the game but was not able to find a path to the end zone. He registered 89 yards on 12 carries with four receptions for 47 yards. Despite Kuprowski’s solid efforts the offence was unable to get to the end zone. “We can drive the ball, but once we get inside the 30 we stall as an offence” said quarterback Ryne Bondy.

The Vert et Or even contained star kick returner JT Thompson, though he showed flashes of brilliance.

Early in the fourth quarter, Sherbrooke’s backup quarterback, James Goulet registered the team’s third touchdown of the game. Goulet’s stellar performance insured that there no decline in the Vert et Or passing game after Shoiry’s exit.

The Vert et Or scored a final point with an attempted field goal that resulted in a rouge before the match concluded with the score 34-8. As the players exited the field, the alumni continued celebrating with undampered spirit, despite the lopsided loss.

Although the score doesn’t show it, the McGill defence performed respectably. However, Sherbooke’s big, early lead rendered their efforts moot.

“If there is one thing to take away, it’s that Sherbrooke made more big plays than we did,” said former star player and Defensive Back Assistant Coach Anthony Lukca. “That was the determining factor in this game. Sherbrooke came out and made the plays, caught the balls, made the interceptions … and it ended up killing us in the end.”

McGill (0-5) will travel to Concordia next Saturday hoping to avenge their 34-29 loss on September 17.

Arts & Entertainment, Music

Think About Life

billions.com

The idea of Montreal’s Think About Life playing a free show at the tiny Le Divan Orange during Pop was a great idea. Except that the show was at 4 p.m. on a Saturday. So while the venue was packed for their late afternoon set, the things that make a Think About Life show so great—namely crowd and performer energy—were lacking, since most were busy nursing hangovers.

During their brief 30 minute set, the band stuck to crowd favourites from their sophomore effort Family (an album I will admit I was wrong about), including “Havin’ My Baby,” “Sweet Sixteen,” and “Set You On Fire,” the latter with an extended outro from guitarist Graham van Pelt based on the “Bed Intruder” Internet meme. They also played two new songs that would have fit in well among older material with soulful vocals, poppy synths, and danceable grooves, all Think About Life trademarks. Front man Martin Cesar was his usual engaging and charismatic self, asking the audience about their “single status” and questioning the sociological value of Nike. It was all good fun, but it didn’t live up to the legendary Think About Life shows of the past.

Arts & Entertainment, Music

Mahala Rai Banda

You didn’t have to be familiar with Mahala Rai Banda—a Romanian Gypsy band—to have found yourself dancing your head off at Cabaret Mile-End last Wednesday night. Literally meaning “noble band from the ghetto,” Mahala Rai Banda has managed to turn traditional gypsy music into a frenetic, multi-genre, club-hopping synergy that is undeniably entertaining to any discerning (or even non-discerning) listener.

The band boasts at least 11 members—each of whom triple as musicians, singers, and dancers—playing an array of brass instruments, furious violins, accordions, and stomping percussion in an effort to combine inventive arrangements with traditional elements no doubt unfamiliar to the average Canadian.At once jazzy, bluesy, klezmer, club, and rock, these incredibly gifted musicians know how to put on a show, and were a welcome addition to the slew of standard indie bands at the festival.

Though a far cry from the streets of Romania, Cabaret Mile-End was the perfect venue to sit, drink, and most importantly dance in an intimate but sizable atmosphere. Mahala Rai Banda is the rising band from the Balkans, and at Pop Montreal, locals had the opportunity to get in on the wild party.

Arts & Entertainment, Music

Katie Moore

borealisrecords.com

Katie Moore is a Montreal-based songstress who needs nothing more than a guitar and her hauntingly beautiful voice to entrance an audience. And at Le Cagibi on Friday night, that’s exactly what she did. As she performed some tunes from her 2007 solo album Only Thing Worse, including “It’s all Your Fault” and the poignant “Getting Older,” Moore guzzled beer and told off-colour jokes.  

She performed a few songs with her long-time collaborator and friend, Warren Spicer, who lent his voice to a few moments of powerful harmony and added a pulsing electric guitar to the more energetic melodies. Moore also accompanied Joe Grass, an experimental country-soul singer who performed before her in the night’s lineup.

Although Moore’s effortless vocals are often sought out to accompany other renowned artists.She sang live with Feist at the 2010 Vancouver Olympics, supported Gonzales on his tour, and occasionally sings with the bands Socalled and Yonder Hill. The singer more than stands her own ground, and the incredibly intimate nature of the venue made the subtle tones of her music that much more powerful. With a sound reminiscent of both the dark tones of Stevie Nicks and the country flair of Dolly Parton, Katie Moore’s performance transports you from the bohemian streets of Montreal to the backwoods of a bygone country past.

 

Arts & Entertainment, Music

Look at What the Light Did Now

blogs.sltrib.com

Listening to the sounds of indie darling Feist is always a treat, but Look at What the Light Did Now, a documentary portraying the artist’s journey as she recorded her Grammy-nominated album The Reminder, turned the audible into a visual treat as well. This year, Pop gave Montrealers the unique opportunity to see the world premiere of this beautiful film about the shockingly camera-shy superstar.

Despite her clear musical acumen, enormous fan base, and physical attractiveness, the former Broken Social Scene member has always been afraid of “the light,” and the film uses footage from interviews, sold-out arena concerts, music video rehearsals, and intimate home-studio recording sessions to reveal the ways in which the artist has managed to stay in the spotlight without really being in the spotlight. During performances, Feist has had shadow puppeteers drawing the fans’ gaze while she remained in shadow in the fore, and photographers have kept her hidden even on the cover of her albums. Look at What the Light Did Now reveals the importance of collaboration in producing art, and the often blurred lines between art and life. Although Feist likens herself to a peacock—a scrawny bird made beautiful only by its colourful plumes—it’s clear that this songstress speaks for herself.

 

Art, Arts & Entertainment

Within Which All Things Move

Chloe Roubert

Google Street View cars, mounted with nine cameras, roam the earth recording whatever happens to appear before them, from tumbleweeds floating across deserted highways to Justin Bieber’s grandparents in the front yard of the pop star’s Ontario home (earning Street View the apt nickname “Googlerazzi”). The Google cameras act as detached observers, providing glimpses of landscapes and life captured in passing. Art45 exhibition Within Which All Things Exist and Move—the highlight of Art Pop—brought together and juxtaposed artist Jon Rafman’s Google Street View images with documentary photographer Gabor Szilasi’s urban shots from the 1950 to the 1980s.  

Fascinated by Google’s global archiving, Rafman selected Street View images which he thinks pose questions about the nature of the relationship between the individual and his or her environment. Rafman’s most poignant image presents the backside of a nude woman in Puglia, Italy, standing on rocks at the edge of the ocean and watching the tide come in. While the Street View cameras indifferently record the woman, Rafman reasserts her individuality by selecting and framing the image. A particularly striking contrast was created between a black and white photograph of a group of Italian nuns in the 1950s and a Street View image of three women wearing niqabs, their eyes deliberately blurred, on the streets of London. Szilasi’s stunning historical photographs emphasize the intimate, voyeur-esque quality of Rafman’s images, which act as a window on the world by capturing daily life within the process of global surveillance.

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